Book contents
- Bertolt Brecht in Context
- Bertolt Brecht in Context
- Copyright page
- Contents
- Figure
- Notes on Contributors
- Chronology
- Abbreviations
- Preface
- A Note on Brecht in English
- Introduction
- Part I Brecht’s World
- Part II Brecht’s Work
- Part III The World’s Brecht
- Chapter 23 Brecht and Feminism
- Chapter 24 Brecht in Southern Africa
- Chapter 25 Brecht in the Creation, Production, and Analysis of Opera Today
- Chapter 26 Brecht and His Biographers
- Chapter 27 Brecht Editions
- Chapter 28 Brecht and German Studies
- Chapter 29 Beginning Where Brecht Left Off: Heiner Müller and Brecht’s Legacy
- Chapter 30 Bertolt Brecht in Brazil
- Chapter 31 World Spirit versus Spirit of the Age: Brecht’s Impact and Influence on East German Literature and Culture
- Chapter 32 Brecht in Fiction
- Chapter 33 Brecht and Contemporary Experimental Theater
- Chapter 34 Brecht and US Actor Training
- Chapter 35 Brecht and Transcultural Theater
- Chapter 36 Thinking Brecht in(to) the University
- Chapter 37 “Shrunk in Translation” or: The (Ir)resistible Rise of the Old Traduttore/Traditore Tradition …
- Concise Bibliography
- Index
Chapter 35 - Brecht and Transcultural Theater
from Part III - The World’s Brecht
Published online by Cambridge University Press: 28 May 2021
- Bertolt Brecht in Context
- Bertolt Brecht in Context
- Copyright page
- Contents
- Figure
- Notes on Contributors
- Chronology
- Abbreviations
- Preface
- A Note on Brecht in English
- Introduction
- Part I Brecht’s World
- Part II Brecht’s Work
- Part III The World’s Brecht
- Chapter 23 Brecht and Feminism
- Chapter 24 Brecht in Southern Africa
- Chapter 25 Brecht in the Creation, Production, and Analysis of Opera Today
- Chapter 26 Brecht and His Biographers
- Chapter 27 Brecht Editions
- Chapter 28 Brecht and German Studies
- Chapter 29 Beginning Where Brecht Left Off: Heiner Müller and Brecht’s Legacy
- Chapter 30 Bertolt Brecht in Brazil
- Chapter 31 World Spirit versus Spirit of the Age: Brecht’s Impact and Influence on East German Literature and Culture
- Chapter 32 Brecht in Fiction
- Chapter 33 Brecht and Contemporary Experimental Theater
- Chapter 34 Brecht and US Actor Training
- Chapter 35 Brecht and Transcultural Theater
- Chapter 36 Thinking Brecht in(to) the University
- Chapter 37 “Shrunk in Translation” or: The (Ir)resistible Rise of the Old Traduttore/Traditore Tradition …
- Concise Bibliography
- Index
Summary
This article examines Bertolt Brecht’s impact on contemporary transcultural theater worldwide.Globalization and migration have increased the importance and impact of transcultural theater in recent decades, leading to new forms of theatrical creation and experience. In the context of aggressive anti-globalization reactions characterized by xenophobia and racism, transcultural theater, as influenced and initiated by Brecht, celebrates hybridity and the fragment, focusing above all on processes of estrangement (Verfremdung) that reject the fantasy of a complete, self-identical, separate cultural sphere.Transcultural theater embraces multiperspectivalism and views the supposedly well-known and obvious self as strange and foreign, while at the same time it invites the self into a process of dialog with other cultures and identities that are equally strange and foreign. It rejects the notion of holistic identities and instead embraces the fragmentary, basing itself on repetition, historicization, and the citability of gestures. Transcultural theater seeks to create theatrical experiences that are adequate to, and also respond in a meaningful way to, the complex and changing world of migration and mobility in which both theater practitioners and theater audiences actually live.
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- Bertolt Brecht in Context , pp. 300 - 308Publisher: Cambridge University PressPrint publication year: 2021