Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-mkpzs Total loading time: 0 Render date: 2024-12-28T02:54:34.955Z Has data issue: false hasContentIssue false

Chapter 6 - Eustathios of Thessalonike on Comedy and Ridicule in Homeric Poetry

Published online by Cambridge University Press:  07 August 2023

Baukje van den Berg
Affiliation:
Central European University, Vienna
Divna Manolova
Affiliation:
University of York
Przemysław Marciniak
Affiliation:
University of Silesia, Katowice
Get access

Summary

This chapter opens a perspective onto the more theoretical or conceptual side of humorous discourse in twelfth-century Byzantium by exploring the reflections on ridicule and comedy in Homeric poetry in the commentaries by Eustathios of Thessalonike. Eustathios addresses the social aspects of ridicule, as well as its rhetorical dynamics and its role in narrative. In his view, Homer uses comic elements to counterbalance the gloominess of the Iliad’s war narrative, as a good rhetor should do. Flyting has the same function: even if the addressees in the narrative are stung by such insults, Homer’s primary narratees are expected to be amused by the often humorous verbal abuse. Eustathios repeatedly points to the moral tensions inherent in ridicule and laughter; as the consummate orator, however, Homer always finds a way to keep his dignity intact. Throughout his commentaries, Eustathios offers his target audience of prose writers numerous examples of how to adopt and adapt Homer’s words in order to ridicule certain bodily defects, excessive behaviours or less-than-perfect intellectual skills. Such comments shed light on what was worthy of mockery in the mind of a Byzantine audience and show that it was expected of urbane rhetors to use ridicule in their writings.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adler, A. (ed.) (1928–38) Suidae lexicon, 5 vols. Leipzig.Google Scholar
Agapitos, P. A. (2017) ‘John Tzetzes and the Blemish Examiners: A Byzantine Teacher on Schedography, Everyday Language and Writerly Disposition’, MEG 17: 157.Google Scholar
Allen, T. W. and Monro, D. B. (eds.) (1902–12) Homeri opera, 5 vols. Oxford.Google Scholar
Amato, E. and Ramelli, I. (2006) ‘Filosofia rhetoricans in Niceforo Cumno: l’inedito trattato Sui corpi primi e semplici’, MEG 6: 140.Google Scholar
Baldwin, B. (1982) ‘A Talent to Abuse’, ByzF 8: 1928.Google Scholar
Basilikopoulou-Ioannidou, A. (1971) Ἡ ἀναγέννησις τῶν γραμμάτων κατὰ τὸν IB΄ αῶνα εἰς τὸ Βυζάντιον καὶ ὁ Ὅμηρος . Athens.Google Scholar
Bernard, F. (2013) ‘Asteiotes and the Ideal of the Urbane Intellectual in the Byzantine Eleventh Century’, FMS 47: 129–42.Google Scholar
Bernard, F. (2014) Writing and Reading Byzantine Secular Poetry, 1025–1081. Oxford Studies in Byzantium. Oxford.Google Scholar
Bernard, F. (2015) ‘Humor in Byzantine Letters of the Tenth to Twelfth Centuries: Some Preliminary Remarks’, DOP 69: 179–95.Google Scholar
van den Berg, B. (2017a) ‘“The Excellent Man Lies Sometimes”: Eustathios of Thessalonike on Good Hypocrisy, Praiseworthy Falsehood, and Rhetorical Plausibility in Ancient Poetry’, Scandinavian Journal of Byzantine and Modern Greek Studies 3: 1535.Google Scholar
van den Berg, B. (2017b) ‘Eustathios on Homer’s Narrative Art: The Homeric Gods and the Plot of the Iliad’, in Reading Eustathios of Thessalonike, ed. Katsaros, V., Pontani, F. and Sarris, V., 129–48. Trends in Classics Supplementary Volume 46. Berlin–Boston.Google Scholar
van den Berg, B. (2021) ‘Playwright, Atticist, Satirist: The Reception of Aristophanes in Twelfth-Century Byzantium’, in Satire in the Middle Byzantine Period: The Golden Age of Laughter?, ed. Marciniak, P. and Nilsson, I., 227–53. Explorations in Medieval Culture 12. Leiden–Boston.Google Scholar
