Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-jn8rn Total loading time: 0 Render date: 2024-12-27T07:12:53.788Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  11 March 2020

Marcus Collins
Marcus Collins
Affiliation:
Loughborough University
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
The Beatles and Sixties Britain , pp. 299 - 349
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Aaronovitch, David. Party Animals: My Family and Other Communists. London: Random House, 2016.Google Scholar
Aitken, Jonathan. The Young Meteors. London: Secker & Warburg, 1967.Google Scholar
Aldridge, Alan. The Beatles Illustrated Lyrics. Boston, MA: Houghton Mifflin Harcourt, 1969.Google Scholar
Ali, Tariq. Street Fighting Years: An Autobiography of the Sixties. London: Verso, 2005.Google Scholar
Allsop, Kenneth. ‘Pop Goes Young Woodley’. In Class: A Symposium, edited by Mabey, Richard, 127–43. London: Antony Blond, 1967.Google Scholar
Badman, Keith. The Beatles: Off the Record – Outrageous Opinions and Unreleased Interviews. London: Omnibus, 2007.Google Scholar
Bailey, David, and Wyndham, Francis. David Bailey’s Box of Pin-Ups. London: Weidenfeld and Nicolson, 1965.Google Scholar
Bailey, David, and Evans, Peter. Goodbye Baby & Amen: A Saraband for the Sixties. London: Condé Nast, 1969.Google Scholar
Barrow, Tony. John, Paul, George, Ringo and Me. London: André Deutsch, 2006.Google Scholar
Beatles, The. The Beatles Anthology. San Francisco, CA: Chronicle Books, 2000.Google Scholar
Bedford, Carol. Waiting for the Beatles: An Apple Scruff’s Story. London: Blandford Press, 1984.Google Scholar
Beloff, Max. ‘The Challenge of Barbarism (1965)’. In The Intellectual in Politics and Other Essays. New York, NY: Library Press, 1971.Google Scholar
Benn, Tony. Office without Power: Diaries 1968–72. London: Random House, 2012.Google Scholar
Benn, Tony. Out of the Wilderness: Diaries 1963–67. London: Hutchinson, 1987.Google Scholar
Berke, Joseph H., ed. Counter Culture: The Creation of an Alternative Society. London: Peter Owen, 1969.Google Scholar
Black, Cilla. What’s It All About? London: Random House, 2009.Google Scholar
Booker, Christopher. The Neophiliacs: A Study of the Revolution in English Life in the Fifties and Sixties. London: Collins, 1969.Google Scholar
Booker, Christopher. The Seventies: The Decade That Changed the Future. New York, NY: Stein and Day, 1981.Google Scholar
Bordowitz, Hank, ed. Led Zeppelin on Led Zeppelin: Interviews and Encounters. Chicago, IL: Chicago Review Press, 2014.Google Scholar
Bramwell, Tony, and Kingsland, Rosemary. Magical Mystery Tours: My Life with the Beatles. Basingstoke: Macmillan, 2006.Google Scholar
Braun, Michael. Love Me Do: The Beatles’ Progress. Harmondsworth: Penguin, 1964.Google Scholar
Brown, L. Neville. ‘Student Protest in England’. The American Journal of Comparative Law 17, no. 3 (1969): 395–402.CrossRefGoogle Scholar
Buckle, Richard. Buckle at the Ballet. New York, NY: Atheneum, 1980.Google Scholar
Burger, Jeff, ed. Lennon on Lennon: Conversations with John Lennon. London: Omnibus ebook, 2017.Google Scholar
Carlin, M. M. ‘Love on Film’. Transition, no. 17 (1964): 35–8.Google Scholar
Chorley, D. F., and Nicholls, A. C.. ‘Letter’. The Use of English 20, no. 1 (1968): 48.Google Scholar
Clapton, Eric, and Sykes, Christopher. Eric Clapton: The Autobiography. London: Century, 2007.Google Scholar
Clark, Timothy, Gray, Christopher, Nicholson-Smith, Donald and Radcliffe, Charles. ‘The Revolution of Modern Art and the Modern Art of Revolution’. Unpublished, 1967. www.cddc.vt.edu/sionline/si/modernart.html.Google Scholar
Clarke, John. ‘Style’. In Resistance through Rituals: Youth Subcultures in Post-War Britain, edited by Jefferson, Tony and Hall, Stuart, 175–91. London: Routledge and Kegan Paul, 1975.Google Scholar
Cohn, Nik. Awopbopaloobop Alopbamboom: Pop from the Beginning. London: Minerva, 1969.Google Scholar
Cole, Peter. ‘Lyrics in Pop’. In Anatomy of Pop, edited by Cash, Anthony, 9–30. London: British Broadcasting Corporation, 1970.Google Scholar
Comfort, Alex. ‘The Technological Age and Human Needs: An Emotional “Technology”’. In Technology and Society: The First Bath Conference, 1965, edited by Walters, Gerald and Hudson, Kenneth, 170–3. Bath: Bath University Press, 1966.Google Scholar
Connolly, Ray. Stardust Memories: Talking about My Generation. London: Pavilion, 1983.Google Scholar
Cooke, Deryck. I Saw the World End: A Study of Wagner’s Ring. Oxford: Oxford University Press, 1979.Google Scholar
Cooke, Deryck. The Language of Music. Oxford: Oxford University Press, 1959.Google Scholar
Cox, C. B. ‘Editorial’. Critical Quarterly 13, no. 3 (1971): 195–200.Google Scholar
Cremonesi, Heather. ‘Yeah, Yeah’. In Young London: Permissive Paradise, edited by Habicht, Frank. London: Harrap, 1969.Google Scholar
Crossman, Richard Stafford., Howard The Diaries of a Cabinet Minister. Vol. 3: Secretary of State for Social Services, 1968–1970. New York, NY: Holt, Rinehart and Winston, 1978.Google Scholar
Dallas, Karl. Singers of an Empty Day: Last Sacraments for the Superstars. London: Kahn & Averill, 1971.Google Scholar
Davies, Hunter. The Beatles: The Authorised Biography. New York, NY: McGraw-Hill, 1968.Google Scholar
Davies, Hunter. The Beatles: The Authorised Biography. Rev. edn. New York, NY: McGraw-Hill, 1985.Google Scholar
Davies, Russell, ed. The Kenneth Williams Diaries. London: HarperCollins, 1993.Google Scholar
DiLello, Richard. The Longest Cocktail Party: An Insider’s Diary of the Beatles, Their Million-Dollar Apple Empire, and Its Wild Rise and Fall. Edinburgh: Canongate, 2005.Google Scholar
Du Noyer, Paul. Conversations with McCartney. New York, NY: Overlook Press, 2016.Google Scholar
Durgnat, Raymond. ‘Rock, Rhythm and Dance’. British Journal of Aesthetics 11, no. 1 (1971): 28.Google Scholar
Epstein, Brian. A Cellarful of Noise. New York, NY: Doubleday, 1964.Google Scholar
Evans, Mike, ed. The Beatles Literary Anthology. London: Plexus, 2004.Google Scholar
Farren, Mick. Give the Anarchist a Cigarette. London: Random House, 2010.Google Scholar
Farren, Mick, and Barker, Edward. Watch Out Kids. London: Open Gate Books, 1972.Google Scholar
Fast, Julius. The Beatles: The Real Story. New York, NY: G. P. Putnam’s Sons, 1968.Google Scholar
Fawcett, Anthony. John Lennon: One Day at a Time. New York, NY: Grove Press, 1981.Google Scholar
Finnegan, Ruth, ed. The Penguin Book of Oral Poetry. London: Allen Lane, 1978.Google Scholar
Flower, Frederick Dalby. Language and Education. London: Longmans, 1966.Google Scholar
Forbes, Bryan. ‘No Bone Showing’. Transition, no. 31 (1967): 46–50.Google Scholar
Fuller, Roy. Owls and Artificers: Oxford Lectures on Poetry. London: André Deutsch, 1971.Google Scholar
Fuller, Roy. Professors and Gods: Last Oxford Lectures on Poetry. London: André Deutsch, 1973.Google Scholar
Furlong, Monica. The End of Our Exploring. New York, NY: Coward, McCann & Geoghegan, 1973.Google Scholar
Fyvel, T. R. The Insecure Offenders: Rebellious Youth in the Welfare State. Harmondsworth: Penguin, 1966.Google Scholar
Fyvel, T. R. Intellectuals Today: Problems in a Changing Society. London: Chatto and Windus, 1968.Google Scholar
Golson, G. Barry, ed. The Playboy Interviews with John Lennon and Yoko Ono. New York, NY: Putnam Publishing Group, 1981.Google Scholar
Gombrich, Ernst. Meditations on a Hobby Horse and Other Essays on the Theory of Art. London: Phaidon, 1963.Google Scholar
Goodman, Arnold. Tell Them I’m on My Way: Memoirs. London: Chapmans, 1993.Google Scholar
Gorer, Geoffrey. Exploring English Character. New York, NY: Criterion, 1955.Google Scholar
Gorer, Geoffrey. Sex and Marriage in England Today: A Study of the Views and Experience of the Under-45s. London: Thomas Nelson, 1971.Google Scholar
Green, Jonathon, ed. Days in the Life: Voices from the English Underground 1961–1971. London: Minerva, 1989.Google Scholar
Hall, Stuart, and Whannel, Paddy. The Popular Arts. London: Hutchinson Educational, 1964.Google Scholar
Hamblett, Charles. Here Are the Beatles. London: New English Library, 1964.Google Scholar
Hamblett, Charles, and Deverson, Jane. Generation X. New York, NY: Tandem Books, 1964.Google Scholar
Harrison, George. I, Me, Mine. New York, NY: Simon and Schuster, 1981.Google Scholar
Hewat, Tim. Rolling Stones File. London: Panther, 1967.Google Scholar
Hoggart, Richard. The Uses of Literacy: Aspects of Working-Class Life with Special Reference to Publications and Entertainments. Harmondsworth: Pelican, 1958.Google Scholar
Holbrook, David. Creativity and Popular Culture. Rutherford, NJ: Fairleigh Dickinson University Press, 1994.Google Scholar
Holbrook, David. ‘Predatory Beatles’. The Use of English 20 (1969): 204–12.Google Scholar
Holbrook, David. The Pseudo-Revolution: A Critical Study of Extremist ‘Liberation’ in Sex. London: Tom Stacey, 1972.Google Scholar
Holbrook, David. ‘Quite Useful Neutrals’. The Use of English 17, no. 3 (1966): 195–8.Google Scholar
Hollingshead, Michael. The Man Who Turned on the World. London: Blond and Briggs, 1973.Google Scholar
Hughes, Donald. ‘Recorded Music’. In Discrimination and Popular Culture, edited by Thompson, Denys, 152–75. Harmondsworth: Penguin, 1964.Google Scholar
Huxley, Julian. ‘Introduction’. Philosophical Transactions of the Royal Society of London. Series B, Biological Sciences 251, no. 772 (1966): 249–71.Google Scholar
Interdepartmental Committee on Drug Addiction. Drug Addiction: The Second Report. London: HMSO, 1965. https://web.archive.org/web/20141017120149/http://www.drugtext.org/Second-Brain-Report/drug-addiction-2.html.Google Scholar
Jacobs, Arthur. A Short History of Western Music. Harmondsworth: Penguin, 1972.Google Scholar
Jasper, Tony. Understanding Pop. London: S. C. M. Press, 1972.Google Scholar
Johnson, Pamela Hansford. On Iniquity: Some Personal Reflections Arising Out of the Moors Murder Trial. New York, NY: Scribner, 1967.Google Scholar
King Mob. ‘The Death of Art Spells the Murder of Artists. The Real Anti-Artist Appears (1968)’. In An Endless Adventure, an Endless Passion, an Endless Banquet: A Situationist Scrapbook, edited by Blazwick, Iwona, 70. London: ICA, 1989.Google Scholar
Kirkup, James. ‘Review of Unwrinkling Plays by Paul Reps’. Japan Quarterly 12, no. 2 (1965): 260–2.Google Scholar
Lahr, John, ed. The Diaries of Kenneth Tynan. London: A&C Black, 2002.Google Scholar
Laing, Dave. The Sound of Our Time. London: Sheed & Ward, 1969.Google Scholar
Laurie, Peter. The Teenage Revolution. London: A. Blond, 1965.Google Scholar
Leach, Edmund. A Runaway World? The Reith Lectures 1967. London: British Broadcasting Corporation, 1967.Google Scholar
Lee, Edward. Music of the People: A Study of Popular Music in Great Britain. London: Barrie & Jenkins, 1970.Google Scholar
Leigh, Spencer, ed. Speaking Words of Wisdom: Reflections on the ‘Beatles’. Liverpool: Cavern City Tours, 1991.Google Scholar
Lennon, Cynthia. A Twist of Lennon. London: Star Books, 1978.Google Scholar
Lennon, John. Skywriting by Word of Mouth. New York, NY: HarperCollins, 1987.Google Scholar
Lennon, John. ‘The Ballad of John and Yoko’. In Skywriting by Word of Mouth. New York, NY: HarperCollins, 1987.Google Scholar
Leslie, Peter. Fab: The Anatomy of a Phenomenon. London: MacGibbon & Kee, 1965.Google Scholar
Levin, Bernard. The Pendulum Years: Britain and the Sixties. London: Jonathan Cape, 1970.Google Scholar
Lichtheim, George. From Marx to Hegel. London: Orbach and Chambers, 1971.Google Scholar
Lunn, Arnold, and Lean, Garth. Christian Counter-Attack. London: Blandford, 1969.Google Scholar
Mabey, Richard. The Pop Process. London: Hutchinson Educational, 1969.Google Scholar
MacInnes, Colin. England, Half English. London: MacGibbon & Kee, 1961.Google Scholar
Mackerness, Eric David. A Social History of English Music. London: Routledge and Kegan Paul, 1964.Google Scholar
March, Ivan. ed., The Great Records. Blackpool: Long Playing Record Library, 1967.Google Scholar
Martin, George, and Hornsby, Jeremy. All You Need Is Ears. Basingstoke: Macmillan, 1979.Google Scholar
Martin, George, and Pearson, William. Summer of Love: The Making of Sgt. Pepper. Basingstoke: Macmillan, 1994.Google Scholar
McCabe, Peter, and Schonfeld, Robert D.. Apple to the Core: The Unmaking of the Beatles. London: Martin Brian and O’Keeffe, 1972.Google Scholar
McCartney, Paul. Blackbird Singing: Poems and Lyrics 1965–1999. London: Faber, 2001.Google Scholar
