Book contents
- Frontmatter
- ‘Japanese culture’: An overview
- 1 Concepts of Japan, Japanese culture and the Japanese
- 2 Japan’s emic conceptions
- 3 Language
- 4 Family culture
- 5 School culture
- 6 Work culture
- 7 Technological culture
- 8 Religious culture
- 9 Political culture
- 10 Buraku culture
- 11 Literary culture
- 12 Popular leisure
- 13 Manga, anime and visual art culture
- 14 Music culture
- 15 Housing culture
- 16 Food culture
- 17 Sports culture
- 18 Globalisation and cultural nationalism
- 19 Exporting Japan’s culture: From management style to manga
- Consolidated list of references
- Index
11 - Literary culture
Published online by Cambridge University Press: 28 January 2010
- Frontmatter
- ‘Japanese culture’: An overview
- 1 Concepts of Japan, Japanese culture and the Japanese
- 2 Japan’s emic conceptions
- 3 Language
- 4 Family culture
- 5 School culture
- 6 Work culture
- 7 Technological culture
- 8 Religious culture
- 9 Political culture
- 10 Buraku culture
- 11 Literary culture
- 12 Popular leisure
- 13 Manga, anime and visual art culture
- 14 Music culture
- 15 Housing culture
- 16 Food culture
- 17 Sports culture
- 18 Globalisation and cultural nationalism
- 19 Exporting Japan’s culture: From management style to manga
- Consolidated list of references
- Index
Summary
The relationship between literature and society/culture is complex. The act of writing is not a process of recording. Literary works interact with our sociocultural reality; they challenge, question, or sometimes reinforce our everyday values and assumptions. Reading modern Japanese literature means reading individual writers' experiences and their multifaceted interpretations of society and culture. In principle, therefore, any attempt at generalisation will fail. At the same time, however, literature is not created in a vacuum; writers' experiences are woven within a social and cultural fabric, and certain common literary features emerge during any given period in history. The individual writer's words are taken from, and the chain of words he or she creates is once again incorporated into, that very fabric. Sometimes these words may cause a tear or rip; or when they regurgitate the experiences of everyday life, they may be absorbed with little resistance, often becoming commercially successful in the process. This metaphor may help explain the distinction between so-called pure and popular literature in modern Japanese literary history. The two genres have been commonly differentiated by the way they are received in the literary market: pure literature for those readers who 'seriously' enjoy reading literature and who have the ability to appreciate its 'literary' value; popular literature for the broader public who read for entertainment.
- Type
- Chapter
- Information
- The Cambridge Companion to Modern Japanese Culture , pp. 199 - 215Publisher: Cambridge University PressPrint publication year: 2009