Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-lnqnp Total loading time: 0 Render date: 2024-12-26T13:42:36.437Z Has data issue: false hasContentIssue false

Part II - Genres

Published online by Cambridge University Press:  21 July 2022

Edited by
Stephen Shapiro  and
Mark Storey
Stephen Shapiro
Affiliation:
University of Warwick
Mark Storey
Affiliation:
University of Warwick
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
The Cambridge Companion to American Horror , pp. 105 - 198
Publisher: Cambridge University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Aldana Reyes, Xavier. “Abjection and Body Horror.” In The Palgrave Handbook of Contemporary Gothic, ed. Bloom, Clive. Basingstoke: Palgrave Macmillan, 2020. 393–410.CrossRefGoogle Scholar
Aldana Reyes, Xavier. “Contemporary Zombies.” In Twenty-First-Century Gothic: An Edinburgh Companion, ed. Wester, Maisha and Aldana Reyes, Xavier. Edinburgh: Edinburgh University Press, 2019. 89–10.Google Scholar
Aldana Reyes, Xavier. “Introduction: What, Why and When Is Horror Fiction?” In Horror: A Literary History, ed. Aldana Reyes, Xavier. London: British Library Publishing, 2016. 7–17.Google Scholar
Boon, Kevin Alexander. “Trailing the Zombie through Modern and Contemporary Anglophone Literature.” In The Written Dead: Essays on the Literary Zombie, ed. Bishop, Kyle William and Tenga, Angela. Jefferson, NC: McFarland, 2017. 15–26.Google Scholar
Boss, Pete. “Vile Bodies and Bad Medicine.” Screen 27, no. 1 (1986): 14–25.Google Scholar
Bourke, Joanna. Fear: A Cultural History. London: Virago Press, 2005.Google Scholar
Brophy, Philip. “Horrality – The Textuality of Contemporary Horror Films.” Screen 27, no. 1 (1986): 2–13.Google Scholar
Campbell, John W. Who Goes There? London: Gollancz, 2011.Google Scholar
Castillo Street, Susan, and Crow, Charles L, eds. The Palgrave Handbook of the Southern Gothic. Basingstoke: Palgrave Macmillan, 2016.CrossRefGoogle Scholar
Creed, Barbara. “Horror and the Monstrous-Feminine – An Imaginary Abjection.” Screen 27, no. 1 (1986): 44–70.Google Scholar
Creed, Barbara. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London: Routledge, 1993.Google Scholar
Douglas, Mary. Purity and Danger: An Analysis of Concepts of Pollution and Taboo. London: Routledge and Kegan Paul, 1966.Google Scholar
Dunn, Katherine. Geek Love. London: Abacus, 2012.Google Scholar
Edwards, Justin D., and Graulund, Rune. Grotesque. Abingdon: Routledge, 2013.CrossRefGoogle Scholar
Finney, Jack. The Body Snatchers. London: Gollancz, 2010.Google Scholar
Hendrix, Grady. Paperbacks from Hell: The Twisted History of ’70s and ’80s Horror Fiction. Philadelphia: Quirk Books, 2017.Google Scholar
Hurley, Kelly. The Gothic Body: Sexuality, Materialism, and Degeneration at the fin de siecle. Cambridge: Cambridge University Press, 1996.Google Scholar
Kristeva, Julia. Powers of Horror: An Essay on Abjection, trans. Roudiez, Leon S.. New York: Columbia University Press, 1982.Google Scholar
Lloyd-Smith, Allan. American Gothic Fiction: An Introduction. London: Continuum, 2004.Google Scholar
Lovecraft, H. P. The Call of Cthulhu and Other Weird Stories. London: Penguin, 2002.Google Scholar
Matheson, Richard. I Am Legend. London: Gollancz, 2010.Google Scholar
McCarty, John. Splatter Movies: Breaking the Last Taboo. New York: Fantaco Enterprises, 1981.Google Scholar
Pearson, Lawrence. “The Splatterpunks: The Young Turks at Horror’s Cutting Edge.” Nova Express 2, no. 1 (1988): n.p. Available at RobertMcCammon.com, www.robertmccammon.com/splatterpunks/splatter-2.html. Accessed January 21, 2020.Google Scholar
Poe, Edgar Allan. Poetry, Tales, and Selected Essays. New York: Library of America, 1996.Google Scholar
Russo, Mary. The Female Grotesque: Risk, Excess and Modernity. Abingdon: Routledge, 1994.Google Scholar
Sammon, Paul M. “Introduction.” In Splatterpunks: Extreme Horror, ed. Sammon, Paul M.. London: Xanadu Publications, 1990. xv–xvi.Google Scholar