Medanock, Alan. ‘These Musical Times’. Musical Times 105, no. 1451 (1964): 24.Google Scholar
Mellers, Wilfrid. Caliban Reborn: Renewal in Twentieth-Century Music. London: Gollancz, 1967.Google Scholar
Mellers, Wilfrid. ‘Music for 20th-Century Children. 3: The Teenager’s World’. The Musical Times 105, no. 1457 (1964): 500–5.Google Scholar
Mellers, Wilfrid. ‘Review of Debussy, Preludes (Books I & II). Leonard Pennario’. The Musical Times 107, no. 1483 (1966): 784.Google Scholar
Mellers, Wilfrid. ‘The Avant-Garde in America’. Proceedings of the Royal Musical Association 90 (1963): 1–13.Google Scholar
Mellers, Wilfrid. Twilight of the Gods: The Music of the Beatles. New York, NY: Viking Press, 1974.Google Scholar
Melly, George. Owning Up: The Trilogy. Harmondsworth: Penguin, 2006.Google Scholar
Melly, George. Revolt into Style: The Pop Arts in Britain. Harmondsworth: Penguin, 1970.Google Scholar
Middleton, Richard. Pop Music and the Blues: A Study of the Relationship and Its Significance. London: Victor Gollancz, 1972.Google Scholar
Miles, Barry. In the Sixties. London: Jonathan Cape, 2002.Google Scholar
Miles, Barry. The Zapple Diaries: The Rise and Fall of the Last Beatles Label. New York, NY: Abrams, 2016.Google Scholar
Mitchell, Adrian. ‘Priests and Prophets of Permissiveness’. In The Permissive Society: The Guardian Inquiry, edited by Thomas, Harford. London: Panther, 1969.Google Scholar
Mitchell, Carolyn Lee, and Munn, Michael. All Our Loving: A Beatles Fan’s Memoirs. London: Robson Books, 1988.Google Scholar
Moorhouse, Geoffrey. Britain in the Sixties: The Other England. Harmondsworth: Penguin, 1964.Google Scholar
Muggeridge, Malcolm. Another King: A Sermon. Edinburgh: Saint Andrew Press, 1968.Google Scholar
Muggeridge, Malcolm. Chronicles of Wasted Time. New York, NY: W. W. Morrow, 1973.Google Scholar
Muggeridge, Malcolm. ‘Down With Sex (1965)’. In Tread Softly, For You Tread on My Jokes. London: Collins, 1966.Google Scholar
Muggeridge, Malcolm. ‘Looking through the Eye (1976)’. In Seeing through the Eye: Malcolm Muggeridge on Faith, edited by Kuhne, Cecil C. III, 75–88. San Francisco, CA: Ignatius Press, 2005.Google Scholar
Murdock, Graham, and Robin, McCron. ‘Consciousness of Class and Consciousness of Generation’. In Resistance through Rituals: Youth Subcultures in Post-War Britain, edited by Jefferson, Tony and Hall, Stuart, 192–207. London: Routledge and Kegan Paul, 1975.Google Scholar
Neill, A. S. Freedom – Not License! New York, NY: Hart Publishing Company, 1966.Google Scholar
Neville, Richard. Hippie Shake. London: Gerald Duckworth & Co., 2010.Google Scholar
Neville, Richard. Play Power. London: Jonathan Cape, 1970.Google Scholar
Newton, Francis. The Jazz Scene. London: MacGibbon & Kee, 1959.Google Scholar
NOP. Report on Attitudes towards Crime, Violence and Permissiveness in Society London: NOP, 1970.Google Scholar
Nuttall, Jeff. Bomb Culture. London: Paladin, 1970.Google Scholar
Oldham, Andrew Loog. 2Stoned. New York, NY: Random House, 2012.Google Scholar
Palmer, Tony. All You Need Is Love: The Story of Popular Music. Harmondsworth: Penguin, 1977.Google Scholar
Palmer, Tony. Born under a Bad Sign. London: William Kimber, 1970.Google Scholar
Parker, Charles. ‘Pop Song, the Manipulated Ritual’. In The Black Rainbow: Essays on the Present Breakdown of Culture, edited by Abbs, Peter, 134–65. London: Heinemann Educational, 1975.Google Scholar
Payn, Graham, and Morley, Sheridan, eds. Noël Coward Diaries. New York, NY: Da Capo Press, 2000.Google Scholar
Paytress, Mark. Rolling Stones: Off the Record. London: Omnibus, 2009.Google Scholar
Pleasants, Henry. Serious Music, and All That Jazz! An Adventure in Music Criticism. London: Gollancz, 1969.Google Scholar
Prabhupāda, A. C. Bhaktivedanta, Swami. Search for Liberation: Featuring a Conversation between John Lennon and Swami Bhaktivedanta. Los Angeles, CA: Bhaktivedanta Book Trust, 1981.Google Scholar
Quant, Mary. Quant by Quant. London: Cassell, 1966.Google Scholar
Radcliffe, Charles. Don’t Start Me Talking: Subculture, Situationism and the Sixties. ebook: Bread and Circuses, 2018.Google Scholar
Radcliffe, Charles. ‘Pop Goes the Beatle’. In Dancin’ in the Streets! Anarchists, IWWs, Surrealists, Situationists & Provos in the 1960s as Recorded in the Pages of The Rebel Worker & Heatwave, edited by Rosemont, Franklin and Radcliffe., Charles Chicago, IL: Charles H. Kerr, 2005.Google Scholar
Radcliffe, Charles. ‘Two Fiery Flying Rolls: The Heatwave Story, 1966–1970’. In Dancin’ in the Streets! Anarchists, IWWs, Surrealists, Situationists & Provos in the 1960s as Recorded in the Pages of The Rebel Worker & Heatwave, edited by Rosemont, Franklin and Radcliffe, Charles. Chicago, IL: Charles H. Kerr, 2005.Google Scholar
Ramsey, Ian T. ‘Talking about God: Models, Ancient and Modern’. In Myth and Symbol, vol. 7, edited by Dillistone, Frederick William, 76–96. London: SPCK, 1966.Google Scholar
Reeves, James. ‘The World of Sergeant Pepper’. The Use of English 19, no. 3 (1968): 235–40.Google Scholar
Robinson, Ian. ‘Paper Tygers, or the Circus Animals’ Desertion in the New Pop Poetry’. In The Black Rainbow: Essays on the Present Breakdown of Culture, edited by Abbs, Peter, 19–30. London: Heinemann Educational, 1975.Google Scholar
Rosemont, Franklin, Radcliffe, Charles and Mabey, Richard. Mods, Rockers and the Revolution. London: Solidarity Bookshop, 1966.Google Scholar
Rosemont, Franklin. ‘To Be Revolutionary in Everything: The Rebel Worker Story, 1964–1968’. In Dancin’ in the Streets! Anarchists, IWWs, Surrealists, Situationists & Provos in the 1960s as Recorded in the Pages of The Rebel Worker & Heatwave, edited by Rosemont, Franklin and Radcliffe, Charles. Chicago, IL: Charles H. Kerr, 2005.Google Scholar
Roszak, Theodore. The Making of a Counter Culture: Reflections on the Technocratic Society and Its Youthful Opposition. Garden City, NY: Doubleday, 1969.Google Scholar
Rowbotham, Sheila. Promise of a Dream: Remembering the Sixties. London: Verso, 2001.Google Scholar
Rowbotham, Sheila. Woman’s Consciousness, Man’s World. Harmondsworth: Penguin, 1973.Google Scholar
Saltzman, Paul. The Beatles in Rishikesh. London: Viking Studio, 2000.Google Scholar
Sargant, William. ‘Psychiatric Treatment in General Teaching Hospitals: A Plea for A Mechanistic Approach’. British Medical Journal 2, no. 5508 (1966): 257–62.Google Scholar
Sassoon, Vidal. Sorry I Kept You Waiting, Madam. London: Cassell, 1968.Google Scholar
Schofield, Michael. The Sexual Behaviour of Young Adults. London: Allen Lane, 1973.Google Scholar
Schofield, Michael. The Sexual Behaviour of Young People. London: Longmans, Green, 1965.Google Scholar
Shaw, Roy. Culture and Equality: The Role of Adult Education. Keele: University of Keele, 1969.Google Scholar
Shotton, Pete, and Schaffner, Nicholas. John Lennon: In My Life. New York, NY: Stein & Day, 1983.Google Scholar
Social Surveys (Gallup Poll) Ltd. Television and Religion. London: University of London Press, 1964.Google Scholar
Souster, Tim. ‘Notes on Pop Music’. Tempo, no. 87 (1968–1969): 2–6.Google Scholar
Steiner, George. In Bluebeard’s Castle: Some Notes towards the Redefinition of Culture. New Haven, CT: Yale University Press, 1974.Google Scholar
Stengel, Erwin. ‘Review of Transcultural Psychiatry by A. V. S. de Reuck’. British Medical Journal 2, no. 5505 (9 July 1966): 100–1.Google Scholar
Swearingen, Mark, and Christian, Don, eds. The Beatles ‘Speaking Words of Wisdom’: Beatles Interviews 1962–1970. Scotts Valley, CA: Createspace, 2014.Google Scholar
Taylor, Derek. As Time Goes By: Living in the Sixties with John Lennon, Paul McCartney …. London: Straight Arrow Books, 1973.Google Scholar
Taylor, Derek. Fifty Years Adrift. Guildford: Genesis Publications, 1984.Google Scholar
Tynan, Kenneth. ‘Review of Help! (1965)’. In The Beatles Literary Anthology, edited by Evans, Mike, 144–5. London: Plexus, 2004.Google Scholar
Vaneigem, Raoul. ‘The Revolution of Everyday Life’. The Anarchist Library, 1967. https://theanarchistlibrary.org/library/raoul-vaneigem-the-revolution-of-everyday-life.pdf.Google Scholar
Walter, Aubrey, ed. Come Together: The Years of Gay Liberation, 1970–73. Gay Men’s Press, 1980.Google Scholar
Watts, Alan W. ‘Wealth versus Money (1969)’. In Does It Matter? Essays on Man’s Relation to Materiality, 1–23. Novato, CA: New World Library, 2010.Google Scholar
Wenner, Jann. Lennon Remembers. San Francisco, CA: Straight Arrow Books, 1971.Google Scholar
Wenner, Jann. Lennon Remembers. Rev. edn. London: Verso, 2000.Google Scholar
Wesker, Arnold. Six Sundays in January. London: Jonathan Cape, 1971.Google Scholar
Westrup, Jack. ‘Editorial’. Music & Letters 49, no. 1 (1968): 1–3.Google Scholar
Widgery, David. Preserving Disorder: Selected Essays 1968–1988. London: Pluto Press, 1989.Google Scholar
Willett, John. Art in a City. Liverpool: Bluecoat Society of Arts/Methuen, 1967.Google Scholar
Williams, Herbert. Voices of Wales: The Century Speaks. Stroud: History Press, 1999.Google Scholar
Williams, Raymond, ed. May Day Manifesto: 1968. Harmondsworth: Penguin, 1968.Google Scholar
Wilson, Bryan. The Youth Culture and the Universities. London: Faber and Faber, 1970.Google Scholar
Wilson, Colin. Colin Wilson on Music. London: Pan, 1967.Google Scholar
Wilson, Elizabeth. Women and the Welfare State. London: Tavistock, 1977.Google Scholar
Wilson, Harold. A Personal Record: The Labour Government, 1964–1970. Boston, MA: Little, Brown, 1971.Google Scholar
Wise, David, and Wise, Stuart. ‘The End of Music’. In What Is Situationism? A Reader, edited by Home, Stewart, 63–102. London: AK Press, 1996.Google Scholar
Workers’ Music Association. A Policy for Music in Post-War Britain. London: Workers’ Music Association, 1945.Google Scholar
Worsthorne, Peregrine. The Socialist Myth. New York, NY: Weybright and Talley, 1971.Google Scholar

Secondary Sources

Aaronovitch, David. Party Animals: My Family and Other Communists. London: Random House, 2016.Google Scholar
Aitken, Jonathan. The Young Meteors. London: Secker & Warburg, 1967.Google Scholar
Aldridge, Alan. The Beatles Illustrated Lyrics. Boston, MA: Houghton Mifflin Harcourt, 1969.Google Scholar
Ali, Tariq. Street Fighting Years: An Autobiography of the Sixties. London: Verso, 2005.Google Scholar
Allsop, Kenneth. ‘Pop Goes Young Woodley’. In Class: A Symposium, edited by Mabey, Richard, 127–43. London: Antony Blond, 1967.Google Scholar
Badman, Keith. The Beatles: Off the Record – Outrageous Opinions and Unreleased Interviews. London: Omnibus, 2007.Google Scholar
Bailey, David, and Wyndham, Francis. David Bailey’s Box of Pin-Ups. London: Weidenfeld and Nicolson, 1965.Google Scholar
Bailey, David, and Evans, Peter. Goodbye Baby & Amen: A Saraband for the Sixties. London: Condé Nast, 1969.Google Scholar
Barrow, Tony. John, Paul, George, Ringo and Me. London: André Deutsch, 2006.Google Scholar
Beatles, The. The Beatles Anthology. San Francisco, CA: Chronicle Books, 2000.Google Scholar
Bedford, Carol. Waiting for the Beatles: An Apple Scruff’s Story. London: Blandford Press, 1984.Google Scholar
Beloff, Max. ‘The Challenge of Barbarism (1965)’. In The Intellectual in Politics and Other Essays. New York, NY: Library Press, 1971.Google Scholar
Benn, Tony. Office without Power: Diaries 1968–72. London: Random House, 2012.Google Scholar
Benn, Tony. Out of the Wilderness: Diaries 1963–67. London: Hutchinson, 1987.Google Scholar
Berke, Joseph H., ed. Counter Culture: The Creation of an Alternative Society. London: Peter Owen, 1969.Google Scholar
Black, Cilla. What’s It All About? London: Random House, 2009.Google Scholar
Booker, Christopher. The Neophiliacs: A Study of the Revolution in English Life in the Fifties and Sixties. London: Collins, 1969.Google Scholar
Booker, Christopher. The Seventies: The Decade That Changed the Future. New York, NY: Stein and Day, 1981.Google Scholar
Bordowitz, Hank, ed. Led Zeppelin on Led Zeppelin: Interviews and Encounters. Chicago, IL: Chicago Review Press, 2014.Google Scholar
Bramwell, Tony, and Kingsland, Rosemary. Magical Mystery Tours: My Life with the Beatles. Basingstoke: Macmillan, 2006.Google Scholar
Braun, Michael. Love Me Do: The Beatles’ Progress. Harmondsworth: Penguin, 1964.Google Scholar
Brown, L. Neville. ‘Student Protest in England’. The American Journal of Comparative Law 17, no. 3 (1969): 395–402.CrossRefGoogle Scholar
