Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-7cvxr Total loading time: 0 Render date: 2024-12-28T13:09:41.894Z Has data issue: false hasContentIssue false

Further Reading

Published online by Cambridge University Press:  11 May 2023

Michael J. Collins
Affiliation:
King's College London
Gavin Jones
Affiliation:
Stanford University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Canby, Henry Seidel. 1902. The Short Story. New York: Henry Holt and Co.Google Scholar
Canby, Henry Seidel. 1913. A Study of the Short Story. New York: Henry Holt and Co.Google Scholar
Harte, Bret. 1899. “The Rise of the Short Story,” Cornhill Magazine VII (July): 1–8.Google Scholar
Howells, William Dean. 1887. “Editor’s Study,” Harper’s Monthly Magazine 74 (February): 482486.Google Scholar
Howells, William Dean. 1902. “Some Anomalies of the Short Story,” in Literature and Life: Studies, 110124. New York: Harper and Brothers.Google Scholar
Matthews, Brander. 1885. “The Philosophy of the Short-Story,” Lippincott’s Magazine of Popular Literature and Science 36 (October): 366374.Google Scholar
Neal, John. 1835. “Story-Telling,” The New-England Magazine VIII (January): 1–12.Google Scholar
Pattee, Fred Lewis. 1923. The Development of the American Short Story: An Historical Survey. New York: Harper and Brothers.Google Scholar
Perry, Bliss. 1902. A Study of Prose Fiction. Boston and New York: Houghton, Mifflin, and Company.Google Scholar
Poe, Edgar Allan. 1842. “Review of Twice-Told Tales,” Graham’s Lady’s and Gentleman’s Magazine (May): 298–300.Google Scholar
Poe, Edgar Allan. 1847. “Tale-Writing – Nathaniel Hawthorne,” Godey’s Magazine and Lady’s Book (November): 252–256.Google Scholar

Secondary Sources

Achilles, Jochen and Bergmann, Ina. 2015. Liminality and the Short Story: Boundary Crossings in American, Canadian, and British Writing. New York: Routledge.Google Scholar
Boddy, Kasia. 2010. The American Short Story Since 1950. Edinburgh: Edinburgh University Press.Google Scholar
Brown, Julie, ed. 1995. American Women Short Story Writers: A Collection of Critical Essays. New York: Garland Publishing.Google Scholar
Cocchiarale, Michael and Emmert, Scott, eds. 2015. Critical Insights: American Short Story. Ipswich, MA: Salem Press.Google Scholar
Collins, Michael J. 2016. The Drama of the American Short Story, 1800–1865. Ann Arbor: University of Michigan Press.Google Scholar
Current-García, Eugene. 1985. The American Short Story before 1850: A Critical History. Boston: Twayne.Google Scholar
Curnutt, Kirk. 1997. Wise Economies: Brevity and Storytelling in American Short Stories. Moscow: University of Idaho Press.Google Scholar
Delaney, Paul and Hunter, Adrian, eds. 2018. The Edinburgh Companion to the Short Story in English. Edinburgh: Edinburgh University Press.CrossRefGoogle Scholar
Einhaus, Ann-Marie, ed. 2016. The Cambridge Companion to the English Short Story. New York: Cambridge University Press.CrossRefGoogle Scholar
Eikhenbaum, Boris. 1968 [1925]. O. Henry and the Theory of the Short Story. Trans. Titunik, I. R.. Ann Arbor: University of Michigan Press.Google Scholar
Ermida, Isabel. 2008. The Language of Comic Narratives: Humor Construction in Short Stories. Berlin: Mouton de Gruyter.CrossRefGoogle Scholar
Farman, Jason, ed. 2014. The Mobile Story: Narrative Practices with Locative Technologies. New York: Routledge.Google Scholar
Fash, Lydia G. 2020. The Sketch, the Tale, and the Beginnings of American Literature. Charlottesville: University of Virginia Press.Google Scholar
Glass, Loren, ed. 2016. After the Program Era: The Past, Present, and Future of Creative Writing in the University. Iowa City: University of Iowa Press.Google Scholar
Gerlach, John C. 1985. Toward the End: Closure and Structure in the American Short Story. Tuscaloosa: University of Alabama Press.Google Scholar
Goyet, Florence. 2014. The Classic Short Story, 1870–1925: Theory of a Genre. Cambridge, UK: Open Book Publishers.Google Scholar
Harrington, Ellen Burton, ed. 2008. Scribbling Women and the Short Story Form: Approaches by American and British Women Writers. New York: Peter Lang.Google Scholar
Head, Dominic, ed. 2016. The Cambridge History of the English Short Story. New York: Cambridge University Press.Google Scholar