Seltzer, Mark. Serial Killers: Death and Life in America’s Wound Culture. New York: Routledge, 1998.Google Scholar
Simpson, Philip L. Psycho Paths: Tracking the Serial Killer through Contemporary American Film and Fiction. Carbondale: Southern Illinois University Press, 2000.Google Scholar
Wald, Priscilla. Contagious: Cultures, Carriers, and the Outbreak Narrative. Durham, NC: Duke University Press, 2008.Google Scholar
Wells, H. G. The Island of Doctor Moreau. London: Penguin, 2005.Google Scholar

Works Cited

Benshoff, Harry M. “‘Way Too Gay to Be Ignored’: The Production and Reception of Queer Horror Cinema in the Twenty-First Century.” In Speaking of Monsters: A Teratological Anthology, ed. Picart, Caroline Joan S and Browning, John Edgar. Palgrave Macmillan, 2012. 131–44.Google Scholar
Berglund, Jeff. Cannibal Fictions: American Explorations of Colonialism, Race, Gender, and Sexuality. University of Wisconsin Press, 2006.Google Scholar
Brown, Charles Brockden. “Terrific Novels.” The Literary Magazine, and American Register 3, no. 19 (April 1805): 288–89.Google Scholar
Clover, Carol J. Men, Women, and Chainsaws: Gender in the Modern Horror Film. Princeton University Press, 1992.Google Scholar
Cocks, H. G. Nameless Offences: Homosexual Desire in the Nineteenth Century. I. B. Taurus, 2003.Google Scholar
Craft, Christopher. “‘Kiss Me with Those Red Lips’: Gender and Inversion in Bram Stoker’s Dracula.” In Dracula: Norton Critical Edition, ed. Auerbach, Nina and Skal, David J.. Norton, 1997. 444–59.Google Scholar
Currah, Paisley, and Stryker, Susan, eds. Postposttranssexual Key Concepts for a Twenty-First-Century Transgender Studies, special issue of TSQ: Transgender Studies Quarterly 1, nos. 1–2 (2014).CrossRefGoogle Scholar
Day, William Patrick. Vampire Legends in Contemporary American Culture. Lexington: University Press of Kentucky, 2002.Google Scholar
Dracula’s Daughter. Directed by Lambert Hillyer. Universal Pictures, 1936.Google Scholar
Fincher, Max. Queering Gothic in the Romantic Age: The Penetrating Eye. Palgrave Macmillan, 2007.Google Scholar
Frayling, Christopher. “Bram Stoker’s Working Papers for Dracula.” In Dracula: Norton Critical Edition, ed. Auerbach, Nina and Skal, David J.. Norton, 1997. 339–50.Google Scholar
Freud, Sigmund. “The Uncanny.” 1919. In The Standard Edition of the Complete Psychological Works of Sigmund Freud, vol. 17, ed. and trans. Strachey, James. Hogarth Press, 1955. 219–56.Google Scholar
Geffen, Sasha. “Trans Horror Stories and Society’s Fear of the Transmasculine Body.” Them, August 21, 2018, www.them.us/story/transmasculine-horror-stories.Google Scholar
Goldberg, Jonathan. Sodometries: Renaissance Texts, Modern Sexualities. Fordham University Press, 2010.Google Scholar
Haggerty, George E. Gothic Fiction/Gothic Form. Pennsylvania State University Press, 1989.Google Scholar
Haggerty, George E. Queer Gothic. University of Illinois Press, 2006.Google Scholar
Halberstam, Jack. Skin Shows: Gothic Horror and the Technology of Monsters. Duke University Press, 1995.Google Scholar
Hall, Justin, and Tyler, William, eds. Theater of Terror: Revenge of the Queers. Northwest Press, 2019.Google Scholar
Harris, Charlaine. Dead until Dark. Ace Books, 2001.Google Scholar
Hickman, Jen. “Backpages.” Interview by Tina Horn. In SfSx (Safe Sex): Protection Arc, vol. 1, no. 4. Image Comics, 2019. 24–25.Google Scholar
Horn, Tina, et al. SfSx (Safe Sex): Protection Arc, vol. 1, nos. 1–7. Image Comics, 2020.Google Scholar
The Hunger. Directed by Tony Scott. Metro-Goldwyn-Mayer, 1983.Google Scholar
Hurley, Kelly. The Gothic Body: Sexuality, Materialism, and Degeneration at the Fin de Siècle. Cambridge University Press, 1996.Google Scholar
Hurley, Kelly. “Reading like an Alien: Posthuman Identity in Ridley Scott’s Alien and David Cronenberg’s Rabid.” In Posthuman Bodies, ed. Halberstam, Jack and Livingston, Ira. Indiana University Press, 1995. 203–24.Google Scholar
