Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-586b7cd67f-l7hp2 Total loading time: 0 Render date: 2024-11-24T02:45:13.548Z Has data issue: false hasContentIssue false

Further Reading

Published online by Cambridge University Press:  19 March 2021

Edited by
Coral Ann Howells
Coral Ann Howells
Affiliation:
Institute of English Studies, University of London
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
The Cambridge Companion to Margaret Atwood , pp. 206 - 212
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Armstrong, Karen. A Short History of Myth. Edinburgh: Canongate, 2006.Google Scholar
Berger, James. After the End: Representations of Post-apocalypse. Minneapolis: University of Minnesota Press, 1999.Google Scholar
Braidotti, Rosi. The Posthuman. Cambridge: Polity Press, 2003.Google Scholar
Claeys, Gregory. Dystopia: A Natural History. Oxford: Oxford University Press, 2017.Google Scholar
Clark, Timothy. The Value of Ecocriticism. Cambridge: Cambridge University Press, 2019.Google Scholar
Frye, Northrop. The Bush Garden: Essays on the Canadian Imagination. Toronto: Anansi, 1971.Google Scholar
Garrard, Greg. Ecocriticism. 2nd edition. London: Routledge, 2012.Google Scholar
Gibson, Graeme. Eleven Canadian Novelists. Toronto: Anansi, 1973.Google Scholar
Gorjup, Branko, ed. Mythologizing Canada: Essays on the Canadian Literary Imagination. Ottawa: Legas, 1997.Google Scholar
Hicks, Heather. The Post-Apocalyptic Novel in the Twenty-First Century: Modernity beyond Salvage. Basingstoke: Palgrave Macmillan, 2016.Google Scholar
Howells, Coral Ann. Contemporary Canadian Women’s Fiction: Refiguring Identities. New York: Palgrave Macmillan, 2003.Google Scholar
Hutcheon, Linda. A Theory of Parody: The Teachings of Twentieth-Century Art Forms. Urbana: University of Illinois Press, 2000.Google Scholar
James, Edward and Mendlesohn, Farah, eds. The Cambridge Companion to Science Fiction. Cambridge: Cambridge University Press, 2003.Google Scholar
Klein, Naomi. This Changes Everything: Capitalism vs. the Climate. New York: Simon and Schuster, 2014.Google Scholar
Kröller, Eva-Marie, ed. The Cambridge Companion to Canadian Literature. Cambridge: Cambridge University Press, 2003, 2017.Google Scholar
Lee, Martha. Earth First! Environmental Apocalypse. Syracuse, NY: Syracuse University Press, 1995.Google Scholar
Lyon, David. The Culture of Surveillance: Watching As a Way of Life. Cambridge: Polity Press, 2018.Google Scholar
Marangoly, Rosemary George. The Politics of Home: Postcolonial Relocations and Twentieth-Century Fiction. Cambridge: Cambridge University Press, 1996.Google Scholar
McKibben, Bill. Enough: Genetic Engineering and the End of Human Nature. London: Bloomsbury, 2004.Google Scholar
Moylan, Tom. Scraps of the Untainted Sky: Science Fiction, Utopia, Dystopia. Boulder, CO: Westview Press, 2000.Google Scholar
Nischik, Reingard M. The English Short Story in Canada: From the Dawn of Modernism to the 2013 Nobel Prize. Jefferson, NC: McFarland, 2017.Google Scholar
Rao, Eleonora. Heart of a Stranger: Contemporary Women Writers and the Metaphor of Exile. Naples: Liguori Editore, 2002.Google Scholar
Staines, David, ed. The Canadian Imagination: Dimensions of a Literary Culture. Cambridge, MA: Harvard University Press, 1977.Google Scholar
Tate, Andrew. Apocalyptic Fiction. London: Bloomsbury, 2017.Google Scholar
Trexler, Adam. Anthropocene Fictions: The Novel in a Time of Climate Change. Charlottesville: University of Virginia Press, 2015.Google Scholar
Wagner-Lawler, Jennifer A. Postmodern Utopias and Feminist Fictions. Cambridge: Cambridge University Press, 2013.Google Scholar