Hunter, Adrian, ed. 2007. The Cambridge Introduction to the Short Story in English. New York: Cambridge University Press.Google Scholar
Iftekharrudin, Farhat, Boyden, Joseph, Rohrberger, Mary, and Claudet, Jale, eds. 2003. The Postmodern Short Story: Forms and Issues. Westport, CT: Praeger.Google Scholar
Iftekharuddin, Farhat, Rohrberger, Mary, and Lee, Maurice, eds. 1997. Speaking of the Short Story: Interviews with Contemporary Writers. Jackson: University Press of Mississippi.Google Scholar
Levy, Andrew. 1993. The Culture and Commerce of the American Short Story. New York: Cambridge University Press.Google Scholar
Lohafer, Susan. 1983. Coming to Terms with the Short Story. Baton Rouge: Louisiana State University Press.Google Scholar
Lohafer, Susan. 2003. Reading for Storyness: Preclosure Theory, Empirical Poetics, and Culture in the Short Story. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Lohafer, Susan and Clarey, Jo Ellyn, eds. 1989. Short Story Theory at a Crossroads. Baton Rouge: Louisiana State University Press.Google Scholar
March-Russell, Paul. 2009. The Short Story: An Introduction. Edinburgh: Edinburgh University Press.Google Scholar
May, Charles E., ed. 1976. Short Story Theories. Athens: Ohio University Press.Google Scholar
May, Charles E., 1994. The New Short Story Theories. Athens: Ohio University Press.Google Scholar
May, Charles E., 1995. The Short Story: The Reality of Artifice. New York: Twayne.Google Scholar
McGurl, Mark. 2009. The Program Era: Postwar Fiction and the Rise of Creative Writing. Cambridge, MA: Harvard University Press.Google Scholar
O’Connor, Frank. 1963. The Lonely Voice: A Study of the Short Story. Cleveland, OH: World Publishing Co.Google Scholar
Patea, Viorica, ed. 2012. Short Story Theories: A Twenty-First-Century Perspective. Amsterdam and New York: Rodopi.Google Scholar
Peden, William. 1964. The American Short Story: Front Line in the National Defense of Literature. Boston: Houghton Mifflin.Google Scholar
Peden, William. 1975. The American Short Story: Continuity and Change, 1940–1975. Boston: Houghton Mifflin.Google Scholar
Price, Kenneth M. and Smith, Susan Belasco, eds. 1995. Periodical Literature in Nineteenth-Century America. Charlottesville: University Press of Virginia.Google Scholar
Rohrberger, Mary. 1996. Hawthorne and the Modern Short Story: A Study in Genre. The Hague: Mouton.Google Scholar
Scofield, Martin. 2006. The Cambridge Introduction to the American Short Story. New York: Cambridge University Press.Google Scholar
Smith, Jennifer. 2018. The American Short Story Cycle. Edinburgh: Edinburgh University Press.Google Scholar
Stevick, Philip, ed. 1984. The American Short Story, 1900–1945: A Critical History. Boston: Twayne.Google Scholar
Tallack, Douglas. 1993. The Nineteenth-Century American Short Story: Language, Form, and Ideology. New York: Routledge.Google Scholar
Winther, Per, Lothe, Jakob, and Skei, Hans H.. 2004. The Art of Brevity: Excursions in Short Fiction Theory and Analysis. Columbia: South Carolina Press.Google Scholar
Young, Emma. 2018. Contemporary Feminism and Women’s Short Stories. Edinburgh: Edinburgh University Press.Google Scholar
American Short Fiction. University of Texas Press.Google Scholar
Short Story. Society for the Study of the Short Story.Google Scholar
Studies in the American Short Story. Penn State University Press.Google Scholar
Studies in Short Fiction. Newberry College.Google Scholar
Baker, Harry Torsey. 1916. The Contemporary Short Story: A Practical Manual. Boston: D. C. Heath and Co.Google Scholar
Barrett, Charles Raymond. 1898. Short Story Writing: A Practical Treatise on the Art of the Short Story. Chicago: Authors and Writers’ Union.Google Scholar
Blackiston, Elliott. 1946. Short Story Writing for Profit. Boston: The Writer, Inc.Google Scholar
Chester, George Randolph. 1910. The Art of Short Story Writing. Cincinnati, OH: The Publishers Syndicate.Google Scholar
Cody, Sherwin. 1895. How to Write Fiction, Especially the Art of Short Story Writing: A Practical Study of Technique. London: Bellairs and Co.Google Scholar
Cook, William Wallace. 1941. Plotto: A New Method of Plot Suggestion for Writers of Creative Fiction. Battle Creek, MI: Ellis Publishing Co.Google Scholar