Buckle, Richard. Buckle at the Ballet. New York, NY: Atheneum, 1980.Google Scholar
Burger, Jeff, ed. Lennon on Lennon: Conversations with John Lennon. London: Omnibus ebook, 2017.Google Scholar
Carlin, M. M. ‘Love on Film’. Transition, no. 17 (1964): 35–8.Google Scholar
Chorley, D. F., and Nicholls, A. C.. ‘Letter’. The Use of English 20, no. 1 (1968): 48.Google Scholar
Clapton, Eric, and Sykes, Christopher. Eric Clapton: The Autobiography. London: Century, 2007.Google Scholar
Clark, Timothy, Gray, Christopher, Nicholson-Smith, Donald and Radcliffe, Charles. ‘The Revolution of Modern Art and the Modern Art of Revolution’. Unpublished, 1967. www.cddc.vt.edu/sionline/si/modernart.html.Google Scholar
Clarke, John. ‘Style’. In Resistance through Rituals: Youth Subcultures in Post-War Britain, edited by Jefferson, Tony and Hall, Stuart, 175–91. London: Routledge and Kegan Paul, 1975.Google Scholar
Cohn, Nik. Awopbopaloobop Alopbamboom: Pop from the Beginning. London: Minerva, 1969.Google Scholar
Cole, Peter. ‘Lyrics in Pop’. In Anatomy of Pop, edited by Cash, Anthony, 9–30. London: British Broadcasting Corporation, 1970.Google Scholar
Comfort, Alex. ‘The Technological Age and Human Needs: An Emotional “Technology”’. In Technology and Society: The First Bath Conference, 1965, edited by Walters, Gerald and Hudson, Kenneth, 170–3. Bath: Bath University Press, 1966.Google Scholar
Connolly, Ray. Stardust Memories: Talking about My Generation. London: Pavilion, 1983.Google Scholar
Cooke, Deryck. I Saw the World End: A Study of Wagner’s Ring. Oxford: Oxford University Press, 1979.Google Scholar
Cooke, Deryck. The Language of Music. Oxford: Oxford University Press, 1959.Google Scholar
Cox, C. B. ‘Editorial’. Critical Quarterly 13, no. 3 (1971): 195–200.Google Scholar
Cremonesi, Heather. ‘Yeah, Yeah’. In Young London: Permissive Paradise, edited by Habicht, Frank. London: Harrap, 1969.Google Scholar
Crossman, Richard Stafford., Howard The Diaries of a Cabinet Minister. Vol. 3: Secretary of State for Social Services, 1968–1970. New York, NY: Holt, Rinehart and Winston, 1978.Google Scholar
Dallas, Karl. Singers of an Empty Day: Last Sacraments for the Superstars. London: Kahn & Averill, 1971.Google Scholar
Davies, Hunter. The Beatles: The Authorised Biography. New York, NY: McGraw-Hill, 1968.Google Scholar
Davies, Hunter. The Beatles: The Authorised Biography. Rev. edn. New York, NY: McGraw-Hill, 1985.Google Scholar
Davies, Russell, ed. The Kenneth Williams Diaries. London: HarperCollins, 1993.Google Scholar
DiLello, Richard. The Longest Cocktail Party: An Insider’s Diary of the Beatles, Their Million-Dollar Apple Empire, and Its Wild Rise and Fall. Edinburgh: Canongate, 2005.Google Scholar
Du Noyer, Paul. Conversations with McCartney. New York, NY: Overlook Press, 2016.Google Scholar
Durgnat, Raymond. ‘Rock, Rhythm and Dance’. British Journal of Aesthetics 11, no. 1 (1971): 28.Google Scholar
Epstein, Brian. A Cellarful of Noise. New York, NY: Doubleday, 1964.Google Scholar
Evans, Mike, ed. The Beatles Literary Anthology. London: Plexus, 2004.Google Scholar
Farren, Mick. Give the Anarchist a Cigarette. London: Random House, 2010.Google Scholar
Farren, Mick, and Barker, Edward. Watch Out Kids. London: Open Gate Books, 1972.Google Scholar
Fast, Julius. The Beatles: The Real Story. New York, NY: G. P. Putnam’s Sons, 1968.Google Scholar
Fawcett, Anthony. John Lennon: One Day at a Time. New York, NY: Grove Press, 1981.Google Scholar
Finnegan, Ruth, ed. The Penguin Book of Oral Poetry. London: Allen Lane, 1978.Google Scholar
Flower, Frederick Dalby. Language and Education. London: Longmans, 1966.Google Scholar
Forbes, Bryan. ‘No Bone Showing’. Transition, no. 31 (1967): 46–50.Google Scholar
Fuller, Roy. Owls and Artificers: Oxford Lectures on Poetry. London: André Deutsch, 1971.Google Scholar
Fuller, Roy. Professors and Gods: Last Oxford Lectures on Poetry. London: André Deutsch, 1973.Google Scholar
Furlong, Monica. The End of Our Exploring. New York, NY: Coward, McCann & Geoghegan, 1973.Google Scholar
Fyvel, T. R. The Insecure Offenders: Rebellious Youth in the Welfare State. Harmondsworth: Penguin, 1966.Google Scholar
Fyvel, T. R. Intellectuals Today: Problems in a Changing Society. London: Chatto and Windus, 1968.Google Scholar
Golson, G. Barry, ed. The Playboy Interviews with John Lennon and Yoko Ono. New York, NY: Putnam Publishing Group, 1981.Google Scholar
Gombrich, Ernst. Meditations on a Hobby Horse and Other Essays on the Theory of Art. London: Phaidon, 1963.Google Scholar
Goodman, Arnold. Tell Them I’m on My Way: Memoirs. London: Chapmans, 1993.Google Scholar
Gorer, Geoffrey. Exploring English Character. New York, NY: Criterion, 1955.Google Scholar
Gorer, Geoffrey. Sex and Marriage in England Today: A Study of the Views and Experience of the Under-45s. London: Thomas Nelson, 1971.Google Scholar
Green, Jonathon, ed. Days in the Life: Voices from the English Underground 1961–1971. London: Minerva, 1989.Google Scholar
Hall, Stuart, and Whannel, Paddy. The Popular Arts. London: Hutchinson Educational, 1964.Google Scholar
Hamblett, Charles. Here Are the Beatles. London: New English Library, 1964.Google Scholar
Hamblett, Charles, and Deverson, Jane. Generation X. New York, NY: Tandem Books, 1964.Google Scholar
Harrison, George. I, Me, Mine. New York, NY: Simon and Schuster, 1981.Google Scholar
Hewat, Tim. Rolling Stones File. London: Panther, 1967.Google Scholar
Hoggart, Richard. The Uses of Literacy: Aspects of Working-Class Life with Special Reference to Publications and Entertainments. Harmondsworth: Pelican, 1958.Google Scholar
Holbrook, David. Creativity and Popular Culture. Rutherford, NJ: Fairleigh Dickinson University Press, 1994.Google Scholar
Holbrook, David. ‘Predatory Beatles’. The Use of English 20 (1969): 204–12.Google Scholar
Holbrook, David. The Pseudo-Revolution: A Critical Study of Extremist ‘Liberation’ in Sex. London: Tom Stacey, 1972.Google Scholar
Holbrook, David. ‘Quite Useful Neutrals’. The Use of English 17, no. 3 (1966): 195–8.Google Scholar
Hollingshead, Michael. The Man Who Turned on the World. London: Blond and Briggs, 1973.Google Scholar
Hughes, Donald. ‘Recorded Music’. In Discrimination and Popular Culture, edited by Thompson, Denys, 152–75. Harmondsworth: Penguin, 1964.Google Scholar
Huxley, Julian. ‘Introduction’. Philosophical Transactions of the Royal Society of London. Series B, Biological Sciences 251, no. 772 (1966): 249–71.Google Scholar
Interdepartmental Committee on Drug Addiction. Drug Addiction: The Second Report. London: HMSO, 1965. https://web.archive.org/web/20141017120149/http://www.drugtext.org/Second-Brain-Report/drug-addiction-2.html.Google Scholar
Jacobs, Arthur. A Short History of Western Music. Harmondsworth: Penguin, 1972.Google Scholar
Jasper, Tony. Understanding Pop. London: S. C. M. Press, 1972.Google Scholar
Johnson, Pamela Hansford. On Iniquity: Some Personal Reflections Arising Out of the Moors Murder Trial. New York, NY: Scribner, 1967.Google Scholar
King Mob. ‘The Death of Art Spells the Murder of Artists. The Real Anti-Artist Appears (1968)’. In An Endless Adventure, an Endless Passion, an Endless Banquet: A Situationist Scrapbook, edited by Blazwick, Iwona, 70. London: ICA, 1989.Google Scholar
Kirkup, James. ‘Review of Unwrinkling Plays by Paul Reps’. Japan Quarterly 12, no. 2 (1965): 260–2.Google Scholar
Lahr, John, ed. The Diaries of Kenneth Tynan. London: A&C Black, 2002.Google Scholar
Laing, Dave. The Sound of Our Time. London: Sheed & Ward, 1969.Google Scholar
Laurie, Peter. The Teenage Revolution. London: A. Blond, 1965.Google Scholar
Leach, Edmund. A Runaway World? The Reith Lectures 1967. London: British Broadcasting Corporation, 1967.Google Scholar
Lee, Edward. Music of the People: A Study of Popular Music in Great Britain. London: Barrie & Jenkins, 1970.Google Scholar
Leigh, Spencer, ed. Speaking Words of Wisdom: Reflections on the ‘Beatles’. Liverpool: Cavern City Tours, 1991.Google Scholar
Lennon, Cynthia. A Twist of Lennon. London: Star Books, 1978.Google Scholar
Lennon, John. Skywriting by Word of Mouth. New York, NY: HarperCollins, 1987.Google Scholar
Lennon, John. ‘The Ballad of John and Yoko’. In Skywriting by Word of Mouth. New York, NY: HarperCollins, 1987.Google Scholar
Leslie, Peter. Fab: The Anatomy of a Phenomenon. London: MacGibbon & Kee, 1965.Google Scholar
Levin, Bernard. The Pendulum Years: Britain and the Sixties. London: Jonathan Cape, 1970.Google Scholar
Lichtheim, George. From Marx to Hegel. London: Orbach and Chambers, 1971.Google Scholar
Lunn, Arnold, and Lean, Garth. Christian Counter-Attack. London: Blandford, 1969.Google Scholar
Mabey, Richard. The Pop Process. London: Hutchinson Educational, 1969.Google Scholar
MacInnes, Colin. England, Half English. London: MacGibbon & Kee, 1961.Google Scholar
Mackerness, Eric David. A Social History of English Music. London: Routledge and Kegan Paul, 1964.Google Scholar
March, Ivan. ed., The Great Records. Blackpool: Long Playing Record Library, 1967.Google Scholar
Martin, George, and Hornsby, Jeremy. All You Need Is Ears. Basingstoke: Macmillan, 1979.Google Scholar
Martin, George, and Pearson, William. Summer of Love: The Making of Sgt. Pepper. Basingstoke: Macmillan, 1994.Google Scholar
McCabe, Peter, and Schonfeld, Robert D.. Apple to the Core: The Unmaking of the Beatles. London: Martin Brian and O’Keeffe, 1972.Google Scholar
McCartney, Paul. Blackbird Singing: Poems and Lyrics 1965–1999. London: Faber, 2001.Google Scholar
Medanock, Alan. ‘These Musical Times’. Musical Times 105, no. 1451 (1964): 24.Google Scholar
Mellers, Wilfrid. Caliban Reborn: Renewal in Twentieth-Century Music. London: Gollancz, 1967.Google Scholar
Mellers, Wilfrid. ‘Music for 20th-Century Children. 3: The Teenager’s World’. The Musical Times 105, no. 1457 (1964): 500–5.Google Scholar
Mellers, Wilfrid. ‘Review of Debussy, Preludes (Books I & II). Leonard Pennario’. The Musical Times 107, no. 1483 (1966): 784.Google Scholar
Mellers, Wilfrid. ‘The Avant-Garde in America’. Proceedings of the Royal Musical Association 90 (1963): 1–13.Google Scholar
Mellers, Wilfrid. Twilight of the Gods: The Music of the Beatles. New York, NY: Viking Press, 1974.Google Scholar
Melly, George. Owning Up: The Trilogy. Harmondsworth: Penguin, 2006.Google Scholar
Melly, George. Revolt into Style: The Pop Arts in Britain. Harmondsworth: Penguin, 1970.Google Scholar
Middleton, Richard. Pop Music and the Blues: A Study of the Relationship and Its Significance. London: Victor Gollancz, 1972.Google Scholar
Miles, Barry. In the Sixties. London: Jonathan Cape, 2002.Google Scholar
Miles, Barry. The Zapple Diaries: The Rise and Fall of the Last Beatles Label. New York, NY: Abrams, 2016.Google Scholar
Mitchell, Adrian. ‘Priests and Prophets of Permissiveness’. In The Permissive Society: The Guardian Inquiry, edited by Thomas, Harford. London: Panther, 1969.Google Scholar
Mitchell, Carolyn Lee, and Munn, Michael. All Our Loving: A Beatles Fan’s Memoirs. London: Robson Books, 1988.Google Scholar
Moorhouse, Geoffrey. Britain in the Sixties: The Other England. Harmondsworth: Penguin, 1964.Google Scholar
Muggeridge, Malcolm. Another King: A Sermon. Edinburgh: Saint Andrew Press, 1968.Google Scholar
Muggeridge, Malcolm. Chronicles of Wasted Time. New York, NY: W. W. Morrow, 1973.Google Scholar
Muggeridge, Malcolm. ‘Down With Sex (1965)’. In Tread Softly, For You Tread on My Jokes. London: Collins, 1966.Google Scholar
Muggeridge, Malcolm. ‘Looking through the Eye (1976)’. In Seeing through the Eye: Malcolm Muggeridge on Faith, edited by Kuhne, Cecil C. III, 75–88. San Francisco, CA: Ignatius Press, 2005.Google Scholar
Murdock, Graham, and Robin, McCron. ‘Consciousness of Class and Consciousness of Generation’. In Resistance through Rituals: Youth Subcultures in Post-War Britain, edited by Jefferson, Tony and Hall, Stuart, 192–207. London: Routledge and Kegan Paul, 1975.Google Scholar
Neill, A. S. Freedom – Not License! New York, NY: Hart Publishing Company, 1966.Google Scholar
Neville, Richard. Hippie Shake. London: Gerald Duckworth & Co., 2010.Google Scholar
Neville, Richard. Play Power. London: Jonathan Cape, 1970.Google Scholar
Newton, Francis. The Jazz Scene. London: MacGibbon & Kee, 1959.Google Scholar
NOP. Report on Attitudes towards Crime, Violence and Permissiveness in Society London: NOP, 1970.Google Scholar
