Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-dsjbd Total loading time: 0 Render date: 2024-11-20T08:25:37.114Z Has data issue: false hasContentIssue false

Part III - Uses

Published online by Cambridge University Press:  17 August 2023

Maaheen Ahmed
Affiliation:
Universiteit Gent, Belgium
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Seth. The G.N.B Double C: The Great Northern Brotherhood of Canadian Cartoonists. Drawn and Quarterly, 2011.Google Scholar

Secondary Sources

Ahmed, Maaheen, and Benoît, Crucifix. “Introduction: Untaming Comics Memory.” Comics Memory: Archives and Styles, edited by Ahmed, Maaheen and Crucifix, Benoît. Palgrave, 2018, pp. 112.Google Scholar
Baetens, Jan. “Reading Comics in Time.” New Readings, vol. 18, 2022, pp. 113.Google Scholar
Baetens, Jan, and Frey, Hugo. “Continued Comics: The New ‘Blake and Mortimer’ as an Example of Continuation in European Series.” The Edinburgh Companion to Contemporary Narrative Theories, edited by Dinnen, Zara and Warhol, Robyn. Edinburgh University Press, 2018, pp. 215226.Google Scholar
Beaty, Bart. Comics versus Art. Toronto University Press, 2012.CrossRefGoogle Scholar
Campbell, Eddie. The Goat Getters: Jack Johnson, the Fight of the Century, and How a Bunch of Raucous Cartoonists Reinvented Comics. IDW/The Ohio State University Press, 2018.Google Scholar
Chute, Hillary L. Disaster Drawn: Visual Witness, Comics, and Documentary Form. The Belknap Press of Harvard University Press, 2016.Google Scholar
Cook, Terry. “The Archive(s) Is a Foreign Country: Historians, Archivists, and the Changing Archival Landscape.” The American Archivist, vol. 74, no. 2, 2011, pp. 600632.Google Scholar
Crucifix, Benoît. Drawing from the Archives: Comics’ Memory in the Contemporary Graphic Novel. Cambridge University Press, 2023.Google Scholar
Cvetkovich, Ann. “Drawing the Archive in Alison Bechdel’s Fun Home.” Women’s Studies Quarterly, vol. 31, no. 1/2, 2008, pp. 111128.Google Scholar
De Kosnik, Abigail. Rogue Archives: Digital Cultural Memory and Media Fandom. The MIT Press, 2016.Google Scholar
Fiedler, Leslie. “The Middle against Both Ends.” Arguing Comics: Literary Masters on a Popular Medium, edited by Heer, Jeet and Worcester, Kent. University Press of Mississippi, 2004, pp. 123133.Google Scholar
Gabilliet, Jean-Paul. Of Comics and Men: A Cultural History of American Comic Books. Translated by Bart Beaty and Nick Nguyen, University Press of Mississippi, 2010.Google Scholar
Gabilliet, Jean-Paul. “Reading Facsimile Reproductions of Original Artwork: The Comics Fan as Connoisseur.” Image [&] Narrative, vol. 17, no. 4, 2016, pp. 1625.Google Scholar
Galvan, Margaret. “Archiving Wimmen: Collectives, Networks, and Comix.” Australian Feminist Studies, vol. 32, no. 91–92, 2017, pp. 2240.CrossRefGoogle Scholar
Gardner, Jared. “Antebellum Popular Serialities and the Transatlantic Birth of ‘American’ Comics.” Media of Serial Narrative, edited by Kelleter, Frank. The Ohio State University Press, 2017, pp. 3752.Google Scholar
Gardner, Jared. Projections: Comics and the History of Twenty-First-Century Storytelling. Stanford University Press, 2012.Google Scholar
Gardner, Jared. “Storylines.” SubStance, vol. 40, no. 1, 2011, pp. 5369.Google Scholar
Garvey, Ellen Gruber. Writing with Scissors: American Scrapbooks from the Civil War to the Harlem Renaissance. Oxford University Press, 2013.Google Scholar
Gearino, Dan. Comic Shop: The Retail Mavericks Who Gave Us a New Geek Culture. Swallow Press/Ohio University Press, 2017.CrossRefGoogle Scholar
Gitelman, Lisa. Always Already New: Media, History, and the Data of Culture. The MIT Press, 2006.CrossRefGoogle Scholar
