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15 - Decolonising Caribbean Imaginaries

Conclusion

Published online by Cambridge University Press:  17 September 2022

By
Nanette de Jong  and
Julio Nazario
Edited by
Nanette de Jong
Nanette de Jong
Affiliation:
University of Newcastle
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Summary

This chapter demonstrates how decolonisation serves as a crucial point of reference in this book. Each chapter has unpacked ‘the colonial encounter’ – that sustained collision of ‘new’ and ‘old’ worlds, from the mass movements of people (many taken into the Caribbean against their will) to imperialism’s continued economic, political and social conquests – through music analysis, thereby addressing the visibility of issues confronting the colonising methods and scope of music scholarship of previous scholarship on the Caribbean and Caribbean music.

Keywords

DecolonisationColonial EncounterHybridityResistanceCaribbean Imaginary
Type
Chapter
Information
The Cambridge Companion to Caribbean Music , pp. 227 - 239
Publisher: Cambridge University Press
Print publication year: 2022

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References

References

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Further Reading

Flores, Tatiana and Stephens, Michelle A., eds. 2017. Relational Undercurrents: Contemporary Art of the Caribbean Archipelago. Long Beach, CA: MOLAA Museum of Latin American Art.Google Scholar
Galtung, Johan. 1971. ‘A Structural Theory of Imperialism’. Journal of Peace Research. 8, no. 2, 81–117.Google Scholar
Kelley, Robin D. G. 1999. ‘A Poetics of Anticolonialism’. Monthly Review. 51, no. 6: 1–21.Google Scholar
Kelley, Robin D. G. 2002. Freedom Dreams: The Black Radical Imagination. Boston: Beacon Press.Google Scholar
Wa Thiong’o, Ngūgiī. 1992. Decolonising the Mind: The Politics of Language in African Literature. Nairobi: East African Publishers.Google Scholar

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