Book contents
- Brahms in Context
- Brahms in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Music Examples
- Notes on Contributors
- Preface
- Abbreviations
- Part I Personality, People and Places
- Part II Identities, Environments and Influences
- Part III Performance and Publishing
- Chapter 19 Singers
- Chapter 20 Conductors
- Chapter 21 Pianists
- Chapter 22 Other Instrumentalists
- Chapter 23 Instruments
- Chapter 24 Publishers
- Chapter 25 Copyright
- Part IV Society and Culture
- Part V Reception and Legacy
- Further Reading
- Index
- References
Chapter 20 - Conductors
from Part III - Performance and Publishing
Published online by Cambridge University Press: 15 May 2019
- Brahms in Context
- Brahms in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Music Examples
- Notes on Contributors
- Preface
- Abbreviations
- Part I Personality, People and Places
- Part II Identities, Environments and Influences
- Part III Performance and Publishing
- Chapter 19 Singers
- Chapter 20 Conductors
- Chapter 21 Pianists
- Chapter 22 Other Instrumentalists
- Chapter 23 Instruments
- Chapter 24 Publishers
- Chapter 25 Copyright
- Part IV Society and Culture
- Part V Reception and Legacy
- Further Reading
- Index
- References
Summary
A symbiosis in music between performance and composition prevailed throughout the nineteenth century. It was particularly evident among conductors. Conducting did not emerge as a distinct profession until the last quarter of the century. But even then, those who sought to make conducting a career either dabbled in composition or harboured lifelong hopes to succeed with their own music. The instincts of a fellow composer dominated the approach to interpretation from the podium.
In Johannes Brahms’s circle of close friends and colleagues, there was perhaps no better example of this link between composing and conducting than Otto Dessoff (1835–92). Dessoff is remembered only as a conductor, despite many fine works to his name. It was to Dessoff that Brahms entrusted the first performance, in 1876, of his First Symphony Op. 68Dessoff was born in Leipzig to Jewish parents; he met Brahms in 1853 but became a close friend in the 1860s, after they both settled in Vienna.
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- Brahms in Context , pp. 196 - 205Publisher: Cambridge University PressPrint publication year: 2019