Westling, Louise. The Cambridge Companion to Literature and the Environment. Cambridge: Cambridge University Press, 2013.CrossRefGoogle Scholar
Wisker, Gina. Contemporary Women’s Gothic Fiction: Carnival, Hauntings and Vampire Kisses. London: Palgrave Macmillan UK, 2016.Google Scholar
Young, Iris Marion. On Female Body Experience: “Throwing Like a Girl” and Other Essays. Oxford: Oxford University Press, 2005.Google Scholar

Secondary Sources

Curious Pursuits: Occasional Writing, 1970–2005. London: Virago, 2005.Google Scholar
In Other Worlds: SF and the Human Imagination. London: Virago, 2011.Google Scholar
Moving Targets: Writing with Intent, 1982–2004. Toronto: Anansi, 2004.Google Scholar
Negotiating with the Dead: A Writer on Writing. Cambridge: Cambridge University Press, 2002. Republished as On Writers and Writing. London: Virago, 2015 [2003].Google Scholar
Second Words: Selected Critical Prose. Toronto: Anansi, 1982.Google Scholar
Strange Things: The Malevolent North in Canadian Literature. Oxford: Clarendon Press, 1995.Google Scholar
Survival: A Thematic Guide to Canadian Literature. Toronto: Anansi, 1972.Google Scholar
“Am I a Bad Feminist?” Globe and Mail, January 13, 2018. www.theglobeandmail.com/opinion/am-i-a-bad-feminist/article37591823/. Accessed January 18, 2018.Google Scholar
“The Handmaid’s Tale and Oryx and Crake in Context.” PMLA 119 (2004): pp. 513–17.Google Scholar
“Haunted by The Handmaid’s Tale.” Guardian Review, January 21, 2012: 20.Google Scholar
“In Search of Alias Grace: On Writing Canadian Historical Fiction,” Bronfman Lecture Series (Ottawa, November 1996). Reprinted in Curious Pursuits: Occasional Writing 1970–2005. London: Virago, 2005, pp. 209–29.Google Scholar
“Margaret Atwood on what The Handmaid’s Tale Means in the Age of Trump.” New York Times, March 10, 2017. www.nytimes.com/2017/03/10/books/review/margaret-atwood-handmaids-tale-age-of-trump.html. (Same as “Introduction” to 2017 Vintage edition.) Accessed September 20, 2018.Google Scholar
“Spotty-Handed Villainesses: Problems of Female Bad Behaviour in the Creation of Literature.” Address, 1993. Reprinted in Curious Pursuits: Occasional Writing 1970–2005. London: Virago, 2005, pp. 171–86.Google Scholar
“Survival, Then and Now.” Maclean’s, July 1, 1999, pp. 54–58.Google Scholar
“Time Is Running Out for Our Fragile, Goldilocks Planet.” Independent, July 29, 2015. www.independent.co.uk/environment/climate-change/margaret-atwood-10425406. Accessed September 20, 2019.Google Scholar
“Ursula K. Le Guin: One of the Greats of the 20th Century.” The Guardian, January 24, 2018. www.theguardian.com/books/2018/jan/24/ursula-k-le-guin-margaret-atwood-tribute. Accessed January 25, 2018.Google Scholar
Wagner, Erica. “Margaret Atwood Interview.” Times Online, August 15, 2009. www.thetimes.co.uk/article/margaret-atwood-interview-dh5tj896j82. Accessed September 16, 2019.Google Scholar
Appleton, Sarah A., ed. Once Upon a Time: Myth, Fairy Tales and Legends in Margaret Atwood’s Writings. Newcastle: Cambridge Scholars Publishing, 2008.Google Scholar
Bouson, J. Brooks. Brutal Choreographies: Oppositional Strategies and Narrative Design in the Novels of Margaret Atwood. Amherst: University of Massachusetts Press, 1993.Google Scholar
Bouson, J. Brooks, ed. Critical Insights: Margaret Atwood. Ipswich, MA: Salem Press, 2013.Google Scholar
Bouson, J. Brooks, ed. Margaret Atwood: The Robber Bride, The Blind Assassin, Oryx & Crake. London: Continuum, 2010.Google Scholar
Cooke, Nathalie. Margaret Atwood: A Biography. Toronto: ECW Press, 1998.Google Scholar