Grennan, Simon, et al. Marie Duval: Maverick Victorian Cartoonist. Manchester University Press, 2020.Google Scholar
Hague, Ian. Comics and the Senses: A Multisensory Approach to Comics and Graphic Novels. Routledge, 2014.Google Scholar
Harvey, Robert C. “Bill Blackbeard, The Man Who Saved Comics, Dead at 84.” The Comics Journal, April 2011. www.tcj.com/bill-blackbeard-1926-2011/Google Scholar
Harvey, Robert C. Meanwhile …: A Biography of Milton Caniff, Creator of Terry and the Pirates and Steve Canyon. Fantagraphics Books, 2007.Google Scholar
Hirsch, Marianne. “Family Pictures: Maus, Mourning, and Post-Memory.” Discourse, vol. 15, no. 2, 1992, pp. 329.Google Scholar
Jenkins, Henry. Comics and Stuff. New York University Press, 2020.Google Scholar
Kopin, Joshua Abraham. “‘With Apologies to The Old Masters’: Jack Jackson’s Citational Practice and the History of Comic Book History.” Inks: The Journal of the Comics Studies Society, vol. 3, no. 1, 2019, pp. 2747.Google Scholar
Lowenthal, David. The Past Is a Foreign Country – Revisited. Cambridge University Press, 2013.Google Scholar
Marcum, Deanna, and Schonfeld, Roger C.. Along Came Google: A History of Library Digitization. Princeton University Press, 2021.Google Scholar
Marrone, Daniel. Forging the Past: Seth and the Art of Memory. University Press of Mississippi, 2016.Google Scholar
McCrory, Amy. “Archiving Newspaper Comic Strips: The San Francisco Academy of Comic Art Collection.” Archival Issues, vol. 27, no. 2, 2002, pp. 137150.Google Scholar
Méon, Jean-Matthieu. “Sons and Grandsons of Origins: Narrative Memory in Mainstream Superhero Publishing.” Comics Memory: Archives and Styles, edited by Ahmed, Maaheen and Crucifix, Benoît. Palgrave, 2019.Google Scholar
Pustz, Matthew. Comic Book Culture: Fanboys and True Believers. University Press of Mississippi, 1999.Google Scholar
Robb, Jenny E.Bill Blackbeard: The Collector Who Rescued the Comics.” The Journal of American Culture, vol. 32, no. 3, 2009, pp. 244256.CrossRefGoogle Scholar
Robb, Jenny E.The Librarians and Archivists.” The Secret Origins of Comics Studies, edited by Smith, Matthew J. and Duncan, Randy. Routledge, 2017, pp. 7188.Google Scholar
Schlanger, Judith E. Présence des œuvres perdues. Hermann, 2010.Google Scholar
Scully, Richard. “A Serious Matter. Erwin D. Swann (1906–1973) and the Collection of Caricature and Cartoon.” Journal of the History of Collections, vol. 27, no. 1, 2015, pp. 111122.Google Scholar
Sinervo, Kalervo A.Pirates and Publishers. Comics Scanning and the Audience Function.” The Comics World: Comic Books, Graphic Novels, and Their Publics, edited by Woo, Benjamin and Stoll, Jeremy, University Press of Mississippi, 2021, pp. 208233.CrossRefGoogle Scholar
Starre, Alexander. “American Comics Anthologies: Mediality – Canonization – Transnationalism.” Transnational American Studies, edited by Hebel, Udo J.. Winter, 2012, pp. 541560.Google Scholar
Stein, Daniel. Authorizing Superhero Comics: On the Evolution of a Popular Serial Genre. Ohio State University Press, 2021.Google Scholar
Stein, Daniel. “What’s in an Archive? Cursory Observations and Serendipitous Reflections.” Anglia, vol. 138, no. 3, September 2020, pp. 337354. https://doi.org/10.1515/ang-2020-0033CrossRefGoogle Scholar
Thomas, Roy, and Peter, Sanderson. The Marvel Vault: A Museum-in-a-Book with Rare Collectibles from the World of Marvel. Marvel, 2007.Google Scholar
Tilley, Carol L. Of Nightingales and Supermen: How Youth Services Librarians Responded to Comics Between the Years 1938 and 1955. Indiana University, 2007.Google Scholar