Dye, Charity. 1898. The Story-Teller’s Art: A Guide to the Elementary Study of Fiction. Boston: The Athenaeum Press.Google Scholar
Eaton, Harold Thomas. 1934. Short Stories for Study and Enjoyment. Garden City, NY: Doubleday, Doran.Google Scholar
Esenwein, J. Berg. 1909. Writing the Short-Story: A Practical Handbook on the Rise, Structure, Writing, and Sale of the Modern Short-Story. Springfield, MA: Home Correspondence School.Google Scholar
Fagin, N. Bryllion. 1923. Short Story-Writing, An Art or a Trade? New York: T. Seltzer, Inc.Google Scholar
Gavin, Marian. 1962. Writing Short Stories for Pleasure and Profit. Boston: The Writer, Inc.Google Scholar
Gerwig, George W. 1909. The Art of the Short Story. Akron, OH: The Werner Company.Google Scholar
Grabo, Carl H. 1913. The Art of the Short Story. New York: Charles Scribner’s Sons.Google Scholar
Hamilton, Clayton. 1918. A Manual of the Art of Fiction. Garden City, NY: Doubleday, Page, and Co.Google Scholar
Joseph, Michael. 1924. Short Story-Writing for Profit. Boston: Small, Maynard, and Company.Google Scholar
Kamerman, Sylvia E. 1946. Writing the Short Short Story. Boston: The Writer.Google Scholar
Louthan, Hattie Horner. 1930. The Short-Story Craftsman: The Rhetoric of Short Fiction. Denver: The World Press, Inc.Google Scholar
Mirrielees, Edith Ronald. 1929. Writing the Short Story. Garden City, NY: Doubleday, Doran and Co.Google Scholar
Neal, Robert Wilson. 1914. Short Stories in the Making. New York: Oxford University Press.Google Scholar
Pitkin, Walter B. 1922. The Art and the Business of Story Writing. New York: The Macmillan Co.Google Scholar
Smith, Louis Worthington. 1902. The Writing of the Short Story. Boston: D. C. Heath and Co.Google Scholar
Wells, Carolyn. 1913. The Technique of the Mystery Story. Springfield, MA: Home Correspondence School.Google Scholar
Williams, Blanche Colton. 1917. A Handbook on Story Writing. London: George Routledge and Sons.Google Scholar
Williams, Blanche Colton. 1919. How to Study “The Best Short Stories.” Boston: Small, Maynard, and Company.Google Scholar
Davies, Peter Ho. 2021. The Art of Revision: The Last Word. Minneapolis, MN: Graywolf Press.Google Scholar
DeMarinis, Rick. 2000. The Art and Craft of the Short Story. Cincinnati, OH: Story Press.Google Scholar
Gardner, John. 1984. The Art of Fiction: Notes on Craft for Young Writers. New York: A. Knopf.Google Scholar
Glover, Douglas. 2012. Attack of the Copula Spiders and Other Essays on Writing. Emeryville, Ontario: Biblioasis.Google Scholar
Hills, Rust. 1987. Writing in General and the Short Story in Particular: An Informal Textbook. Revised ed. Boston: Houghton Mifflin.Google Scholar
Koch, Stephen. 2003. The Modern Library Writer’s Workshop: A Guide to the Craft of Fiction. New York: Modern Library.Google Scholar
Salesses, Matthew. 2021. Craft in the Real World: Rethinking Fiction Writing and Workshopping. New York: Catapult.Google Scholar
Saunders, George. 2021. A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life. New York: Random House.Google Scholar
Tin House Publishing. 2009. The Writer’s Notebook: Craft Essays from Tin House. Portland, OR: Tin House Books.Google Scholar
Tin House Publishing. 2012. The Writer’s Notebook II: Craft Essays from Tin House. Portland, OR: Tin House Books.Google Scholar
Wood, James. 2008. How Fiction Works. London: Jonathan Cape.Google Scholar
Achilles, Jochen and Bergmann, Ina. 2015. Liminality and the Short Story: Boundary Crossings in American, Canadian, and British Writing. New York: Routledge.Google Scholar
Boddy, Kasia. 2010. The American Short Story Since 1950. Edinburgh: Edinburgh University Press.Google Scholar
Brown, Julie, ed. 1995. American Women Short Story Writers: A Collection of Critical Essays. New York: Garland Publishing.Google Scholar
Cocchiarale, Michael and Emmert, Scott, eds. 2015. Critical Insights: American Short Story. Ipswich, MA: Salem Press.Google Scholar
Collins, Michael J. 2016. The Drama of the American Short Story, 1800–1865. Ann Arbor: University of Michigan Press.Google Scholar
Current-García, Eugene. 1985. The American Short Story before 1850: A Critical History. Boston: Twayne.Google Scholar