Nuttall, Jeff. Bomb Culture. London: Paladin, 1970.Google Scholar
Oldham, Andrew Loog. 2Stoned. New York, NY: Random House, 2012.Google Scholar
Palmer, Tony. All You Need Is Love: The Story of Popular Music. Harmondsworth: Penguin, 1977.Google Scholar
Palmer, Tony. Born under a Bad Sign. London: William Kimber, 1970.Google Scholar
Parker, Charles. ‘Pop Song, the Manipulated Ritual’. In The Black Rainbow: Essays on the Present Breakdown of Culture, edited by Abbs, Peter, 134–65. London: Heinemann Educational, 1975.Google Scholar
Payn, Graham, and Morley, Sheridan, eds. Noël Coward Diaries. New York, NY: Da Capo Press, 2000.Google Scholar
Paytress, Mark. Rolling Stones: Off the Record. London: Omnibus, 2009.Google Scholar
Pleasants, Henry. Serious Music, and All That Jazz! An Adventure in Music Criticism. London: Gollancz, 1969.Google Scholar
Prabhupāda, A. C. Bhaktivedanta, Swami. Search for Liberation: Featuring a Conversation between John Lennon and Swami Bhaktivedanta. Los Angeles, CA: Bhaktivedanta Book Trust, 1981.Google Scholar
Quant, Mary. Quant by Quant. London: Cassell, 1966.Google Scholar
Radcliffe, Charles. Don’t Start Me Talking: Subculture, Situationism and the Sixties. ebook: Bread and Circuses, 2018.Google Scholar
Radcliffe, Charles. ‘Pop Goes the Beatle’. In Dancin’ in the Streets! Anarchists, IWWs, Surrealists, Situationists & Provos in the 1960s as Recorded in the Pages of The Rebel Worker & Heatwave, edited by Rosemont, Franklin and Radcliffe., Charles Chicago, IL: Charles H. Kerr, 2005.Google Scholar
Radcliffe, Charles. ‘Two Fiery Flying Rolls: The Heatwave Story, 1966–1970’. In Dancin’ in the Streets! Anarchists, IWWs, Surrealists, Situationists & Provos in the 1960s as Recorded in the Pages of The Rebel Worker & Heatwave, edited by Rosemont, Franklin and Radcliffe, Charles. Chicago, IL: Charles H. Kerr, 2005.Google Scholar
Ramsey, Ian T. ‘Talking about God: Models, Ancient and Modern’. In Myth and Symbol, vol. 7, edited by Dillistone, Frederick William, 76–96. London: SPCK, 1966.Google Scholar
Reeves, James. ‘The World of Sergeant Pepper’. The Use of English 19, no. 3 (1968): 235–40.Google Scholar
Robinson, Ian. ‘Paper Tygers, or the Circus Animals’ Desertion in the New Pop Poetry’. In The Black Rainbow: Essays on the Present Breakdown of Culture, edited by Abbs, Peter, 19–30. London: Heinemann Educational, 1975.Google Scholar
Rosemont, Franklin, Radcliffe, Charles and Mabey, Richard. Mods, Rockers and the Revolution. London: Solidarity Bookshop, 1966.Google Scholar
Rosemont, Franklin. ‘To Be Revolutionary in Everything: The Rebel Worker Story, 1964–1968’. In Dancin’ in the Streets! Anarchists, IWWs, Surrealists, Situationists & Provos in the 1960s as Recorded in the Pages of The Rebel Worker & Heatwave, edited by Rosemont, Franklin and Radcliffe, Charles. Chicago, IL: Charles H. Kerr, 2005.Google Scholar
Roszak, Theodore. The Making of a Counter Culture: Reflections on the Technocratic Society and Its Youthful Opposition. Garden City, NY: Doubleday, 1969.Google Scholar
Rowbotham, Sheila. Promise of a Dream: Remembering the Sixties. London: Verso, 2001.Google Scholar
Rowbotham, Sheila. Woman’s Consciousness, Man’s World. Harmondsworth: Penguin, 1973.Google Scholar
Saltzman, Paul. The Beatles in Rishikesh. London: Viking Studio, 2000.Google Scholar
Sargant, William. ‘Psychiatric Treatment in General Teaching Hospitals: A Plea for A Mechanistic Approach’. British Medical Journal 2, no. 5508 (1966): 257–62.Google Scholar
Sassoon, Vidal. Sorry I Kept You Waiting, Madam. London: Cassell, 1968.Google Scholar
Schofield, Michael. The Sexual Behaviour of Young Adults. London: Allen Lane, 1973.Google Scholar
Schofield, Michael. The Sexual Behaviour of Young People. London: Longmans, Green, 1965.Google Scholar
Shaw, Roy. Culture and Equality: The Role of Adult Education. Keele: University of Keele, 1969.Google Scholar
Shotton, Pete, and Schaffner, Nicholas. John Lennon: In My Life. New York, NY: Stein & Day, 1983.Google Scholar
Social Surveys (Gallup Poll) Ltd. Television and Religion. London: University of London Press, 1964.Google Scholar
Souster, Tim. ‘Notes on Pop Music’. Tempo, no. 87 (1968–1969): 2–6.Google Scholar
Steiner, George. In Bluebeard’s Castle: Some Notes towards the Redefinition of Culture. New Haven, CT: Yale University Press, 1974.Google Scholar
Stengel, Erwin. ‘Review of Transcultural Psychiatry by A. V. S. de Reuck’. British Medical Journal 2, no. 5505 (9 July 1966): 100–1.Google Scholar
Swearingen, Mark, and Christian, Don, eds. The Beatles ‘Speaking Words of Wisdom’: Beatles Interviews 1962–1970. Scotts Valley, CA: Createspace, 2014.Google Scholar
Taylor, Derek. As Time Goes By: Living in the Sixties with John Lennon, Paul McCartney …. London: Straight Arrow Books, 1973.Google Scholar
Taylor, Derek. Fifty Years Adrift. Guildford: Genesis Publications, 1984.Google Scholar
Tynan, Kenneth. ‘Review of Help! (1965)’. In The Beatles Literary Anthology, edited by Evans, Mike, 144–5. London: Plexus, 2004.Google Scholar
Vaneigem, Raoul. ‘The Revolution of Everyday Life’. The Anarchist Library, 1967. https://theanarchistlibrary.org/library/raoul-vaneigem-the-revolution-of-everyday-life.pdf.Google Scholar
Walter, Aubrey, ed. Come Together: The Years of Gay Liberation, 1970–73. Gay Men’s Press, 1980.Google Scholar
Watts, Alan W. ‘Wealth versus Money (1969)’. In Does It Matter? Essays on Man’s Relation to Materiality, 1–23. Novato, CA: New World Library, 2010.Google Scholar
Wenner, Jann. Lennon Remembers. San Francisco, CA: Straight Arrow Books, 1971.Google Scholar
Wenner, Jann. Lennon Remembers. Rev. edn. London: Verso, 2000.Google Scholar
Wesker, Arnold. Six Sundays in January. London: Jonathan Cape, 1971.Google Scholar
Westrup, Jack. ‘Editorial’. Music & Letters 49, no. 1 (1968): 1–3.Google Scholar
Widgery, David. Preserving Disorder: Selected Essays 1968–1988. London: Pluto Press, 1989.Google Scholar
Willett, John. Art in a City. Liverpool: Bluecoat Society of Arts/Methuen, 1967.Google Scholar
Williams, Herbert. Voices of Wales: The Century Speaks. Stroud: History Press, 1999.Google Scholar
Williams, Raymond, ed. May Day Manifesto: 1968. Harmondsworth: Penguin, 1968.Google Scholar
Wilson, Bryan. The Youth Culture and the Universities. London: Faber and Faber, 1970.Google Scholar
Wilson, Colin. Colin Wilson on Music. London: Pan, 1967.Google Scholar
Wilson, Elizabeth. Women and the Welfare State. London: Tavistock, 1977.Google Scholar
Wilson, Harold. A Personal Record: The Labour Government, 1964–1970. Boston, MA: Little, Brown, 1971.Google Scholar
Wise, David, and Wise, Stuart. ‘The End of Music’. In What Is Situationism? A Reader, edited by Home, Stewart, 63–102. London: AK Press, 1996.Google Scholar
Workers’ Music Association. A Policy for Music in Post-War Britain. London: Workers’ Music Association, 1945.Google Scholar
Worsthorne, Peregrine. The Socialist Myth. New York, NY: Weybright and Talley, 1971.Google Scholar
Abra, Allison. Dancing in the English Style: Americanisation and National Identity in Britain 1918–50. Oxford: Oxford University Press, 2017.Google Scholar
Abraham, Mark. ‘“You Are Your Own Alternative”: Performance, Pleasure, and the American Counterculture, 1965–1975’. PhD Thesis, York University, OT, 2014.Google Scholar
Abrams, Steve. ‘The Wooton Retort: The Decriminalisation of Cannabis in Britain’, 1997. www.nedprod.com/cannabis/essays/wraltnet.txt.Google Scholar
Adams, Matthew S. Kropotkin, Read and the Intellectual History of British Anarchism. Basingstoke: Palgrave, 2015.CrossRefGoogle Scholar
Addison, David. ‘Politics, Patronage, and the State in British Avant-Garde Music, c. 1959–c. 1974’. Twentieth Century British History 27, no. 2 (2016): 242–65.Google Scholar
Addison, Paul. No Turning Back: The Peacetime Revolutions of Post-War Britain. Oxford: Oxford University Press, 2010.Google Scholar
Addison, Paul, and Jones, Harriet, eds. A Companion to Contemporary Britain, 1939–2000. Oxford: Blackwell, 2007.Google Scholar
Adlington, Robert, ed. Sound Commitments: Avant-Garde Music and the Sixties. Oxford: Oxford University Press, 2009.Google Scholar
Adorno, Theodor W. The Culture Industry: Selected Essays on Mass Culture. London: Routledge, 2005.Google Scholar
Akhtar, Miriam, and Humphries, Stephen. The Fifties and Sixties: A Lifestyle Revolution. London: Boxtree, 2001.Google Scholar
Aldgate, Anthony. Censorship and the Permissive Society: British Cinema and Theatre, 1955–1965. Oxford: Oxford University Press, 1995.Google Scholar
Aldgate, Anthony, Chapman, James and Marwick, Arthur, eds. Windows on the Sixties: Exploring Key Texts of Media and Culture. London: I. B. Tauris, 2000.Google Scholar
Aldgate, Anthony, and Robertson, James C.. Censorship in Theatre and Cinema. Edinburgh: Edinburgh University Press, 2005.Google Scholar
Allison, Dale C. The Love There That’s Sleeping: The Art and Spirituality of George Harrison. London: Continuum, 2006.Google Scholar
Anderson, Virginia. ‘“1968” and the Experimental Revolution in Britain’. In Music and Protest in 1968, edited by Kutschke, Beate and Norton, Barley, 171–87. Cambridge: Cambridge University Press, 2013.Google Scholar
Andrews, Geoff. Endgames and New Times: The Final Years of British Communism, 1964–1991. London: Lawrence & Wishart, 2004.Google Scholar
Andrews, Geoff, Cockett, Richard, Hooper, Alan and Williams, Michael, eds. New Left, New Right and Beyond: Taking the Sixties Seriously. Basingstoke: Springer, 1999.Google Scholar
Annan, Noel. Our Age: Portrait of a Generation. London: Weidenfeld and Nicolson, 1990.Google Scholar
Apolloni, Alexandra Marie. ‘Wishin’ and Hopin’: Femininity, Whiteness, and Voice in 1960s British Pop’. PhD Thesis, UCLA, 2013.Google Scholar
Aquila, Richard. ‘Why We Cried: John Lennon and American Culture’. Popular Music and Society 10, no. 1 (1985): 33–42.Google Scholar
Ashbolt, Anthony. A Cultural History of the Radical Sixties in the San Francisco Bay Area. London: Routledge, 2013.Google Scholar
Astley, John. Why Don’t We Do It in the Road? The Beatles Phenomenon. New Haven, CT: Company of Writers, 2006.Google Scholar
Atkinson, Peter. ‘The Beatles and the Broadcasting of British Cultural Revolution, 1958–63’. In Fifty Years with the Beatles: The Impact of the Beatles on Contemporary Culture, edited by Jarniewicz, Jerzy and Kwiatkowska, Alina, 15–28. Łódź: Łódź University Press, 2010.Google Scholar
Atkinson, Peter. ‘The Beatles on BBC Radio in 1963: The “Scouse” Inflection and a Politics of Sound in the Rise of the Mersey Beat’. Popular Music and Society 34, no. 2 (2011): 163–175.Google Scholar
Atton, Chris. ‘A Reassessment of the Alternative Press’. Media, Culture & Society 21, no. 1 (1999): 51–76.Google Scholar
August, Andrew. ‘Gender and 1960s Youth Culture: The Rolling Stones and the New Woman’. Contemporary British History 23, no. 1 (2009): 79–100.Google Scholar
Auslander, Philip. Performing Glam Rock: Gender and Theatricality in Popular Music. Ann Arbor, MI: University of Michigan Press, 2006.Google Scholar
Ballard, Roger. ‘Britain’s Visible Minorities: A Demographic Overview’. 1999. CrossAsia-Repository. http://crossasia-repository.ub.uni-heidelberg.de/286/1/demography.pdf.Google Scholar
Bannister, Matthew. White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. Aldershot: Ashgate, 2006.Google Scholar
Bari, Martha Ann. ‘Mass Media Is the Message: Yoko Ono and John Lennon’s 1969 Year of Peace’. PhD Thesis, University of Maryland, 2007.Google Scholar
Barker, Martin. A Haunt of Fears: The Strange History of the British Horror Comics Campaign. Oxford, MS: University Press of Mississippi, 1984.Google Scholar
Barker, Yuval, and Taylor, Hugh. Faking It: The Quest for Authenticity in Popular Music. London: Faber and Faber, 2007.Google Scholar
Barrell, Tony. The Beatles on the Roof. London: Omnibus, 2017.Google Scholar
Bartie, Angela. The Edinburgh Festivals: Culture and Society in Postwar Britain. Edinburgh: Edinburgh University Press, 2013.Google Scholar
Baur, Steven. ‘You Say You Want a Revolution: The Beatles and Karl Marx’. In The Beatles and Philosophy: Nothing You Can Think That Can’t Be Thunk, edited by Baur, Michael and Baur, Steven. Chicago, IL: Open Court, 2006.Google Scholar
Baur, Michael, and Baur, Steven, eds. The Beatles and Philosophy: Nothing You Can Think That Can’t Be Thunk. Chicago, IL: Open Court, 2006.Google Scholar
