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9 - The Poetics of Golden Age Tango

from Part II - Tango Song

Published online by Cambridge University Press:  15 March 2024

By
Pablo Palomino
Edited by
Kristin Wendland  and
Kacey Link
Kristin Wendland
Affiliation:
Emory University, Atlanta
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Summary

Pablo Palomino analyzes broader cultural themes and aesthetic currents in lyrics from the tango’s Golden Age. He considers the historical context in which tango lyrics became a sentimental, philosophical, and aesthetic lens for several generations of listeners in Argentina and beyond through a unique mix of modernism and vernacular speech. He then examines the poetry around three central themes that emerged in the Golden Age: the urban space, the sociological and poetic issue of the relationship between love and self, and the modern experience itself.

Keywords

Tango Golden Age lyricsthemes in Golden Age tango poetrytango and literatureLundfardo
Type
Chapter
Information
The Cambridge Companion to Tango , pp. 154 - 170
Publisher: Cambridge University Press
Print publication year: 2024

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References

Further Reading

Archetti, Eduardo. Masculinities: Football, Polo, and the Tango in Argentina. New York: Berg, 1999.Google Scholar
Corradi, Juan. “How Many Did It Take to Tango? Voyages of Urban Culture in the Early 1900s.” In Outsider Art: Contesting Boundaries in Contemporary Culture, 194–214, 1997.Google Scholar
Francfort, Didier. “Le tango, passion allemande et européenne, 1920–1960.” In Littératures et musiques dans la mondialisation: XXe–XXIe siècles, edited by Fléchet, Anaïs and Lévy, Marie-Françoise. Paris: Publications de la Sorbonne, 2015.Google Scholar
Garramuño, Florencia. Modernidades primitivas: tango, samba y nación. Buenos Aires: Fondo de Cultura Económica, 2007. [Primitive Modernities: Tango, Samba, and Nation. Stanford, CA: Stanford University Press, 2011].Google Scholar
Ibarlucía, Ricardo. “La perspectiva del zorzal: Paul Celan y el ‘Tango de la muerte.’” Revista Latinoamericana de Filosofía 30, no. 2 (2004): 287–312.Google Scholar
Matallana, Andrea. Qué saben los pitucos: la experiencia del tango entre 1910 y 1940. Buenos Aires: Prometeo, 2008.Google Scholar
Nudler, Julio. Tango judío: del ghetto a la milonga. Buenos Aires: Editorial Sudamericana, 1998.Google Scholar
Salas, Horacio. El tango. Buenos Aires: Planeta, 1986.Google Scholar
Santamaría-Delgado, Carolina. “Tango’s Reterritorialization in Medellín: Gardel’s Myth and the Construction of a Tanguero Local Identity.” The Musical Quarterly 92, nos. 3–4 (September 21, 2009): 177–209.CrossRefGoogle Scholar
Tallón, José Sebastián. El tango en sus etapas de música prohibida. Buenos Aires: Instituto Amigos del Libro Argentino, 1959.Google Scholar

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