Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-dk4vv Total loading time: 0 Render date: 2024-12-27T21:03:37.404Z Has data issue: false hasContentIssue false

Part I - Contexts

Published online by Cambridge University Press:  11 May 2023

Michael J. Collins
Affiliation:
King's College London
Gavin Jones
Affiliation:
Stanford University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Allen, Ethan. 1779. A Narrative of Colonel Ethan Allen’s Captivity. Philadelphia: Mentz.Google Scholar
Anna, 1796. “An Account of a Murder Committed by Mr. J.—Y—, Upon his Family, in December, A.D. 1781,” The New-York Weekly Magazine; or, Miscellaneous Repository 2.55: 20; 2.56: 28.Google Scholar
Anon. 1787. “Amelia; or, the Faithless Briton: An Original American Novel, Founded upon Recent Facts,” The Columbian Magazine 1.14: 677682; 1.16: 877–880.Google Scholar
Anon. 1802a. “For the Philadelphia Repository,” Philadelphia Repository, and Weekly Register 2.33 (26 June): 260261.Google Scholar
Anon. 1802b. “The Force of Hatred,” The New-York Weekly Museum No. 693 (Saturday, February 6): 2.Google Scholar
Anon. 1807 [1799]. “Valeria, or the Ghost Alive!The Observer 2.14: 209217.Google Scholar
Anon. 1936. “John Onion,” The Narragansett Dawn 1.9: 206.Google Scholar
Bannet, Eve Tavor. 2011. Transatlantic Stories and the History of Reading, 1720–1820: Migrant Fictions. Cambridge, UK: Cambridge University Press.CrossRefGoogle Scholar
Barbauld, Anna Lætitia. 1787. “Sir Betrand: A Fragment. By Mrs. Barbauld,The Columbia Magazine 1 (15): 743745.Google Scholar
Brown, Matthew P. 2007. The Pilgrim and the Bee: Reading Rituals and Book Culture in Early New England. Philadelphia: University of Pennsylvania Press.CrossRefGoogle Scholar
Cambers, Andrew. 2011. Godly Reading: Print, Manuscript and Puritanism in England, 1580-1720. Cambridge, UK: Cambridge University Press.Google Scholar
Cohen, Matt. 2010. The Networked Wilderness: Communicating in Early New England. Minneapolis: University of Minnesota Press.Google Scholar
Current-García, Eugene. 1985. The American Short Story before 1850: A Critical History. Boston: Twayne.Google Scholar
Defoe, Daniel. 1727. An Essay on the History and Reality of Apparitions: Being an Account of What They Come, and Whence They Come Not. London: J. Roberts.Google Scholar
Dopffel, Michael. 2020. Empirical Form and Religious Function: Apparition Narratives of the Early English Enlightenment. Paderborn, Germany: Schoenigh.CrossRefGoogle Scholar
Fash, Lydia G. 2020. The Sketch, the Tale, and the Beginnings of American Literature. Charlottesville: University of Virginia Press.Google Scholar
Flint, Christopher. 2011. The Appearance of Print in Eighteenth-Century Fiction. Cambridge, UK: Cambridge University Press.CrossRefGoogle Scholar
Franklin, Benjamin. 1784. “The Origin of Tobacco, from a Curious Account Given by Dr. Franklin of the Hospitality of Those We Call the Savage Indians,” The Essex Journal and the Massachusetts and New-Hampshire General Advertiser 25: 2.Google Scholar
Franklin, Benjamin. 1986 [1793]. The Autobiography. Ed. Lemay, J. A. Leo and Zall, M.. New York: Norton.Google Scholar
Gardner, Jared. 2012. The Rise and the Fall of Early American Magazine Culture: The History of Communication. Urbana: University of Illinois Press.CrossRefGoogle Scholar
Goldsmith, Oliver. 1775. “Essay IX,” in The Miscellaneous Works of Oliver Goldsmith, M.B. Containing all his Essays and Poems, 5357. London: W. Griffith.Google Scholar
Hall, David D. 1989. Worlds of Wonder, Days of Judgment: Popular Religious Belief in Early New England. New York: Knopf.Google Scholar
