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Published online by Cambridge University Press: 26 September 2020
Heroic activity, titanic struggle, visionary power and similarly exalted descriptions are familiar enough in Beethoven reception. This essay puts those aspects of the composer’s music to one side in order to examine a musical orientation that is derived from the eighteenth-century aesthetic of sociability. Focusing on the composer’s piano sonatas, the essay deals with the interplay between the traditional and the individual in Beethoven’s musical language, an interplay that reveals a versatility of thought that can appropriately be described as gracious.
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