Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-q99xh Total loading time: 0 Render date: 2024-12-25T20:17:12.409Z Has data issue: false hasContentIssue false

Part II - Regional Theatre Movement

Published online by Cambridge University Press:  20 August 2021

Julia Listengarten
Affiliation:
University of Central Florida
Stephen Di Benedetto
Affiliation:
Michigan State University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Select Bibliography

Baumol, W. J., and Bowen, W. G.. “On the Performing Arts: The Anatomy of their Economic Problems.“ In Blaug, M. (ed.), The Economics of the Arts. Westview Press, 1976, 218–26.Google Scholar
DiMaggio, P. J.Support for the Arts from Independent Foundations.” In DiMaggio, P. J. (ed.), Nonprofit Enterprise in the Arts: Studies in Mission and Constraint. Oxford University Press, 1986, 113–39.Google Scholar
Fichandler, Z.Theatres or Institutions?Theater, 3 (1970), 104–17.Google Scholar
Galella, D. America in the Round: Capital, Race, and Nation at Washington DC’s Arena Stage. University of Iowa Press, 2019.Google Scholar
Gottfried, M. A Theater Divided: The Postwar American Stage. Little, Brown & Company, 1967.Google Scholar
Harding, J.M., and Rosenthal, C. (eds.). The Sixties, Center Stage: Mainstream and Popular Performances in a Turbulent Decade. University of Michigan Press, 2017.Google Scholar
Helicon Collaborative, with support from the Surdna Foundation. “Not Just Money: Equity Issues in Cultural Philanthropy. 2017. http://notjustmoney.us/docs/NotJustMoney_Full_Report_July2017.pdf .Google Scholar
Hopkins, B. J. “‘The Mind of an Adult, the Heart of a Girl’: Constructing Margo Jones in Rehearsal.” Theatre Symposium, 22 (2014), 3347.Google Scholar
Jones, M. Theatre-in-the-Round. McGraw-Hill, 1965.Google Scholar
Landro, V.The Mythologizing of American Regional Theatre.” The Journal of American Drama and Theatre, 10 (1998), 76101.Google Scholar
London, T. (ed.). An Ideal Theater: Founding Visions for a New American Art. Theatre Communications Group, 2013.Google Scholar
Poggi, J. Theater in America: The Impact of Economic Forces, 18701967. Cornell University Press, 1968.Google Scholar
Ravas, T.The Nina Vance Alley Theatre Papers at the University of Houston Libraries Special Collections.” Theatre Survey, 49 (2008), 119–28.Google Scholar
Schechner, R.Ford, Rockefeller, and Theatre.” The Tulane Drama Review, 10 (1965), 2349.Google Scholar
Schechner, R.Intentions, Problems, Proposals.” The Tulane Drama Review, 7 (1963), 521.Google Scholar
Sheehy, H. Margo: The Life and Theatre of Margo Jones. Southern Methodist University Press, 1989.Google Scholar
Zeigler, J. W. Regional Theatre: The Revolutionary Stage. University of Minnesota Press, 1973.Google Scholar

Select Bibliography

Broyles-González, Y. Teatro Campesino: Theater in the Chicano Movement. University of Texas Press, 1994.Google Scholar
Buckner, J. (ed.). A Critical Companion to Lynn Nottage. Routledge, 2016.Google Scholar
Carpenter, F. C. Coloring Whiteness: Acts of Critique in Black Performance. University of Michigan Press, 2014.Google Scholar
Cooper, A. J. A Voice from the South. Oxford University Press, 1988.Google Scholar
Hudes, Q. A. Elliot, A Soldiers Fugue. Theatre Communications Group, 2012.Google Scholar
Hudes, Q. A., and Sanchez, G. S.. “Pausing and Breathing: Two Sisters Deliver the ATHE 2018 Conference Keynote Address.” Theatre Topics, 29:1 (2019).Google Scholar
Kennedy, A.Funnyhouse of a Negro.” In Adrienne Kennedy in One Act. Minneapolis: University of Minnesota Press, 1998.Google Scholar
Mahala, M. Penumbra: The Premier Stage for African American Drama. University of Minnesota Press, 2013.Google Scholar
Neal, L.The Black Arts Movement.” TDR, 12:4 (1968), 2839.Google Scholar
Nottage, L. Intimate Apparel and Fabulation, or the Re-education of Undine. Theatre Communications Group, 2006.Google Scholar

Select Bibliography

Anderson, D.The Dream Machine: Thirty Years of New Play Development in America.” TDR, 32:3 (1988), 5584.Google Scholar
Fliostos, A., and Vierow, W.. American Women Stage Directors of the Twentieth Century. University of Illinois Press, 2008.Google Scholar
London, T., et al. Outrageous Fortune: The Life and Times of the New American Play. Theatre Development Fund, 2009.Google Scholar
Nouryeh, A. J.JoAnne Akalaitis: Post Modern Director or Socio-Sexual Critic.” Theatre Topics, 1:2 (1991), 177–91.Google Scholar
Saivetz, D.An Event in Space: The Integration of Acting and Design in the Theatre of JoAnne Akalaitis.” TDR, 42:2 (1998), 132–56.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×