Skip to main content Accessibility help

Further Reading

Published online by Cambridge University Press: 17 August 2023

Edited by

Show author details

Maaheen Ahmed: Affiliation:
Universiteit Gent, Belgium

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'

Type: Chapter
Information: The Cambridge Companion to Comics , pp. 364 - 368

DOI: https://doi.org/10.1017/9781009255653.023 [Opens in a new window]

Publisher: Cambridge University Press

Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Baetens, Jan, Frey, Hugo, and Tabachnick, Stephen E., eds. The Cambridge History of the Graphic Novel. Cambridge University Press, 2018.Google Scholar

Barker, Martin. A Haunt of Fears. Pluto Press, 1984.Google Scholar

Beronä, David A. Wordless Books: The Original Graphic Novels. Abrams, 2008.Google Scholar

Gabilliet, Jean-Paul. Of Comics and Men: A Cultural History of American Comic Books. Translated by Bart Beaty and Nick Nguyen. University Press of Mississippi, 2010.Google Scholar

Gibson, Mel. Remembered Reading: Memory, Comics and Post-War Constructions of British Girlhood. Leuven University Press, 2015.Google Scholar

Gordon, Ian. Comic Strips and Consumer Culture 1890–1945. Smithsonian Institution Press, 1998.Google Scholar

Hajdu, David. The Ten Cent Plague: The Great Comic Book Scare and How It Changed America. Picador, 2008.Google Scholar

Kennedy, Martha. Drawn to Purpose: American Women Illustrators and Cartoonists. University Press of Mississippi, 2018.Google Scholar

Kirtley, Susan. Typical Girls: The Rhetoric of Womanhood in Comic Strips. Ohio State University Press, 2021.CrossRef Google Scholar

Kunzle, David. History of the Comic Strip, Volume 1, The Early Comic Strip: Narrative Strips and Picture Stories in the European Broadsheet from c. 1450 to 1825. University of California Press, 1973.Google Scholar

Kunzle, David. History of the Comic Strip Volume 2, The Nineteenth Century. University of California Press, 1990.Google Scholar

Kunzle, David. Father of the Comic Strip: Rodolphe Töpffer. University Press of Mississippi, 2007.Google Scholar

Kunzle, David. Rebirth of the English Comic Strip: A Kaleidoscope, 1847–1870. University Press of Mississippi, 2021.Google Scholar

Mainardi, Patricia. Another World: Nineteenth-Century Illustrated Print Culture. Yale University, 2017.Google Scholar

Mazur, Dan, and Danner, Alexander. Comics: A Global History, 1968 to the Present. Thames & Hudson, 2014.Google Scholar

Nadel, Dan. Art Out of Time: Unknown Comics Visionaries, 1900–1969. Abrams, 2006.Google Scholar

Nadel, Dan. Art In Time: Unknown Comic Book Adventures, 1940–1980. Abrams, 2010.Google Scholar

Nadel, Dan. It’s Life as I See It. Black Cartoonists in Chicago, 1940–1980. New York Review Comics, 2021.Google Scholar

Nyberg, Amy Kiste. Seal of Approval: The History of the Comics Code. University Press of Mississippi, 1998.Google Scholar

Pustz, Matthew, ed. Comic Books and American Cultural History: An Anthology. Continuum, 2012.CrossRef Google Scholar

Robbins, Trina. Pretty in Ink: North American Women Artists, 1896–2013. Fantagraphics, 2013.Google Scholar

Roeder, Katherine. Wide Awake in Slumberland: Fantasy, Mass Culture, and Modernism in the Art of Winsor McCay. University Press of Mississippi, 2014.CrossRef Google Scholar

Round, Julia. Gothic for Girls: Misty and British Comics. University Press of Mississippi, 2019.Google Scholar

Sabin, Roger. Comics, Comix and Graphic Novels: A History of Comic Art. Phaidon Press, 1996.Google Scholar

Tisserand, Michael. Krazy. George Herriman: A Life in Black and White. HarperCollins, 2016Google Scholar

Wright, Bradford W. Comic Book Nation: The Transformation of Youth Culture in America. Johns Hopkins University Press, 2003.CrossRef Google Scholar

Secondary Sources

Alaniz, José. Death, Disability, and the Superhero: The Silver Age and Beyond. University Press of Mississippi, 2014.Google Scholar

Aldama, Frederick Luis, ed. Multicultural Comics: From Zap to Blue Beetle. University of Texas Press, 2011.Google Scholar