“Ice Pick.” Season 1, episode 2, of Ratched, created by Ryan Murphy and Evan Romansky. Netflix, September 18, 2020.Google Scholar
Jackson, Shirley. The Haunting of Hill House. 1959. Penguin, 2013.Google Scholar
Kesey, Ken. One Flew over the Cuckoo’s Nest. Viking Press, 1962.Google Scholar
Kilgour, Maggie. From Communion to Cannibalism: An Anatomy of Metaphors of Incorporation. Princeton University Press, 1990.Google Scholar
Kilgour, Maggie. The Rise of the Gothic Novel. Routledge, 1995.Google Scholar
Kinkade, Patrick T., and Katovich, Michael A.. “Toward a Sociology of Cult Films: Reading ‘Rocky Horror.’” The Sociological Quarterly 33, no. 2 (1992): 191–209.CrossRefGoogle Scholar
Koch-Rein, Anson. “Monster.” TSQ: Transgender Studies Quarterly 1, nos. 1–2 (2014): 134–35.Google Scholar
Le Fanu, J. Sheridan. Carmilla, 1872. Project Gutenberg, 2003, www.gutenberg.org/files/10007/10007-h/10007-h.htm.Google Scholar
Lewis, Matthew. The Monk: A Romance. 1796. Penguin Books, 1998.Google Scholar
Lloyd-Smith, Allan. American Gothic Fiction: An Introduction. Continuum, 2004.Google Scholar
Love, Heather. “Queer.” TSQ: Transgender Studies Quarterly 1, nos. 1–2 (2014): 172–76.Google Scholar
McClintock, Anne. Imperial Leather: Race, Gender and Sexuality in the Colonial Contest. Routledge, 1995.Google Scholar
Meyer, Stephenie. The Twilight Saga. Little, Brown, 2005–20.Google Scholar
Moers, Ellen. Literary Women. Doubleday, 1976.Google Scholar
The Old Dark House. Directed by James Whale. Universal Pictures, 1932.Google Scholar
Palmer, Paulina. The Queer Uncanny: New Perspectives on the Gothic. University of Wales Press, 2012.Google Scholar
Peraino, Judith. Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig. University of California Press, 2005.Google Scholar
Petrocelli, Heather. “From Subtext to Text: Queered Gothic & Horror Film through Time.” Gothic Manchester Festival Conference. Manchester Centre for Gothic Studies, Manchester Metropolitan University, October 26, 2019, www.youtube.com/watch?v=NCNwAJe6vo0&feature=youtu.be.Google Scholar
Poe, Edgar Allan. “The Fall of the House of Usher.” 1839. In The Works of Edgar Allan Poe, vol. 2. Project Gutenberg, www.gutenberg.org/files/2148/2148.-h/2148-h.htm.Google Scholar
Poe, Edgar Allan. “The System of Doctor Tarr and Professor Fether.” 1845. In The Works of Edgar Allan Poe, vol. 4. Project Gutenberg, www.gutenberg.org/files/2150/2150-h/2150-h.htm.Google Scholar
Polidori, John. The Vampyre; A Tale, 1819. Project Gutenberg, www.gutenberg.org/files/6087/6087-h/6087-h.htm.Google Scholar
Psycho. Directed by Alfred Hitchcock. Shamley Productions, 1960.Google Scholar
Radcliffe, Ann. The Italian. 1797. Oxford University Press, 2008.Google Scholar
Radcliffe, Ann. The Mysteries of Udolpho, a Romance Interspersed with Some Pieces of Poetry. 1794. Penguin Books, 2001.Google Scholar
Radcliffe, Ann. “On the Supernatural in Poetry.” New Monthly Magazine 16, no. 1 (1826): 145–52.Google Scholar
Ravenous. Directed by Antonia Bird. Fox 2000, 1999.Google Scholar
Rebecca. Directed by Alfred Hitchcock. Selznick International Pictures, 1940.Google Scholar
Rice, Anne. The Vampire Chronicles. Knopf, 1976–2018.Google Scholar
Rigby, Mair. “‘Prey to Some Cureless Disquiet’: Polidori’s Queer Vampyre at the Margins of Romanticism.” Romanticism on the Net, nos. 36–37, 2004, www.erudit.org/fr/revues/ron/2004-n36-37-ron947/011135ar/.Google Scholar
Rubin, Gayle. “The Catacombs: A Temple of the Butthole.” In Deviations: A Gayle Rubin Reader. Duke University Press, 2011. 224–40.Google Scholar
Russo, Vito. The Celluloid Closet: Homosexuality in the Movies. Harper & Row, 1981.Google Scholar
Schaffer, Talia. “‘A Wilde Desire Took Me’: The Homoerotic History of Dracula.” In Dracula: Norton Critical Edition, ed. Auerbach, Nina and Skal, David J.. Norton, 1997. 470–82.Google Scholar
Shelley, Mary. Frankenstein; or, The Modern Prometheus. 1818. The Penguin Group, 1992.Google Scholar
The Silence of the Lambs. Directed by Jonathan Demme. Strong Heart, 1991.Google Scholar