Curnutt, Kirk. 1997. Wise Economies: Brevity and Storytelling in American Short Stories. Moscow: University of Idaho Press.Google Scholar
Delaney, Paul and Hunter, Adrian, eds. 2018. The Edinburgh Companion to the Short Story in English. Edinburgh: Edinburgh University Press.CrossRefGoogle Scholar
Einhaus, Ann-Marie, ed. 2016. The Cambridge Companion to the English Short Story. New York: Cambridge University Press.CrossRefGoogle Scholar
Eikhenbaum, Boris. 1968 [1925]. O. Henry and the Theory of the Short Story. Trans. Titunik, I. R.. Ann Arbor: University of Michigan Press.Google Scholar
Ermida, Isabel. 2008. The Language of Comic Narratives: Humor Construction in Short Stories. Berlin: Mouton de Gruyter.CrossRefGoogle Scholar
Farman, Jason, ed. 2014. The Mobile Story: Narrative Practices with Locative Technologies. New York: Routledge.Google Scholar
Fash, Lydia G. 2020. The Sketch, the Tale, and the Beginnings of American Literature. Charlottesville: University of Virginia Press.Google Scholar
Glass, Loren, ed. 2016. After the Program Era: The Past, Present, and Future of Creative Writing in the University. Iowa City: University of Iowa Press.Google Scholar
Gerlach, John C. 1985. Toward the End: Closure and Structure in the American Short Story. Tuscaloosa: University of Alabama Press.Google Scholar
Goyet, Florence. 2014. The Classic Short Story, 1870–1925: Theory of a Genre. Cambridge, UK: Open Book Publishers.Google Scholar
Harrington, Ellen Burton, ed. 2008. Scribbling Women and the Short Story Form: Approaches by American and British Women Writers. New York: Peter Lang.Google Scholar
Head, Dominic, ed. 2016. The Cambridge History of the English Short Story. New York: Cambridge University Press.Google Scholar
Hunter, Adrian, ed. 2007. The Cambridge Introduction to the Short Story in English. New York: Cambridge University Press.Google Scholar
Iftekharrudin, Farhat, Boyden, Joseph, Rohrberger, Mary, and Claudet, Jale, eds. 2003. The Postmodern Short Story: Forms and Issues. Westport, CT: Praeger.Google Scholar
Iftekharuddin, Farhat, Rohrberger, Mary, and Lee, Maurice, eds. 1997. Speaking of the Short Story: Interviews with Contemporary Writers. Jackson: University Press of Mississippi.Google Scholar
Levy, Andrew. 1993. The Culture and Commerce of the American Short Story. New York: Cambridge University Press.Google Scholar
Lohafer, Susan. 1983. Coming to Terms with the Short Story. Baton Rouge: Louisiana State University Press.Google Scholar
Lohafer, Susan. 2003. Reading for Storyness: Preclosure Theory, Empirical Poetics, and Culture in the Short Story. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Lohafer, Susan and Clarey, Jo Ellyn, eds. 1989. Short Story Theory at a Crossroads. Baton Rouge: Louisiana State University Press.Google Scholar
March-Russell, Paul. 2009. The Short Story: An Introduction. Edinburgh: Edinburgh University Press.Google Scholar
May, Charles E., ed. 1976. Short Story Theories. Athens: Ohio University Press.Google Scholar
May, Charles E., 1994. The New Short Story Theories. Athens: Ohio University Press.Google Scholar
May, Charles E., 1995. The Short Story: The Reality of Artifice. New York: Twayne.Google Scholar
McGurl, Mark. 2009. The Program Era: Postwar Fiction and the Rise of Creative Writing. Cambridge, MA: Harvard University Press.Google Scholar
O’Connor, Frank. 1963. The Lonely Voice: A Study of the Short Story. Cleveland, OH: World Publishing Co.Google Scholar
Patea, Viorica, ed. 2012. Short Story Theories: A Twenty-First-Century Perspective. Amsterdam and New York: Rodopi.Google Scholar
Peden, William. 1964. The American Short Story: Front Line in the National Defense of Literature. Boston: Houghton Mifflin.Google Scholar
Peden, William. 1975. The American Short Story: Continuity and Change, 1940–1975. Boston: Houghton Mifflin.Google Scholar
Price, Kenneth M. and Smith, Susan Belasco, eds. 1995. Periodical Literature in Nineteenth-Century America. Charlottesville: University Press of Virginia.Google Scholar
Rohrberger, Mary. 1996. Hawthorne and the Modern Short Story: A Study in Genre. The Hague: Mouton.Google Scholar
Scofield, Martin. 2006. The Cambridge Introduction to the American Short Story. New York: Cambridge University Press.Google Scholar