Waugh, Coulton. The Comics. Macmillan, 1947.Google Scholar
Wershler, Darren, and Sinervo, Kalervo A.. “Marvel and the Form of Motion Comics.” Make Ours Marvel: Media Convergence and a Comics Universe, edited by Yockey, Matt. University of Texas Press, 2017, pp. 187206.Google Scholar
Yale, Elizabeth. “The History of Archives: The State of the Discipline.” Book History, vol. 18, 2015, pp. 332359.CrossRefGoogle Scholar
2000 AD. IPC/Fleetway/Rebellion, 1977–date.Google Scholar
The Beano. DC Thomson, 1938–date.Google Scholar
Bunty. DC Thomson, 1958–2001.Google Scholar
Girl. Hulton Press, 1951–1964.Google Scholar
Jackie. DC Thomson, 1964–1993.Google Scholar
Moore, Alan. Swamp Thing. DC Comics, 1983–1987.Google Scholar
Moore, Alan and Gibbons, Dave. Watchmen. DC Comics, 1986–1987.Google Scholar
Viz. Self-published/Dennis Publishing, 1979–date.Google Scholar
Wilson, G. Willow and Alphona, Adrian. Ms. Marvel Vol. 1: No Normal. Marvel, 2014.Google Scholar
Wilson, G. Willow et al., Ms. Marvel Vol. 2: Generation Why. Marvel, 2015.Google Scholar
Barker, Martin. A Haunt of Fears: The Strange History of the British Horror Comics Campaign. University Press of Mississippi, 1984.Google Scholar
Barker, Martin. Comics: Ideology, Power and the Critics. Manchester University Press, 1989.Google Scholar
Cocca, Carolyn. Superwomen: Gender, Power, and Representation. Bloomsbury Academic, 2016.Google Scholar
Cox, Christopher M.Ms. Marvel, Tumblr, and the Industrial Logics of Identity in Digital Spaces.” Transformative Works and Cultures, vol. 27, 2018, n.pag. https://doi.org/10.3983/twc.2018.1195. Accessed 21 August 2021.Google Scholar
Crawshaw, Trisha L.Truth, Justice, Boobs: Gender in Comic Book Culture.” Gender and the Media: Women’s Places, edited by Segal, Marcia Texler and Demos, Vasilikie. Emerald, 2018, pp. 89103. www.emerald.com/insight/publication/doi/10.1108/S1529-2126201826. Accessed 21 August 2021.Google Scholar
Davis, Blair. “Bare Chests, Silver Tiaras, and Removable Afros: The Visual Design of Black Comic Book Superheroes.” The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art, edited by Gateward, Frances K. and Jennings, John. Rutgers University Press, 2015, pp. 193212.Google Scholar
Elderkin, Beth. “Marvel VP of Sales Blames Women and Diversity for Sales Slump.” Gizmodo, 2017. https://gizmodo.com/marvel-vp-blames-women-and-diversity-for-sales-slump-1793921500. Accessed 31 August 2021.Google Scholar
Fabricius, Charlotte Johanne. Super-Girls: Girlhood and Agency in Contemporary Superhero Comics. 2021. University of Southern Denmark. PhD thesis.Google Scholar
Freeman, Matthew, and Charlotte, Taylor-Ashfield. “‘I Read Comics from a Feministic Point of View’: Conceptualizing the Transmedia Ethos of the Captain Marvel Fan 235 Community.” The Journal of Fandom Studies, vol. 5, no. 3, 2017, pp. 317335. doi.org/10.1386/jfs.5.3.317_1. Accessed 21 August 2021.Google Scholar
Gibson, Mel. “‘It’s All Come Flooding Back’: Memories of Childhood Comics.” Comics Memory: Archives and Styles, edited by Ahmed, Maheen and Crucifix, Benoît. Palgrave, 2018, pp. 3756.Google Scholar
Gibson, Mel. Remembered Reading: Memory, Comics and Post-War Constructions of British Girlhood. University of Leuven Press, 2015.Google Scholar
Gibson, Mel. “What You Read and Where You Read It, How You Get It, How You Keep It: Children, Comics and Historical Cultural Practice.” Popular Narrative Media, vol. 1, no. 2, 2008, pp. 151167.Google Scholar
Goodrum, Michael D. et al. Gender and the Superhero Narrative. University Press of Mississippi, 2018.Google Scholar
