Book contents
- The Cambridge Companion to the Drum Kit
- Cambridge Companions to Music
- The Cambridge Companion to the Drum Kit
- Copyright page
- Contents
- Figures
- Tables
- Music Examples
- Notes on Contributors
- Introduction
- Part I Histories of the Drum Kit
- Part II Analysing the Drum Kit in Performance
- 5 The Drum Kit beyond the Anglosphere
- 6 Drum Kit Performance in Contemporary Classical Music
- 7 Theorizing Complex Meters and Irregular Grooves
- 8 Shake, Rattle, and Rolls
- 9 Drum Tracks
- Part III Learning, Teaching, and Leading on the Drum Kit
- Part IV Drumming Bodies, Meaning, and Identity
- Index
7 - Theorizing Complex Meters and Irregular Grooves
from Part II - Analysing the Drum Kit in Performance
Published online by Cambridge University Press: 28 May 2021
- The Cambridge Companion to the Drum Kit
- Cambridge Companions to Music
- The Cambridge Companion to the Drum Kit
- Copyright page
- Contents
- Figures
- Tables
- Music Examples
- Notes on Contributors
- Introduction
- Part I Histories of the Drum Kit
- Part II Analysing the Drum Kit in Performance
- 5 The Drum Kit beyond the Anglosphere
- 6 Drum Kit Performance in Contemporary Classical Music
- 7 Theorizing Complex Meters and Irregular Grooves
- 8 Shake, Rattle, and Rolls
- 9 Drum Tracks
- Part III Learning, Teaching, and Leading on the Drum Kit
- Part IV Drumming Bodies, Meaning, and Identity
- Index
Summary
This chapter details two types of drumbeats used by drummers when playing irregular-meter grooves based on large repeating spans (ten or more beats or pulses). The types – punctuated and split – differ with regard to the subdivision of the repeating cycle. In punctuated irregular grooves an established meter is interrupted at regular intervals by isolated measures in another meter. In split irregular grooves, the cycle is divided into two or more subsections of approximately balanced lengths. The drums play a critical role in decoding these subdivision patterns. Many irregular-meter drumbeats can be related directly to the familiar common-time backbeat, and the ways that an irregular-meter drumbeat diverges from that regular-meter archetype provide a ready guide for metric analysis. At deeper metric levels, drumming conventions such as fills serve as structural landmarks. The theory of punctuated and split metric structures demonstrates the centrality of drum-kit syntax to the performance, perception, and analysis of metrically irregular rock music.
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- Information
- The Cambridge Companion to the Drum Kit , pp. 94 - 111Publisher: Cambridge University PressPrint publication year: 2021
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