van den Berg, B. (2022) Homer the Rhetorician: Eustathios of Thessalonike on the Composition of the Iliad . Oxford Studies in Byzantium. Oxford.Google Scholar
Boissonade, J. F. (ed.) (1851) Tzetzae allegoriae Iliadis. Paris.Google Scholar
Cullhed, E. (ed. and trans.) (2014) ‘Eustathios of Thessalonike, Parekbolai on Homer’s Odyssey 1–2: Proekdosis’, PhD thesis, Uppsala University.Google Scholar
Cullhed, E. (ed. and trans.) (2016) Eustathios of Thessalonike, Commentary on the Odyssey, vol. 1: On Rhapsodies A–B. Acta Universitatis Upsaliensis. Studia Byzantina Upsaliensia 17. Uppsala.Google Scholar
Erbse, H. (ed.) (1969–88) Scholia Graeca in Homeri Iliadem, 7 vols. Berlin.Google Scholar
Freudenburg, K. (1993) The Walking Muse: Horace on the Theory of Satire. Princeton.Google Scholar
Gaisford, T. (ed.) (1967 [1848]) Etymologicum magnum. Amsterdam.Google Scholar
Garland, L. (1990) ‘“And His Bald Head Shone Like a Full Moon …”: An Appreciation of the Byzantine Sense of Humour as Recorded in Historical Sources of the Eleventh and Twelfth Centuries’, Parergon 8: 131.Google Scholar
Garland, L. (2007) ‘Mazaris’s Journey to Hades: Further Reflections and Reappraisal’, DOP 61: 183214.Google Scholar
Gottesman, A. (2008) ‘The Pragmatics of Homeric Kertomia’, CQ 58: 112.CrossRefGoogle Scholar
Hinterberger, M. (2017) ‘“Messages of the Soul”: Tears, Smiles, Laughter and Emotions Expressed by Them in Byzantine Literature’, in Greek Laughter and Tears: Antiquity and After, ed. Alexiou, M. and Cairns, D., 125–45. Edinburgh Leventis Studies 8. Edinburgh.Google Scholar
Hunter, R. (2006) ‘Homer and Greek Literature’, in The Cambridge Companion to Homer, ed. Fowler, R., 235–53. Cambridge.Google Scholar
de Jong, I. J. F. (2016) ‘Homer the First Tragedian’, G&R 63: 149–62.Google Scholar
Jouanno, C. (2005) Thersite, une figure de la démesure? Kentron 21: 181223.Google Scholar
Kaldellis, A. (2007) Hellenism in Byzantium: The Transformations of Greek Identity and the Reception of the Classical Tradition. Cambridge.Google Scholar
Kambylis, A. and Reinsch, D. R. (eds.) (2001) Annae Comnenae Alexias . Berlin.Google Scholar
Katsaros, V. (2002) ‘Η ρητορική ως “θεωρία λογοτεχνίας” των Βυζαντινών’, in Pour une ‘nouvelle’ histoire de la littérature byzantine. Actes du colloque international philologique, Nicosie, 25–28 mai 2000, ed. Odorico, P. and Agapitos, P. A., 95106. Dossiers Byzantins 1. Paris.Google Scholar
Kennedy, G. A. (1999) Classical Rhetoric and Its Christian and Secular Tradition from Ancient to Modern Times. Chapel Hill, nc.Google Scholar
Koster, W. J. W. (ed.) (1975) Prolegomena de comoedia; Scholia in Acharnenses, Equites, Nubes, fasc. i.i.a: Prolegomena de comoedia. Groningen.Google Scholar
Kucharski, J. (2020) ‘Mocking the Wasps or the Meaning of Homeric kertomia Again’, Mnemosyne 73: 124.Google Scholar
Labuk, T. (2016) ‘Aristophanes in the Service of Niketas Choniates – Gluttony, Drunkenness and Politics in the Χρονικὴ Διήγησις’, JÖByz 66: 127–52.Google Scholar
Labuk, T. (2019) ‘Gluttons, Drunkards and Lechers. The Discourses of Food in Twelfth-Century Byzantine Literature: Ancient Themes and Byzantine Innovations’, unpublished PhD thesis, University of Silesia in Katowice.Google Scholar
Latte, K. (ed.) (1953–66) Hesychii Alexandrini lexicon, vols. 1–2. Copenhagen.Google Scholar
Lentini, G. (2013) ‘The Pragmatics of Verbal Abuse in Homer’, in The Rhetoric of Abuse in Greek Literature, ed. Tell, H.. Classics@ 11.Google Scholar
Leone, P. L. M. (ed.) (1972) Ioannes Tzetzes Epistulae. Leipzig.Google Scholar
Leone, P. L. M. (ed.) (2007) Ioannis Tzetzae Historiae, second edition. Galatina.Google Scholar