Griepp, Milton. “Marvel’s David Gabriel on the 2016 Market Shift.” ICv2, 2017, https://icv2.com/articles/news/view/37152/marvels-david-gabriel-2016-marketshift. Accessed 21 August 2021.Google Scholar
Kashtan, Aaron. Between Pen and Pixel: Comics, Materiality, and the Book of the Future. Ohio State University Press, 2018.Google Scholar
Lent, John A, ed. Pulp Demons: International Dimensions of the Postwar Anti-comics Campaign. Fairleigh Dickinson University Press, 1999.Google Scholar
McGunnigle, Christopher. “Rule 63: Genderswapping in Female Superhero Cosplay”. Gender and the Superhero Narrative, edited by Goodrum, Michael D, Prescott, Tara, and Smith, Philip. University Press of Mississippi, 2018, pp 144179.Google Scholar
Orme, Stephanie. “Femininity and Fandom: The Dual-Stigmatisation of Female Comic Book Fans.” Journal of Graphic Novels and Comics, vol. 7, no. 4, 2016, pp. 403416. doi.org/10.1080/21504857.2016.1219958Google Scholar
Pantozzi, Jill. “Young Women Are the Fastest Growing Demographic According to New Comics Retailer Survey.” The Mary Sue, 2014, themarysue.com/youngwomen-comic-demographic-growing/. Accessed 21 August 2021.Google Scholar
Pumphrey, George H. What Children Think of Their Comics. Epworth Press, 1964.Google Scholar
Radway, Janice. Reading the Romance. University of North Carolina Press, 1984.Google Scholar
Resha, Adrienne. “The Blue Age of Comic Books.” Inks: The Journal of the Comics Studies Society, vol. 4, no. 1, 2020, pp. 6681.Google Scholar
Robbins, Trina. From Girls to Grrrlz. Chronicle Books, 1999.Google Scholar
Round, Julia. Gothic for Girls: Misty and British Comics. University Press of Mississippi, 2019.Google Scholar
Scott, Suzanne. “Fangirls in Refrigerators: The Politics of (in)Visibility in Comic Book Culture.” Transformative Works and Cultures, vol. 13, 2012, n.pag. doi.org/10.3983/twc.2013.0460. Accessed 21 August 2021.Google Scholar
Streeten, Nicola. UK Feminist Cartoon and Comics: A Critical Survey. Palgrave Macmillan, 2020.Google Scholar
Tilley, Carol L.Seducing the Innocent: Fredric Wertham and the Falsifications That Helped Condemn Comics.” Information & Culture, vol. 47, no. 4, 2012, pp. 383413. JSTOR, www.jstor.org/stable/43737440.Google Scholar
Wertham, Fredric. Seduction of the Innocent. Rinehart & Co., 1954.Google Scholar
Woo, Benjamin. “The Android’s Dungeon: Comic-Bookstores, Cultural Spaces, and the Social Practices of Audiences.” Journal of Graphic Novels & Comics, vol. 2, no. 2, 2011, pp. 125136. doi.org/10.1080/21504857.2011.602699CrossRefGoogle Scholar
AAARGH! Bumper Souvenir Catalogue (Exhibition booklet: December 31, 1970–February 6, 1971). Institute of Contemporary Arts, 1970.Google Scholar
Beyond the Black Panther: Visions of Afrofuturism in American Comics (exhibition, February 1, 2021–April 30, 2022). Michigan State University Museum 2021. www.museum.msu.edu/?exhibition=beyond-the-black-panther-visions-of-afrofuturism-in-american-comics Accessed 11/19/21.Google Scholar
“Black Ink: African American Cartoonist Showcase” (exhibition catalog: February 5–May 16). 1992. Cartoon Art Museum, 1992Google Scholar
Carlin, John, Karasik, Paul and Walker, Brian, eds. Masters of American Comics. Hammer Museum and the Museum of Contemporary Art/Yale University Press, 2005.Google Scholar
Carlin, John and Wagstaff, Sheena. The Comic Art Show: Cartoons and Paintings in Popular Culture. Whitney Museum of American Art, 1983.Google Scholar
Claremont, Chris et al. Marvel Universe of Superheroes (exhibit catalog). Verlag für moderne Kunst, 2019.Google Scholar
Contemporary Cartoons: An Exhibition of Original Drawings by American Artists at the Huntington Library March-April (exhibit brochure). The Huntington Library, 1937.Google Scholar