Snef, Carol A. “Dracula: The Unseen Face in the Mirror.” In Dracula: Norton Critical Edition, ed. Auerbach, Nina and Skal, David J.. Norton. 1997. 421–31.Google Scholar
Stevenson, Robert Louis. The Strange Case of Dr. Jekyll and Mr. Hyde. 1886. Project Gutenberg, www.gutenberg.org/files/43/43-h/43-h.htm.Google Scholar
Stoker, Bram. Dracula. 1897. Norton, 1997.Google Scholar
Stryker, Susan. “My Words to Victor Frankenstein above the Village of Chamounix: Performing Transgender Rage.” GL/Q: A Journal of Lesbian and Gay Studies, no. 1 (1994): 237–54.Google Scholar
The Texas Chain Saw Massacre. Directed by Tobe Hooper. Vortex, 1974.Google Scholar
The Uninvited. Directed by Lewis Allen. Paramount Pictures, 1944.Google Scholar
Valens, Ana. “Trans/Sex: On Queer Desire, Fantasy Porn, and Monsters.” Daily Dot, February 11, 2020, www.dailydot.com/irl/trans-sex-fantasy-porn-queer-monsters/.Google Scholar
Warner, Michael. “Introduction: Fear of a Queer Planet.” Social Text, no. 29 (1991): 3–17.Google Scholar
Westengard, Laura. Gothic Queer Culture: Marginalized Communities and the Ghosts of Insidious Trauma. University of Nebraska Press, 2019.Google Scholar

Works Cited

Cady, Jack. “The Sons of Noah.” In The Sons of Noah and Other Stories. Broken Moon Press, 1992.Google Scholar
Clover, Carol J. Men, Women and Chainsaws: Gender in the Modern Horror Film. BFI, 2004.Google Scholar
Cowdell, Paul. “‘Practicing Witchcraft Myself during the Filming’: Folk Horror, Folklore, and the Folkloresque.” Western Folklore 78, no. 4 (2019): 295–326. www.jstor.org/stable/26864166. Accessed July 20, 2021.Google Scholar
The Curse of Audrey Earnshaw. Directed by Thomas Robert Lee. A71 Entertainment, 2020.Google Scholar
Eggers, Robert. The Witch: A New-England Folk Tale. October 11, 2013, draft.Google Scholar
Greenhall, Ken. Childgrave. 1982. Valancourt Books, 2017.Google Scholar
Hawthorne, Nathaniel. “Young Goodman Brown.” In Young Goodman Brown and Other Tales. Oxford University Press, 2008. 111–23.Google Scholar
Holway, Hannah. “Beyond the Final Girl: Midsommar, Family and the Final Girl Smile.” Talk Film Society, https://talkfilmsociety.com/columns/beyond-the-final-girl-midsommar-family-and-the-final-girl-smile/.Google Scholar
Jackson, Shirley. “The Lottery.” In Come along with Me: Part of a Novel, Sixteen Stories and Three Lectures. Penguin, 1995. 225–33.Google Scholar
Lovecraft, H. P. Lovecraft Omnibus 3: The Haunter in the Dark. HarperCollins, 2000.Google Scholar
Matheson, Richard. “The Children of Noah.” In Shock! Thirteen Tales of Sheer Terror. Dell, 1961.Google Scholar
Midsommar. Directed by Ari Aster. A24, 2019.Google Scholar
Murphy, Bernice M. The Rural Gothic in American Popular Culture. Palgrave Macmillan, 2013.Google Scholar
Nash, Roderick. Wilderness and the American Mind, 3rd ed. Yale University Press, 1982. The Other Lamb. Directed by Malgorzata Szumowska. IFC Midnight, 2019.Google Scholar
Scovell, Adam, Folk Horror: Hours Dreadful and Things Strange. Auteur, 2017.Google Scholar
The Village. Directed by M. Night Shyamalan. Buena Vista Pictures, 2004.Google Scholar
The Wicker Man. Directed by Robin Hardy. British Lion Films, 1973.Google Scholar
The Wicker Man. Directed by Neil LaBute. Warner Bros. Pictures, 2006.Google Scholar
The Witch: A New England Folk Tale. Directed by Robert Eggers. A24, Elevation Pictures, Universal Pictures, 2015.Google Scholar
Woodlands Dark and Days Bewitched: A History of Folk Horror. Directed by Keir-La Janisse. Severin Films, 2021.Google Scholar

Works Cited

Armstrong, Karen. The Battle for God: Fundamentalism in Judaism, Christianity, and Islam. HarperCollins, 2004.Google Scholar
Barkun, Michael. Religion and the Racist Right: The Origins of the Christian Identity Movement. University of North Carolina Press, 1997.Google Scholar
Benét, Stephen Vincent. Selected Works of Stephen Vincent Benét, vol. 1: Poems. Farrar and Rhinehart, 1942.Google Scholar
Benét, Stephen Vincent. Selected Works of Stephen Vincent Benét, vol. 2: Prose. Farrar and Rhinehart, 1942.Google Scholar