Hall, David D. 1995. “Worlds of Wonders: The Mentality of the Supernatural in Seventeenth-Century New England,” in Religion and American Culture: A Reader. Ed. Hackett, David G., 2752. New York: Routledge.Google Scholar
Hall, David D. 2008. Ways of Writing: The Practice and Politics of Text-Making in Seventeenth-Century New England. Philadelphia: University of Pennsylvania Press.Google Scholar
Hall, David D., ed. 2000–2010. A History of the Book in America, vols. 1–5. Chapel Hill: University of North Carolina Press.Google Scholar
Irving, Washington. 1865 [1824]. “The Adventures of the German Student,” in Tales of a Traveller, Geoffrey Crayon, Gent, 6674. New York: G. P. Putnam’s Sons.Google Scholar
Irving, Washington. 2015 [1824]. “The Devil and Tom Walker,” in Worlding America: A Transnational Anthology of Short Narratives before 1800. Ed. Scheiding, Oliver and Seidl, Martin, 218228. Stanford, CA: Stanford University Press.Google Scholar
Josselyn, John. 1986 [1675]. “Account of Two Voyages to New England,” in A Library of Puritan Writings: The Seventeenth-Century. Vol. IX. Histories and Narratives. Ed. Bercovitch, Sacvan, 211354. New York: AMS Press.Google Scholar
Koenigs, Thomas. 2021. Founded in Fiction: The Uses of Fiction in the Early United States. Princeton, NJ: Princeton University Press.Google Scholar
Loughran, Trish. 2007. The Republic in Print: Print Culture in the Age of US Nation Building, 1770–1870. New York: Columbia University Press.Google Scholar
Mather, Cotton. 1692. “A Narrative of an Apparition which a Gentleman in Boston, had of his Brother, just then Murdered in London,” in The Wonders of the Invisible World, 7981. Boston.Google Scholar
Matthews, Brander. 1977 [1885]. “The Philosophy of the Short-Story,” in Short-Story-Theorien (1573-1973): Eine Sammlung und Bibliographie englischer und amerikanischer Quellen. Ed. Weber, Alfred and Greiner, Walter F., 4548. Kronberg, Germany: Athenäum.Google Scholar
Mott, Frank Luther. 1957 [1930]. A History of American Magazines, 1741–1850. Cambridge, MA: Harvard University Press.Google Scholar
Nagel, James, ed. 2008. Anthology of the American Short Story. Boston and New York: Houghton Mifflin Company.Google Scholar
O’Brien, Edward. 1923. The Advance of the American Short Story. New York: Dodd, Mead, and Company.Google Scholar
Pitcher, Edward W. R. 2000. “Introduction,” in An Anthology of the Short Story in 18th and 19th-Century America. 2 vols. Studies in British and American Magazines 5, 1–47. Lewiston, NY: Mellen.Google Scholar
Poe, Edgar Allan. 1977 [1842]. “Twice-Told Tales,” in Short-Story-Theorien (1573–1973): Eine Sammlung und Bibliographie englischer und amerikanischer Quellen. Ed. Weber, Alfred and Greiner, Walter F., 3436. Kronberg, Germany: Athenäum.Google Scholar
Poe, Edgar Allan. 1845 [1839]. “The Devil in the Belfry,” The Broadway Journal (8 November): 271–273.Google Scholar
Richardson, Lyon N. 1966. A History of Early American Magazines, 1741–1789. New York: Octagon Books.Google Scholar
Scheiding, Oliver. 2012. “Migrant Fictions and the Early Story in North American Magazines,” in REAL – Yearbook of Research in English and American Literature. Vol. 28. Mobility in English and American Literature 1500-1900, 197218. Tübingen, Germany: Narr.Google Scholar
Scheiding, Oliver and Seidl, Martin, eds. 2015. Worlding America: A Transnational Anthology of Short Narratives before 1800. Stanford, CA: Stanford University Press.CrossRefGoogle Scholar
Scofield, Martin. 2006. The Cambridge Introduction to the American Short Story. Cambridge, UK: Cambridge University Press.Google Scholar
Walsham, Alexandra. 2003. Providence in Early Modern England. Oxford: Oxford University Press.Google Scholar