Horn, Maurice. 75 Years of the Comics (exhibition catalog: September 8–November 7, New York Cultural Center). Boston Book & Art Publisher, 1971.Google Scholar
Muller, Jerome K. 1976. The Cartoon Show: Original Works by 100 Outstanding American Cartoonists Selected for the Jerome K. Muller Collection (exhibition booklet: February 28–April 4), Bowers Museum, 1976.Google Scholar
Myer, Peter L. ed. The Comics as an Art Form (exhibition booklet: March 29–April 24). University of Nevada Art Gallery, 1970.Google Scholar
O’Sullivan, Judith. The Art of the Comic Strip (exhibition catalog: April 1–May 9). University of Maryland Art Gallery, 1971.Google Scholar
Stewart, Bohb. The Phonus Balonus Show of Some Really Heavy Stuff (exhibition booklet, May 20–June 15). Corcoran Museum of Art, 1969.Google Scholar
Spiegelman, Art. Co-Mix: A Retrospective of Comics, Graphics, and Scraps (exhibition catalog). Drawn and Quarterly, 2013.Google Scholar
Tyler, Carol. Pages and Progress (Video and exhibit photos). Neuroticraven.com, 2018. www.neuroticraven.com/blog/2018/1/22/carol-tylers-pages-progress Accessed January, 8, 2022.Google Scholar
Varnedoe, Kirk and Gopnik, Adam. High and Low: Modern Art, Popular Culture. Museum of Modern Art, 1990.Google Scholar
Burchard, Wolf. Inspiring Walt Disney: The Animation of French Decorative Arts. Metropolitan Museum of Art, 2021.Google Scholar
Capart, Philippe. Du privé au public. La Crypte Tonique #16. La Crypte Tonique, 2021.Google Scholar
Cavalcade of American Comics (newsprint program). The Newspaper Comics Council, 1963.Google Scholar
Couperie, Pierre and Horn, Maurice. A History of the Comic Strip. Crown Publishers, 1968.Google Scholar
“Drawn to Purpose: American Women Illustrators and Cartoonists” (exhibition November 18, 2017–October 20, 2018). Library of Congress, University Press of Mississippi, 2017.Google Scholar
Gaines, M. C.Narrative Illustration: The Story of the Comics.” Print: A Quarterly Journal of the Graphic Arts, vol. 3, no. 2, 1942, pp. 2538.Google Scholar
Gravett, Paul. Comics Art. Tate Publishing, 2013.Google Scholar
“Fourth Estate: Terry and the Pirates Storm New York Gallery in New Adventure.” Newsweek, vol. XIV, no. 25, p. 48.Google Scholar
Harper, Mr. “After Hours: Pooh to Art.” Harper’s Magazine. August, 1951, p. 14.Google Scholar
Harvey, Robert C. Meanwhile: A Biography of Milton Caniff. Fantagraphics Books, 2007.Google Scholar
Herdeg, Walter and Pascal, David. Comics: The Art of the Comic Strip. The Graphis Press, 1972.Google Scholar
Juno, Andrea. “Art Spiegelman.” Art Spiegelman Conversations, edited by Witek, Joseph. University Press of Mississippi, 1997, pp. 163190.Google Scholar
Munson, Kim. “Revisiting The Comic Art Show.” International Journal of Comic Art, vol. 14, no. 2, 2012, pp. 264288.Google Scholar
Munson, Kim. “A Collaborative Journey: Malcolm Whyte, Troubador Press, and the Cartoon Art Museum, San Francisco.” International Journal of Comic Art, vol. 18, no. 2, 2016, pp. 61110.Google Scholar
Munson, Kim. “How the French Kickstarted the Acceptance of Comics as an Art Form in the US: The Books and Exhibitions of Maurice Horn.” International Journal of Comic Art, vol. 18, no. 2, 2016, pp. 111155.Google Scholar
Munson, Kim. Comic Art in Museums. University Press of Mississippi, 2020.Google Scholar
Munson, Kim. “Viewing R. Crumb: Circles of Influence in Fine Art Museums.” The Comics of R. Crumb: Underground in the Art Museum, edited by Worden, Daniel. University Press of Mississippi, 2021, pp. 232252.Google Scholar
Munson, Kim. “Women in Comics Photo Grid (New York).” Neuroticraven.com. 2021. www.neuroticraven.com/blog/2020/5/20/women-in-comics-photo-grid Accessed January, 8, 2022.Google Scholar
