Book contents
- The Cambridge Companion to Race and American Literature
- The Cambridge Companion to Race and American Literature
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Chronology
- Introduction
- Part I Foundations
- Part II Backgrounds
- Part III The Dynamics of Race and Literary Dynamics
- Part IV Rethinking American Literature
- Part V Case Studies
- Chapter 16 Uncle Tom’s Cabin and the Question of Race
- Chapter 17 The Legacy of Toni Morrison
- Further Reading
- Index
- Cambridge Companions To Literature
Chapter 17 - The Legacy of Toni Morrison
Black Writers, Invisibility, and Intimacy
from Part V - Case Studies
Published online by Cambridge University Press: 02 November 2024
- The Cambridge Companion to Race and American Literature
- The Cambridge Companion to Race and American Literature
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Chronology
- Introduction
- Part I Foundations
- Part II Backgrounds
- Part III The Dynamics of Race and Literary Dynamics
- Part IV Rethinking American Literature
- Part V Case Studies
- Chapter 16 Uncle Tom’s Cabin and the Question of Race
- Chapter 17 The Legacy of Toni Morrison
- Further Reading
- Index
- Cambridge Companions To Literature
Summary
The difference in how Ralph Ellison and Toni Morrison conceived of Black subjectivity has profound consequences for how we understand the audience of African American literature in the contemporary period. While Ellison assumed that the Black subject is invisible because whites fail to recognize African American humanity and complexity, Morrison understood herself to be both legible and embraced by her Black community. Ellison and Morrison represent twin poles for the consideration of such issues as the implicit desire for white validation to the bold expectation that Black life not be explained to outsiders. Evidence of Ellison and Morrison’s respective approach to Black literature is reflected in two recent texts by prominent African American writers. Ta-Nehisi Coates’s Between the World and Me (2015) and Imani Perry’s Breathe: A Letter to My Sons (2019) both highlight how key aspects of Black life remain invisible to white observers while also using readerly intimacy as a potent force for social change. These texts demonstrate the continued tension of presenting Black writing within a national landscape dominated by white hegemonic power.
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- The Cambridge Companion to Race and American Literature , pp. 253 - 266Publisher: Cambridge University PressPrint publication year: 2024