Works Cited

[Addison, Joseph and Richard Steele]. 1711. The Spectator. March 5.Google Scholar
Andrews, Ebenezer. 1791 (August 7). Correspondence to Isaiah Thomas. Isaiah Thomas Papers, American Antiquarian Society.Google Scholar
Andrews, Ebenezer. 1792 (November 3). Correspondence to Isaiah Thomas. Isaiah Thomas Papers, American Antiquarian Society.Google Scholar
Bendixen, Alfred and Nagel, James. 2010. A Companion to the American Short Story. Oxford: John Wiley and Sons.CrossRefGoogle Scholar
Bourdieu, Pierre. 1984. Distinction: A Social Critique of the Judgement of Taste. Cambridge, MA: Harvard University Press.Google Scholar
“Eugenio: No. III.” 1792. The New York Magazine, or Literary Repository.Google Scholar
[Franklin, Benjamin]. 1722. “Silence Dogood” No. 4, New-England Courant, May 7–14.Google Scholar
Mott, Frank Luther. 1958. A History of American Magazines, 1741–1930, Vol. 1. Cambridge, MA: Harvard University Press.Google Scholar
[Murray, Judith Sargent]. 1792. “The Gleaner,” No. 6, Massachusetts Magazine; or, Monthly Museum.Google Scholar
Murray, Judith Sargent 1793. “The Gleaner,” No. 12, Massachusetts Magazine; or, Monthly Museum.Google Scholar
Poe, Edgar Allan. 1846. “Marginalia,” Graham’s Magazine, December.Google Scholar
Poe, Edgar Allan. 1984a. “Nathaniel Hawthorne,” in Essays and Reviews, 568–577. New York: Library of America.Google Scholar
Poe, Edgar Allan. 1984b. “The Philosophy of Composition,” in Essays and Reviews, 13–25. New York: Library of America.Google Scholar
Thomas, Isaiah. 1791 (August 16). Correspondence. Isaiah Thomas Papers, American Antiquarian Society.Google Scholar
Thomas, Isaiah. 1788. Proposal of Isaiah Thomas and Company, for Publishing by Subscription, a New Periodical Work, To Be Entitled, the Massachusetts Magazine: or Monthly Museum of Knowledge and Rational Entertainment. Worcester, MA: Isaiah Thomas and Company.Google Scholar
Webster, Noah. 1787. [frontmatter]. American Magazine.Google Scholar
[Willis, N. P.]. 1844 (October 12). “The Pay for Periodical Writing,” Evening Mirror.Google Scholar