Nugent, Frank S. “Disney Is Now Art – But He Wonders: That Picture in the Museum Is Not All His, He Reveals.” The New York Times. February 26, 1939.Google Scholar
Robbins, Trina. “Women and the Comics.” Cartoonist Profiles , no. 64, December 1985, pp. 40–45.Google Scholar
Robbins, Trina. Pretty in Ink: North American Women Cartoonists 1896–2013. Fantagraphics Books, 2013.Google Scholar
Robbins, Trina, ed. The Complete Wimmen’s Comix. Fantagraphics Books, 2016.Google Scholar
Robbins, Trina and Yronwode, Catherine. Women and the Comics. Eclipse Comics, 1985.Google Scholar
Serrell, Beverly. Exhibit Labels: An Interpretive Approach. Rowman and Littlefield, 2015.Google Scholar
Spiegelman, Art. “High Art Lowdown”: This Review Is Not Sponsored by AT&T).” Artforum, December, 1990.Google Scholar
Tisserand, Michael. Krazy: George Herriman, A Life in Black and White. HarperCollins, 2010.Google Scholar
Captain Marvel Adventures, no. 126, November 1951.Google Scholar
Donald Duck, no. 112, March 1967.Google Scholar
Famous Funnies, no. 32, March 1937.Google Scholar
Pogo Possum, no. 1 October–December 1949.Google Scholar
Pogo Possum, no. 2 April–June 1950.Google Scholar
Pogo Possum, no. 5. May–July 1951.Google Scholar
Pogo Possum, no. 6 July–September 1951.Google Scholar
Superman’s Girlfriend Lois Lane, no. 7, February 1959.Google Scholar
Superman’s Girlfriend Lois Lane, no. 17. May 1960.Google Scholar
Walt Disney’s Mickey Mouse, no. 343, August–September 1951.Google Scholar
Walt Disney’s Uncle Scrooge, no. 22. June–August 1958.Google Scholar
Baker, Esther. “Contribution of Comics to Education.” Illinois Libraries, vol. 34, 1952, pp. 399401.Google Scholar
Bechtel, Louise Seaman. “Talk for Katonah Library, October 16, 1944. Adventures in a Library.” Unpublished manuscript. Baldwin Libraries, University of Florida.Google Scholar
Cowsill, Alan et al. DC Comics Year by Year: A Visual Chronicle. DK, 2010.Google Scholar
Ellis, Allen and Highsmith, Doug. “About Face: Comic Books in Library Literature.” Serials Review, vol. 26, no. 2, 2000, pp. 2143.Google Scholar
Frank, Josette. “What’s in the Comics?The Journal of Educational Sociology, vol. 18, no. 4, December 1944, pp. 214222.CrossRefGoogle Scholar
Frank, Josette. Your Child’s Reading Today. Doubleday, Inc., 1954.Google Scholar
Horner, Emily C. Librarians’ Attitudes and Perspectives Regarding Graphic Novels. Unpublished master’s thesis, University of North Carolina at Chapel Hill, 2004.Google Scholar
Kunitz, Stanley J.The Comic Menace.” Wilson Library Bulletin, vol. 15, June 1941, pp. 846847.Google Scholar
Lundin, Anne. Constructing the Canon of Children’s Literature: Beyond Library Walls and Ivory Towers. Routledge, 2004.Google Scholar
Nyberg, Amy Kiste. “Poisoning Children’s Culture: Comics and Their Critics.” Scorned Literature: Essays on the History and Criticism of Popular Mass-Produced Fiction in America, edited by Schurman, Lydia Cushman and Johnson, Deidre. Greenwood Press, 2002, pp. 167186.Google Scholar
Nyberg, Amy Kiste. Seal of Approval: The History of the Comics Code. University Press of Mississippi, 1998.Google Scholar
Paul Terry’s Mighty Mouse Comics. No. 40, April 1953.Google Scholar
Tarbox, Gwen Athene. Children’s and Young Adult Comics. Bloomsbury Academic, 2020.Google Scholar
Tilley, Carol L. Of Nightingales and Supermen: How Youth Services Librarians Responded to Comics between the Years of 1938 and 1955. Unpublished doctoral thesis, University of Indiana, 2007.Google Scholar
