Book contents
- The Cambridge Companion to International Theatre Festivals
- Cambridge Companions to Theatre and Performance
- The Cambridge Companion to International Theatre Festivals
- Copyright page
- Dedication
- Contents
- Contributors
- Acknowledgements
- Introduction
- Part I Contexts and Methods
- Part II International Festivals Around the Globe
- Chapter 5 European Festivals
- Chapter 6 International Theatre Festivals in the UK
- Chapter 7 Under the Radar Festival, New York
- Chapter 8 The Australian Festival Network
- Chapter 9 Theatre Festivals in Post-Arab Spring Countries
- Chapter 10 Staging East Africa through Global Exchange
- Chapter 11 The National Arts Festival in Grahamstown
- Chapter 12 Reckoning with Historical Conflicts in East Asian Theatre Festivals
- Chapter 13 Festivals in the Francophone World as Sites of Cultural Struggle
- Chapter 14 International Festivals in Latin America
- Chapter 15 RUTAS | ROUTES
- Appendix List of International Theatre, Performance, and Multi-arts Festivals
- Works Cited
- Further Reading
- Index
Chapter 6 - International Theatre Festivals in the UK
The Edinburgh Festival Fringe as a Model Neo-liberal Market
from Part II - International Festivals Around the Globe
Published online by Cambridge University Press: 22 May 2020
- The Cambridge Companion to International Theatre Festivals
- Cambridge Companions to Theatre and Performance
- The Cambridge Companion to International Theatre Festivals
- Copyright page
- Dedication
- Contents
- Contributors
- Acknowledgements
- Introduction
- Part I Contexts and Methods
- Part II International Festivals Around the Globe
- Chapter 5 European Festivals
- Chapter 6 International Theatre Festivals in the UK
- Chapter 7 Under the Radar Festival, New York
- Chapter 8 The Australian Festival Network
- Chapter 9 Theatre Festivals in Post-Arab Spring Countries
- Chapter 10 Staging East Africa through Global Exchange
- Chapter 11 The National Arts Festival in Grahamstown
- Chapter 12 Reckoning with Historical Conflicts in East Asian Theatre Festivals
- Chapter 13 Festivals in the Francophone World as Sites of Cultural Struggle
- Chapter 14 International Festivals in Latin America
- Chapter 15 RUTAS | ROUTES
- Appendix List of International Theatre, Performance, and Multi-arts Festivals
- Works Cited
- Further Reading
- Index
Summary
This chapter focuses on the UK’s biggest and most influential festival, the Edinburgh Festival Fringe (EFF), analyzing its benefits and risks. It considers some of the EFF’s advantages: the opportunities for artists to do a three-week run, to build relationships with other artists, and take part in an international hothouse for seeing work, learning, and developing. The chapter also considers the EFF’s pernicious effects: its unregulated labour conditions; environmental impact; lack of integration into Edinburgh’s year-round performance culture; economic and cultural exclusiveness; competitive individualization of success and failure; and pressures on mental health. It ends by proposing ways the EFF and its emulators could improve their social impact by investing in infrastructure, Edinburgh’s performance culture, and performance makers; actively supporting artists’ mental health; offering structural mentoring support; introducing regulations that protect workers; actively supporting more diverse makers, critics and audiences; and advocating for collaboration over competition. The chapter advocates for a vision of the fringe as, not a neo-liberal capitalist market, but a civic sphere.
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- The Cambridge Companion to International Theatre Festivals , pp. 101 - 117Publisher: Cambridge University PressPrint publication year: 2020
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