Bayton, Mavis. Frock Rock: Women Performing Popular Music. Oxford: Oxford University Press, 1998.Google Scholar
Beckett, Francis. What Did the Baby Boomers Ever Do for Us? London: Routledge, 2016.Google Scholar
Beer, Samuel H. Britain against Itself: The Political Contradictions of Collectivism. New York, NY: Norton, 1982.Google Scholar
Beers, Laura DuMond. ‘Whose Opinion? Changing Attitudes towards Opinion Polling in British Politics, 1937–1964’. Twentieth Century British History 17, no. 2 (2006): 177–205.Google Scholar
Bell, Eleanor, and Gunn, Linda, eds. The Scottish Sixties: Reading, Rebellion, Revolution? Amsterdam: Rodopi, 2013.Google Scholar
Belz, Carl. The Story of Rock. New York, NY: Oxford University Press, 1969.Google Scholar
Bennett, Andy. Popular Music and Youth Culture: Music, Identity and Place. Basingstoke: Macmillan, 2000.Google Scholar
Bennett, Andy. ‘“Sitting in an English Garden”: Comparing Representations of “Britishness” in the Songs of the Beatles and 1990s Britpop Groups’. In The Beatles, Popular Music and Society, edited by Inglis, Ian, 189–206. Basingstoke: Springer, 2000.Google Scholar
Bennett, Andy, and Stratton, Jon, eds. Britpop and the English Music Tradition. London: Routledge, 2016.Google Scholar
Bennett, Tony, Frith, Simon, Grossberg, Larry, Shepherd, John and Turner, Graeme. ‘Introduction’. In Rock and Popular Music: Politics, Policies, Institutions, edited by Bennett, Tony, 1–5. London: Routledge, 2005.Google Scholar
Bentley, Nick. ‘The Young Ones: A Reassessment of the British New Left’s Representation of 1950s Youth Subcultures’. European Journal of Cultural Studies 8, no. 1 (2005): 65–83.Google Scholar
Bernstein, George L. The Myth of Decline: The Rise of Britain since 1945. London: Pimlico, 2004.Google Scholar
Berrong, Richard M. Rabelais and Bakhtin: Popular Culture in Gargantua and Pantagruel. Lincoln, NB: University of Nebraska Press, 2006.Google Scholar
Bidnall, Amanda. West Indian Generation: Remaking British Culture in London, 1945–1965. Oxford: Oxford University Press, 2017.Google Scholar
Bingham, Adrian. ‘Cultural Hierarchies and the Interwar British Press’. In Middlebrow Literary Cultures: The Battle of the Brows, 1920–1960, edited by Brown, Erica and Grover, Mary, 55–68. Basingstoke: Springer, 2011.Google Scholar
Bingham, Adrian. Family Newspapers? Sex, Private Life, and the British Popular Press 1918–1978. Oxford: Oxford University Press, 2009.Google Scholar
Bingham, Adrian. ‘Ignoring the First Draft of History? Searching for the Popular Press in Studies of Twentieth-Century Britain’. Media History 18, no. 3–4 (2012): 311–26.Google Scholar
Bingham, Adrian, and Conboy, Martin. Tabloid Century: The Popular Press in Britain, 1896 to the Present. New York, NY: Peter Lang, 2015.Google Scholar
Black, Lawrence. ‘“Making Britain a Gayer and More Cultivated Country”: Wilson, Lee and the Creative Industries in the 1960s’. Contemporary British History 20, no. 3 (2006): 323–42.Google Scholar
Black, Lawrence. The Political Culture of the Left in Affluent Britain, 1951–64: Old Labour, New Britain? Basingstoke: Palgrave Macmillan, 2003.Google Scholar
Black, Lawrence. Redefining British Politics: Culture, Consumerism and Participation, 1954–70. Basingstoke: Springer, 2010.Google Scholar
Black, Lawrence, and Pemberton, Hugh, eds. An Affluent Society? Britain’s Post-War ‘Golden Age’ Revisited. Aldershot: Ashgate, 2004.Google Scholar
Black, Lawrence, Pemberton, Hugh and Thane, Pat, eds. Reassessing 1970s Britain. Manchester: Manchester University Press, 2015.Google Scholar
Blake, Mark. Pretend You’re in a War: The Who and the Sixties. London: Aurum, 2014.Google Scholar
Blaney, John. Beatles for Sale: How Everything They Touched Turned to Gold. London: Jawbone Press, 2008.Google Scholar
Bloom, Alexander. Long Time Gone: Sixties America Then and Now. Oxford: Oxford University Press, 2001.Google Scholar
Bloom, Clive. Literature, Politics, and Intellectual Crisis in Britain Today. Basingstoke: Palgrave, 2001.Google Scholar
Booth, Martin. Cannabis: A History. London: Bantam, 2004.Google Scholar
Bounds, Philip. ‘From Folk to Jazz: Eric Hobsbawm, British Communism and Cultural Studies’. Critique 40, no. 4 (2012): 575–93.Google Scholar
Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Cambridge, MA: Harvard University Press, 1987.Google Scholar
Bradley, Dick. Understanding Rock ’n’ Roll: Popular Music in Britain 1955–1964. Buckingham: Open University Press, 1992.Google Scholar
Brake, Laurel, Kaul, Chandrika and Turner, Mark W., eds. The News of the World and the British Press, 1843–2011. Basingstoke: Springer, 2016.Google Scholar
Brake, Mike. The Sociology of Youth Culture and Youth Subcultures: Sex and Drugs and Rock ’n’ Roll. London: Routledge & Kegan Paul, 1980.Google Scholar
Bratus, Alessandro. ‘Scene through the Press: Rock Music and Underground Papers in London, 1966–73’. Twentieth-Century Music 8, no. 2 (2011): 227–52.Google Scholar
Braunstein, Peter, and Doyle, Michael William, eds. Imagine Nation: The American Counterculture of the 1960s and ’70s. London: Routledge, 2013.Google Scholar
Brennan, Matt. ‘Down Beats and Rolling Stones: The American Jazz Press Decides to Cover Rock in 1967’. Popular Music History 1, no. 3 (2004): 263–84.Google Scholar
Brennan, Matt. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. New York, NY: Bloomsbury Publishing USA, 2017.Google Scholar
Brewitt-Taylor, Sam. ‘Christianity and the Invention of the Sexual Revolution in Britain, 1963–1967’, Historical Journal 60, no. 2 (2017): 519–46.Google Scholar
Brewitt-Taylor, Sam. ‘The Invention of a “Secular Society”? Christianity and the Sudden Appearance of Secularization Discourses in the British National Media, 1961–4’. Twentieth Century British History 24, no. 3 (2013): 327–50.Google Scholar
Brocken, Michael. Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s–1970s. London: Routledge, 2016.Google Scholar
Brocken, Michael. The British Folk Revival: 1944–2002. Aldershot: Ashgate, 2013.Google Scholar
Brocken, Michael, and Davis, Melissa. ‘Introduction’. In The Beatles Bibliography: A New Guide to the Literature . Manitou Springs, CO: Beatle Works Limited, 2012.Google Scholar
Brocken, Michael, and Davis, Melissa, eds. The Beatles Bibliography: A New Guide to the Literature. Manitou Springs, CO: Beatle Works Limited, 2012.Google Scholar
Bromell, Nicholas. Tomorrow Never Knows: Rock and Psychedelics in the 1960s. Chicago, IL: University of Chicago Press, 2000.Google Scholar
Brooke, Stephen. Sexual Politics: Sexuality, Family Planning, and the British Left from the 1880s to the Present Day. Oxford: Oxford University Press, 2011.Google Scholar
Brooke, Stephen. ‘“Slumming” in Swinging London? Class, Gender and the Post-War City in Nell Dunn’s Up the Junction (1963)’. Cultural and Social History 9, no. 3 (2012): 429–49.Google Scholar
Brookes, Barbara. Abortion in England 1900–1967. London: Routledge, 1988.Google Scholar
Brown, Callum G. Religion and Society in Twentieth-Century Britain. Harlow: Longman, 2006.Google Scholar
Brown, Callum G. ‘Sex, Religion, and the Single Woman c. 1950–75: The Importance of a “Short” Sexual Revolution to the English Religious Crisis of the Sixties’. Twentieth Century British History 22, no. 2 (2011): 189–215.Google Scholar
Brown, Callum G. The Death of Christian Britain. Rev. edn. London: Routledge, 2013.Google Scholar
Brown, Callum G. ‘What Was the Religious Crisis of the 1960s?’ Journal of Religious History 34, no. 4 (2010): 468–479.Google Scholar
Brown, Erica, and Grover, Mary, eds. Middlebrow Literary Cultures: The Battle of the Brows, 1920–1960. Basingstoke: Springer, 2011.Google Scholar
Brown, Shelina. ‘Scream from the Heart: Yoko Ono’s Rock and Roll Revolution’. In Countercultures and Popular Music, edited by Whiteley, Sheila and Sklower, Jedediah, 171–90. London: Routledge, 2014.Google Scholar
Brown, Timothy Scott. ‘The Sixties in the City: Avant-Gardes and Urban Rebels in New York, London, and West Berlin’. Journal of Social History 46, no. 4 (2013): 817–42.Google Scholar
Brown, Timothy Scott. West Germany and the Global Sixties: The Anti-Authoritarian Revolt, 1962–1978. Cambridge: Cambridge University Press, 2013.Google Scholar
Brown, Timothy Scott, and Lison, Andrew E., eds. The Global Sixties in Sound and Vision: Media, Counterculture, Revolt. Basingstoke: Palgrave Macmillan, 2014.Google Scholar
Browne, Sarah F. The Women’s Liberation Movement in Scotland. Manchester: Manchester University Press, 2014.Google Scholar
Bruce, Steve. Scottish Gods: Religion in Modern Scotland, 1900–2012. Edinburgh: Edinburgh University Press, 2014.Google Scholar
Bruce, Steve, and Glendinning, Tony. ‘When Was Secularization? Dating the Decline of the British Churches and Locating Its Cause’. The British Journal of Sociology 61, no. 1 (2010): 107–26.Google Scholar
Bruendel, Steffen. ‘Global Dimensions of Conflict and Cooperation: Public Protest and the Quest for Transnational Solidarity in Britain, 1968–1973’. In A Revolution of Perception? Consequences and Echoes of 1968, edited by Gilcher-Holtey, Ingrid, 35–68. New York, NY: Berghahn Books, 2014.Google Scholar
Bryan-Wilson, Julia. ‘Remembering Yoko Ono’s “Cut Piece”’. Oxford Art Journal 26, no. 1 (2003): 101–23.Google Scholar
Buckle, Sebastian. The Way Out. London: I. B. Tauris, 2015.Google Scholar
Buettner, Elizabeth. ‘“Would You Let Your Daughter Marry a Negro?” Race and Sex in 1950s Britain’. In Gender, Labour, War and Empire, edited by Levine, Philippa and Grayzel, Susan R., 219–37. Basingstoke: Springer, 2009.Google Scholar
Bullivant, Joanna. Alan Bush, Modern Music, and the Cold War: The Cultural Left in Britain and the Communist Bloc. Cambridge: Cambridge University Press, 2017.Google Scholar
Burk, Kathleen, ed. The British Isles since 1945. Oxford: Oxford University Press, 2003.Google Scholar
Burkett, Jodi. Constructing Post-Imperial Britain: Britishness, ‘Race’ and the Radical Left in the 1960s. Basingstoke: Springer, 2013.Google Scholar
Burns, Robert G. Transforming Folk: Innovation and Tradition in English Folk-Rock Music. Manchester: Manchester University Press, 2012.Google Scholar
Buxton, David. ‘Rock Music, the Star-System and the Rise of Consumerism’. Telos 1983, no. 57 (1983): 93–106.Google Scholar
Caine, Andrew. Interpreting Rock Movies: The Pop Film and Its Critics in Britain. Manchester: Manchester University Press, 2004.Google Scholar
Campbell, Colin. The Continuing Story of Eleanor Rigby: Analysing the Lyric of a Popular Beatles’ Song. Kibworth Beauchamp: Troubador, 2018.Google Scholar
Campbell, Colin. The Easternization of the West: A Thematic Account of Cultural Change in the Modern Era. London: Routledge, 2008.Google Scholar
Campbell, Colin, and Murphy, Allan R.. Things We Said Today: The Complete Lyrics and a Concordance to the Beatles’ Songs, 1962–1970. Ann Arbor, MI: Pierian Press, 1980.Google Scholar
Campbell, Kenneth L. ‘You Say You Want a Revolution’. In The Beatles, Sgt. Pepper, and the Summer of Love, edited by Womack, Kenneth and Cox, Kathryn B., 161–73. Lanham, MD: Lexington, 2017.Google Scholar
Cavicchi, Daniel. Tramps Like Us: Music and Meaning among Springsteen Fans. New York, NY: Oxford University Press, 1998.Google Scholar
Chambers, Iain. Urban Rhythms: Pop Music and Popular Culture. Basingstoke: Macmillan, 1985.Google Scholar
Chapman, Robert. Selling the Sixties: The Pirates and Pop Music Radio. London: Routledge, 2012.Google Scholar
Clapson, Mark. A Bit of a Flutter: Popular Gambling and English Society, c. 1823–1961. Manchester: Manchester University Press, 1992.Google Scholar
Clayson, Alan. Beat Merchants: The Origins, History, Impact, and Rock Legacy of the 1960s British Pop Groups. London: Blandford, 1995.Google Scholar
Clements, Ben. Religion and Public Opinion in Britain: Continuity and Change. Basingstoke: Palgrave Macmillan, 2015.Google Scholar
Clements, Ben. Surveying Christian Beliefs and Religious Debates in Post-War Britain. Basingstoke: Palgrave Macmillan, 2016.Google Scholar
Clements, Ben, and Field, Clive D.. ‘Abortion and Public Opinion in Great Britain: A 50-Year Retrospective’. Journal of Beliefs & Values 39, no. 4 (2018): 429–44.Google Scholar
Clements, Ben, and Field, Clive D.. ‘Public Opinion toward Homosexuality and Gay Rights in Great Britain’. Public Opinion Quarterly 78, no. 2 (2014): 523–47.Google Scholar