Smith, Jennifer. 2018. The American Short Story Cycle. Edinburgh: Edinburgh University Press.Google Scholar
Stevick, Philip, ed. 1984. The American Short Story, 1900–1945: A Critical History. Boston: Twayne.Google Scholar
Tallack, Douglas. 1993. The Nineteenth-Century American Short Story: Language, Form, and Ideology. New York: Routledge.Google Scholar
Winther, Per, Lothe, Jakob, and Skei, Hans H.. 2004. The Art of Brevity: Excursions in Short Fiction Theory and Analysis. Columbia: South Carolina Press.Google Scholar
Young, Emma. 2018. Contemporary Feminism and Women’s Short Stories. Edinburgh: Edinburgh University Press.Google Scholar
American Short Fiction. University of Texas Press.Google Scholar
Short Story. Society for the Study of the Short Story.Google Scholar
Studies in the American Short Story. Penn State University Press.Google Scholar
Studies in Short Fiction. Newberry College.Google Scholar
Baker, Harry Torsey. 1916. The Contemporary Short Story: A Practical Manual. Boston: D. C. Heath and Co.Google Scholar
Barrett, Charles Raymond. 1898. Short Story Writing: A Practical Treatise on the Art of the Short Story. Chicago: Authors and Writers’ Union.Google Scholar
Blackiston, Elliott. 1946. Short Story Writing for Profit. Boston: The Writer, Inc.Google Scholar
Chester, George Randolph. 1910. The Art of Short Story Writing. Cincinnati, OH: The Publishers Syndicate.Google Scholar
Cody, Sherwin. 1895. How to Write Fiction, Especially the Art of Short Story Writing: A Practical Study of Technique. London: Bellairs and Co.Google Scholar
Cook, William Wallace. 1941. Plotto: A New Method of Plot Suggestion for Writers of Creative Fiction. Battle Creek, MI: Ellis Publishing Co.Google Scholar
Dye, Charity. 1898. The Story-Teller’s Art: A Guide to the Elementary Study of Fiction. Boston: The Athenaeum Press.Google Scholar
Eaton, Harold Thomas. 1934. Short Stories for Study and Enjoyment. Garden City, NY: Doubleday, Doran.Google Scholar
Esenwein, J. Berg. 1909. Writing the Short-Story: A Practical Handbook on the Rise, Structure, Writing, and Sale of the Modern Short-Story. Springfield, MA: Home Correspondence School.Google Scholar
Fagin, N. Bryllion. 1923. Short Story-Writing, An Art or a Trade? New York: T. Seltzer, Inc.Google Scholar
Gavin, Marian. 1962. Writing Short Stories for Pleasure and Profit. Boston: The Writer, Inc.Google Scholar
Gerwig, George W. 1909. The Art of the Short Story. Akron, OH: The Werner Company.Google Scholar
Grabo, Carl H. 1913. The Art of the Short Story. New York: Charles Scribner’s Sons.Google Scholar
Hamilton, Clayton. 1918. A Manual of the Art of Fiction. Garden City, NY: Doubleday, Page, and Co.Google Scholar
Joseph, Michael. 1924. Short Story-Writing for Profit. Boston: Small, Maynard, and Company.Google Scholar
Kamerman, Sylvia E. 1946. Writing the Short Short Story. Boston: The Writer.Google Scholar
Louthan, Hattie Horner. 1930. The Short-Story Craftsman: The Rhetoric of Short Fiction. Denver: The World Press, Inc.Google Scholar
Mirrielees, Edith Ronald. 1929. Writing the Short Story. Garden City, NY: Doubleday, Doran and Co.Google Scholar
Neal, Robert Wilson. 1914. Short Stories in the Making. New York: Oxford University Press.Google Scholar
Pitkin, Walter B. 1922. The Art and the Business of Story Writing. New York: The Macmillan Co.Google Scholar
Smith, Louis Worthington. 1902. The Writing of the Short Story. Boston: D. C. Heath and Co.Google Scholar
Wells, Carolyn. 1913. The Technique of the Mystery Story. Springfield, MA: Home Correspondence School.Google Scholar
Williams, Blanche Colton. 1917. A Handbook on Story Writing. London: George Routledge and Sons.Google Scholar
Williams, Blanche Colton. 1919. How to Study “The Best Short Stories.” Boston: Small, Maynard, and Company.Google Scholar
Davies, Peter Ho. 2021. The Art of Revision: The Last Word. Minneapolis, MN: Graywolf Press.Google Scholar
DeMarinis, Rick. 2000. The Art and Craft of the Short Story. Cincinnati, OH: Story Press.Google Scholar
Gardner, John. 1984. The Art of Fiction: Notes on Craft for Young Writers. New York: A. Knopf.Google Scholar
Glover, Douglas. 2012. Attack of the Copula Spiders and Other Essays on Writing. Emeryville, Ontario: Biblioasis.Google Scholar
