Book contents
- British Romanticism and the Matter of Voice
- Cambridge Studies in Romanticism
- British Romanticism and the Matter of Voice
- Copyright page
- Dedication
- Contents
- Acknowledgements
- Introduction
- Chapter 1 Erasmus Darwin and the Mechanics of Speech
- Chapter 2 John Thelwall and the Physiology of Speech
- Chapter 3 Percy Bysshe Shelley and the Poetry of Speech
- Coda
- Notes
- Bibliography
- Index
- Cambridge Studies In Romanticism
Chapter 2 - John Thelwall and the Physiology of Speech
Published online by Cambridge University Press: 16 January 2025
- British Romanticism and the Matter of Voice
- Cambridge Studies in Romanticism
- British Romanticism and the Matter of Voice
- Copyright page
- Dedication
- Contents
- Acknowledgements
- Introduction
- Chapter 1 Erasmus Darwin and the Mechanics of Speech
- Chapter 2 John Thelwall and the Physiology of Speech
- Chapter 3 Percy Bysshe Shelley and the Poetry of Speech
- Coda
- Notes
- Bibliography
- Index
- Cambridge Studies In Romanticism
Summary
This chapter examines how poet, orator, and early speech therapist John Thelwall engages with embodied materialist models of involuntary, yet autonomous, utterance to support his lifelong belief in the necessity of free and active speech. It investigates how Thelwall’s work presents both politicised notions of the speaking body and a physiological and sometimes pathologised understanding of political silencing and argues that Thelwall’s later elocutionary work develops a concern with embodied speech already fundamental to his more overtly political writing, resulting in a theory of speech production and impediment which remains suggestive of a radical politics in its materialist conception of the human body’s operation and agency. Drawing on his unpublished ‘Derby Manuscript’, the chapter considers how Thelwall’s cross-disciplinary theory of ‘rhythmus’, which positions the elements of elocution as fundamental physical laws, rather than practical or cultural rules, gives credence to the notion of speech as a materially potent force.
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- British Romanticism and the Matter of Voice , pp. 63 - 107Publisher: Cambridge University PressPrint publication year: 2025