Works Cited

Alden, Henry Mills. 1901. “Editor’s Study,” Harper’s Monthly Magazine 104 (December): 167170.Google Scholar
Barrett, Charles Raymond. 1898. Short Story Writing: A Practical Treatise on the Art of the Short Story. Chicago: Authors and Writers’ Union.Google Scholar
Bicknell, Frank M. 1896. “On the Long Bridge.” Munsey’s Magazine 14 (January): 411.Google Scholar
Chapman, Mary, ed. 2016. Becoming Sui Sin Far: Early Fiction, Journalism, and Travel Writing by Edith Maude Eaton. Montreal: McGill-Queen’s University Press.Google Scholar
Cody, Sherwin. 1894. How to Write Fiction, Especially the Art of Short Story Writing. New York: The Riverside Literary Bureau.Google Scholar
Esenwein, J. Berg. 1908. Writing the Short-Story: A Practical Handbook on the Rise, Structure, Writing, and Sale of the Modern Short-Story. New York: Hinds, Noble, and Eldredge.Google Scholar
Evans, Brad. 2019. Ephemeral Bibelots: How an International Fad Buried American Modernism. Baltimore, MD: Johns Hopkins University Press.CrossRefGoogle Scholar
Garvey, Ellen Gruber. 1995. “Representations of Female Authorship in Turn-of-the-Century American Magazine Fiction,” in American Women Short Story Writers: A Collection of Critical Essays. Ed. Brown, Julie, 8598. New York: Garland Publishing.Google Scholar
Garvey, Ellen Gruber. 1996. The Adman in the Parlor: Magazines and the Gendering of Consumer Culture, 1880s to 1910s. New York: Oxford University Press.Google Scholar
Howells, William Dean. 1891. Criticism and Fiction. New York: Harper and Brothers.Google Scholar
Howells, William Dean. 1902. “Some Anomalies of the Short Story,” in Literature and Life, 110125. New York: Harper and Brothers.Google Scholar
Judson, Lulu. 1896. “A Girl’s Way,” Munsey’s Magazine 16:2 (November): 205207.Google Scholar
Keyser, Catherine. 2006. Playing Smart: New York Women Writers and Modern Magazine Culture. New Brunswick, NJ: Rutgers University Press.Google Scholar
Leslie, Alex. 2022. “Race, Region, and the Black Midwest in the Dunbar Decades,” in American Literary History (forthcoming).Google Scholar
Levy, Andrew. 1993. The Culture and Commerce of the American Short Story. Cambridge, UK: Cambridge University Press.Google Scholar
Leach, Anna. 1896. “The Difference,” Munsey’s Magazine 15:1 (April): 92.Google Scholar
Mabie, Hamilton Wright. 1904. “Introduction,” in Little Masterpieces of Fiction, Vol. 1. Ed. Mabie, and Strachey, Lionel, v–iv. New York: Doubleday, Page and Company.Google Scholar
Matthews, Brander. 1885. “The Philosophy of the Short-Story,” Lippincott’s Magazine of Popular Literature and Science 36 (October): 366374.Google Scholar
Mott, Frank Luther. 1957. A History of American Magazines, 1885-1905, Vol. 4. Cambridge, MA: The Belknap Press of Harvard University Press.Google Scholar
O’Brien, Edward J. 1923. The Advance of the American Short Story. New York: Dodd, Mead, and Company.Google Scholar
Pattee, Fred Lewis. 1923. The Development of the American Short Story: An Historical Survey. New York: Harper and Brothers.Google Scholar
Perry, Bliss. 1902. A Study of Prose Fiction. Boston and New York: Houghton, Mifflin, and Company.Google Scholar
Pollard, Percival. 1896. “One New Woman,” Munsey’s Magazine 16:2 (November): 244245.Google Scholar
Sedgwick, Catherine. 1830. “Cacoethes Scribendi,” The Atlantic Souvenir: 17–38.Google Scholar
Stern, Julia. 2022. Bette Davis, Black and White. Chicago: University of Chicago Press.Google Scholar
Stevick, Philip, ed. 1984. “Introduction,” in The American Short Story, 1900-1945: A Critical History. Columbia, MO: Twayne Publishers.Google Scholar
Thompson, Mabel Margaret. 1896. “Three Letters,” Munsey’s Magazine 14:6 (March): 727.Google Scholar
Tompkins, Juliet Wilbor. 1896. “My Mother’s Diary,” Munsey’s Magazine 15:2 (May): 160162.Google Scholar
Voss, Arthur. 1973. The American Short Story: A Critical Survey. Norman: University of Oklahoma Press.Google Scholar