Hills, Rust. 1987. Writing in General and the Short Story in Particular: An Informal Textbook. Revised ed. Boston: Houghton Mifflin.Google Scholar
Koch, Stephen. 2003. The Modern Library Writer’s Workshop: A Guide to the Craft of Fiction. New York: Modern Library.Google Scholar
Salesses, Matthew. 2021. Craft in the Real World: Rethinking Fiction Writing and Workshopping. New York: Catapult.Google Scholar
Saunders, George. 2021. A Swim in a Pond in the Rain: In Which Four Russians Give a Master Class on Writing, Reading, and Life. New York: Random House.Google Scholar
Tin House Publishing. 2009. The Writer’s Notebook: Craft Essays from Tin House. Portland, OR: Tin House Books.Google Scholar
Tin House Publishing. 2012. The Writer’s Notebook II: Craft Essays from Tin House. Portland, OR: Tin House Books.Google Scholar
Wood, James. 2008. How Fiction Works. London: Jonathan Cape.Google Scholar
Joselyn, Sister M. 1965. “Edward Joseph O’Brien and the American Short Story,” Studies in Short Fiction 3.1: 115.Google Scholar
O’Brien, Edward J., ed. 1915–1941. The Best Short Stories and the Yearbook of the American Short Story.Google Scholar
O’Brien, Edward J., 1915–1925: Published by Small, Maynard, and Company.Google Scholar
O’Brien, Edward J., 1926–1932: Published by Dodd, Mead, and Company.Google Scholar
O’Brien, Edward J., 1933–1941: Published by Houghton Mifflin.Google Scholar
O’Brien, Edward J., 1922–1940. The Best British Short Stories.Google Scholar
O’Brien, Edward J., 1922–1925: Published by Small, Maynard, and Company. Co-edited with John Cournos.Google Scholar
O’Brien, Edward J., 1926–1932: Published by Dodd, Mead, and CompanyGoogle Scholar
O’Brien, Edward J., 1933–1940: Published by Houghton Mifflin.Google Scholar
O’Brien, Edward J., 1929. The Dance of the Machines: The American Short Story and the Industrial Age. New York: Macaulay.Google Scholar
O’Brien, Edward J., 1931. The Twenty-Five Finest Short Stories. New York: Ray Long and Richard R. Smith, Inc.Google Scholar
O’Brien, Edward J., 1932. Modern American Short Stories. New York: Dodd, Mead, and Company.Google Scholar
O’Brien, Edward J., 1931. The Advance of the American Short Story. Revised ed. New York: Dodd, Mead, and Company.Google Scholar
O’Brien, Edward J., 1935. The Short Story Case Book. New York: Farrar and Rinehart.Google Scholar
O’Brien, Edward J., 1939. 50 Best American Short Stories 1915–1939. Boston: Houghton Mifflin.Google Scholar
Phillips, Ruby Willoughby. 1941. “O’Brien’s Magazines, O’Brien’s Stories: A Table and Index,” American Prefaces 7: 1828.Google Scholar
Schramm, Wilbur. 1941. “The Thousand and One Tales of Edward J. O’Brien,” American Prefaces 7: 317.Google Scholar
Simmonds, Roy S. 2001. Edward J. O’Brien and His Role in the Rise of the American Short Story in the 1920s and 1930s. Lewiston, NY: Edwin Mellen Press.Google Scholar
Whitehand, Robert. 1940. “Edward J. O’Brien,” Prairie Schooner 14.1: 112.Google Scholar
Atlantic Tales: A Collection of Stories from the Atlantic Monthly. 1866. Boston: Ticknor and Fields.Google Scholar
Ford, Paul Leicester, ed. 1901. A House Party: An Account of the Stories Told at a Gathering of Famous American Authors. Boston: Small, Maynard, and Company.Google Scholar
Holloway, Laura C., ed. 1889. The Woman’s Story: As Told by Twenty American Women. Troy, NY: Nims and Knight.Google Scholar
Howells, William Dean. 1920. The Great Modern American Stories: An Anthology. New York: Boni and Liveright.Google Scholar
Long, Ray, ed. 1925. My Story That I Like Best. New York: Cosmopolitan.Google Scholar
Mitford, Mary Russell, ed. 1830. Stories of American Life by American Writers. Three vols. London: Henry Colburn and Richard Bentley.Google Scholar
Putnam’s Story Library. 1858. Sea Stories. New York: Putnam.Google Scholar
Stories from the Chap-Book: Being a Miscellany of Curious and Interesting Tales, Histories, &c., Newly Composed by Many Celebrated Writers and Very Delightful to Read. 1896. Chicago: Herbert S. Stone and Company.Google Scholar
Tales for Winter Nights: A Choice Collection of Interesting Adventures, Marvellous Stories, Anecdotes, &c. &c. &c. 1855. Philadelphia: Jas. B. Smith and Co.Google Scholar
