Book contents
- The Cambridge Companion to the American Graphic Novel
- The Cambridge Companion to the American Graphic Novel
- Copyright page
- Contents
- Figures
- Contributors
- Editors’ Acknowledgments
- Introduction
- Part I History and Genre
- Part II Graphic Novels and the Quest for an American Diversity
- 10 Expressions of Jewishness alongside Grief in American Graphic Novels
- 11 Black Looking and Looking Black
- 12 African American New History-Writing in Graphic Narratives
- 13 Coming to America, “Land of the Free”
- 14 Spatiotemporal Projections
- 15 Queer Graphic Novels
- 16 American Women’s Lives in Graphic Novels
- Index
- Cambridge Companions To …
- References
14 - Spatiotemporal Projections
Los Bros Hernandez, Fantagraphics, and the Rise of Latinx Creating and Reading Communities
from Part II - Graphic Novels and the Quest for an American Diversity
Published online by Cambridge University Press: 10 January 2024
- The Cambridge Companion to the American Graphic Novel
- The Cambridge Companion to the American Graphic Novel
- Copyright page
- Contents
- Figures
- Contributors
- Editors’ Acknowledgments
- Introduction
- Part I History and Genre
- Part II Graphic Novels and the Quest for an American Diversity
- 10 Expressions of Jewishness alongside Grief in American Graphic Novels
- 11 Black Looking and Looking Black
- 12 African American New History-Writing in Graphic Narratives
- 13 Coming to America, “Land of the Free”
- 14 Spatiotemporal Projections
- 15 Queer Graphic Novels
- 16 American Women’s Lives in Graphic Novels
- Index
- Cambridge Companions To …
- References
Summary
This chapter examines the birth and development of Latinx comics from the early 1980s to the present. It places the Hernandez Brothers (Los Bros Hernandez: Mario, Gilbert, and Jaime), their long-standing series Love and Rockets, and their alternative publisher Fantagraphics (with editor Gary Groth at the helm) at the center of this expansion. They opened new avenues of expression, production, and distribution of Latinx comics and graphic novels and influenced subsequent generations of Latinx authors. Under the generic umbrella of the series, the Brothers produced unique, single-authored narratives, whose threads were woven across individual volumes, forming a complex story world and creating wide story arcs of a novelistic nature. Stories set in the United States and south of the border portray multiple members and generations of the Latinx community, reflecting the lives and experiences of Latinx readers, left unrepresented in graphic fiction to that point. The chapter argues that today’s vibrant Latinx comics production (e.g., Emil Ferris’s My Favorite Thing Is Monsters) followed in the Hernandez brothers’ footsteps, with similar stories about everyday life, immigration, racism, and survival.
- Type
- Chapter
- Information
- The Cambridge Companion to the American Graphic Novel , pp. 242 - 255Publisher: Cambridge University PressPrint publication year: 2023