Tilley, Carol L.Seducing the Innocent: Fredric Wertham and the Falsifications That Helped Condemn Comics.” Information & Culture, vol. 47, no. 4, 2012, pp. 383413.Google Scholar
Tilley, Carol L.‘Superman Says, ‘Read!’’ National Comics and Reading Promotion.” Children’s Literature in Education, vol. 44, no. 3, 2013, pp. 251263.Google Scholar
Tilley, Carol and Bahnmaier, Sara. “The Secret Life of Comics: Socializing and Seriality.” The Serials Librarian, vol. 74, 2018, pp. 5464.CrossRefGoogle Scholar
Zorbaugh, Harvey. Editorial. The Journal of Educational Sociology, vol. 18, no. 4, Dec. 1944, pp. 193194.Google Scholar
Barry, Lynda. Making Comics. Drawn & Quarterly, 2019.Google Scholar
Barry, Lynda. Picture This: The Near-Sighted Monkey Book. Drawn & Quarterly, 2010.Google Scholar
Barry, Lynda. Syllabus. Drawn & Quarterly, 2014.Google Scholar
Barry, Lynda. What It Is. Drawn & Quarterly, 2008.Google Scholar
Lewis, John, Aydin, Andrew and Nate, Powell. March Trilogy. Top Shelf, 2016.Google Scholar
Satrapi, Marjane. Persepolis I & II. Random House, 2008.Google Scholar
Sousanis, Nick. Unflattening. Harvard University Press, 2015.Google Scholar
Spiegelman, Art. The Complete Maus. Pantheon, 1996.Google Scholar
Squarzoni, Phillipe. Climate Changed: A Personal Journey through the Science. Abrams, 2014.Google Scholar
Altieri, Jennifer L.From Sketchnotes to Think-Alouds: Addressing the Challenges of Social Studies Text.” Social Studies and the Young Learner, vol. 30, no. 1, 2017, pp. 812.Google Scholar
Bakis, Maureen. The Graphic Novel Classroom: POWerful Teaching and Learning with Images. Thousand Corwin, 2014.Google Scholar
Beaty, Bart. Fredric Wertham and the Critique of Mass Culture : A Re-Examination of the Critic Whose Congressional Testimony Sparked the Comics Code. University Press of Mississippi, 2005.Google Scholar
Beaty, Bart and Benjamin, Woo. The Greatest Comic Book of All Time: Symbolic Capital and the Field of American Comic Books. Palgrave Macmillan, 2016.CrossRefGoogle Scholar
Bennett, Marek. “Multiple Intelligences & Comics.” www.nd.gov/cte/crn/elementary/docs/multiple_intelligences_comic.pdf. Accessed 10 August 2018.Google Scholar
Brown, Sunni. The Doodle Revolution. Penguin, 2015.Google Scholar
Brunetti, Ivan. Cartooning: Philosophy and Practice. Yale University Press, 2011.Google Scholar
Carter, Nichole. Sketchnoting in the Classroom : A Practical Guide to Deepen Student Learning. ISTE, 2019.Google Scholar
College Composition and Communication, vol. 65, no. 3, February 2014.Google Scholar
Dimeo, Robert. “Sketchnoting: An Analog Skill in a Digital Age.” Computers & Society, vol. 46, no. 3, 2013, pp. 916.Google Scholar
Duncan, Randy and Smith, Matthew J., eds. The Power of Comics: History, Form, and Culture. Bloomsbury, 2014.Google Scholar
Fernández-Fontecha, Almudena, O’Halloran, Kay L., Tan, Sabine and Wignell, Peter. “A Multimodal Approach to Visual Thinking: The Scientific Sketchnote.” Visual Communication, vol. 18, no. 1, 2019, pp. 529.Google Scholar
Friedow, Alison, Blankenship, Erin E., Green, Jennifer L. and Stroup, Walter W.. “Learning Interdisciplinary Pedagogies.” Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture, vol. 12, no. 3, 2012, pp. 405424.Google Scholar
Hatfield, Charles. “Indiscipline, or, The Condition of Comics Studies.” Transatlantica no. 1, 2010. http://transatlantica.revues.org/4933Google Scholar
Hawisher, Gail, & Selfe, Cynthia with Moraski, Brittney and Pearson, Melissa. “Becoming Literate in the Information Age: Cultural Ecologies and the Literacies of Technology.” College Composition and Communication, vol. 55, no. 4, 2004, pp. 642692.Google Scholar