Davies, Madeleine and Barnett-Sanders, Bethany, eds. Second Sight: The Margaret Atwood Learning Journals. Reading: University of Reading Press, 2018.Google Scholar
Dvořák, Marta, ed. The Handmaid’s Tale. Paris: Ellipses, 1998.Google Scholar
Dvořák, Marta, ed. Lire Margaret Atwood: The Handmaid’s Tale. Rennes: Presses Universitaires de Rennes, 1999. Open Edition Books, 2016. https://books.openedition.org/pur/30504?format=toc&lang=enGoogle Scholar
Grace, Sherrill. Violent Duality: A Study of Margaret Atwood. Montreal: Véhicule Press, 1980.Google Scholar
Hengen, Shannon. Margaret Atwood’s Power: Mirrors, Reflections and Images in Select Fiction and Poetry. Toronto: Second Story Press, 1993.Google Scholar
Howells, Coral Ann. Margaret Atwood. Basingstoke: Macmillan, 1996, 2005.Google Scholar
Howells, Coral Ann, ed. The Cambridge Companion to Margaret Atwood. Cambridge: Cambridge University Press, 2006.Google Scholar
Howells, Coral Ann, ed. Margaret Atwood in Conversation with Coral Ann Howells. London: British Library (Eccles Centre for American Studies), 2017.Google Scholar
Ingersoll, Earl G., ed. Margaret Atwood: Conversations. London: Virago, 1992 [1990].Google Scholar
Ingersoll, Earl G., ed. Waltzing Again: New and Selected Conversations with Margaret Atwood. Princeton: Ontario Review Press, 2006.Google Scholar
Lacroix, Jean-Michel and Leclaire, Jacques, eds. Margaret Atwood: “The Handmaid’s Tale”/ “Le Conte de la servante”: The Power Game. Paris: Presses de la Sorbonne Nouvelle, 1998.Google Scholar
Macpherson, Heidi Slettedahl. The Cambridge Introduction to Margaret Atwood. Cambridge: Cambridge University Press, 2010.Google Scholar
McCombs, Judith, ed. Critical Essays on Margaret Atwood. Boston: G. K. Hall, 1988.Google Scholar
McMahon, Fiona and Wells-Lassagne, Shannon, eds. Adapting Margaret Atwood: The Handmaid’s Tale and Beyond. London: Palgrave Macmillan, 2021.Google Scholar
McWilliams, Ellen. Margaret Atwood and the Female Bildungsroman. Farnham, Surrey: Ashgate, 2009.Google Scholar
Moss, John and Kozakewich, Tobi, eds. Margaret Atwood: The Open Eye. Ottawa: University of Ottawa Press, 2006.Google Scholar
Nicholson, Colin, ed. Margaret Atwood: Writing and Subjectivity: New Critical Essays. Basingstoke: Macmillan and St. Martin’s Press, 1994.Google Scholar
Nischik, Reingard M. Engendering Genre: The Works of Margaret Atwood. Ottawa: Ottawa University Press, 2009.Google Scholar
Nischik, Reingard M., ed. Margaret Atwood: Works and Impact. Rochester, NY: Camden House, 2000.Google Scholar
Rao, Eleonora. Strategies for Identity: The Fiction of Margaret Atwood. New York: Peter Lang, 1993.Google Scholar
Sandler, Linda, ed. “Margaret Atwood: A Symposium.” Malahat Review 41 (January 1977).Google Scholar
Scheckels, Theodore F. The Political in Margaret Atwood’s Fiction. Farnham, Surrey: Ashgate, 2012.Google Scholar
Shead, Jackie. Margaret Atwood: Crime Fiction Writer. Farnham, Surrey: Ashgate, 2015.Google Scholar
Stein, Karen F. Margaret Atwood Revisited. New York: Twayne, 1999.Google Scholar
Sullivan, Rosemary. The Red Shoes: Margaret Atwood Starting Out. Toronto: HarperFlamingoCanada, 1998.Google Scholar
Tolan, Fiona. Margaret Atwood: Feminism and Fiction. Amsterdam: Rodopi, 2007.Google Scholar
Tolan, Fiona, ed. Special Issue: Margaret Atwood. Contemporary Women’s Writing 11.3 (November 2017).Google Scholar
Wilson, Sharon Rose. Margaret Atwood’s Fairy-Tale Sexual Politics. Jackson, MS, and Toronto: University Press of Mississippi and ECW Press, 1993.Google Scholar