Lindberg, G. (1977) Studies in Hermogenes and Eustathios: The Theory of Ideas and Its Application in the Commentaries of Eustathios on the Epics of Homer. Lund.Google Scholar
Lovato, V. F. (2022) ‘From Contentious Hero to Bone of Contention: The Reception of Thersites by John Tzetzes and Eustathios of Thessaloniki’, in Τζετζικαὶ ἔρευναι, ed. E. E. Prodi.Google Scholar
Manolova, D. (2020) ‘Epistolography and Philosophy’, in A Companion to Byzantine Epistolography, ed. Riehle, A., 255–78. Brill’s Companions to the Byzantine World 7. Leiden–Boston.Google Scholar
Marciniak, P. (2009) ‘Homo Byzantinus Ridens. Byzantine Attitude towards Laughter and Humour: Some General Remarks’, in Homo Byzantinus, ed. Milanova, A. Z., Vatchkova, V. and Stepanov, T., 8392. Sofia.Google Scholar
Marciniak, P. (2011) ‘Laughing against All the Odds: Some Observations on Humour, Laughter and Religion in Byzantium’, in Humour and Religion: Challenges and Ambiguities, ed. Geybels, H. and Van Herck, W., 141–55. London–New York.Google Scholar
Marciniak, P. (2014) ‘Byzantine Humor’, in Encyclopedia of Humor Studies, ed. Attardo, S., 98102. Los Angeles.Google Scholar
Marciniak, P. (2016a) ‘Reinventing Lucian in Byzantium’, DOP 70: 209–24.Google Scholar
Marciniak, P. (2016b) ‘The Art of Abuse: Satire and Invective in Byzantine Literature. A Preliminary Survey’, Eos 103: 349–62.Google Scholar
Marciniak, P. (2017) ‘Laughter on Display: Mimic Performances and the Danger of Laughing in Byzantium’, in Greek Laughter and Tears: Antiquity and After, ed. Alexiou, M. and Cairns, D., 232–42. Edinburgh Leventis Studies 8. Edinburgh.Google Scholar
Marciniak, P. and Nilsson, I. (eds.) (2021) Satire in the Middle Byzantine Period: The Golden Age of Laughter? Explorations in Medieval Culture 12. Leiden–Boston.CrossRefGoogle Scholar
Martin, R. P. (1989) The Language of Heroes: Speech and Performance in the Iliad . Ithaca, ny.Google Scholar
Messis, C. (2021) ‘On the Fortune of Lucian in Byzantium’, in Satire in the Middle Byzantine Period: The Golden Age of Laughter?, ed. Marciniak, P. and Nilsson, I.. Explorations in Medieval Culture 12. Leiden–Boston.Google Scholar
Metzler, K. (ed. and trans.) (2006a) Eustathii Thessalonicensis De emendanda vita monachica. Corpus Fontium Historiae Byzantinae 45. Berlin.CrossRefGoogle Scholar
Metzler, K. (2006b) Eustathios von Thessalonike und das Mönchtum: Untersuchungen und Kommentar zur Schrift De emendanda vita monachica. Berlin–New York.CrossRefGoogle Scholar
Mullett, M. (2003) ‘Rhetoric, Theory and the Imperative of Performance: Byzantium and Now’, in Rhetoric in Byzantium. Papers from the Thirty-Fifth Spring Symposium of Byzantine Studies, Exeter College, University of Oxford, March 2001, ed. Jeffreys, E. M., 151–70. Aldershot.Google Scholar
Murray, A. T. (1999) Homer, The Iliad, 2 vols., revised edition by Wyatt, W. F.. Cambridge, ma.Google Scholar
Nagy, G. (1999 [1979]) The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry, revised edition. Baltimore.Google Scholar
Nünlist, R. (2009) The Ancient Critic at Work: Terms and Concepts of Literary Criticism in Greek Scholia. Cambridge.CrossRefGoogle Scholar
Nünlist, R. (2012) ‘Homer as a Blueprint for Speechwriters: Eustathius’ Commentaries and Rhetoric’, GRBS 52: 493509.Google Scholar
Ooms, S. and de Jonge, C. C. (2013) ‘The Semantics of ΕΝΑΓΩΝΙΟΣ in Greek Literary Criticism’, CPh 108: 95110.Google Scholar
van Opstall, E. M. (2015) ‘The Pleasure of Mudslinging: An Invective Dialogue in Verse from 10th Century Byzantium’, ByzZ 108: 771–96.Google Scholar
Papaioannou, S. (2012) ‘Rhetoric and the Philosopher in Byzantium’, in The Many Faces of Byzantine Philosophy, ed. Bydén, B. and Ierodiakonou, K., 171–97. Papers and Monographs from the Norwegian Institute at Athens Series 4.1. Athens.Google Scholar