Blatty, William Peter. The Exorcist. Corgi, 1972.Google Scholar
Burroughs, William S. The Naked Lunch. 1959. Grove Press, 1987.Google Scholar
The Charlie Daniels Band. “The Devil Went Down to Georgia.” Epic Records, 1979.Google Scholar
Cowan, Douglas E. America’s Dark Theologian: The Religious Imagination of Stephen King. New York University Press, 2018.Google Scholar
Cowan, Douglas E. Sacred Terror: Religion and Horror on the Silver Screen. Baylor University Press, 2008.Google Scholar
Cuneo, Michael W. American Exorcism: Expelling Demons in the Land of Plenty. Bantam, 2001.Google Scholar
The Fear of God: 25 Years of “The Exorcist.” BBC TV, 1998.Google Scholar
Fiedler, Leslie. No! in Thunder: Essays on Myth and Literature. Eyre and Spottiswoode, 1960.Google Scholar
Frazer, James George. The Golden Bough, ed. Fraser, Robert. Oxford University Press, 1994.Google Scholar
Gates, David, with Jefferson, David J and Underwood, Anne. “The Pop Prophets.” Newsweek, US ed. (May 24, 2004).Google Scholar
Gosden, Chris. The History of Magic: From Alchemy to Witchcraft, from the Ice Age to the Present. Viking, 2020.Google Scholar
Hanegraaff, Wouter J. Esotericism and the Academy: Rejected Knowledge in Western Culture. Cambridge University Press, 2012.Google Scholar
Hawthorne, Nathaniel. Tales and Sketches, Including Twice-Told Tales, Mosses from an Old Manse, and The Snow-Image; A Wonder Book for Girls and Boys; Tanglewood Tales for Girls and Boys; Being a Second Wonder Book. Library of America, 1982.Google Scholar
Hofstadter, Richard. Anti-Intellectualism in American Life. Alfred A. Knopf, 1963.Google Scholar
Hofstadter, Richard. “The Paranoid Style in American Politics.” Harper’s Magazine (November 1964). https://harpers.org/archive/1964/11/the-paranoid-style-in-american-politics/.Google Scholar
James, William. Varieties of Religious Experience. In Writings 1902–1910. Library of America, 1987.Google Scholar
Kermode, Mark. The Exorcist, 2nd ed. BFI, 1998.Google Scholar
King, Stephen. IT. Viking, 1986.Google Scholar
King, Stephen. Needful Things. Viking, 1991.Google Scholar
King, Stephen. Salem’s Lot. New English Library, 1976.Google Scholar
LaHaye, Tim, and Jenkins, Jerry B. Left Behind: A Novel of Earth’s Last Days. Tyndale House, 1995.Google Scholar
Lévi, Éliphas. The History of Magic: Including a Clear and Precise Exposition of Its Procedure, Its Rites, and Its Mysterie. Trans. Waite, A. E. William Rider & Son, 1922.Google Scholar
Lindsey, Hal, with Carlson, C. C.. The Late, Great Planet Earth. Zondervsn, 1970.Google Scholar
Luck, Georg. Arcana Mundi: Magic and the Occult in the Greek and Roman Worlds. Baltimore, MD: Johns Hopkins University Press, 1985.Google Scholar
Melville, Herman. The Letters of Herman Melville. Ed. Davis, Merrill R and Gilman, William H. Yale University Press, 1960.Google Scholar
Melville, Herman. Redburn: His First Voyage, White-Jacket or, The World in a Man-of-War, Moby-Dick, or The Whale. Library of America, 1983.Google Scholar
Morone, James A. Hellfire Nation: The Politics of Sin in American History. Yale University Press, 2003.Google Scholar
Murphy, Bernice M. The Rural Gothic in American Popular Culture: Backwoods Horror and Terror in the Wilderness. Palgrave Macmillan, 2013.Google Scholar
O’Malley, John W. What Happened at Vatican II. Belknap Press of Harvard University Press, 2008.Google Scholar
Oldridge, Darren. The Devil: A Very Short Introduction. Oxford University Press, 2012.CrossRefGoogle Scholar
Olson, Charles. Call Me Ishmael. Reynal and Hitchcock, 1947.Google Scholar
Partridge, Christopher, ed. The Occult World. Routledge, 2016.Google Scholar
Poole, W. Scott. Satan in America: The Devil We Know. Rowman & Littlefield, 2009.Google Scholar
Russell, Jeffrey Burton. The Devil: Perceptions of Evil from Antiquity to Primitive Christianity. Cornell University Press, 1977.Google Scholar
