XXVIII

Summary

HE could command the music-room very well from where he stood, behind a thick outer fringe of intently listening men. Verena Tarrant was erect on her little platform, dressed in white, with flowers in her bosom. The red cloth beneath her feet looked rich in the light of lamps placed on high pedestals on either side of the stage; it gave her figure a setting of colour which made it more pure and salient. She moved freely in her exposed isolation, yet with great sobriety of gesture; there was no table in front of her, and she had no notes in her hand, but stood there like an actress before the footlights, or a singer spinning vocal sounds to a silver thread. There was such a risk that a slim provincial girl, pretending to fascinate a couple of hundred blasé New Yorkers by simply giving them her ideas, would fail of her effect, that at the end of a few moments Basil Ransom became aware that he was watching her in very much the same excited way as if she had been performing, high above his head, on the trapeze. Yet, as one listened, it was impossible not to perceive that she was in perfect possession of her faculties, her subject, her audience; and he remembered the other time at Miss Birdseye's well enough to be able to measure the ground she had travelled since then. This exhibition was much more complete, her manner much more assured; she seemed to speak and survey the whole place from a much greater height. Her voice, too, had developed; he had forgotten how beautiful it could be when she raised it to its full capacity. Such a tone as that, so pure and rich, and yet so young, so natural, constituted in itself a talent; he didn't wonder that they had made a fuss about her at the Female Convention, if she filled their hideous hall with such a music. He had read, of old, of the improvisatrice of Italy, and this was a chastened, modern, American version of the type, a New England Corinna, with a mission instead of a lyre.