Papaioannou, S. (2015) ‘Sicily, Constantinople, Miletos: The Life of a Eunuch and the History of Byzantine Humanism’, in Myriobiblos: Essays on Byzantine Literature and Culture, ed. Antonopoulou, T., Kotzabassi, S. and Loukaki, M., 261–84. Berlin.Google Scholar
Parks, W. (1986) ‘Flyting, Sounding, Debate: Three Verbal Contest Genres’, Poetics Today 7: 439–58.Google Scholar
Parks, W. (1987) ‘The Flyting Speech in Traditional Heroic Narrative’, Neophilologus 71: 285–95.Google Scholar
Parks, W. (1990) Verbal Dueling in Heroic Narrative: The Homeric and Old English Traditions . Princeton.Google Scholar
Patillon, M. (ed. and trans.) (2012) Prolégomènes au De Ideis; Hermogène, Les catégories stylistiques du discourse (De Ideis); Synopsis des exposés sur les Ideai. Corpus Rhetoricum 4. Paris.Google Scholar
Patillon, M. (ed. and trans.) (2014) Pseudo-Hermogène, La méthode de l’habileté; Maxime, Les objections irréfutables; Anonyme, Méthode des discours d’adresse . Corpus Rhetoricum 5. Paris.Google Scholar
Perisanidi, M. and Thomas, O. (2021) ‘Homeric Scholarship in the Pulpit: The Case of Eustathios’ Sermons’, BICS 64: 8194.Google Scholar
Pernot, L. (2005) Rhetoric in Antiquity. Washington, dc.Google Scholar
Pizzone, A. (2016) ‘Audiences and Emotions in Eustathios of Thessalonike’s Commentaries on Homer’, DOP 70: 225–44.Google Scholar
Pizzone, A. (2017) ‘Towards a Byzantine Theory of the Comic?’, in Greek Laughter and Tears: Antiquity and After, ed. Alexiou, M. and Cairns, D., 146–65. Edinburgh Leventis Studies 8. Edinburgh.Google Scholar
Pontani, F. (2000) ‘Il proemio al Commento all’Odissea di Eustazio di Tessalonica Tessalonica (con appunti sulla tradizione del testo)’, BollClass 21: 558.Google Scholar
Puchner, W. (2006) ‘Zur Geschichte der antiken Theaterterminologie im nachantiken Griechisch’, WS 119: 77113.Google Scholar
Reinsch, D. R. (1998) ‘Die Zitate in der Alexias Anna Komnenes’, Symmeikta 12: 6374.Google Scholar
Roilos, P. (2005) Amphoteroglossia: A Poetics of the Twelfth-Century Medieval Greek Novel. Washington, dc.Google Scholar
Roilos, P. (2021) ‘Satirical Modulations in 12th-Century Greek Literature’, in Satire in the Middle Byzantine Period: The Golden Age of Laughter?, ed. Marciniak, P. and Nilsson, I., 254–78. Explorations in Medieval Culture 12. Leiden–Boston.Google Scholar
Rosen, R. M. (2007) Making Mockery: The Poetics of Ancient Satire. Oxford–New York.Google Scholar
Stallbaum, J. G. (ed.) (1825–6) Eustathii archiepiscopi Thessalonicensis commentarii ad Homeri Odysseam ad fidem exempli Romani editi, 2 vols. Leipzig.Google Scholar
Stoevesandt, M. (2005) Feinde – Gegner – Opfer: Zur Darstellung der Troianer in den Kampfszenen der Ilias . Basel.Google Scholar
Thalmann, W. G. (1988) ‘Thersites: Comedy, Scapegoats, and Heroic Ideology in the Iliad’, TAPhA 118: 128.Google Scholar
Theodoridis, C. (ed.) (1998) Photii patriarchae lexicon (Ε–Μ), vol. 2. Berlin–New York.Google Scholar
van Thiel, H. (ed.) (2014) Scholia D in Iliadem: Proecdosis aucta et correctior. Elektronische Schriftenreihe der Universitäts- und Stadtbibliothek Köln 7. Cologne.Google Scholar
van der Valk, M. (ed.) (1971–87) Eustathii archiepiscopi Thessalonicensis commentarii ad Homeri Iliadem pertinentes ad fidem codicis Laurentiani editi, 4 vols. Leiden.Google Scholar
Walz, C. (ed.) (1834) Rhetores Graeci, vol. 7.2. Stuttgart.Google Scholar
Zagklas, N. (2021) ‘Satire in the Komnenian Period: Poetry, Intellectualism and the Ancients’, in Satire in the Middle Byzantine Period: The Golden Age of Laughter?, ed. Marciniak, P. and Nilsson, I., 277303. Explorations in Medieval Culture 12. Leiden–Boston.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×