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5 - They Don’t Make ’Em Like They Used To: Electric Guitar Design 1950–2022

from Part II - Technology and Timbre

Published online by Cambridge University Press:  08 November 2024

Jan-Peter Herbst
Affiliation:
University of Huddersfield
Steve Waksman
Affiliation:
Smith College, Massachusetts
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Summary

Guitar shop showrooms are museums of design. As visitors walk by rows of instruments, they encounter a tactile history of popular music. However, shoppers may notice that the majority of electric guitars available in the modern marketplace are strikingly similar. While there are certainly instances of radically new styles, they are outnumbered by instruments that resemble mid-twentieth century designs, such as the Fender Stratocaster and the Gibson Les Paul. This chapter explores moments in electric guitar design history that speak to marketplace tensions between historical consciousness and innovation. There is a widespread belief that the electric guitar was perfected half a century ago. Therefore, new design choices must be in conversation with the past. Success stories—such as Fender’s Custom Shop series—rely upon such historical nods. Design flops—such as Gibson’s “G-Force” automatic tuner—fail because they innovate beyond what buyers are willing to accept. So, is the electric guitar dead, as some commentators have proclaimed? I argue that the instrument is in a persistent state of rebirth as new models move forwards by looking backwards.

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Chapter
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Publisher: Cambridge University Press
Print publication year: 2024

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References

Selected Bibliography

Atkinson, Paul, Amplified: A Design History of the Electric Guitar (Reaktion Books, 2021).Google Scholar
Dudley, Kathryn Marie, Guitar Makers: The Endurance of Artisanal Values in North America (University of Chicago Press, 2014).CrossRefGoogle Scholar
Edgers, Geoff, “Why My Guitar Gently Weeps: The Slow Secret Death of the Electric Guitar,” The Washington Post (2017). Available at www.washingtonpost.com/graphics/2017/lifestyle/the-slow-secret-death-of-the-electric-guitar (accessed May 3, 2023).Google Scholar
Gartman, David, Auto-Opium: A Social History of American Automobile Design (Routledge, 1994).Google Scholar
Millard, André, The Electric Guitar: A History of an American Icon (Johns Hopkins University Press, 2004).CrossRefGoogle Scholar
Tolinski, Brad and di Perna, Alan, Play It Loud: An Epic History of the Style, Sound, & Revolution of the Electric Guitar (Penguin Random House, 2017).Google Scholar
Waksman, Steve, “California Noise: Tinkering with Hardcore and Heavy Metal in Southern California,” Social Studies of Science 34/5 (2004): 675702.CrossRefGoogle Scholar

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