Works Cited

Alley, Henry. 2003. “The Well-Made World of the O. Henrys, 1961–2000,” The Kenyon Review 25.2 (Spring): 3658.Google Scholar
Batuman, Elif. 2006. “Short Story & Novel.” n+1 (Spring). www.nplusonemag.com/issue-4/essays/short-story-novel/.Google Scholar
Boddy, Kasia. 2010. The American Short Story Since 1950. Edinburgh: Edinburgh University Press.Google Scholar
D’hoker, Elke. 2018. “The Short Story Anthology,” in The Edinburgh Companion to the Short Story in English. Ed. Delaney, Paul and Hunter, Adrian, 108124. Edinburgh: Edinburgh University Press.Google Scholar
Engelbrecht, Penelope J. 1995. “Strange Company: Uncovering the Queer Anthology,” NWSA Journal 7.1: 7290.Google Scholar
English, James F. 2005. The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value. Cambridge, MA: Harvard University Press.Google Scholar
Harbach, Chad. 2014. “MFA vs. NYC,” in MFA vs NYC: The Two Cultures of American Fiction. Ed. Harbach, Chad, 928. New York: Faber and Faber.Google Scholar
Hungerford, Amy. 2016. Making Literature Now. Stanford, CA: Stanford University Press.Google Scholar
Jayakar, Tara. 2015. “Pushcart Prize Turns Forty,” Poets and Writers, November 12. www.pw.org/content/pushcart_prize_turns_forty?cmnt_all=1.Google Scholar
Kellogg, Carolyn. 2015. “Review: ‘100 Years of Best American Short Stories’ Is Vital Yet Flawed for Loading the Canon,” Los Angeles Times, October 9. www.latimes.com/books/jacketcopy/la-ca-jc-best-short-stories-20151011-story.html.Google Scholar
Kennedy, Thomas E. 1992. “The Pushcart Prize: Honoring America’s Unknown Literature,” ANQ: A Quarterly Journal of Short Articles 5.4: 203206.Google Scholar
Levy, Andrew. 1993. The Culture and Commerce of the American Short Story. New York: Cambridge University Press.Google Scholar
Manshel, Alexander, McGrath, Laura B., and Porter, J. D.. 2019. “Who Cares about Literary Prizes.” Public Books. www.publicbooks.org/who-cares-about-literary-prizes/.Google Scholar
March-Russell, Paul. 2009. The Short Story: An Introduction. Edinburgh: Edinburgh University Press.Google Scholar
May, Charles. 2012. “The American Short Story in the Twenty-First Century,” in Short Story Theories: A Twenty-First-Century Perspective. Ed. Patea, Viorica, 299324. Amsterdam and New York: Rodopi.Google Scholar
McGurl, Mark. 2009. The Program Era: Postwar Fiction and the Rise of Creative Writing. Cambridge, MA: Harvard University Press.Google Scholar
Murray, Simone. 2021. Introduction to Contemporary Print Culture: Books As Media. London: Routledge.Google Scholar
O’Brien, Edward J. 1915. The Best Short Stories of 1915 and the Yearbook of the American Short Story. Boston: Small, Maynard, and Company.Google Scholar
O’Brien, Edward J. 1931. The Advance of the American Short Story. New York: Dodd, Mead, and Company.Google Scholar
Open Syllabus Project. 2021. “Open Syllabus Explorer.” Accessed November 1, 2021. Explorer.opensyllabusproject.org/.Google Scholar
Plympton. “Best American Short Stories,” Writing Atlas. Accessed November 1, 2021.Google Scholar
Plympton. “O. Henry Prize Winners,” Writing Atlas. Accessed November 1, 2021.Google Scholar
Sittenfeld, Curtis. 2017. “Show Don’t Tell,” The New Yorker, May 29, 2017. www.newyorker.com/magazine/2017/06/05/show-dont-tell.Google Scholar

Works Cited

Barthelme, Donald. 1965. Snow White. New York: Scribner.Google Scholar
Blackwell, Matthew. 2017. “What We Talk about When We Talk about Lish,” in After the Program Era. Ed. Glass, Loren, 113122. Iowa City: University of Iowa Press.Google Scholar
Boddy, Kasia. 2010. The American Short Story since 1950. Edinburgh: Edinburgh University Press.Google Scholar
English, James. 2005. The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value. Cambridge, MA: Harvard University Press.Google Scholar
Glass, Loren, ed. 2016. After the Program Era: The Past, Present, and Future of Creative Writing in the University. Iowa City: University of Iowa Press.Google Scholar
Godwin, Gail. 1969. “St. George,” in Great American Love Stories. Ed. Rosenthal, Lucy, 466480. Boston: Little, Brown.Google Scholar
Harbach, Chad. 2014. “MFA vs NYC,” in MFA vs NYC. Ed. Harbach, Chad, 928. New York: Faber and Faber.Google Scholar
Levy, Andrew. 1993. The Culture and Commerce of the American Short Story. New York: Cambridge University Press.Google Scholar
May, Charles E. 1995. The Short Story: The Reality of Artifice. New York: Twayne.Google Scholar
McGurl, Mark. 2001. The Novel Art: Elevations of American Fiction after Henry James. Princeton, NJ: Princeton University Press.Google Scholar
McGurl, Mark. 2009. The Program Era: Postwar Fiction and the Rise of Creative Writing. Cambridge, MA: Harvard University Press.Google Scholar
McPherson, James Alan. 1975. “Elbow Room,” in Elbow Room, 256286. New York: Fawcett.Google Scholar
Savaş, Ayşegül. 2021. “Future Selves,” The New Yorker (March 29): 56–60.Google Scholar