Cloonan, Martin. Banned! Censorship of Popular Music in Britain, 1967–92. London: Arena, 1996.Google Scholar
Cloonan, Martin. ‘The Production of English Rock and Roll Stardom in the 1950s’. Popular Music History 4, no. 3 (2009).Google Scholar
Cloonan, Martin. ‘You Can’t Do That: The Beatles, Artistic Freedom and Censorship’. In The Beatles, Popular Music and Society, edited by Inglis, Ian, 126–49. Basingstoke: Springer, 2000.Google Scholar
Coffman, James T. ‘“Everybody Knows This Is Nowhere”: Role Conflict and the Rock Musician’. Popular Music & Society 1, no. 1 (1971): 20–32.Google Scholar
Cohen, Stanley. Folk Devils and Moral Panics: The Creation of the Mods and Rockers. 3rd edn. London: Routledge, 2002.Google Scholar
Coleman, Ray. Brian Epstein: The Man Who Made the Beatles. Harmondsworth: Penguin, 1989.Google Scholar
Coleman, Ray. Lennon. New York, NY: McGraw-Hill, 1986.Google Scholar
Collini, Stefan. Absent Minds: Intellectuals in Britain. Oxford: Oxford University Press, 2006.Google Scholar
Collini, Stefan. Public Moralists: Political Thought and Intellectual Life in Britain 1850–1930. Oxford: Clarendon Press, 1991.Google Scholar
Collins, Marcus. ‘“The Age of the Beatles”: Parliament and Popular Music in the 1960s’. Contemporary British History 27, no. 1 (2013): 85–107.Google Scholar
Collins, Marcus. ‘The Beatles’ Politics’. The British Journal of Politics & International Relations 16, no. 2 (2014): 291–309.Google Scholar
Collins, Marcus. ‘The Fall of the English Gentleman: The National Character in Decline, c. 1918–1970’. Historical Research 75, no. 187 (2002): 90–111.Google Scholar
Collins, Marcus. ‘I Feel Free: The Worldview of British Rock and Pop Musicians, c. 1965–1975’. In Popular Culture in Britain and America, 1950–1975. Cheltenham: Adam Matthew Digital, 2013. www.rockandroll.amdigital.co.uk/.Google Scholar
Collins, Marcus. ‘Immigration and Opinion Polls in Postwar Britain’. Modern History Review 18, no. 4 (2016): 8–13.Google Scholar
Collins, Marcus. ‘Interpreting the Beatles’. Teaching History, no. 136 (2009): 42.Google Scholar
Collins, Marcus. ‘Introduction: Nothing You Can Know That Isn’t Known?’ Popular Music History 9, no. 1 (2014): 5–10.Google Scholar
Collins, Marcus. ‘Introduction: The Permissive Society and Its Enemies’. In The Permissive Society and Its Enemies: Sixties British Culture, edited by Collins, Marcus, 1–40. London: Rivers Oram, 2007.Google Scholar
Collins, Marcus. Modern Love: An Intimate History of Men and Women in Twentieth Century Britain. London: Atlantic, 2003.Google Scholar
Collins, Marcus. ‘Permissiveness on Trial: Sex, Drugs, Rock, the Rolling Stones, and the Sixties Counterculture’. Popular Music and Society 42, no. 2 (2019): 188–209.Google Scholar
Collins, Marcus. ‘Pride and Prejudice: West Indian Men in Mid-Twentieth-Century Britain’. Journal of British Studies 40, no. 3 (2001): 391–418.Google Scholar
Collins, Marcus. ‘Sucking in the Seventies? The Rolling Stones and the Aftermath of the Permissive Society’. Popular Music History 7, no. 1 (2012): 5–23.Google Scholar
Collins, Marcus. ‘We Can Work It Out: Popular and Academic Writing on The Beatles’. Popular Music History 9, no. 1 (2014): 79–101.Google Scholar
Collins, Marcus, ed. The Permissive Society and Its Enemies: Sixties British Culture. London: Rivers Oram, 2007.Google Scholar
Colls, Robert. Identity of England. Oxford: Oxford University Press, 2002.Google Scholar
Conboy, Martin. Tabloid Britain: Constructing a Community through Language. London: Routledge, 2006.Google Scholar
Concannon, Kevin. ‘Yoko Ono’s “Cut Piece”: From Text to Performance and Back Again’. PAJ: A Journal of Performance and Art 30, no. 3 (2008): 81–93.Google Scholar
Conekin, Becky E. ‘Fashioning Mod: Twiggy and the Moped in “Swinging” London’. History and Technology 28, no. 2 (2012): 209–15.Google Scholar
Connery, Christopher Leigh. ‘The World Sixties’. In The Worlding Project: Doing Cultural Studies in the Era of Globalization, edited by Wilson, Rob and Connery, Christopher Leigh, 77–108. Berkeley, CA: North Atlantic Books, 2007.Google Scholar
Cook, Hera. The Long Sexual Revolution: English Women, Sex, and Contraception 1800–1975. Oxford: Oxford University Press, 2005.Google Scholar
Cook, Matt. Queer Domesticities: Homosexuality and Home Life in Twentieth-Century London. Basingstoke: Springer, 2014.Google Scholar
Cooper, Laura E., and Cooper, B. Lee. ‘The Pendulum of Cultural Imperialism: Popular Music Interchanges between the United States and Britain, 1943–1967’. The Journal of Popular Culture 27, no. 3 (1993): 61–78.Google Scholar
Cooper, Sam. ‘Heatwave: Mod, Cultural Studies, and the Counterculture’. In Quadrophenia and Mod(ern) Culture, edited by Thurschwell, Pamela, 67–81. Basingstoke: Springer, 2017.Google Scholar
Cooper, Sam. The Situationist International in Britain: Modernism, Surrealism, and the Avant-Garde. London: Taylor & Francis, 2016.Google Scholar
Courrier, Kevin. Artificial Paradise: The Dark Side of the Beatles’ Utopian Dream. New York, NY: Praeger, 2009.Google Scholar
Covach, John. ‘From “Craft” to “Art”: Formal Structure in the Music of the Beatles’. In Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four, edited by Womack, Kenneth and Davis, Todd, 37–53. Binghamton, NY: SUNY Press, 2006.Google Scholar
Cox, Kathryn B. ‘Mystery Trips, English Gardens, and Songs Your Mother Should Know: The Beatles and British Nostalgia in 1967’. In New Critical Perspectives on the Beatles: Things We Said Today, ed. Womack, Kenneth and Kapurch, Katie, 31–50. Basingstoke: Springer, 2016.Google Scholar
Creasy, Martin. Beatlemania! The Real Story of the Beatles UK Tours 1963–1965. London: Omnibus, 2011.Google Scholar
Croft, Andy. ‘Introduction’. In A Weapon in the Struggle: The Cultural History of the Communist Party in Britain, edited by Croft, Andy, 1–6. London: Pluto Press, 1998.Google Scholar
Croft, Andy, ed. A Weapon in the Struggle: The Cultural History of the Communist Party in Britain. London: Pluto Press, 1998.Google Scholar
Cross, Gary. Worktowners at Blackpool: Mass-Observation and Popular Leisure in the 1930s. London: Routledge, 2005.Google Scholar
Curran, Kieran. Cynicism in British Post-War Culture. Basingstoke: Palgrave Macmillan, 2015.Google Scholar
Daniels, Stephen. ‘Suburban Pastoral: “Strawberry Fields Forever” and Sixties Memory’. Cultural Geographies 13, no. 1 (2006): 28–54.Google Scholar
Davenport-Hines, R. P. T. The Pursuit of Oblivion: A Social History of Drugs. London: Orion, 2004.Google Scholar
Davidson, Roger, and Davis, Gayle. ‘Sexuality and the State: The Campaign for Scottish Homosexual Law Reform, 1967–80’. Contemporary British History 20, no. 4 (2006): 533–58.Google Scholar
Davidson, Roger, and Davis, Gayle. The Sexual State: Sexuality and Scottish Governance, 1950–80. Edinburgh: Edinburgh University Press, 2012.Google Scholar
Davie, Grace. Religion in Britain: A Persistent Paradox. Boston, MA: Wiley Blackwell, 2015.Google Scholar
Davies, Alastair, and Sinfield, Alan. British Culture of the Post-War: An Introduction to Literature and Society 1945–1999. London: Routledge, 2013.Google Scholar
Davies, Christie. The Strange Death of Moral Britain. Piscataway, NJ: Transaction Publishers, 2004.Google Scholar
Davies, Hunter. The Beatles Lyrics: The Stories behind the Music, Including the Handwritten Drafts of More than 100 Classic Beatles Songs. London: Hachette UK, 2014.Google Scholar
Davies, Stephen. Empiricism and History. Basingstoke: Palgrave, 2003.Google Scholar
Davis, Andy. The Beatles Files. London: MetroBooks, 2000.Google Scholar
Davis, John. ‘Containing Racism? The London Experience, 1957–1968’. In The Other Special Relationship: Race, Rights, and Riots in Britain and the United States, edited by Kelley, Robin D. G. and Tuck, Stephen, 125–46. Basingstoke: Palgrave Macmillan, 2015.Google Scholar
Davis, John. ‘The London Drug Scene and the Making of Drug Policy, 1965–73’. Twentieth Century British History 17, no. 1 (2006): 26–49.Google Scholar
Davis, John. Youth and the Condition of Britain: Images of Adolescent Conflict. London: Athlone Press, 1990.Google Scholar
De Groot, Gerard J. The 60s Unplugged: A Kaleidoscopic History of a Disorderly Decade. London: Pan, 2009.Google Scholar
Decker, James M. ‘“Try Thinking More”: Rubber Soul and the Beatles’ Transformation of Pop’. In The Cambridge Companion to the Beatles, edited by Womack, Kenneth, 75–89. Cambridge: Cambridge University Press, 2009.Google Scholar
Derogatis, Jim. Kaleidoscope Eyes: Psychedelic Music from the 1960s to the 1990s. London: Fourth Estate, 1996.Google Scholar
Devereux, Eoin, Dillane, Aileen and Power, Martin, eds. David Bowie: Critical Perspectives. London: Routledge, 2015.Google Scholar
Dick, Luke, and Reisch, George, eds. The Rolling Stones and Philosophy: It’s Just a Thought Away. Chicago, IL: Open Court, 2011.Google Scholar
Dickstein, Morris. Gates of Eden: American Culture in the Sixties. New York, NY: Basic Books, 1978.Google Scholar
Diski, Jenny. The Sixties. London: Profile, 2010.Google Scholar
Doggett, Peter. There’s a Riot Going on: Revolutionaries, Rock Stars, and the Rise and Fall of ’60s Counter-Culture. Edinburgh: Canongate, 2007.Google Scholar
Doggett, Peter. You Never Give Me Your Money: The Battle for the Soul of the Beatles. London: CCV, 2010.Google Scholar
Donnelly, Mark. Sixties Britain: Culture, Society, and Politics. Harlow: Pearson Longman, 2005.Google Scholar
Donsbach, Wolfgang, and Traugott, Michael W., eds. The SAGE Handbook of Public Opinion Research. Los Angeles, CA: Sage, 2008.Google Scholar
Doyle, Tom. Man on the Run: Paul McCartney in the 1970s. Edinburgh: Birlinn, 2013.Google Scholar
Du Noyer, Paul. Liverpool: Wondrous Place: Music from the Cavern to the Coral. London: Virgin, 2004.Google Scholar
Duits, Linda, Zwaan, Koos and Reijners, Stijn, eds. The Ashgate Research Companion to Fan Cultures. Aldershot: Ashgate, 2014.Google Scholar
Dworkin, Dennis L. Cultural Marxism in Postwar Britain: History, the New Left, and the Origins of Cultural Studies. Durham, NC: Duke University Press, 1997.Google Scholar
Dyhouse, Carol. Girl Trouble: Panic and Progress in the History of Young Women. London: Zed Books, 2013.Google Scholar
Echols, Alice. Hot Stuff. New York, NY: W. W. Norton, 2010.Google Scholar
Echols, Alice. Scars of Sweet Paradise: The Life and Times of Janis Joplin. Basingstoke: Macmillan, 1999.Google Scholar
Ehrenreich, Barbara, Hess, Elizabeth and Jacobs, Gloria. ‘Beatlemania: Girls Just Want to Have Fun’. In The Adoring Audience: Fan Culture and Popular Media, edited by Lewis, Lisa A., 84–106. London: Routledge, 1992.Google Scholar
Elliott, Anthony. ‘Celebrity and Political Psychology: Remembering Lennon’. Political Psychology 19, no. 4 (1998): 833–52.Google Scholar
Elliott, Anthony. The Mourning of John Lennon. Berkeley, CA: University of California Press, 1999.Google Scholar
Ellis, Catherine. ‘No Hammock for the Idle: The Conservative Party, “Youth” and the Welfare State in the 1960s’. Twentieth Century British History 16, no. 4 (2005): 441–70.Google Scholar
Emsley, Clive. Exporting British Policing During the Second World War: Policing Soldiers and Civilians. London: Bloomsbury Publishing, 2017.Google Scholar
Evans, Sara Margaret. Personal Politics: The Roots of Women’s Liberation in the Civil Rights Movement and the New Left. New York, NY: Vintage Books, 1979.Google Scholar
Everett, Walter. The Beatles as Musicians: Revolver through the Anthology. Oxford: Oxford University Press, 1999.Google Scholar
Everett, Walter. The Beatles as Musicians: The Quarry Men through Rubber Soul. New York, NY: Oxford University Press, 1999.Google Scholar
Everett, Walter. ‘The Future of Beatles’ Research’. In Beatlestudies 3, edited by Heinonen, Yrjö, 25–44. Jyväskylä: University of Jyväskylä, 2000.Google Scholar
Eversole, Britt. ‘Occupy the Fun Palace’. Thresholds 41 (2013): 32–45.Google Scholar
Farber, David. ‘The Sixties Legacy: “The Destructive Generation” or “Years of Hope”?’ In The Columbia Guide to America in the 1960s, edited by Farber, David and Bailey, Beth. New York, NY: Columbia University Press, 2010.Google Scholar
Fast, Susan. In the Houses of the Holy: Led Zeppelin and the Power of Rock Music. Oxford: Oxford University Press, 2001.Google Scholar
Faulk, Barry J. British Rock Modernism, 1967–1977: The Story of Music Hall in Rock. London: Routledge, 2016.Google Scholar
