Book contents
- The Cambridge Companion to Margaret Atwood
- The Cambridge Companion to Margaret Atwood
- Copyright page
- Dedication
- Contents
- Notes on Contributors
- Preface
- Acknowledgments
- Note on Editions Used
- Abbreviations
- Margaret Atwood Chronology
- Introduction
- Chapter 1 Margaret Atwood in Her Canadian Context
- Chapter 2 Margaret Atwood on Questions of Power
- Chapter 3 Home and Nation in Margaret Atwood’s Later Fiction
- Chapter 4 Margaret Atwood’s Female Bodies
- Chapter 5 Margaret Atwood and Environmentalism
- Chapter 6 Margaret Atwood and History
- Chapter 7 Margaret Atwood’s Revisions of Classic Texts
- Chapter 8 Margaret Atwood’s Humor
- Chapter 9 Margaret Atwood’s Poetry and Poetics
- Chapter 10 Margaret Atwood’s Later Short Fiction
- Chapter 11 Margaret Atwood’s Recent Dystopias
- Chapter 12 The Hulu and MGM Television Adaptation of The Handmaid’s Tale
- Further Reading
- Index
- Cambridge Companions To …
Chapter 8 - Margaret Atwood’s Humor
Published online by Cambridge University Press: 19 March 2021
- The Cambridge Companion to Margaret Atwood
- The Cambridge Companion to Margaret Atwood
- Copyright page
- Dedication
- Contents
- Notes on Contributors
- Preface
- Acknowledgments
- Note on Editions Used
- Abbreviations
- Margaret Atwood Chronology
- Introduction
- Chapter 1 Margaret Atwood in Her Canadian Context
- Chapter 2 Margaret Atwood on Questions of Power
- Chapter 3 Home and Nation in Margaret Atwood’s Later Fiction
- Chapter 4 Margaret Atwood’s Female Bodies
- Chapter 5 Margaret Atwood and Environmentalism
- Chapter 6 Margaret Atwood and History
- Chapter 7 Margaret Atwood’s Revisions of Classic Texts
- Chapter 8 Margaret Atwood’s Humor
- Chapter 9 Margaret Atwood’s Poetry and Poetics
- Chapter 10 Margaret Atwood’s Later Short Fiction
- Chapter 11 Margaret Atwood’s Recent Dystopias
- Chapter 12 The Hulu and MGM Television Adaptation of The Handmaid’s Tale
- Further Reading
- Index
- Cambridge Companions To …
Summary
This chapter discusses Atwood’s storytelling techniques within an international context of humorous literary production. Referencing Bakhtin and Linda Hutcheon, it explores Atwood’s extensive comic strategies, identifying and explaining them through the categories of the tall tale and the carnivalesque, multivocality, irony and satire, parody, travesty, and metatextuality. It provides detailed rhetorical analyses of examples of Atwood’s humor with quotations from her short stories and her recent novels The Blind Assassin, Oryx and Crake, The Heart Goes Last, Hag-Seed, and The Testaments, showing how Atwood the humorist, satirist, and moralist expertly reconciles the double function of literature: to amuse and to instruct.
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- The Cambridge Companion to Margaret Atwood , pp. 124 - 140Publisher: Cambridge University PressPrint publication year: 2021