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Part III - Representation

Published online by Cambridge University Press:  02 June 2020

Edited by
Siobhan B. Somerville
Siobhan B. Somerville
Affiliation:
University of Illinois, Urbana-Champaign
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The Cambridge Companion to Queer Studies , pp. 123 - 198
Publisher: Cambridge University Press
Print publication year: 2020

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References

Further Reading

Amin, Kadji, Musser, Amber Jamilla, and Pérez, Roy. “Queer Form: Aesthetics, Race, and the Violences of the Social.” ASAP/Journal 2, no. 2 (2017): 227–39.CrossRefGoogle Scholar
Cole, Henri. Blackbird and Wolf. New York: Farrar, Straus, and Giroux, 2007.Google Scholar
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Hayden, Robert. Collected Poems. Edited by Glaysher, Frederick. New York: Liveright, 2013.Google Scholar
Las Nietas de Nonó. “Las Nietas de Nonó.” Interview by Sofía Gallisá Muriente. Terremoto, 6, May 30, 2016, http://terremoto.mx/article/interview-with-las-nietas-de-nono/.Google Scholar
Salas Rivera, Raquel. lo terciario / the tertiary. Oakland, CA: Timeless, Infinite Light, 2018.Google Scholar
Sharpe, Christina. In The Wake: On Blackness and Being. Durham, NC: Duke University Press, 2016.Google Scholar
Stone-Richards, Michael. Logics of Separation: Exile and Transcendence in Aesthetic Modernity. Berlin, Germany: Peter Lang, 2011.CrossRefGoogle Scholar
Tolbert, TC, and Peterson, Trace, eds. Troubling the Line: Trans and Genderqueer Poetry and Poetics. Callicoon, NY: Nightboat Books, 2013.Google Scholar
Viego, Antonio. Dead Subjects: Towards a Politics of Loss in Latino Studies. Durham, NC: Duke University Press, 2007.Google Scholar
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Further Reading

Jolly, Margaretta. “Coming Out of the Coming Out Story: Writing Queer Lives.” Sexualities 4, no. 4 (2001): 475–97.CrossRefGoogle Scholar
Lanser, Susan S., and Warhol, Robyn, eds. Narrative Theory Unbound: Queer and Feminist Interventions. Columbus: Ohio State University Press, 2015.Google Scholar
Miller, David A. Bringing Out Roland Barthes. Berkeley: University of California Press, 1992.Google Scholar

Further Reading

Bad Object-Choices, ed. How Do I Look: Queer Film and Video. Seattle, WA: Bay Press, 1991.Google Scholar
Brennan, Niall, and Gudelunas, David, eds. RuPaul’s Drag Race and the Shifting Visibility of Drag Culture. Switzerland: Springer International Publishing, 2017.Google Scholar
Creekmur, Corey K., and Doty, Alexander, eds. Out in Culture: Gay, Lesbian, and Queer Essays on Poplar Culture. Durham, NC: Duke University Press, 1995.CrossRefGoogle Scholar
Doty, Alexander. Making Things Perfectly Queer: Interpreting Mass Culture. Minneapolis: University of Minnesota Press, 1993.Google Scholar
Fawaz, Ramzi. The New Mutants: Superheroes and the Radical Imagination of American Comics. New York: New York University Press, 2016.Google Scholar
Gray, Mary L. Out in the Country: Youth, Media, and Queer Visibility in Rural America. New York: New York University Press, 2009.Google Scholar
Keegan, Cáel M. “Revisitation: A Trans Phenomenology of the Media Image.” MedieKultur 32, no. 61 (2016): 26–41.Google Scholar
King, Samantha. “Virtually Normal: Mark Bingham, the War on Terror, and The Sexual Politics of Sport.” Journal of Sport and Social Issues 33, no. 1 (February 2009): 5–24.CrossRefGoogle Scholar
Muñoz, José Esteban. “Pedro Zamora’s Real World of Counterpublicity: Performing an Ethics of the Self.” In Disidentifications: Queers of Color and the Performance of Politics, 143–60. Minneapolis: University of Minnesota Press, 1999.Google Scholar
Peele, Thomas. Queer Popular Culture: Literature, Media, Film, and Television. New York: Palgrave Macmillan, 2007.CrossRefGoogle Scholar
Samer, Roxanne, ed. “Transgender Media.” Special Issue, Spectator, 37, no. 2 (Fall 2017): 1–88.Google Scholar
Tongson, Karen. “Karaoke, Queer Theory, Queer Performance: Dedicated to José Esteban Muñoz.” In The Oxford Handbook of Music and Queerness, edited by Maus, Fred Everett and Whiteley, Sheila. Oxford: Oxford University Press, forthcoming. Essay published online March 2018. www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199793525.001.0001/oxfordhb-9780199793525-e-72.Google Scholar

Further Reading

Bryson, Mary. “When Jill Jacks In: Queer Women and the Net.” Feminist Media Studies 4, no. 3 (2004): 239–54.Google Scholar
Fleetwood, Nicole R. Troubling Vision: Performance, Visuality, and Blackness. Chicago, IL: University of Chicago Press, 2011.Google Scholar
González, Jennifer. “The Appended Subject: Race and Identity as Digital Assemblage.” In Race in Cyberspace, edited by Kolko, Beth E., Nakamura, Lisa, and Rodman, Gilbert B., 27–50. New York: Routledge, 2000.Google Scholar
Munt, Sally R., Bassett, Elizabeth H., and O’Riordan, Kate. “Virtually Belonging: Risk, Connectivity, and Coming Out On-Line.” International Journal of Sexuality and Gender Studies 7, no. 2 (2002): 125–37.CrossRefGoogle Scholar
Rambukkana, Nathan. “Taking the Leather Out of Leathersex: The Internet, Identity, and the Sadomasochistic Public Sphere.” In Queer Online: Media Technology and Sexuality, edited by O’Riordan, Kate and Phillips, David J., 67–80. New York: Peter Lang, 2007.Google Scholar
Raun, Tobias. Out Online: Trans Self-Representation and Community Building on YouTube. New York: Routledge, 2016.Google Scholar

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