Wilson, Sharon Rose. Myths and Fairy Tales in Contemporary Women’s Fiction: From Atwood to Morrison. New York: Palgrave Macmillan, 2008.Google Scholar
Wilson, Sharon Rose, ed. Margaret Atwood’s Textual Assassinations: Recent Poetry and Fiction. Columbus: Ohio State University Press, 2003.Google Scholar
Wisker, Gina. Margaret Atwood: An Introduction to Critical Views of Her Fiction. Basingstoke: Palgrave Macmillan, 2012.Google Scholar
Wisker, Gina. Margaret Atwood’s Alias Grace: A Reader’s Guide. New York: Continuum, 2002.Google Scholar
York, Lorraine. Margaret Atwood and the Labour of Literary Celebrity. Toronto: University of Toronto Press, 2013.Google Scholar
York, Lorraine, ed. Various Atwoods: Essays on the Later Poems, Short Fiction, and Novels. Toronto: Anansi, 1995.Google Scholar
Barzilai, Shuli. “How Far Would You Go? Trajectories of Revenge in Margaret Atwood’s Short Fiction.” Contemporary Women’s Writing 11.3 (November 2017): pp. 316–35.Google Scholar
Barzilai, Shuli. “Unfabulating a Fable, or Two Readings of ‘Thylacine Ragout.’” Once Upon a Time: Myth, Fairy Tales and Legends in Margaret Atwood’s Writings. Ed. Appleton, Sarah A.. Newcastle: Cambridge Scholars Publishing, 2008, pp. 127–50.Google Scholar
Bouson, J. Brooks. “‘It’s Game Over Forever’: Atwood’s Satiric Vision of a Bioengineered Posthuman Future.” Journal of Commonwealth Literature 39.3 (2004): pp. 139–56.Google Scholar
Bouson, J. Brooks. “‘A Joke-Filled Romp’ through End Times: Radical Environmentalism, Deep Ecology, and Human Extinction in Margaret Atwood’s Eco-apocalyptic MaddAddam Trilogy.” Journal of Commonwealth Literature 51.3 (2016): pp. 341–57.Google Scholar
Bouson, J. Brooks. “‘We’re Using Up the Earth: It’s Almost Gone’: A Return to the Post-apocalyptic Future in The Year of the Flood.” Journal of Commonwealth Literature 46.1 (2011): pp. 9–26.Google Scholar
Canavan, Gerry. “Hope, But Not for Us: Ecological Science Fiction and the End of the World in Margaret Atwood’s Oryx and Crake and The Year of the Flood.” LIT: Literature Interpretation Theory 23.2 (2012): pp. 138–59.Google Scholar
Dvořák, Marta. “Atwood’s Hag-Seed and The Heart Goes Last: A 3G Romp, Grim, Grotesque, and Generic.” Otrante 44 (Autumn 2018): pp. 69–86.Google Scholar
Dvořák, Marta. “Margaret Atwood’s Cat’s Eye: or, The Trembling Canvas.” Etudes anglaises 54.3 (2001): pp. 299–309.Google Scholar
Frew, Lee. “‘A Whole New Take on Indigenous’: Margaret Atwood’s Oryx and Crake As Wild Animal Story.” Studies in Canadian Literature/Etudes en Littérature Canadienne 39.1 (2014): pp. 199–218.Google Scholar
Grace, Sherrill. “Atwood and the ‘Autobiographical Pact.’” Margaret Atwood: The Open Eye. Ed. Moss, John and Toby, Kozakewich. Ottawa: University of Ottawa Press, 2006, pp. 121–34.Google Scholar
Harland, Paul. “Ecological Grief and Therapeutic Storytelling in Margaret Atwood’s MaddAddam Trilogy.” ISLE: Interdisciplinary Studies in Literature and the Environment 23.3 (Summer 2016): pp. 583–602.Google Scholar
Hauser, Emily. “‘There Is Another Story’: Writing after the Odyssey in Margaret Atwood’s The Penelopiad.” Classical Reception Journal 1.2 (2018): pp. 109–26.Google Scholar
Howells, Coral Ann. “True Trash: Genre Fiction Revisited in Margaret Atwood’s Stone Mattress, The Heart Goes Last and Hag-Seed.” Contemporary Women’s Writing 11.3 (November 2017): pp. 297–315.Google Scholar
Ingersoll, Earl G. “Engendering Metafiction: Textuality and Closure in Margaret Atwood’s Alias Grace.” American Review of Canadian Studies (Autumn 2001): pp. 385–401.Google Scholar
Klooss, Wolfgang. “Margaret Atwood’s Positron/The Heart Goes Last: Surveillance, the Power of the Gaze and the Vigor of Desire.” Literatur in Wissenschaft und Unterricht 47.3 (2014): pp. 225–41.Google Scholar