Russell, Jeffrey Burton. Mephistopheles: The Devil in the Modern World. Cornell University Press, 1986.Google Scholar
Sanborn, Geoffrey. “The Name of the Devil: Melville’s Other ‘Extracts’ for Moby-Dick.” Nineteenth-Century Literature 47, no. 2 (September 1992).Google Scholar
Stanford, Peter. The Devil: A Biography. Henry Holt & Company, 1996.Google Scholar
Stratton, Kimberley B. “Early Greco-Roman Antiquity.” In The Cambridge History of Magic and Witchcraft in the West: From Antiquity to the Present, ed. Collins, David J. Cambridge University Press, 2015.Google Scholar
The Three Magical Books of Solomon: The Lesser Key of Solomon the King; The Greater Key of Solomon the King; and The Testament of Solomon, trans. Mathers, Samuel Liddell MacGregor, Crowley, Aleister, and Conybeare, F. C. Mockingbird Press, 2017.Google Scholar
Twain, Mark. No. 44, the Mysterious Stranger, in The Gilded Age, and Later Novels. Library of America, 2002.Google Scholar
Webb, James. The Occult Underground. Open Court, 1974.Google Scholar
Yates, Frances. Shakespeare’s Last Plays: A New Approach. Routledge, 1975.Google Scholar
Zinn, Howard. A People’s History of the United States: 1492–Present, 3rd ed. 1980. HarperCollins, 2005.Google Scholar

Works Cited

Anker, Elizabeth. “The Liberalism of Horror.” Social Research: An International Quarterly 81, no. 4 (Winter 2014): 795–819.Google Scholar
“The Best of Both Worlds.” Star Trek: The Next Generation, Season 3, Episode 26. June 18, 1990. Written by Michael Piller. Directed by Cliff Bole.Google Scholar
Butler, Octavia E. “Bloodchild.” In Bloodchild and Other Stories. Seven Stories Press, 1995.Google Scholar
Butler, Octavia E. Lilith’s Brood. 1987–89. Grand Central Publishing, 2000.Google Scholar
Butler, Octavia E. “The Monophobic Response.” In Dark Matter: A Century of Speculative Fiction from the African Diaspora, ed. Thomas, Sheree R.. New York: Warner Books, 2000. 415–16.Google Scholar
Carroll, Jordan S., and Sperling, Alison. “Weird Temporalities: An Introduction.” Studies in the Fantastic 9 (Summer–Fall 2020): 1–17.Google Scholar
Clark, Timothy. “Ecological Grief and Anthropocene Horror.” American Imago 77, no. 1 (Spring 2020): 61–78.Google Scholar
Claverie, Ezra. “Weird Interpellation.” New Formations: A Journal of Culture/Theory/Politics 84–85 (2015): 261–64.Google Scholar
Delany, Samuel R. “Samuel R. Delany Speaks.” Interviewed by Cecelia D’Anastasio. The Nation, August 24, 2015.Google Scholar
Dillon, Grace. Walking the Clouds: An Anthology of Indigenous Science Fiction. University of Arizona Press, 2012.Google Scholar
Dunning, Stefanie K. “What Is the Future? Weirdness and Black Time in Sorry to Bother You.” Studies in the Fantastic 9 (Summer–Fall 2020): 44–60.Google Scholar
Haraway, Donna. Primate Visions: Gender, Race, and Nature in the World of Modern Science. New York: Routledge, 1989.Google Scholar
Hayles, Katherine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: University of Chicago Press, 1999.Google Scholar
Le Guin, Ursula K. “American SF and the Other.” Science Fiction Studies 2, no. 3 (1975): 208–10.Google Scholar
Miéville, China. “Afterweird.” In The Weird: A Compendium of Strange and Dark Stories, ed. VanderMeer, Ann and VanderMeer, Jeff. New York: Tor, 2011.Google Scholar
Miller, John MacNeill. “Weird Beyond Description: Weird Fiction and the Suspicion of Scenery.” Victorian Studies 62, no. 2 (Winter 2020): 244–51.Google Scholar
Moorcock, Michael. “Foreweird.” In The Weird: A Compendium of Strange and Dark Stories, ed. VanderMeer, Ann and VanderMeer, Jeff. New York: Tor, 2011.Google Scholar
Morton, Timothy. Hyberobjects: Philosophy and Ecology after the End of the World. Minneapolis: University of Minnesota Press, 2013.Google Scholar
Roberts, Adam. Science Fiction: The New Critical Idiom. London: Routledge, 2005.Google Scholar
Sontag, Susan. “The Imagination of Disaster.” In Science Fiction: Stories and Contexts, ed. Masri, Heather. New York: Bedford, 2009. 1002–14.Google Scholar