Field, Clive D. Britain’s Last Religious Revival? Quantifying Belonging, Behaving, and Believing in the Long 1950s. Basingstoke: Palgrave Pivot, 2015.Google Scholar
Field, Clive D. Secularization in the Long 1960s: Numerating Religion in Britain. Oxford: Oxford University Press, 2017.Google Scholar
Fielding, Steven. The Labour Governments 1964–70, Volume 1: Labour and Cultural Change. Manchester: Manchester University Press, 2003.Google Scholar
Fink, Janet, and Tinkler, Penny. ‘Teetering on the Edge: Portraits of Innocence, Risk and Young Female Sexualities in 1950s and 1960s British Cinema’. Women’s History Review 26, no. 1 (2017): 9–25.Google Scholar
Finkelstein, David. ‘The Role of the Literary and Cultural Periodical’. In The Routledge Companion to British Media History, edited by Conboy, Martin and Steel, John, 263–72. London: Routledge, 2015.Google Scholar
Fisher, Kate. Birth Control, Sex and Marriage in Britain 1918–1960. Oxford: Oxford University Press, 2006.Google Scholar
Flannery, Joe, and Brocken, Mike. Standing in the Wings: The Beatles, Brian Epstein and Me. Stroud: History Press, 2013.Google Scholar
Fleiner, Carey. The Kinks: A Thoroughly English Phenomenon. Lanham, MD: Rowman & Littlefield, 2017.Google Scholar
Fogo, Fred. ‘I Read the News Today’: The Social Drama of John Lennon’s Death. Lanham, MD: Rowman & Littlefield, 1994.Google Scholar
Fonarow, Wendy. Empire of Dirt: The Aesthetics and Rituals of British Indie Music. Middletown, CT: Wesleyan University Press, 2006.Google Scholar
Førland, Tor Egil. ‘Cutting the Sixties Down to Size: Conceptualizing, Historicizing, Explaining’. Journal for the Study of Radicalism 9, no. 2 (2015): 125–48.Google Scholar
Foucault, Michel. The History of Sexuality, vol. 1: An Introduction. New York, NY: Pantheon, 1978.Google Scholar
Fountain, Nigel. Underground: The London Alternative Press, 1966–74. London: Routledge, 1988.Google Scholar
Fowler, David. Youth Culture in Modern Britain, c. 1920–c. 1970: From Ivory Tower to Global Movement – a New History. Basingstoke: Palgrave Macmillan, 2008.Google Scholar
Frame, Pete. The Restless Generation: How Rock Music Changed the Face of 1950s Britain. London: Omnibus Press, 2011.Google Scholar
Fremaux, Stephanie. The Beatles on Screen. New York, NY: Bloomsbury, 2018.Google Scholar
Freshwater, Helen. Theatre Censorship in Britain: Silencing, Censure and Suppression. Basingstoke: Springer, 2009.Google Scholar
Frith, Simon. Performing Rites: On the Value of Popular Music. Cambridge, MA: Harvard University Press, 1998.Google Scholar
Frith, Simon. ‘Popular Music and the Local State’. In Rock and Popular Music: Politics, Policies, Institutions, edited by Bennett, Tony, Frith, Simon, Grossberg, Larry, Shepherd, John and Turner, Graeme, 14–24. London: Routledge, 1993.Google Scholar
Frith, Simon. Sound Effects: Youth, Leisure and the Politics of Rock. Rev. edn. London: Constable, 1983.Google Scholar
Frith, Simon. ‘The Popular Music Industry’. In The Cambridge Companion to Pop and Rock, edited by Frith, Simon, Straw, Will, and Street, John, 26–52. Cambridge: Cambridge University Press, 2010.Google Scholar
Frith, Simon, and McRobbie., Angela ‘Rock and Sexuality’. In On Record: Rock, Pop and the Written Word, edited by Frith, Simon and Goodwin, Andrew, 371–89. London: Routledge, 1990.Google Scholar
Frith, Simon, and Horne, Howard. Art into Pop. London: Methuen, 1987.Google Scholar
Frith, Simon, and Savage, Jon. ‘Pearls and Swine: Intellectuals and the Media’, NLR 198 (1993), https://newleftreview.org/issues/I198/articles/jon-savage-simon-frith-pearls-and-swine-intellectuals-and-the-media.Google Scholar
Frontani, Michael R. The Beatles: Image and Media. Oxford, MS: University Press of Mississippi, 2007.Google Scholar
Gair, Christopher. American Counterculture. Edinburgh: Edinburgh University Press, 2007.Google Scholar
Gallup, George Jr. The Gallup International Public Opinion Polls, Great Britain 1937–1975: Vol. 1 – 1937–1964. New York, NY: Random House, 1976.Google Scholar
Gallup, George Jr. The Gallup International Public Opinion Polls, Great Britain 1937–1975: Vol. 2 – 1965–1975. New York, NY: Random House, 1976.Google Scholar
Gallwey, April. ‘Love Beyond the Frame: Stories of Maternal Love Outside Marriage in the 1950s and 1960s’. In Love and Romance in Britain, 1918–1970, edited by Harris, Alana and Harris, Tim, 100–23. Basingstoke: Springer, 2015.Google Scholar
Gallwey, April. ‘The Rewards of Using Archived Oral Histories in Research: The Case of the Millennium Memory Bank’. Oral History 41, no. 1 (2013): 37–50.Google Scholar
Gassert, Phillip, and Klimke, Martin, eds. 1968: Memories and Legacies of a Global Revolt. London: German Historical Institute, 2009.Google Scholar
Gassert, Phillip, and Klimke, Martin. ‘Introduction: 1968 from Revolt to Research’. In 1968: Memories and Legacies of a Global Revolt, edited by Gassert, Philipp and Klimke, Martin, 5–24. London: German Historical Institute, 2009.Google Scholar
Geller, Debbie. In My Life: The Brian Epstein Story. Basingstoke: Macmillan, 2014.Google Scholar
Gemie, Sharif, and Ireland, Brian. The Hippie Trail: A History. Oxford: Oxford University Press, 2017.Google Scholar
Gendron, Bernard. Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde. Chicago, IL: University of Chicago Press, 2002.Google Scholar
Gilcher-Holtey, Ingrid, ed. A Revolution of Perception? Consequences and Echoes of 1968. New York, NY: Berghahn Books, 2014.Google Scholar
Gildart, Keith. ‘From “Dead End Streets” to “Shangri Las”: Negotiating Social Class and Post-War Politics with Ray Davies and the Kinks’. Contemporary British History 26, no. 3 (2012): 273–98.Google Scholar
Gildart, Keith. Images of England through Popular Music: Class, Youth and Rock ’n’ Roll, 1955–1976. Basingstoke: Palgrave Macmillan, 2013.Google Scholar
Gildea, Robert, Mark, James and Warring, Anette. Europe’s 1968: Voices of Revolt. Oxford: Oxford University Press, 2017.Google Scholar
Giuliano, Brenda, and Giuliano, Geoffrey, eds. Things We Said Today: Conversations with the Beatles. Holbrook, MA: Adams Media Corporation, 1998.Google Scholar
Gleed, Paul. ‘The Rest of You, If You’ll Just Rattle Your Jewelry: The Beatles and Questions of Mass and High Culture’. In Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four, edited by Womack, Kenneth and Davis, Todd, 161–8. Binghamton, NY: SUNY Press, 2006.Google Scholar
Gleeson, Kate. ‘Consenting Adults in Private: In Search of the Sexual Subject’. PhD Thesis, University of New South Wales, 2006.Google Scholar
Glen, Patrick. ‘Sometimes Good Guys Don’t Wear White: Morality in the Music Press, 1967–1983’. PhD Thesis, University of Sheffield, 2013.Google Scholar
Gloag, Kenneth. ‘The Beatles: High Modernism and/or Postmodernism?’ In Beatlestudies 3, edited by Heinonen, Yrjö, 79–84. Jyväskylä: University of Jyväskylä, 2000.Google Scholar
Gloag, Kenneth. ‘Situating the 1960s: Popular Music – Postmodernism – History’. Rethinking History 5, no. 3 (2001): 397–410.Google Scholar
Glynn, Stephen. ‘The Beatles’ Help! Pop Art and the Perils of Parody’. Journal of British Cinema and Television 8, no. 1 (2011): 23–43.Google Scholar
Glynn, Stephen. The British Pop Music Film: The Beatles and Beyond. Basingstoke: Springer, 2013.Google Scholar
Glynn, Stephen. A Hard Day’s Night. London: I. B. Tauris, 2005.Google Scholar
Goldman, Albert. The Lives of John Lennon. New York, NY: Bantam, 1989.Google Scholar
Goodall, Howard. The Story of Music: From Babylon to the Beatles – How Music Has Shaped Civilization. London: Pegasus, 2013.Google Scholar
Goodden, Joe. Riding So High: The Beatles and Drugs. London: Pepper & Pearl, 2017.Google Scholar
Goodman, Fred. Allen Klein: The Man Who Bailed Out the Beatles, Made the Stones, and Transformed Rock & Roll. Boston, MA: Houghton Mifflin Harcourt, 2015.Google Scholar
Goodway, David. Anarchist Seeds beneath the Snow: Left-Libertarian Thought and British Writers from William Morris to Colin Ward. Oakland, CA: PM Press, 2011.Google Scholar
Goodyer, Ian. Crisis Music: The Cultural Politics of Rock against Racism. Oxford: Oxford University Press, 2009.Google Scholar
Gorman, Paul. In Their Own Write: Adventures in the Music Press. London: Sanctuary Publishing, 2001.Google Scholar
Gosse, Van, and Moser, Richard. The World the Sixties Made: Politics and Culture in Recent America. Philadelphia, PA: Temple University Press, 2008.Google Scholar
Gould, Jonathan. Can’t Buy Me Love: The Beatles, Britain, and America. New York, NY: Three Rivers Press, 2008.Google Scholar
Gracyk, Theodore A. ‘Romanticizing Rock Music’. Journal of Aesthetic Education 27, no. 2 (1993): 43–58.Google Scholar
Granados, Stefan. Those Were the Days: An Unofficial History of the Beatles Apple Organization, 1967–2001. London: Cherry Red, 2002.Google Scholar
Grant, Matthew. ‘Historians, the Penguin Specials and the “State-of-the-Nation” Literature, 1958–64’. Contemporary British History 17, no. 3 (2003): 29–54.Google Scholar
Grayson, Richard S. ‘Mods, Rockers and Juvenile Delinquency in 1964: The Government Response’. Contemporary British History 12, no. 1 (1998): 19–47.Google Scholar
Greene, Joshua M. Here Comes the Sun: The Spiritual and Musical Journey of George Harrison. London: Random House, 2006.Google Scholar
Grimley, Matthew. ‘Anglican Evangelicals and Anti-Permissiveness: The Nationwide Festival of Light, 1971–1982’. In Evangelicalism and the Church of England in the Twentieth Century: Reform, Resistance and Renewal, edited by Atherstone, Andrew and Maiden, John G., 183–205. London: Boydell & Brewer, 2014.Google Scholar
Grimley, Matthew. ‘Law, Morality and Secularisation: The Church of England and the Wolfenden Report, 1954–1967’. The Journal of Ecclesiastical History 60, no. 4 (2009): 725–41.Google Scholar
Grossberg, Lawrence. ‘Another Boring Day in Paradise: Rock and Roll and the Empowerment of Everyday Life’. Popular Music 4 (1984): 225–58.Google Scholar
Grossberg, Lawrence. ‘The Framing of Rock: Rock and the New Conservatism’. In Rock and Popular Music: Politics, Policies, Institutions, edited by Bennett, Tony, Frith, Simon, Grossberg, Larry, Shepherd, John and Turner, Graeme. 193–209. London: Routledge, 1993.Google Scholar
Grunenberg, Christoph, and Harris, Jonathan, eds. Summer of Love: Psychedelic Art, Social Crisis and Counterculture in the 1960s. Liverpool: Liverpool University Press, 2005.Google Scholar
Hagan, Joe. Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine. Edinburgh: Canongate, 2017.Google Scholar
Hall, Simon. ‘Protest Movements in the 1970s: The Long 1960s’. Journal of Contemporary History 43, no. 4 (2008): 655–72.Google Scholar
Hall, Stuart. Policing the Crisis: Mugging, the State, and Law and Order. Basingstoke: Pan Macmillan, 1978.Google Scholar
Hallam, Chris. ‘Script Doctors and Vicious Addicts: Subcultures, Drugs, and Regulation under the “British System”, c. 1917 to c. 1960’. PhD Thesis, London School of Hygiene & Tropical Medicine, 2016.Google Scholar
Hamilton, Jack. Just around Midnight: Rock and Roll and the Racial Imagination. Cambridge, MA: Harvard University Press, 2016.Google Scholar
Hamm, Charles. ‘Popular Music and Historiography’. Popular Music History 1, no. 1 (2004): 9–14.Google Scholar
Hamm, Charles. Putting Popular Music in Its Place. Cambridge: Cambridge University Press, 1995.Google Scholar
Hansen, Dorothee. ‘The Films’. In John Lennon: Drawings, Performances, Films, edited by Herzogenrath, Wulf and Hansen, Dorothee, 182–7. Berlin: Cantz, 1995.Google Scholar
Harison, Casey. Feedback: The Who and Their Generation. Lanham, MD: Rowman & Littlefield, 2014.Google Scholar
Harker, David. One for the Money: Politics and Popular Song. London: Hutchinson, 1980.Google Scholar
Harker, Dave. ‘Still Crazy after All These Years: What Was Popular Music in the 1960s?’ In Cultural Revolution? The Challenge of the Arts in the 1960s, edited by Moore-Gilbert, Bart and Seed, John. London: Routledge, 1992.Google Scholar
Harris, Alana. Faith in the Family: A Lived Religious History of English Catholicism, 1945–82. Oxford: Oxford University Press, 2016.Google Scholar
Harris, Jonathan. The Utopian Globalists: Artists of Worldwide Revolution, 1919–2009. Boston, MA: John Wiley & Sons, 2013.Google Scholar
Harris, Trevor, and Castro, Monia O’Brien, eds. Preserving the Sixties: Britain and the ‘Decade of Protest’. Basingstoke: Palgrave Macmillan, 2014.Google Scholar