Tales from McClure’s: The West. 1897. New York: Doubleday and McClure Co.Google Scholar
Ten Notable Stories from Lippincott’s Magazine. 1894. Philadelphia: J. B. Lippincott Company.Google Scholar
Adams, John Joseph, ed. 2015. Loosed Upon the World: The Saga Anthology of Climate Fiction. New York: Saga Press.Google Scholar
Anaya, Rudolfo A. and Márquez, Antonio, eds. 1984. Cuentos Chicanos: A Short Story Anthology. Albuquerque: University of New Mexico Press.Google Scholar
Bambara, Toni Cade, ed. 1970. The Black Woman: An Anthology. New York: Signet.Google Scholar
Benavides, Rosamel, ed. 1993. Antología de cuentistas chicanas: Estados Unidos de los ’60 a los ’90. Santiago: Editorial Cuarto Propio.Google Scholar
Blaisdell, Bob, ed. 2013. Great Short Stories by Contemporary Native American Writers. New York: Dover Publications.Google Scholar
Brant, Beth, ed. 1988. A Gathering of Spirit: Writing and Art by North American Indian Women. New York: Firebrand Books.Google Scholar
Brown, Adrienne Maree and Imarisha, Walidah, eds. 2015. Octavia’s Brood: Science Fiction Stories from Social Justice Movements. Oakland, CA: A. K. Press.Google Scholar
Chin, Frank, Chan, Jeffery Paul, Inada, Lawson Fusao, and Wong, Shawn, eds. 1975. Aiiieeeee!: An Anthology of Asian-American Writers. Garden City, NY: Doubleday.Google Scholar
Dillon, Grace L., ed. 2012. Walking the Clouds: An Anthology of Indigenous Science Fiction. Tucson: University of Arizona Press.Google Scholar
Dozois, Gardner R., ed. 2019. The Very Best of the Best: 35 Years of the Year’s Best Science Fiction. New York: St. Martin’s Griffin.Google Scholar
Hernandez, Alex, Goodwin, Matthew David, and García, Sarah Rafael, eds. 2021. Speculative Fiction for Dreamers: A Latinx Anthology. Columbus: The Ohio State University Press.Google Scholar
Hughes, Langston, ed. 1967. The Best Short Stories by Negro Writers: An Anthology from 1899 to the Present. Boston: Little, Brown.Google Scholar
LaPensée, Elizabeth and Alvitre, Weshoyot, eds. 2017. Deer Woman: An Anthology. Albuquerque, NM: Native Realities, LLC.Google Scholar
Leavitt, David and Mitchell, Mark, eds. 1994. The Penguin Book of Gay Short Stories. Second ed. New York: Viking.Google Scholar
Leavitt, David and Mitchell, Mark, 2003. The New Penguin Book of Gay Short Stories. New York: Viking.Google Scholar
Reynolds, Margaret, ed. 1994. The Penguin Book of Lesbian Short Stories. New York: Viking.Google Scholar
Wright, Stephen, ed. 1974. Different: An Anthology of Homosexual Short Stories. New York: Bantam.Google Scholar
Atlantic Tales: A Collection of Stories from the Atlantic Monthly. 1866. Boston: Ticknor and Fields.Google Scholar
Ford, Paul Leicester, ed. 1901. A House Party: An Account of the Stories Told at a Gathering of Famous American Authors. Boston: Small, Maynard, and Company.Google Scholar
Holloway, Laura C., ed. 1889. The Woman’s Story: As Told by Twenty American Women. Troy, NY: Nims and Knight.Google Scholar
Howells, William Dean. 1920. The Great Modern American Stories: An Anthology. New York: Boni and Liveright.Google Scholar
Long, Ray, ed. 1925. My Story That I Like Best. New York: Cosmopolitan.Google Scholar
Mitford, Mary Russell, ed. 1830. Stories of American Life by American Writers. Three vols. London: Henry Colburn and Richard Bentley.Google Scholar
Putnam’s Story Library. 1858. Sea Stories. New York: Putnam.Google Scholar
Stories from the Chap-Book: Being a Miscellany of Curious and Interesting Tales, Histories, &c., Newly Composed by Many Celebrated Writers and Very Delightful to Read. 1896. Chicago: Herbert S. Stone and Company.Google Scholar
Tales for Winter Nights: A Choice Collection of Interesting Adventures, Marvellous Stories, Anecdotes, &c. &c. &c. 1855. Philadelphia: Jas. B. Smith and Co.Google Scholar
Tales from McClure’s: The West. 1897. New York: Doubleday and McClure Co.Google Scholar
Ten Notable Stories from Lippincott’s Magazine. 1894. Philadelphia: J. B. Lippincott Company.Google Scholar
Adams, John Joseph, ed. 2015. Loosed Upon the World: The Saga Anthology of Climate Fiction. New York: Saga Press.Google Scholar
Anaya, Rudolfo A. and Márquez, Antonio, eds. 1984. Cuentos Chicanos: A Short Story Anthology. Albuquerque: University of New Mexico Press.Google Scholar