Sperling, Alison. “Acknowledgment Is Not Enough.” Los Angeles Review of Books, March 4, 2017. https://lareviewofbooks.org/article/acknowledgment-not-enough-coming-terms-lovecrafts-horrors/.Google Scholar
Tompkins, David. “Weird Ecology: On the Southern Reach Trilogy.” Los Angeles Review of Books, September 30, 2014. https://lareviewofbooks.org/article/weird-ecology-southern-reach-trilogy/.Google Scholar
VanderMeer, Ann, and VanderMeer, Jeff. “Introduction.” In The Weird: A Compendium of Strange and Dark Stories, ed. VanderMeer, Ann and VanderMeer, Jeff. New York: Tor, 2011.Google Scholar

Works Cited

Asma, Stephen T. On Monsters: An Unnatural History of Our Worst Fears. Oxford University Press, 2009.Google Scholar
Brooks, Kinitra D. Searching for Sycorax: Black Women and Horror. Rutgers University Press, 2017.Google Scholar
Calafell, Bernadette Marie. Monstrosity, Performance, and Race in Contemporary Culture. Peter Lang, 2015.Google Scholar
Carroll, Noël. The Philosophy of Horror; or, Paradoxes of the Heart. Routledge, 1990.Google Scholar
Cesare, Adam. Clown in a Cornfield. HarperCollins, 2020.Google Scholar
Clover, Carol J. Men, Women, and Chain Saws: Gender in the Modern Horror Film. Princeton University Press, 1992.Google Scholar
Cohen, Jeffrey Jerome. “Monster Culture (Seven Theses).” In Monster Theory: Reading Culture, ed. Cohen, Jeffrey Jerome. University of Minnesota Press, 1996. 3–25.Google Scholar
Crane, Stephen. “The Monster.” In The Portable Stephen Crane, ed. Katz, Joseph. Penguin, 1969. 449–508.Google Scholar
Creed, Barbara. “Horror and the Monstrous-Feminine: An Imaginary Abjection.” In The Dread of Difference: Gender and the Horror Film, ed. Grant, Barry Keith. University of Texas Press, 1996. 35–65.Google Scholar
Dunbar, Paul Laurence. “The Lynching of Jube Benson.” In The Heart of Happy Hollow. Dodd, Mead, and Co., 1904.Google Scholar
Ferris, Emil. My Favorite Thing Is Monsters. Fantagraphics Books, 2017.Google Scholar
Goddu, Teresa A. Gothic America: Narrative, History, and Nation. Columbia University Press, 1997.Google Scholar
Goodall, Reece. “John Kramer for President: The Rise of Authoritarian Horror.” Horror Studies 11, no. 1 (2020): 123–40.Google Scholar
Grant, Barry Keith, ed. The Dread of Difference: Gender and the Horror Film. University of Texas Press, 1996.Google Scholar
Halberstam, Jack. Skin Shows: Gothic Horror and the Technology of Monsters. Duke University Press, 1995.Google Scholar
Hall, Donald D. The Antinomian Controversy, 1636–1638: A Documentary History. 1968. Duke University Press, 1990.Google Scholar
Hardt, Michael, and Negri, Antonio. Multitude: War and Democracy in the Age of Empire. Penguin, 2004.Google Scholar
Hawthorne, Nathaniel. “Young Goodman Brown.” 1935. In Nathaniel Hawthorne: Tales and Sketches. Library of America, 1996. 276–89.Google Scholar
Ingebretsen, Edward J. At Stake: Monsters and the Rhetoric of Fear in Public Culture. University of Chicago Press, 2001.Google Scholar
Keetley, Dawn. “Introduction: Six Theses on Plant Horror.” In Plant Horror: Approaches to the Monstrous Vegetal in Fiction and Film, ed. Keetley, Dawn and Tenga, Angela. Palgrave, 2016. 1–30.Google Scholar
Keetley, Dawn. “Lock Her Up! Angry Men and the Captive Woman in Post-Recession Horror.” In Make America Hate Again: Trump-Era Horror and the Politics of Fear, ed. McCollum, Victoria. Routledge, 2019. 97–118.Google Scholar
Keetley, Dawn. Making a Monster: Jesse Pomeroy, the Boy Murderer of 1870s Boston. University of Massachusetts Press, 2017.Google Scholar
King, Stephen. Danse Macabre. Berkley, 1981.Google Scholar
Lincoln, Abraham. “First Inaugural Address.” March 4, 1861. The Avalon Project, Yale Law School, https://avalon.law.yale.edu/19th_century/lincoln1.asp. Accessed September 24, 2020.Google Scholar
Lovecraft, H. P. “The Outsider.” 1926. In H. P. Lovecraft: Tales. Library of America, 2005. 8–14.Google Scholar
Luckhurst, Roger. “After Monster Theory? Gareth Edwards’ Monsters.” Science Fiction Film and Television 13 (2020): 269–90.Google Scholar
