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14 - Ecological Entanglements: Following the Electric Guitar from Factory to Forest

from Part IV - The Electric Guitar in Society

Published online by Cambridge University Press:  08 November 2024

Jan-Peter Herbst
Affiliation:
University of Huddersfield
Steve Waksman
Affiliation:
Smith College, Massachusetts
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Summary

This chapter considers how the electric guitar is entwined with ecological issues—materially, culturally, and politically. Its first section discusses the electric guitar’s composite materials—metals, plastics, and especially woods—linking them to upstream impacts, legal and environmental conflicts. Disrupting the industry are environmental problems that interrupt material resource supply, including species endangerments, trade restrictions, and climate change. The second section considers new sustainability initiatives amid growing resource insecurity and a changing climate. Attempts at ecological recuperation encompass diversification of timbers, forest restoration, salvage supply chains, new materials, and urban tree planting schemes. The third section turns to guitar players, asking questions of how, as musicians, we find ourselves entwined within, and in many ways responsible for, the instrument’s ecological dilemmas. Throughout the chapter, we draw upon our long-standing research project tracing the guitar “in rewind” back to forest origins, including interview quotes from wood experts in the guitar industry that we have interviewed across the globe.

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Publisher: Cambridge University Press
Print publication year: 2024

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References

Selected Bibliography

Bennett, Bradley C.The Sound of Trees: Wood Selection in Guitars and Other Chordophones,” Economic Botany 70 (2016): 4963.CrossRefGoogle Scholar
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Genova, Patrick, “Good Vibrations: The Push for New Laws and Industry Practices in American Instrument Making,” William & Mary Environmental Law and Policy Review 38 (2013): 195220.Google Scholar
Gibson, Chris, “A Sound Track to Ecological Crisis: Tracing Guitars All the Way Back to the Tree,” Popular Music 38 (2019): 183203.CrossRefGoogle Scholar
Gibson, Chris and Warren, Andrew, The Guitar: Tracing the Grain Back to the Tree (University of Chicago Press, 2021).CrossRefGoogle Scholar
Herbst, Jan-Peter and Menze, Jonas, Gear Acquisition Syndrome: Consumption of Instruments and Technology in Popular Music (University of Huddersfield Press, 2021).CrossRefGoogle Scholar
Martinez-Reyes, José, “Mahogany Intertwined: Environmateriality between Mexico, Fiji, and the Gibson Les Paul,” Journal of Material Culture 20 (2015): 313329.CrossRefGoogle Scholar
Thomas, John, “The Impact of the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES) on International Cultural Musical Exchange,” in Frenkel, David (ed.), International Law, Conventions and Justice (Institute for Education and Research, 2011), pp. 8192.Google Scholar

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