Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-dh8gc Total loading time: 0 Render date: 2024-11-20T04:19:31.286Z Has data issue: false hasContentIssue false

Chapter 15 - Comics in the Museum

from Part III - Uses

Published online by Cambridge University Press:  17 August 2023

Maaheen Ahmed
Affiliation:
Universiteit Gent, Belgium
Get access

Summary

Over the last twenty years, the growing diversity in content and artistic innovation in graphic novels, comic books, and web comics combined with the popularity of films based on comics material have made comic art newly attractive to curators, museums, and university galleries. More artists identified with comics are getting big budget retrospectives, collecting institutions are mounting rich historical shows, and exhibits capitalizing on the popularity of all types of comics are popping up around the world. The chapter maps out the history of influential shows of original comic art from newly rediscovered shows of the 1930s to contemporary blockbusters like High and Low: Modern Art, Popular Culture and Masters of American Comics, as well as the critical dialogue surrounding these shows, who some of the pioneers were, and how exhibition standards have developed over time.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

AAARGH! Bumper Souvenir Catalogue (Exhibition booklet: December 31, 1970–February 6, 1971). Institute of Contemporary Arts, 1970.Google Scholar
Beyond the Black Panther: Visions of Afrofuturism in American Comics (exhibition, February 1, 2021–April 30, 2022). Michigan State University Museum 2021. www.museum.msu.edu/?exhibition=beyond-the-black-panther-visions-of-afrofuturism-in-american-comics Accessed 11/19/21.Google Scholar
“Black Ink: African American Cartoonist Showcase” (exhibition catalog: February 5–May 16). 1992. Cartoon Art Museum, 1992Google Scholar
Carlin, John, Karasik, Paul and Walker, Brian, eds. Masters of American Comics. Hammer Museum and the Museum of Contemporary Art/Yale University Press, 2005.Google Scholar
Carlin, John and Wagstaff, Sheena. The Comic Art Show: Cartoons and Paintings in Popular Culture. Whitney Museum of American Art, 1983.Google Scholar
Claremont, Chris et al. Marvel Universe of Superheroes (exhibit catalog). Verlag für moderne Kunst, 2019.Google Scholar
Contemporary Cartoons: An Exhibition of Original Drawings by American Artists at the Huntington Library March-April (exhibit brochure). The Huntington Library, 1937.Google Scholar
Horn, Maurice. 75 Years of the Comics (exhibition catalog: September 8–November 7, New York Cultural Center). Boston Book & Art Publisher, 1971.Google Scholar
Muller, Jerome K. 1976. The Cartoon Show: Original Works by 100 Outstanding American Cartoonists Selected for the Jerome K. Muller Collection (exhibition booklet: February 28–April 4), Bowers Museum, 1976.Google Scholar
Myer, Peter L. ed. The Comics as an Art Form (exhibition booklet: March 29–April 24). University of Nevada Art Gallery, 1970.Google Scholar
O’Sullivan, Judith. The Art of the Comic Strip (exhibition catalog: April 1–May 9). University of Maryland Art Gallery, 1971.Google Scholar
Stewart, Bohb. The Phonus Balonus Show of Some Really Heavy Stuff (exhibition booklet, May 20–June 15). Corcoran Museum of Art, 1969.Google Scholar
Spiegelman, Art. Co-Mix: A Retrospective of Comics, Graphics, and Scraps (exhibition catalog). Drawn and Quarterly, 2013.Google Scholar
Tyler, Carol. Pages and Progress (Video and exhibit photos). Neuroticraven.com, 2018. www.neuroticraven.com/blog/2018/1/22/carol-tylers-pages-progress Accessed January, 8, 2022.Google Scholar
Varnedoe, Kirk and Gopnik, Adam. High and Low: Modern Art, Popular Culture. Museum of Modern Art, 1990.Google Scholar