Works Cited

Andersen, Tore Rye. 2015. “‘Black Box’ in Flux: Locating the Literary Work between Media.” Northern Lights: Film and Media Studies Yearbook 13.1: 121136. http://dx.doi.org/10.1386/nl.13.1.121_1.Google Scholar
Andersen, Tore Rye. 2017. “Staggered Transmissions: Twitter and the Return of Serialized Literature,” Convergence 23.1: 3448.Google Scholar
Barnard, Stephen R. 2018. Citizens at the Gates: Twitter, Networked Publics, and the Transformation of American Journalism. New York: Palgrave Macmillan.Google Scholar
Barthes, Roland. 1972 [1962]. “Structure of the Fait-Divers,” in Critical Essays. Trans. Howard, Richard, 184195. Evanston, IL: Northwestern University Press.Google Scholar
Barthes, Roland. 1975 [1973]. The Pleasure of the Text. Trans. Miller, Richard. New York: Hill and Wang.Google Scholar
Burgess, Jean and Baym, Nancy K.. 2020. Twitter: A Biography. New York: New York University Press.Google Scholar
Cole, Teju. 2011. “Small Fates,” Berfrois, 14 July. www.berfrois.com/2011/07/teju-cole-fait-divers/.Google Scholar
Cole, Teju. 2011–2013. Small Fates. https://twitter.com/tejucole.Google Scholar
Cole, Teju. 2013. “The Novel After the Novelist,” Edinburgh World Writers’ Conference. Keynote address to the Melbourne Writers’ Festival, 23 August. www.edinburghworldwritersconference.org/the-future-of-the-novel/cole-in-australia-keynote-on-the-future-of-the-novel/.Google Scholar
Crown, Sarah. 2012. “Twitter Is a Clunky Way of Delivering Fiction,” Guardian, 26 May. www.theguardian.com/books/booksblog/2012/may/25/twitter-feed-clunky-delivery.Google Scholar
D’hoker, Elke. 2018. “Segmentivity, Narrativity and the Short Form: The Twitter Stories of Moody, Egan and Mitchell,” Short Fiction in Theory and Practice 8.1-2: 720.Google Scholar
Egan, Jennifer. 2010. A Visit from the Goon Squad. New York: Knopf.Google Scholar
Egan, Jennifer. 2012. “Black Box,” The New Yorker, 28 May. www.newyorker.com/magazine/2012/06/04/black-box-2.Google Scholar
Egan, Jennifer. 2012. “Black Box,” The New Yorker, 4–11 June: 84–97.Google Scholar
Egan, Jennifer. 2022. The Candy House. New York: Scribner.Google Scholar
Ensslin, Astrid. 2006. “Hypermedia and the Question of Canonicity,” Dichtung-digital 36. www.dichtung-digital.de/2006/01/Ensslin/index.htm.Google Scholar
Fénéon, Félix. 2007 [1906]. Novels in Three Lines. Trans. Sante, Luc. New York: New York Review Books Classics.Google Scholar
Gaiman, Neil and the Twitterverse. 2010. Hearts, Keys, and Puppetry. Ashland, OR: Blackstone Audio.Google Scholar
Gee, Lisa. 2012. “Black Box, by Jennifer Egan,” Independent 2 September. www.independent.co.uk/arts-entertainment/books/reviews/black-box-by-jennifer-egan-8100597.html.Google Scholar
Goggin, Gerard and Hamilton, Caroline. 2014. “Narrative Fiction and Mobile Media after the Text-Message Novel,” in The Mobile Story: Narrative Practices with Locative Technologies. Ed. Farman, Jason, 223237. New York: Routledge.Google Scholar
Hammond, Adam. 2016. Literature in the Digital Age: An Introduction. Cambridge, UK: Cambridge University Press.Google Scholar
Hayles, N. Katherine. 2004. “Print is Flat, Code is Deep: The Importance of Media-Specific Analysis,” Poetics Today 25.1: 6790.Google Scholar
Hjorth, Larissa. 2014. “Stories of the Mobile: Women, Micro-Narratives, and Mobile Novels in Japan,” in The Mobile Story: Narrative Practices with Locative Technologies. Ed. Farman, Jason, 238248. New York: Routledge.Google Scholar
Howard, Christian. 2019. “Studying and Preserving the Global Networks of Twitter Literature,” Post45, 17 September. http://post45.research.yale.edu/2019/09/global-networks-of-twitter-literature/.Google Scholar