Baetens, Jan and Frey, Hugo. The Graphic Novel: An Introduction. Cambridge University Press, 2014.Google Scholar

Barker, Martin. Comics: Ideology, Power and the Critics. Manchester University Press, 1989.Google Scholar

Beaty, Bart. Comics Versus Art. University of Toronto Press, 2012.Google Scholar

Beaty, Bart and Woo, Benjamin. The Greatest Comic Book of All Time. Palgrave Pivot, 2016.Google Scholar

Bramlett, Frank, ed. Linguistics and the Study of Comics. Palgrave Macmillan, 2012.Google Scholar

Brienza, Casey. Global Manga: The Cultural Production of ‘Japanese’ Comics without Japan. Routledge, 2015.Google Scholar

Brown, Matthew J., Duncan, Randy and Smith, Matthew J., eds. More Critical Approaches to Comics: Theories and Methods. Routledge, 2019.Google Scholar

Bukatman, Scott. The Poetics of Slumberland: Animated Spirits and the Animating Spirit. University of California Press, 2012.CrossRef Google Scholar

Chaney, Michael A., ed. Graphic Subjects: Critical Essays on Autobiography and Graphic Novels. University of Wisconsin Press, 2011.Google Scholar

Chute, Hillary L. Disaster Drawn: Visual Witness, Comics and Documentary Form. Harvard University Press, 2016.Google Scholar

Chute, Hillary L. and Jagoda, Patrick, eds. Comics & Media. A Critical Inquiry Special Issue. University of Chicago Press, 2014.CrossRef Google Scholar

Cohn, Neil. The Visual Language of Comics: Introduction to the Structure and Cognition of Sequential Images. Bloomsbury Academic, 2013.Google Scholar

Cremins, Brian and Costello, Brannon, eds. The Other 80s: Reframing Comics’ Crucial Decade. Louisiana State University Press, 2021.Google Scholar

Curtis, Neil. Sovereignty and Superheroes. Manchester University Press, 2016.Google Scholar

Denson, Shane, Meyer, Christina and Stein, Daniel, eds. Transnational Perspectives on Graphic Narratives: Comics at the Crossroads. Bloomsbury.2013.Google Scholar

Dorfman, Ariel and Mattelart, Armand. How to Read Donald Duck: Imperialist Ideology in the Disney Comic. International General, 1976.Google Scholar

Dunst, Alexander, Laubrock, Jochen and Wildfeuer, Janina, eds. Empirical Comics Research: Digital, Multimodal and Cognitive Methods. Routledge, 2018.Google Scholar

Eisner, Will. Comics and Sequential Art. Poorhouse Press, 1985.Google Scholar

Fawaz, Ramzi and Scott, Darieck, eds. Queer about Comics. An American Literature Special Issue. Duke University Press, 2018.Google Scholar

García, Santiago. On the Graphic Novel. Translated by Bruce Campbell. University Press of Mississippi, 2015.Google Scholar

Gardner, Jared. Projections: Comics and the History of Twenty-first-century Storytelling. Stanford University Press, 2012.Google Scholar

Gavaler, Chris. The Comics Form: The Art of Sequenced Images. Bloomsbury, 2022.Google Scholar

Giddens, Thomas, ed. Critical Directions in Comics Studies. University Press of Mississippi, 2020.Google Scholar

Goggin, Joyce and Hassler-Forest, Dan, eds. The Rise and Reason of Comics and Graphic Literature: Essays on the Form. McFarland, 2010.Google Scholar

Grennan, Simon. A Theory of Narrative Drawing. Palgrave Macmillan, 2017.Google Scholar

Grennan, Simon. Thinking about Drawing. Bloomsbury, 2022.Google Scholar

Groensteen, Thierry. The System of Comics. Translated by Bart Beaty and Nick Nguyen. University Press of Mississippi, 2009.Google Scholar

Groensteen, Thierry. Comics and Narration. Translated by Ann Miller. University Press of Mississippi, 2013.Google Scholar

Hague, Ian. Comics and the Senses: A Multisensory Approach to Comics and Graphic Novels. Routledge, 2014.Google Scholar

Hatfield, Charles. Alternative Comics: An Emerging Literature. University Press of Mississippi, 2005.Google Scholar

Hatfield, Charles, Heer, Jeet and Worcester, Kent, eds. The Superhero Reader. University Press of Mississippi, 2013.Google Scholar

