Book contents
- Brecht and Tragedy
- Classics After Antiquity
- Brecht and Tragedy
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgements
- A Note on Texts and Translations
- Introduction: Radicalism, Traditionalism, Eristics
- Part I Point of Contact 1948
- 1 1948: A Year of krisis
- 2 Professing Non-Aristotelianism: Brecht’s Small Organon for the Theatre (1948)
- 3 Utilizing Greek Tragedy: Brecht’s The Antigone of Sophocles (1948)
- 4 The Making of a Model: Antigonemodell 1948
- Part II Positionings
- Part III Comparatist Explorations
- Bibliography
- Index
3 - Utilizing Greek Tragedy: Brecht’s The Antigone of Sophocles (1948)
from Part I - Point of Contact 1948
Published online by Cambridge University Press: 16 December 2021
- Brecht and Tragedy
- Classics After Antiquity
- Brecht and Tragedy
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgements
- A Note on Texts and Translations
- Introduction: Radicalism, Traditionalism, Eristics
- Part I Point of Contact 1948
- 1 1948: A Year of krisis
- 2 Professing Non-Aristotelianism: Brecht’s Small Organon for the Theatre (1948)
- 3 Utilizing Greek Tragedy: Brecht’s The Antigone of Sophocles (1948)
- 4 The Making of a Model: Antigonemodell 1948
- Part II Positionings
- Part III Comparatist Explorations
- Bibliography
- Index
Summary
This chapter is a detailed analysis of brecht's 'the antigone of sophocles' and its first production (directed by brecht himself) in chur (switzerland) in 1948. Ruth beralau's set of colour photographs, which is published here for the first time in its entirety, is fully integrated into the analysis. The play's reception history is also considered.
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- Brecht and TragedyRadicalism, Traditionalism, Eristics, pp. 104 - 184Publisher: Cambridge University PressPrint publication year: 2021