Book contents
- The Beats
- The Beats
- Copyright page
- Epigraph
- Contents
- Figures
- Preface
- Acknowledgments
- Part I Get Hip, My Soul: How It All Got Started (1944–1948)
- Part II Underground to Literary Celebrity (1948–1957)
- Part III The Beatnik Era and the Profusion of Beat Literature (1958–1962)
- Chapter 6 The Establishment Strikes Back
- Chapter 7 Little Magazines and Subterranean Networks
- Chapter 8 The Opening of the Field
- Chapter 9 Revisions of the Real
- Chapter 10 Ignus
- Part IV Beat Politics (1962–1969)
- Coda
- Notes
- Bibliography
- Index
Chapter 8 - The Opening of the Field
from Part III - The Beatnik Era and the Profusion of Beat Literature (1958–1962)
Published online by Cambridge University Press: 20 February 2020
- The Beats
- The Beats
- Copyright page
- Epigraph
- Contents
- Figures
- Preface
- Acknowledgments
- Part I Get Hip, My Soul: How It All Got Started (1944–1948)
- Part II Underground to Literary Celebrity (1948–1957)
- Part III The Beatnik Era and the Profusion of Beat Literature (1958–1962)
- Chapter 6 The Establishment Strikes Back
- Chapter 7 Little Magazines and Subterranean Networks
- Chapter 8 The Opening of the Field
- Chapter 9 Revisions of the Real
- Chapter 10 Ignus
- Part IV Beat Politics (1962–1969)
- Coda
- Notes
- Bibliography
- Index
Summary
This chapter looks at poets centered in New York City who expanded Beat literature, focusing in particular on Gregory Corso, Diane di Prima, LeRoi Jones, Jack Micheline, the Gaslight Poets, Ray and Bonnie Bremser, Ted Joans, and Tuli Kupferberg.
- Type
- Chapter
- Information
- The BeatsA Literary History, pp. 192 - 242Publisher: Cambridge University PressPrint publication year: 2020