Koziol, Slawomir. “Crake’s Aesthetic: Genetically Modified Humans As a Form of Art in Atwood’s Oryx and Crake.” Studies in Contemporary Fiction 59 (2018): pp. 492–508.Google Scholar
Miceli, Barbara. “Margaret Atwood’s The Handmaid’s Tale and The Heart Goes Last. A Comparative Study on Two Dystopian Cities.” América Crítica 1.2 (2018): pp. 33–48.Google Scholar
Nischik, Reingard M. “Margaret Atwood’s Short Stories and Shorter Fictions.” Cambridge Companion to Margaret Atwood. Ed. Howells, Coral Ann. Cambridge: Cambridge University Press, 2006, pp. 145–60.Google Scholar
Northover, Alan. “Strangers in Strange Worlds: Margaret Atwood’s MaddAddam Trilogy.” Journal of Literary Studies 33.1 (2017): pp. 121–37.Google Scholar
Péneau, Emilie. “‘Strong Myths Never Die’: Margaret Atwood’s Subversion of Myth in The Tent.” Myth and Subversion in the Contemporary Novel. Ed. Goya, José Manuel Losada and Ochoa, Marta Guirao. Newcastle upon Tyne: Cambridge Scholars, 2012, pp. 253–63.Google Scholar
Raschke, Debrah. “Margaret Atwood’s MaddAddam Trilogy: Postmodernism, Apocalypse, and Rapture.” Studies in Canadian Literature/Etudes en Littérature Canadienne 39.2 (2014): pp. 22–44.Google Scholar
Rogerson, Margaret. “Reading the Patchworks in Alias Grace.” Journal of Commonwealth Literature 33.1 (1998): pp. 5–22.Google Scholar
Rowland, Lucy. “Speculative Solutions: The Development of Environmental and Ecofeminist Discourse in Margaret Atwood’s MaddAddam.” Studies in Canadian Literature/Etudes en Littérature Canadienne 40.2 (2015): pp. 46–68.Google Scholar
Somacarrera, Pilar. “’Thank You for Creating This World for All of Us’: Globality and the Reception of The Handmaid’s Tale after Its Television Adaptation.” Revista Canaria de Estudios Ingleses 78 (April 2019): pp. 83–95.Google Scholar
Somacarrera, Pilar. “ ‘Witness Is What You Must Bear’: Politics in Margaret Atwood’s Poetry.” Literature for Our Times: Postcolonial Studies in the Twentieth Century. Ed. Ashcroft, Bill, Mendis, Ranjini, and McGonegal, Julie. Amsterdam: Rodopi, 2012, pp. 565–90.Google Scholar
Staels, Hilda. “Atwood’s Specular Narrative: The Blind Assassin.” English Studies 85.2 (April 2002): pp. 147–60.Google Scholar
Tolan, Fiona. “Aging and Subjectivity in Margaret Atwood’s Fiction.” Contemporary Women’s Writing 11.3 (November 2017): pp. 336–53.Google Scholar
Van Spanckeren, Kathryn. “Humanizing the Fox: Atwood’s Poetic Tricksters and Morning in the Burned House.” Margaret Atwood’s Textual Assassinations. Ed. Wilson, Sharon Rose. Columbus: Ohio State University Press, 2003, pp. 102–20.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Further Reading
  • Edited by Coral Ann Howells, Institute of English Studies, University of London
  • Book: The Cambridge Companion to Margaret Atwood
  • Online publication: 19 March 2021
  • Chapter DOI: https://doi.org/10.1017/9781108626651.015
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Further Reading
  • Edited by Coral Ann Howells, Institute of English Studies, University of London
  • Book: The Cambridge Companion to Margaret Atwood
  • Online publication: 19 March 2021
  • Chapter DOI: https://doi.org/10.1017/9781108626651.015
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Further Reading
  • Edited by Coral Ann Howells, Institute of English Studies, University of London
  • Book: The Cambridge Companion to Margaret Atwood
  • Online publication: 19 March 2021
  • Chapter DOI: https://doi.org/10.1017/9781108626651.015
Available formats
×