from Part II - Works
Published online by Cambridge University Press: 28 September 2011
As difficult as it may appear to define the beginning of a characteristic Spätwerk in the case of Strauss, the composer himself has made it easy for us to delineate the last phase of his creativity. The works in question are a group of compositions all finished, albeit not begun, after the completion of his opera Capriccio:
Concerto for Horn and Orchestra No. 2 in E♭, TrV 283
Completion: Vienna, November 28, 1942
Sonatina No. 1 in F for 16 Wind Instruments, “From the Workshop of an Invalid,” TrV 288
Completion: Garmisch, July 22, 1943
Metamorphosen for 23 Solo Strings, TrV 290
Completion: Garmisch, April 12, 1945
Sonatina No. 2 in E♭. for 16 Wind Instruments, “Joyful Workhop,” TrV 291
Completion: Garmisch, June 22, 1945
Concerto in D for Oboe and Small Orchestra, TrV 292
Completion: Baden (Switzerland), October 25, 1945
Duett-Concertino in F for Clarinet and Bassoon, String Orchestra, and Harp, TrV 293
Completion: Montreux, December 16, 1947
Vier letze Lieder after Poems by Hermann Hesse and Joseph von Eichendorff for Soprano and Orchestra, TrV 296:
I. “Frühling” (“Spring”) (Hermann Hesse)
Completion: Pontresina, July 18, 1948
II. “September” (Hermann Hesse)
Completion: Montreux, September 20, 1948
III. “Beim Schlafengehen” (“On Going to Sleep”) (Hermann Hesse)
Completion: Pontresina, August 4, 1948
IV, “Im Abendrot” (“At Sunset”) (Joseph von Eichendorff)
Completion: Montreux, May 4, 1948
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