Book contents
- Bertolt Brecht in Context
- Bertolt Brecht in Context
- Copyright page
- Contents
- Figure
- Notes on Contributors
- Chronology
- Abbreviations
- Preface
- A Note on Brecht in English
- Introduction
- Part I Brecht’s World
- Chapter 1 Brecht’s Augsburg Years
- Chapter 2 Models for Epic Theater from the Munich Years:
- Chapter 3 Brecht in the Weimar Republic
- Chapter 4 Brecht’s Emergence as a Young Poet
- Chapter 5 Brecht and Music: The Fly in the Amber
- Chapter 6 Brecht and Political Theater
- Chapter 7 Brecht and Germany
- Chapter 8 “[She] made suggestions. We took them”: Bertolt Brecht’s Women Collaborators
- Chapter 9 Brecht’s Interviews
- Chapter 10 Brecht and Exile
- Chapter 11 Brecht and the German Democratic Republic
- Chapter 12 The Berliner Ensemble
- Part II Brecht’s Work
- Part III The World’s Brecht
- Concise Bibliography
- Index
Chapter 1 - Brecht’s Augsburg Years
from Part I - Brecht’s World
Published online by Cambridge University Press: 28 May 2021
- Bertolt Brecht in Context
- Bertolt Brecht in Context
- Copyright page
- Contents
- Figure
- Notes on Contributors
- Chronology
- Abbreviations
- Preface
- A Note on Brecht in English
- Introduction
- Part I Brecht’s World
- Chapter 1 Brecht’s Augsburg Years
- Chapter 2 Models for Epic Theater from the Munich Years:
- Chapter 3 Brecht in the Weimar Republic
- Chapter 4 Brecht’s Emergence as a Young Poet
- Chapter 5 Brecht and Music: The Fly in the Amber
- Chapter 6 Brecht and Political Theater
- Chapter 7 Brecht and Germany
- Chapter 8 “[She] made suggestions. We took them”: Bertolt Brecht’s Women Collaborators
- Chapter 9 Brecht’s Interviews
- Chapter 10 Brecht and Exile
- Chapter 11 Brecht and the German Democratic Republic
- Chapter 12 The Berliner Ensemble
- Part II Brecht’s Work
- Part III The World’s Brecht
- Concise Bibliography
- Index
Summary
This article explores Brecht’s origins and life in Augsburg from the time he was born in 1898 until he left Augsburg for Berlin in 1924. Brecht came from a well-educated and prosperous middle-class family, and he was raised as a Lutheran by his mother, although he soon rejected any form of Christian religious belief. From an early age he demonstrated great promise and ambition as a writer and soaked up influences from all around him, including the fairs that occurred in Augsburg on a regular basis. He read widely and was influenced by what he read. Among his most important influences were Frank Wedekind, Georg Büchner, Rudyard Kipling, Friedrich Nietzsche, François Villon, Arthur Rimbaud, and Paul Verlaine.In his adolescence Brecht became the center of a group of friends in Augsburg devoted to literature, music, and a nonconformist approach to life. In Augsburg Brecht experienced the Bavarian Revolution after the end of World War I.Brecht’s first plays Baal and Drums in the Night reflect some of his experiences and thoughts while living in Augsburg, and his revolutionary first book of poetry, Domestic Breviary, also emerged above all out of his life in Augsburg.
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- Bertolt Brecht in Context , pp. 17 - 25Publisher: Cambridge University PressPrint publication year: 2021