McFall-Ngai, Margaret. “Noticing Microbial Worlds: The Postmodern Synthesis in Biology.” In Arts of Living on a Damaged Planet: Monsters of the Anthropocene, ed. Tsing, Anna et al. University of Minnesota Press, 2017. M51–M69.Google Scholar
Means Coleman, Robin R. Horror Noire: Blacks in American Horror Films from the 1890s to Present. Routledge, 2011.Google Scholar
Mittman, Asa Simon. “Introduction: The Impact of Monsters and Monster Studies.” In The Ashgate Research Companion to Monsters and the Monstrous, ed. Mittman, Asa Simon and Dendle, Peter. Ashgate, 2012. 1–14.Google Scholar
Moreno-Garcia, Silvia. Mexican Gothic. Del Rey, 2020.Google Scholar
Morgan, Edmund S. American Slavery, American Freedom, 2nd ed. 1975. Norton, 2003.Google Scholar
Murphy, Bernice M. The Rural Gothic in American Popular Culture: Backwoods Horror and Terror in the Wilderness. Palgrave, 2013.Google Scholar
Peele, Jordan. Get Out: The Complete Annotated Screenplay. Inventory Press, 2019.Google Scholar
Poole, W. Scott. Monsters in America: Our Historical Obsession with the Hideous and the Haunting. Baylor University Press, 2011.Google Scholar
Ruff, Matt. Lovecraft Country. HarperCollins, 2016.Google Scholar
Schutte, Anne Jacobson. “‘Such Monstrous Births’: A Neglected Aspect of the Antinomian Controversy.” Renaissance Quarterly 38, no. 1 (1985): 85–106.Google Scholar
Shapiro, Stephen. “Speculative Nostalgia and Media of the New Intersectional Left: My Favorite Thing Is Monsters.” In The Novel as Network: Forms, Ideas, Commodities, ed. Lanzendörfer, Tim and Norrick-Rühl, Corinna. Palgrave, 2020. 119–36.Google Scholar
Sheldrake, Merlin. Entangled Life: How Fungi Make Our Worlds, Change Our Minds and Shape Our Futures. Random House, 2020.Google Scholar
Shildrick, Margrit. “You Are There, Like My Skin: Reconfiguring Relation Economies.” In Thinking through the Skin, ed. Ahmed, Sara and Stacey, Jackie, Routledge, 2001. 160–73.Google Scholar
Swanson, Heather, et al. “Introduction: Bodies Tumbled into Bodies.” In Arts of Living on a Damaged Planet: Monsters of the Anthropocene, ed. Tsing, Anna et al. University of Minnesota Press, 2017. M1–M12.Google Scholar
Tsing, Anna, et al., eds. Arts of Living on a Damaged Planet: Monsters of the Anthropocene. University of Minnesota Press, 2017.Google Scholar
Weinstock, Jeffrey Andrew. “American Monsters.” In A Companion to American Gothic, ed. Crow, Charles L.. John Wiley, 2014. 41–55.Google Scholar
Weinstock, Jeffrey Andrew. “Introduction: A Genealogy of Monster Theory.” In The Monster Theory Reader, ed. Weinstock, Jeffrey Andrew. University of Minnesota Press, 2020. 1–36.Google Scholar
Weinstock, Jeffrey Andrew, ed. The Monster Theory Reader. University of Minnesota Press, 2020.Google Scholar
Wilson, Natalie. Willful Monstrosity: Gender and Race in 21st Century Horror. McFarland, 2020.Google Scholar
Winsser, Johan. “Mary Dyer and the ‘Monster’ Story.” Quaker History 79, no. 1 (1990): 20–34.Google Scholar
Wood, Robin. Hollywood from Vietnam to Reagan. Columbia University Press, 1986.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Genres
  • Edited by Stephen Shapiro, University of Warwick, Mark Storey, University of Warwick
  • Book: The Cambridge Companion to American Horror
  • Online publication: 21 July 2022
  • Chapter DOI: https://doi.org/10.1017/9781009071550.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Genres
  • Edited by Stephen Shapiro, University of Warwick, Mark Storey, University of Warwick
  • Book: The Cambridge Companion to American Horror
  • Online publication: 21 July 2022
  • Chapter DOI: https://doi.org/10.1017/9781009071550.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Genres
  • Edited by Stephen Shapiro, University of Warwick, Mark Storey, University of Warwick
  • Book: The Cambridge Companion to American Horror
  • Online publication: 21 July 2022
  • Chapter DOI: https://doi.org/10.1017/9781009071550.009
Available formats
×