Book contents
- The Cambridge Companion to Shakespeare and Race
- The Cambridge Companion to Shakespeare and Race
- Copyright page
- Contents
- Figures
- Contributors
- Note on Shakespeare Editions
- Chapter 1 Did the Concept of Race Exist for Shakespeare and His Contemporaries?
- Chapter 2 The Materials of Race
- Chapter 3 Barbarian Moors
- Chapter 4 Racist Humor and Shakespearean Comedy
- Chapter 5 Race in Shakespeare’s Histories
- Chapter 6 Race in Shakespeare’s Tragedies
- Chapter 7 Experimental Othello
- Chapter 8 Flesh and Blood
- Chapter 9 Was Sexuality Racialized for Shakespeare?
- Chapter 10 The Tempest and Early Modern Conceptions of Race
- Chapter 11 Shakespeare, Race, and Globalization
- Chapter 12 How to Think Like Ira Aldridge
- Chapter 13 What Is the History of Actors of Color Performing in Shakespeare in the UK?
- Chapter 14 Actresses of Color and Shakespearean Performance
- Chapter 15 Othello
- Chapter 16 Are Shakespeare’s Plays Racially Progressive?
- Chapter 17 How Have Post-Colonial Approaches Enriched Shakespeare’s Works?
- Chapter 18 Is It Possible to Read Shakespeare through Critical White Studies?
- Further Reading
- Index
Chapter 1 - Did the Concept of Race Exist for Shakespeare and His Contemporaries?
An Introduction
Published online by Cambridge University Press: 09 February 2021
- The Cambridge Companion to Shakespeare and Race
- The Cambridge Companion to Shakespeare and Race
- Copyright page
- Contents
- Figures
- Contributors
- Note on Shakespeare Editions
- Chapter 1 Did the Concept of Race Exist for Shakespeare and His Contemporaries?
- Chapter 2 The Materials of Race
- Chapter 3 Barbarian Moors
- Chapter 4 Racist Humor and Shakespearean Comedy
- Chapter 5 Race in Shakespeare’s Histories
- Chapter 6 Race in Shakespeare’s Tragedies
- Chapter 7 Experimental Othello
- Chapter 8 Flesh and Blood
- Chapter 9 Was Sexuality Racialized for Shakespeare?
- Chapter 10 The Tempest and Early Modern Conceptions of Race
- Chapter 11 Shakespeare, Race, and Globalization
- Chapter 12 How to Think Like Ira Aldridge
- Chapter 13 What Is the History of Actors of Color Performing in Shakespeare in the UK?
- Chapter 14 Actresses of Color and Shakespearean Performance
- Chapter 15 Othello
- Chapter 16 Are Shakespeare’s Plays Racially Progressive?
- Chapter 17 How Have Post-Colonial Approaches Enriched Shakespeare’s Works?
- Chapter 18 Is It Possible to Read Shakespeare through Critical White Studies?
- Further Reading
- Index
Summary
This chapter explains how and why The Cambridge Companion to Shakespeare and Race would have been nearly impossible to create thirty years ago. It traces how the volume requires scholars who know not only Shakespeare’s works, the historical and cultural milieu of the fifteenth, sixteenth, and seventeenth centuries in England and Europe, and the archives that hold the historical documents from these time periods, but also the history of imperialism, alternative archives that reveal more about the various lives of people of color in the early modern world, and the history of Shakespeare’s employment in various theatrical, educational, and political moments in history – from the seventeenth century to the twenty-first century. Post-colonial studies, African American studies, critical race studies, and queer studies allow scholars to apply new methodologies to Shakespeare and his contemporaries.
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- The Cambridge Companion to Shakespeare and Race , pp. 1 - 16Publisher: Cambridge University PressPrint publication year: 2021
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