Book contents
- The Cambridge Companion to Music in Australia
- Cambridge Companions to Music
- The Cambridge Companion to Music in Australia
- Copyright page
- Dedication
- Contents
- Figures
- Maps
- Tables
- Music Examples
- Contributors
- Acknowledgements
- 1 Introduction and Historiography of Music in Australia
- Part I Continuities
- Part II Encounters
- Part III Diversities
- Part IV Institutions
- 20 Iconic Musical Sites in Australia
- 21 Festivals as a Forum for Indigenous Public Ceremony from Remote Australia
- 22 The Australian Children’s TV Music Phenomenon
- 23 Youth Broadcasting and Music Festivals in Australia
- 24 Australian Multicultural and Folk Festivals
- 25 Learning from Music in Australia
- Index
- References
25 - Learning from Music in Australia
from Part IV - Institutions
Published online by Cambridge University Press: 14 November 2024
- The Cambridge Companion to Music in Australia
- Cambridge Companions to Music
- The Cambridge Companion to Music in Australia
- Copyright page
- Dedication
- Contents
- Figures
- Maps
- Tables
- Music Examples
- Contributors
- Acknowledgements
- 1 Introduction and Historiography of Music in Australia
- Part I Continuities
- Part II Encounters
- Part III Diversities
- Part IV Institutions
- 20 Iconic Musical Sites in Australia
- 21 Festivals as a Forum for Indigenous Public Ceremony from Remote Australia
- 22 The Australian Children’s TV Music Phenomenon
- 23 Youth Broadcasting and Music Festivals in Australia
- 24 Australian Multicultural and Folk Festivals
- 25 Learning from Music in Australia
- Index
- References
Summary
This concluding chapter considers the dynamics of music and place, issues of diversity, and the impact of Indigenous artists on building bridges to a whole history of music in this place. Reflecting on the four interlinked themes guiding this Cambridge Companion to Music in Australia: Continuities, Encounters, Diversities, and Institutions, it takes up musical threads not covered elsewhere in the volume, discussing pub rock and hip hop to consider dynamics of exclusion, inclusion, and identity. In advocating for a move away from anthropocentrism toward ecocentrism in considering the relationships between music and the place now known as Australia, it simultaneously foregrounds unresolved tensions associated with Indigeneity, settler-colonialism, and prejudice in music that are ultimately intertwined with concepts of place and belonging.
- Type
- Chapter
- Information
- The Cambridge Companion to Music in Australia , pp. 395 - 411Publisher: Cambridge University PressPrint publication year: 2024