Book contents
- The Cambridge Companion to Composition
- Cambridge Companions to Music
- The Cambridge Companion to Composition
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Introduction
- Part I Creative Processes
- Part II Techniques
- Part III Styles, Conventions, and Issues
- 12 Dots, Squiggles, and Words
- 13 Sonorities and Spectra
- 14 Electronic Composition
- 15 Transcultural Composing
- 16 Nothing New Under the Sun: Composition as Adaptation
- 17 Composition and Ecological Listening
- Part IV Building a Career
- Further Reading
- Index
15 - Transcultural Composing
from Part III - Styles, Conventions, and Issues
Published online by Cambridge University Press: 25 May 2024
- The Cambridge Companion to Composition
- Cambridge Companions to Music
- The Cambridge Companion to Composition
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Music Examples
- Contributors
- Introduction
- Part I Creative Processes
- Part II Techniques
- Part III Styles, Conventions, and Issues
- 12 Dots, Squiggles, and Words
- 13 Sonorities and Spectra
- 14 Electronic Composition
- 15 Transcultural Composing
- 16 Nothing New Under the Sun: Composition as Adaptation
- 17 Composition and Ecological Listening
- Part IV Building a Career
- Further Reading
- Index
Summary
This chapter considers the relationship between composing and nationality, examining what happens when musical influence and practice are reimagined across traditions and cultures. It looks at several case studies to unpick geographical, social, political, and racial musical associations, and reflects critically on composing outside the colonial dominance of Western-centric musical practices.
- Type
- Chapter
- Information
- The Cambridge Companion to Composition , pp. 233 - 256Publisher: Cambridge University PressPrint publication year: 2024