Hoberek, Andrew. Considering Watchmen: Poetics, Property, Politics. Rutgers University Press, 2015.Google Scholar

Howard, Sheena C. Black Comics: Politics of Race and Representation. Bloomsbury, 2013.Google Scholar

Heer, Jeet and Worchester, Kent, eds. Arguing Comics: Literary Masters on a Popular Medium. University Press of Mississippi, 2004.Google Scholar

Karasik, Paul and Newgarden, Mark. How to Read Nancy: the Elements of Comics in Three Easy Panels. Fantagraphics Books, 2017.Google Scholar

Kashtan, Aaron. Between Pen and Pixel: Comics, Materiality, and the Book of the Future. Ohio State University Press, 2018.Google Scholar

Kukkonen, Karin. Contemporary Comics Storytelling. University of Nebraska Press, 2013.Google Scholar

Kwa, Shiamin. Regarding Frames: Thinking with Comics in the Twenty-First Century. RIT Press, 2020.Google Scholar

McCloud, Scott. Understanding Comics: The Invisible Art. Kitchen Sink Press, 1993.Google Scholar

McCloud, Scott. Reinventing Comics: How Imagination and Technology Are Revolutionizing an Art Form. Paradox Press, 2000.Google Scholar

Meyer, Christina. Producing Mass Entertainment: The Serial Life of the Yellow Kid. Ohio State University Press, 2019.Google Scholar

Mickwitz, Nina. Documentary Comics: Graphic Truth-Telling in a Skeptical Age. Palgrave Macmillan, 2016.Google Scholar

Mikkonen, Kai. The Narratology of Comic Art. Routledge, 2017.Google Scholar

Miller, Ann. Reading Bande dessinée: Critical Approaches to French-Language Comic Strip. Intellect, 2007.Google Scholar

Miller, Ann and Beaty, Bart, eds. The French Comics Theory Reader. Leuven University Press, 2014.Google Scholar

Miodrag, Hannah. Comics and Language: Reimagining Critical Discourse on the Form. University Press of Mississippi, 2013.Google Scholar

Pizzino, Christopher. Arresting Development: Comics at the Boundaries of Literature. University of Texas Press, 2016.Google Scholar

Postema, Benoît. Narrative Structure in Comics: Making Sense of Fragments. RIT Press, 2013.Google Scholar

Sabin, Roger. “Framing Pre-1914 Comics.” Framing [in] Comics and Cartoons: Essays on Aesthetics, History and Mediality, edited by Schmid, Johannes C. P. and Bachmann, Christian A.. Ch. A Bachmann Verlag, 2021, pp. 123–136.Google Scholar

Singer, Marc. Breaking the Frames: Populism and Prestige in Comics Studies. University of Texas Press, 2019.Google Scholar

Smith, Matthew J. and Duncan, Randy, eds. Critical Approaches to Comics: Theories and Methods. Routledge, 2012.CrossRef Google Scholar

Smolderen, Thierry. The Origins of Comics: From William Hogarth to Winsor McCay. 2000. Translated by Bart Beaty and Nick Nguyen. University Press of Mississippi, 2014.Google Scholar

Stein, Daniel. Authorizing Superheroes: On the Evolution of a Popular Serial Genre. Ohio State University Press, 2021.Google Scholar

Sousanis, Nick. Unflattening. Harvard University Press, 2015.Google Scholar

Wanzo, Rebecca. The Content of Our Caricature: African American Comic Art and Political Belonging. NYU Press, 2020.Google Scholar

Wertham, Fredric. The World of Fanzines: A Special Form of Communication. Southern Illinois University Press, 1973.Google Scholar

Whitted, Qiana J. EC Comics: Race, Shock, and Social Protest. Rutgers University Press, 2019.Google Scholar

Williams, Paul. Dreaming the Graphic Novel: The Novelization of Comics. Rutgers University Press, 2020.Google Scholar

Witek, Joseph. Comic Books as History: The Narrative Art of Jack Jackson, Art Spiegelman and Harvey Pekar. University Press of Mississippi, 1989.Google Scholar

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Further Reading
Edited by Maaheen Ahmed, Universiteit Gent, Belgium
Book: The Cambridge Companion to Comics
Online publication: 17 August 2023
Chapter DOI: https://doi.org/10.1017/9781009255653.023

Your Kindle email address

@free.kindle.com @kindle.com (service fees apply)

Available formats PDF

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services