Howitt-Dring, H. 2011. “Making Micro Meanings: Reading and Writing Microfiction,” Short Fiction in Theory and Practice 1.1: 4758.Google Scholar
Hui, Andrew. 2019. A Theory of the Aphorism: From Confucius to Twitter. Princeton, NJ: Princeton University Press.Google Scholar
Ingleton, Pamela. 2012. “How Do You Solve a Problem Like Twitterature? Reading and Theorizing ‘Print’ Technologies in an Age of Social Media,” Technoculture: An Online Journal of Technology in Society 2. https://tcjournal.org/vol2/ingleton.Google Scholar
Kirschenbaum, Matthew and Werner, Sarah. 2014. “Digital Scholarship and Digital Studies: The State of the Discipline,” Book History 17: 406458.Google Scholar
Kirtley, David Barr. 2012. “Let’s Hope Jennifer Egan’s Twitter Story Heralds the Return of Serial Fiction,” Wired, 24 May. www.wired.com/2012/05/jennifer-egan-black-box-twitter/.Google Scholar
Murray, Simone. 2018. The Digital Literary Sphere: Reading, Writing, and Selling Books in the Internet Era. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Rankin, Seija. 2020. “Jennifer Egan on the 10th Anniversary of A Visit from the Goon Squad and How It Changed Her Life.” Entertainment Weekly, n.d. https://ew.com/books/jennifer-egan-visit-from-the-goon-squad-10th-anniversary/.Google Scholar
Rettberg, Scott. 2018. Electronic Literature. Cambridge, UK: Polity.Google Scholar
Rudin, Michael. 2011. “From Hemingway to Twitterature: The Short and Shorter of It,” Journal of Electronic Publishing 14.2. http://quod.lib.umich.edu/j/jep/3336451.0014.213/--from-hemingway-to-twitterature-the-short-and-shorter-of-it?rgn=main;view=fulltext.Google Scholar
Segar, Emma. 2018. “Curating Conclusions in ‘Among Us’: Collaborative Twitter Fiction and the Implied Author,” Short Fiction in Theory and Practice 8.1-2: 2135.Google Scholar
Shapard, Robert. 2012. “The Remarkable Reinvention of Very Short Fiction,” World Literature Today 86.5: 4649.Google Scholar
Thomas, Bronwen. 2014. “140 Characters in Search of a Story: Twitterfiction As an Emerging Narrative Form,” in Analyzing Digital Fiction. Eds. Bell, Alice, Ensslin, Astrid, and Rustad, Hans Kristian, 94108. New York: Routledge.Google Scholar
Thomas, Bronwen. 2020. Literature and Social Media. London: Routledge.Google Scholar
Treisman, Deborah. 2012. “This Week in Fiction: Jennifer Egan,” New Yorker, 25 May [interview]. www.newyorker.com/books/page-turner/this-week-in-fiction-jennifer-egan.Google Scholar
Very Short Stories.” 2006. Wired, 1 November. www.wired.com/2006/11/very-short-stories/.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Contexts
  • Edited by Michael J. Collins, King's College London, Gavin Jones, Stanford University
  • Book: The Cambridge Companion to the American Short Story
  • Online publication: 11 May 2023
  • Chapter DOI: https://doi.org/10.1017/9781009292863.003
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Contexts
  • Edited by Michael J. Collins, King's College London, Gavin Jones, Stanford University
  • Book: The Cambridge Companion to the American Short Story
  • Online publication: 11 May 2023
  • Chapter DOI: https://doi.org/10.1017/9781009292863.003
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Contexts
  • Edited by Michael J. Collins, King's College London, Gavin Jones, Stanford University
  • Book: The Cambridge Companion to the American Short Story
  • Online publication: 11 May 2023
  • Chapter DOI: https://doi.org/10.1017/9781009292863.003
Available formats
×