Secondary Sources

Burchard, Wolf. Inspiring Walt Disney: The Animation of French Decorative Arts. Metropolitan Museum of Art, 2021.Google Scholar
Capart, Philippe. Du privé au public. La Crypte Tonique #16. La Crypte Tonique, 2021.Google Scholar
Cavalcade of American Comics (newsprint program). The Newspaper Comics Council, 1963.Google Scholar
Couperie, Pierre and Horn, Maurice. A History of the Comic Strip. Crown Publishers, 1968.Google Scholar
“Drawn to Purpose: American Women Illustrators and Cartoonists” (exhibition November 18, 2017–October 20, 2018). Library of Congress, University Press of Mississippi, 2017.Google Scholar
Gaines, M. C.Narrative Illustration: The Story of the Comics.” Print: A Quarterly Journal of the Graphic Arts, vol. 3, no. 2, 1942, pp. 2538.Google Scholar
Gravett, Paul. Comics Art. Tate Publishing, 2013.Google Scholar
“Fourth Estate: Terry and the Pirates Storm New York Gallery in New Adventure.” Newsweek, vol. XIV, no. 25, p. 48.Google Scholar
Harper, Mr. “After Hours: Pooh to Art.” Harper’s Magazine. August, 1951, p. 14.Google Scholar
Harvey, Robert C. Meanwhile: A Biography of Milton Caniff. Fantagraphics Books, 2007.Google Scholar
Herdeg, Walter and Pascal, David. Comics: The Art of the Comic Strip. The Graphis Press, 1972.Google Scholar
Juno, Andrea. “Art Spiegelman.” Art Spiegelman Conversations, edited by Witek, Joseph. University Press of Mississippi, 1997, pp. 163190.Google Scholar
Munson, Kim. “Revisiting The Comic Art Show.” International Journal of Comic Art, vol. 14, no. 2, 2012, pp. 264288.Google Scholar
Munson, Kim. “A Collaborative Journey: Malcolm Whyte, Troubador Press, and the Cartoon Art Museum, San Francisco.” International Journal of Comic Art, vol. 18, no. 2, 2016, pp. 61110.Google Scholar
Munson, Kim. “How the French Kickstarted the Acceptance of Comics as an Art Form in the US: The Books and Exhibitions of Maurice Horn.” International Journal of Comic Art, vol. 18, no. 2, 2016, pp. 111155.Google Scholar
Munson, Kim. Comic Art in Museums. University Press of Mississippi, 2020.CrossRefGoogle Scholar
Munson, Kim. “Viewing R. Crumb: Circles of Influence in Fine Art Museums.” The Comics of R. Crumb: Underground in the Art Museum, edited by Worden, Daniel. University Press of Mississippi, 2021, pp. 232252.Google Scholar
Munson, Kim. “Women in Comics Photo Grid (New York).” Neuroticraven.com. 2021. www.neuroticraven.com/blog/2020/5/20/women-in-comics-photo-grid Accessed January, 8, 2022.Google Scholar
Nugent, Frank S. “Disney Is Now Art – But He Wonders: That Picture in the Museum Is Not All His, He Reveals.” The New York Times. February 26, 1939.Google Scholar
Robbins, Trina. “Women and the Comics.” Cartoonist Profiles , no. 64, December 1985, pp. 40–45.Google Scholar
Robbins, Trina. Pretty in Ink: North American Women Cartoonists 1896–2013. Fantagraphics Books, 2013.Google Scholar
Robbins, Trina, ed. The Complete Wimmen’s Comix. Fantagraphics Books, 2016.Google Scholar
Robbins, Trina and Yronwode, Catherine. Women and the Comics. Eclipse Comics, 1985.Google Scholar
Serrell, Beverly. Exhibit Labels: An Interpretive Approach. Rowman and Littlefield, 2015.Google Scholar
Spiegelman, Art. “High Art Lowdown”: This Review Is Not Sponsored by AT&T).” Artforum, December, 1990.Google Scholar
Tisserand, Michael. Krazy: George Herriman, A Life in Black and White. HarperCollins, 2010.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×