Book contents
- The Cambridge Companion to Prose
- The Cambridge Companion to Prose
- Copyright page
- Contents
- Notes on Contributors
- Introduction
- Part I Parts of Prose
- Part II Prose Genres
- 8 Realist Prose
- 9 Comic Prose
- 10 Gothic Prose
- 11 Science Fiction
- 12 Travel Writing
- 13 Nature Writing
- 14 Life Writing
- Further Reading
- Index
- Cambridge Companions To …
11 - Science Fiction
from Part II - Prose Genres
Published online by Cambridge University Press: 05 November 2021
- The Cambridge Companion to Prose
- The Cambridge Companion to Prose
- Copyright page
- Contents
- Notes on Contributors
- Introduction
- Part I Parts of Prose
- Part II Prose Genres
- 8 Realist Prose
- 9 Comic Prose
- 10 Gothic Prose
- 11 Science Fiction
- 12 Travel Writing
- 13 Nature Writing
- 14 Life Writing
- Further Reading
- Index
- Cambridge Companions To …
Summary
Adam Roberts identifies the opposition between plain and excessive styles as a distinguishing feature in the history of science fiction. The chapter considers the rival origins of the genre in Verne and Wells and offers a comprehensive survey of twentieth- and twenty-first-century traditions. Roberts tracks the history of a pared-down, plain style that often runs counter to the excess and scientific detail of the content and sets it alongside a competing, more ambitious, ‘literary’ prose style that has increasingly come into the ascendancy.
- Type
- Chapter
- Information
- The Cambridge Companion to Prose , pp. 180 - 195Publisher: Cambridge University PressPrint publication year: 2021