Book contents
- The Cambridge Companion to Music and Romanticism
- Cambridge Companions to Music
- The Cambridge Companion to Music and Romanticism
- Copyright page
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Preface
- Chronology
- Part I Horizons
- Part II Worlds
- Part III Aesthetics
- Part IV Practices
- Part V Histories
- Select Bibliography
- Index
- References
Part V - Histories
Published online by Cambridge University Press: 06 August 2021
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Book contents
- The Cambridge Companion to Music and Romanticism
- Cambridge Companions to Music
- The Cambridge Companion to Music and Romanticism
- Copyright page
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Preface
- Chronology
- Part I Horizons
- Part II Worlds
- Part III Aesthetics
- Part IV Practices
- Part V Histories
- Select Bibliography
- Index
- References
Summary
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- Information
- The Cambridge Companion to Music and Romanticism , pp. 325 - 357Publisher: Cambridge University PressPrint publication year: 2021
References
Further Reading
Blume, Friedrich. Classic and Romantic Music: A Comprehensive Survey (New York: Norton, 1970).Google Scholar
Cooper, John Michael (with Kinnett, Randy). Historical Dictionary of Romantic Music (Lanham MD: Scarecrow Press, 2013).Google Scholar
Dahlhaus, Carl. Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century, trans. Mary Whittall (Berkeley and Los Angeles: University of California Press, 1980).Google Scholar
Dahlhaus, Carl. Nineteenth-Century Music, trans. Robinson, J. B. (Berkeley and Los Angeles: University of California Press, 1989).Google Scholar
Einstein, Alfred. Music in the Romantic Era: A History of Musical Thought in the 19th Century (New York: W. W. Norton & Co., 1947).Google Scholar
Longyear, Rey. Nineteenth-Century Romanticism in Music (Englewood Cliffs, NJ: Prentice Hall, 1988).Google Scholar
Mellor, Anne (ed.). Romanticism and Feminism (Bloomington, IN: Indiana University Press, 1988).Google Scholar
Pederson, Sanna. ‘Romantic Music under Siege in 1848’, in Bent, Ian (ed.), Music Theory in the Age of Romanticism (Cambridge: Cambridge University Press, 1996), 57–74.Google Scholar
Samson, Jim (ed.). The Cambridge History of Nineteenth-Century Music (Cambridge: Cambridge University Press, 2001).Google Scholar
Samson, Jim (ed.). The Late Romantic Era: From the Mid-19th Century to World War I (London: Macmillan, 1991).Google Scholar
Whittall, Arnold. Romantic Music: A Concise History from Schubert to Sibelius (London: Thames and Hudson, 1987).Google Scholar
Further Reading
Cook, Nicholas and Pople, Anthony (eds.). The Cambridge History of Twentieth-Century Music (Cambridge: Cambridge University Press, 2004).Google Scholar
Dahlhaus, Carl. Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century, trans. Whittall, Mary (Berkeley and Los Angeles: University of California Press, 1980).Google Scholar
Dahlhaus, Carl Foundations of Music History, trans. Robinson, J. Bradford (Cambridge: Cambridge University Press, 1983).Google Scholar
Dahlhaus, Carl Nineteenth-Century Music, transRobinson, . J. Bradford (Berkeley and Los Angeles: University of California Press, 1989).Google Scholar
Franklin, Peter. Reclaiming Late-Romantic Music: Singing Devils and Distant Sounds (Berkeley and Los Angeles: University of California Press, 2014).Google Scholar
Harper-Scott, J. P. E. ‘How We Got Out of Music History, and How We Can Get Back Into It’, in Kelly, Michael J. and Rose, Arthur (eds.), Theories of History: History Read Across the Humanities (London, New York, Oxford, New Delhi, Sydney: Bloomsbury Academic, 2018), 37–59.Google Scholar
Hepokoski, James. ‘The Dahlhaus Project and Its Extra-Musicological Sources’, 19th-Century Music, 14/3 (1991), 221–46.Google Scholar
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Samson, Jim (ed.). The Late Romantic Era: From the Mid-19th Century to World War I (London, Basingstoke: Macmillan Press, 1991).Google Scholar
Taruskin, Richard. Music in the Early Twentieth Century, volume 4 of The Oxford History of Western Music (New York: Oxford University Press, 2005).Google Scholar
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