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from Part I - Anthropocene Forms
Published online by Cambridge University Press: 28 July 2021
In The Great Derangement, Amitav Ghosh sets out to explore how literary forms and conventions have contributed to a ‘narrative imagination’ that is ill-equipped to grapple with climate change. He claims in passing that in comparison with the novel, which is his primary generic focus, literary non-fiction has been better able to circumvent culturally embedded ‘modes of concealment’ that prevent us from thinking the ‘unthinkable’. Yet, Ghosh does not explore how and why creative non-fiction might be more amenable to addressing climate change. Through a reading of The Great Derangement as creative non-fiction, as well as other examples of the genre, this chapter examines the genre’s potential benefits and limitations for shaping a ‘narrative imagination’ that disrupts the ‘modes of concealment’ bequeathed by colonial modernity.
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