Bambara, Toni Cade, ed. 1970. The Black Woman: An Anthology. New York: Signet.Google Scholar
Benavides, Rosamel, ed. 1993. Antología de cuentistas chicanas: Estados Unidos de los ’60 a los ’90. Santiago: Editorial Cuarto Propio.Google Scholar
Blaisdell, Bob, ed. 2013. Great Short Stories by Contemporary Native American Writers. New York: Dover Publications.Google Scholar
Brant, Beth, ed. 1988. A Gathering of Spirit: Writing and Art by North American Indian Women. New York: Firebrand Books.Google Scholar
Brown, Adrienne Maree and Imarisha, Walidah, eds. 2015. Octavia’s Brood: Science Fiction Stories from Social Justice Movements. Oakland, CA: A. K. Press.Google Scholar
Chin, Frank, Chan, Jeffery Paul, Inada, Lawson Fusao, and Wong, Shawn, eds. 1975. Aiiieeeee!: An Anthology of Asian-American Writers. Garden City, NY: Doubleday.Google Scholar
Dillon, Grace L., ed. 2012. Walking the Clouds: An Anthology of Indigenous Science Fiction. Tucson: University of Arizona Press.Google Scholar
Dozois, Gardner R., ed. 2019. The Very Best of the Best: 35 Years of the Year’s Best Science Fiction. New York: St. Martin’s Griffin.Google Scholar
Hernandez, Alex, Goodwin, Matthew David, and García, Sarah Rafael, eds. 2021. Speculative Fiction for Dreamers: A Latinx Anthology. Columbus: The Ohio State University Press.Google Scholar
Hughes, Langston, ed. 1967. The Best Short Stories by Negro Writers: An Anthology from 1899 to the Present. Boston: Little, Brown.Google Scholar
LaPensée, Elizabeth and Alvitre, Weshoyot, eds. 2017. Deer Woman: An Anthology. Albuquerque, NM: Native Realities, LLC.Google Scholar
Leavitt, David and Mitchell, Mark, eds. 1994. The Penguin Book of Gay Short Stories. Second ed. New York: Viking.Google Scholar
Leavitt, David and Mitchell, Mark, 2003. The New Penguin Book of Gay Short Stories. New York: Viking.Google Scholar
Reynolds, Margaret, ed. 1994. The Penguin Book of Lesbian Short Stories. New York: Viking.Google Scholar
Wright, Stephen, ed. 1974. Different: An Anthology of Homosexual Short Stories. New York: Bantam.Google Scholar
Ashley, Michael. 2000. The Time Machines: The Story of the Science-Fiction Pulp Magazines from the Beginning to 1950. Liverpool: Liverpool University Press.Google Scholar
Ashley, Michael. 2005. Transformations: The Story of the Science-Fiction Magazines from 1950 to 1970. Liverpool: Liverpool University Press.Google Scholar
Ashley, Michael. 2007. Gateways to Forever: The Story of the Science-Fiction Magazines from 1970 to 1980. Liverpool: Liverpool University Press.Google Scholar
Blackwell, Laird R. 2019. Frederic Dannay, Ellery Queen’s Mystery Magazine, and the Art of the Detective Short Story. Jefferson, NC: McFarland and Company, Inc.Google Scholar
Powers, Paul S. and Powers, Laurie. 2007. Pulp Writer: Twenty Years in the American Grub Street. Lincoln: University of Nebraska Press.Google Scholar
Queen, Ellery. 1951. Queen’s Quorum: A History of the Detective-Crime Short Story as Revealed by the 106 Most Important Books Published in This Field Since 1845. Boston: Little, Brown.Google Scholar
“Year-in-Review: 2020 Magazine Summary,” Locus Online, March 15, 2021. https://locusmag.com/2021/02/year-in-review-2020-magazine-summary/.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Further Reading
  • Edited by Michael J. Collins, King's College London, Gavin Jones, Stanford University
  • Book: The Cambridge Companion to the American Short Story
  • Online publication: 11 May 2023
  • Chapter DOI: https://doi.org/10.1017/9781009292863.030
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Further Reading
  • Edited by Michael J. Collins, King's College London, Gavin Jones, Stanford University
  • Book: The Cambridge Companion to the American Short Story
  • Online publication: 11 May 2023
  • Chapter DOI: https://doi.org/10.1017/9781009292863.030
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Further Reading
  • Edited by Michael J. Collins, King's College London, Gavin Jones, Stanford University
  • Book: The Cambridge Companion to the American Short Story
  • Online publication: 11 May 2023
  • Chapter DOI: https://doi.org/10.1017/9781009292863.030
Available formats
×