Heer, Jeet and Worcester, Kent, eds. Arguing Comics: Literary Masters on a Popular Medium. University Press of Mississippi, 2004.Google Scholar
Heer, Jeet and Worcester, Kent, eds. A Comics Studies Reader. University Press of Mississippi, 2009.Google Scholar
Howe, Sean. Give Our Regards to the Atom Smashers. Pantheon, 2004.Google Scholar
Jacobs, Dale. Graphic Encounters: Comics as Sponsors of Multimodal Literacy. Bloomsbury Academic, 2013.Google Scholar
Kirtley, Susan, Garcia, Antero and Carlson, Peter, eds. With Great Power Comes Great Pedagogy: Teaching, Learning, and Comic Books. University Press of Mississippi, 2020.Google Scholar
Mikkonen, Kai. The Narratology of Comic Art. Routledge, 2019.Google Scholar
Mills, Emily. The Art of Visual Notetaking: An Interactive Guide to Visual Communication and Sketchnoting. Quarto Publishing Group, 2019.Google Scholar
Moninall, Katie. Teaching Graphic Novels: Practical Strategies for the Secondary ELA Classroom. Maupin House, 2013.Google Scholar
Moulton Marston, William. American Scholar: The Journal of Phi Beta Kappa. Winter, 1943.Google Scholar
The New London Group. “A Pedagogy of Multiliteracies: Designing Social Futures.” Harvard Educational Review, vol. 66, no. 1, 1996, pp. 6093.Google Scholar
Novak, Ryan. Teaching Graphic Novels: Building Literacy and Comprehension. Prufrock Press, 2014.Google Scholar
Nyberg, Amy Kiste. Seal of Approval: The History of the Comics Code. University Press of Mississippi, 1998.Google Scholar
Resnick, Benton and Hassler, Alfred (writers) Barry, Sy (artist). “Martin Luther King and the Montgomery Story.” Social Welfare History Image Portal. https://images.socialwelfare.library.vGoogle Scholar
Rohde, Mike. The Sketchnote Handbook. Peachpit Press, 2012.Google Scholar
Ruggieri, Colleen. “Multigenre, Multiple Intelligences, and Transcendentalism.” English Journal, vol. 92, no. 2, 2002, pp. 6068.Google Scholar
Sones, W. W. D.The Comics and Instructional Method.” The Journal of Educational Sociology, vol. 18, no. 4, December 1944, pp. 232240.Google Scholar
Tabachnick, Stephen, ed. Teaching the Graphic Novel. MLA, 2009.Google Scholar
Tilley, Carol. “Seducing the Innocent: Fredric Wertham and the Falsifications that Helped Condemn Comics.” Information & Culture: A Journal of History, vol. 47, no. 4, 2012, pp. 383413.Google Scholar
Troutman, Philip. “Interdisciplinary Teaching: Comics Studies and Research Writing Pedagogy.” Graphic Novels and Comics in the Classroom: Essays on the Educational Power of Sequential Art, edited by Syma, Carrye Kay and Weiner, Robert G.. Macfarland and Co., 2013, pp. 120132.Google Scholar
Wertham, Fredric. Seduction of the Innocent. Rinehart, 1954.Google Scholar
Wertham, Fredric. The World of Fanzines: A Special Form of Communication. Southern Illinois University Press, 1973.Google Scholar
Yang, Gene. “Comics in Education.” www.geneyang.com/comicsedu/history.html.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Uses
  • Edited by Maaheen Ahmed, Universiteit Gent, Belgium
  • Book: The Cambridge Companion to Comics
  • Online publication: 17 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009255653.017
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Uses
  • Edited by Maaheen Ahmed, Universiteit Gent, Belgium
  • Book: The Cambridge Companion to Comics
  • Online publication: 17 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009255653.017
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Uses
  • Edited by Maaheen Ahmed, Universiteit Gent, Belgium
  • Book: The Cambridge Companion to Comics
  • Online publication: 17 August 2023
  • Chapter DOI: https://doi.org/10.1017/9781009255653.017
Available formats
×