Harrison, Brian. ‘Historiographical Hazards of Sixties Britain’. In Penultimate Adventures with Britannia: Personalities, Politics and Culture in Britain, edited by Louis, William Roger, 33–53. London: I. B. Tauris, 2008.Google Scholar
Harrison, Brian. Seeking a Role: The United Kingdom, 1951–1970. Oxford: Clarendon Press, 2009.Google Scholar
Harron, Mary. ‘McRock: Pop as a Commodity’. In Facing the Music, edited by Frith, Simon, 173–220. New York, NY: Pantheon, 1988.Google Scholar
Harry, Bill. The John Lennon Encyclopedia. London: Virgin, 2000.Google Scholar
Hawkins, Stan. The British Pop Dandy: Masculinity, Popular Music and Culture. Aldershot: Ashgate, 2009.Google Scholar
Hawkins, Stan. Pop Music and Easy Listening. London: Routledge, 2017.Google Scholar
Head, Dominic. The Cambridge Introduction to Modern British Fiction, 1950–2000. Cambridge: Cambridge University Press, 2002.Google Scholar
Heald, Gordon, and Wybrow, Robert J.. The Gallup Survey of Britain. London: Croom Helm, 1986.Google Scholar
Hebdige, Dick. Hiding in the Light: On Images and Things. Philadelphia, PA: Psychology Press, 1988.Google Scholar
Hebdige, Dick. Subculture: The Meaning of Style. London: Methuen, 1979.Google Scholar
Heelas, Paul. The New Age Movement. Oxford: Blackwell, 1996.Google Scholar
Hegarty, Paul, and Halliwell, Martin. Beyond and Before: Progressive Rock since the 1960s. London: Continuum, 2011.Google Scholar
Heilbronner, Oded. ‘“Helter-Skelter”? The Beatles, the British New Left, and the Question of Hegemony’. Interdisciplinary Literary Studies 13, no. 1/2 (2011): 87–107.Google Scholar
Heilbronner, Oded. ‘The Peculiarities of the Beatles: A Cultural-Historical Interpretation’. Cultural and Social History 5, no. 1 (2008): 99–115.Google Scholar
Heinonen, Yrjö. ‘The Creative Process of the Beatles Revisited: A Multi-Level Analysis of the Interaction between Individual and Collaborative Creativity’. Popular Music History 9, no. 1 (2014): 32–47.Google Scholar
Heinonen, Yrjö. ‘Introduction: (Being a Short Diversion to) Current Perspectives in Beatles’ Research’. In Beatlestudies 1: Songwriting, Recording and Style Change, edited by Heinonen, Yrjö, i–iv. Jyväskylä: University of Jyväskylä, 1998.Google Scholar
Heinonen, Yrjö, and Eerola, Tuomas. ‘Songwriting, Recording and Style Change: Problems in the Chronology and Periodization of the Musical Style of the Beatles’. Soundscapes: Journal on Media Culture 3 (2000). www.icce.rug.nl/~soundscapes/VOLUME03/Songwriting_recording.shtml.Google Scholar
Helbig, Jörg. ‘John Lennon as a Writer: Shun the Punman!’ In John Lennon: Drawings, Performances, Films, edited by Herzogenrath, Wulf and Hansen, Dorothee. Berlin: Cantz, 1995.Google Scholar
Helbig, Jörg, ed. Summer of Love: The Beatles, Art and Culture in the Sixties. Trier: Wissenschaftlicher Verlag Trier, 2008.Google Scholar
Hendy, David. ‘Bad Language and BBC Radio Four in the 1960s and 1970s’. Twentieth Century British History 17, no.1 (2006): 74–102.Google Scholar
Hennessy, Peter. Having It so Good: Britain in the Fifties. Harmondsworth: Penguin, 2007.Google Scholar
Hepworth, David. Uncommon People: The Rise and Fall of the Rock Stars 1955–1994. London: Random House, 2017.Google Scholar
Hertsgaard, Mark. A Day in the Life: The Music and Artistry of the Beatles. New York, NY: Delacorte Press, 1995.Google Scholar
Herzogenrath, Wulf, and Hansen, Dorothee, eds. John Lennon: Drawings, Performances, Films. Berlin: Cantz, 1995.Google Scholar
Hewison, Robert. Too Much: Art and Society in the Sixties 1960–75. London: Methuen, 1986.Google Scholar
Hewitt, Paolo. Fab Gear. London: Prestel, 2011.Google Scholar
Heylin, Clinton. The Act You’ve Known for All These Years: The Life, and Afterlife, of Sgt. Pepper. Edinburgh: Canongate, 2007.Google Scholar
Higgins, Patrick. Heterosexual Dictatorship: Male Homosexuality in Postwar Britain. London: Trafalgar Square, 1996.Google Scholar
Hill, Sarah. San Francisco and the Long 60s. New York, NY: Bloomsbury Publishing USA, 2016.Google Scholar
Hills, Matthew. Fan Cultures. London: Routledge, 2003.Google Scholar
Himmelfarb, Gertrude. The De-Moralization of Society: From Victorian Virtues to Modern Values. New York, NY: Vintage, 1996.Google Scholar
Hinton, James. Nine Wartime Lives: Mass-Observation and the Making of the Modern Self. Oxford: Oxford University Press, 2010.Google Scholar
Hitchens, Peter. The Abolition of Britain: The British Cultural Revolution from Lady Chatterley to Tony Blair. London: Quartet Books, 2000.Google Scholar
Hitchens, Peter. The War We Never Fought: The British Establishment’s Surrender to Drugs. London: A&C Black, 2012.Google Scholar
Hoefferle, Caroline. British Student Activism in the Long Sixties. London: Routledge, 2012.Google Scholar
Hogan, J. Michael. ‘The Road Not Taken in Opinion Research: Mass-Observation in Great Britain, 1937–1940’. Rhetoric & Public Affairs 18, no. 3 (2015): 409–39.Google Scholar
Holden, Andrew. Makers and Manners: Politics and Morality in Postwar Britain. London: Politico’s, 2004.Google Scholar
Homans, Elizabeth. ‘Visions of Equality: Women’s Rights and Political Change in 1970s Britain’. PhD Thesis, Bangor University, 2015.Google Scholar
Honeywell, Carissa. A British Anarchist Tradition: Herbert Read, Alex Comfort and Colin Ward. London: A&C Black, 2011.Google Scholar
Horn, Adrian. Juke Box Britain: Americanisation and Youth Culture, 1945–60. Manchester: Manchester University Press, 2009.Google Scholar
Horn, Gerd-Rainer. The Spirit of ’68: Rebellion in Western Europe and North America, 1956–1976. Oxford: Oxford University Press, 2007.Google Scholar
Horowitz, Daniel. Consuming Pleasures: Intellectuals and Popular Culture in the Postwar World. Philadelphia, PA: University of Pennsylvania Press, 2012.Google Scholar
Houlbrook, Matt. Queer London: Perils and Pleasures in the Sexual Metropolis, 1918–1957. Chicago, IL: University of Chicago Press, 2006.Google Scholar
Howlett, Kevin. The Beatles: The BBC Archives 1962–1970. London: Ebury Press, 2013.Google Scholar
Hubble, Nick. Mass Observation and Everyday Life: Culture, History, Theory. Basingstoke: Springer, 2005.Google Scholar
Hughes, Celia. Young Lives on the Left: Sixties Activism and the Liberation of the Self. Oxford: Oxford University Press, 2015.Google Scholar
Hunt, Andrew. ‘“When Did the Sixties Happen?” Searching for New Directions’. Journal of Social History 33, no. 1 (1999): 147–61.Google Scholar
Huyssen, Andreas. After the Great Divide: Modernism, Mass Culture, Postmodernism. Bloomington, IN: Indiana University Press, 1988.Google Scholar
Inglehart, Ronald. The Silent Revolution: Changing Values and Political Styles among Western Publics. Princeton, NJ: Princeton University Press, 1977.Google Scholar
Inglis, Ian. ‘Absolute Beginners: The Evolution of a British Popular Music Scene’. In The Ashgate Research Companion to Popular Musicology, edited by Scott, Derek B., 379–95. London: Routledge, 2016.Google Scholar
Inglis, Ian. ‘Cover Story: Magic, Myth and Music’. In Sgt. Pepper and the Beatles: It Was Forty Years Ago Today, edited by Julien, Olivier, 91–102. Aldershot: Ashgate, 2007.Google Scholar
Inglis, Ian. ‘Ideology, Trajectory and Stardom: Elvis Presley and the Beatles’. International Review of the Aesthetics and Sociology of Music 27, no.1 (1996): 53–78.Google Scholar
Inglis, Ian. ‘“I Read the News Today, Oh Boy”: The British Press and the Beatles’. Popular Music and Society 33, no. 4 (2010): 549–62.Google Scholar
Inglis, Ian. ‘Men of Ideas? Popular Music, Anti-Intellectualism and the Beatles’. In The Beatles, Popular Music and Society, edited by Inglis, Ian. Basingstoke: Springer, 2000.Google Scholar
Inglis, Ian. ‘“Nothing You Can See That Isn’t Shown”: The Album Covers of the Beatles’. Popular Music 20, no. 1 (2001): 83–97.Google Scholar
Inglis, Ian. The Beatles. Sheffield: Equinox Publishing, 2017.Google Scholar
Inglis, Ian. The Beatles in Hamburg. London: Reaktion, 2012.Google Scholar
Inglis, Ian. The Words and Music of George Harrison. New York, NY: Praeger, 2010.Google Scholar
Inglis, Ian, ed. Popular Music and Television in Britain. Aldershot: Ashgate, 2010.Google Scholar
Iwamura, Jane. Virtual Orientalism: Asian Religions and American Popular Culture. New York, NY: Oxford University Press, 2011.Google Scholar
Jackson, Jeffrey H., and Pelkey, Stanley C.. ‘Introduction’. In Music and History: Bridging the Disciplines, ed. Jackson, Jeffrey H. and Pelkey, Stanley C.. Oxford, MS: University Press of Mississippi, 2005.Google Scholar
Jackson, Louise A. ‘“The Coffee Club Menace”: Policing Youth, Leisure and Sexuality in Post-War Manchester’. Cultural and Social History 5, no. 3 (2008): 289–308.Google Scholar
James, David E. Rock ’N’ Film: Cinema’s Dance with Popular Music. New York, NY: Oxford University Press, 2017.Google Scholar
Jameson, Fredric. ‘Periodizing the 60s’. Social Text, no. 9/10 (1984): 178–209.Google Scholar
Jamison, Andrew, and Eyerman, Ron. Seeds of the Sixties. Berkeley, CA: University of California Press, 1994.Google Scholar
Jarniewicz, Jerzy, and Kwiatkowska, Alina, eds. Fifty Years with the Beatles. Łódź: Łódź University Press, 2010.Google Scholar
Jarvis, Mark. Conservative Governments, Morality and Social Change in Affluent Britain, 1957–64. Manchester: Manchester University Press, 2005.Google Scholar
Jenkins, Philip. Decade of Nightmares: The End of the Sixties and the Making of Eighties America. Oxford: Oxford University Press, 2006.Google Scholar
Jennings, Rebecca. Tomboys and Bachelor Girls: A Lesbian History of Post-War Britain 1945–71. Manchester: Manchester University Press, 2007.Google Scholar
Jenson, Joly. ‘Fandom as Pathology: The Consequences of Characterization’. In The Adoring Audience: Fan Culture and Popular Media, edited by Lewis, Lisa A., 9–26. London: Routledge, 1992.Google Scholar
Johnstone, Nick. Yoko Ono ‘Talking’. London: Omnibus Press, 2010.Google Scholar
Jones, Ben. The Working Class in Mid-Twentieth-Century England: Community, Identity and Social Memory. Manchester: Manchester University Press, 2012.Google Scholar
Jones, Emma L. ‘Attitudes to Abortion in the Era of Reform: Evidence from the Abortion Law Reform Association Correspondence’. Women’s History Review 20, no. 2 (2011): 283–98.Google Scholar
Jones, Steve. ‘Re-Viewing Rock Writing: The Origins of Popular Music Criticism’. American Journalism 9, no. 1–2 (1992): 87–107.Google Scholar
Jones, Steve, ed. Pop Music and the Press. Philadelphia, PA: Temple University Press, 2002.Google Scholar
Julien, Olivier. ‘50 ans des Beatles Studies’. Volume! 12, no. 2 (2016): 15–42.Google Scholar
Julien, Olivier, ed. Sgt. Pepper and the Beatles: It Was Forty Years Ago Today. Aldershot: Ashgate, 2007.Google Scholar
Julien, Olivier. ‘“Their Production Will Be Second to None”: An Introduction to Sgt. Pepper’. In Sgt. Pepper and the Beatles: It Was Forty Years Ago Today, edited by Julien, Olivier, 1–9. Aldershot: Ashgate, 2008.Google Scholar
Kane, Daniel. ‘Wholly Communion, Literary Nationalism, and the Sorrows of the Counterculture’. Framework: The Journal of Cinema and Media 52, no. 1 (2011): 102–27.Google Scholar
Kasser, Tim. Lucy in the Mind of Lennon. New York, NY: Oxford University Press, 2013.Google Scholar
Keightley, Keir. ‘Reconsidering Rock’. In The Cambridge Companion to Pop and Rock, edited by Frith, Simon, Straw, Will, and Street, John, 109–42. Cambridge: Cambridge University Press, 2001.Google Scholar
Keightley, Keir. ‘The Historical Consciousness of Sunshine Pop’. Journal of Popular Music Studies 23, no. 3 (2011): 343–61.Google Scholar
Kellein, Thomas. Yoko Ono: Between the Sky and My Head. Cologne: Walther Konig, 2008.Google Scholar
Kimsey, John. ‘“An Abstraction, Like Christmas”: The Beatles For Sale and For Keeps’. In The Cambridge Companion to the Beatles, edited by Womack, Kenneth, 230–54. Cambridge: Cambridge University Press, 2011.Google Scholar
King, Martin. Men, Masculinity and the Beatles. Aldershot: Ashgate, 2013.Google Scholar
King, Martin. ‘“Roll up for the Mystery Tour”: Reading the Beatles’ Magical Mystery Tour as a Countercultural Anti-Masculinist Text’. Global Journal of Interdisciplinary Social Sciences 4, no. 3 (2015): 102–10.Google Scholar
King, Martin. ‘The Beatles in Help! Re-Imagining the English Man in Mid-1960s Britain’. Global Journal of Human-Social Science Research 14, no. 4 (2014). https://socialscienceresearch.org/index.php/GJHSS/article/view/1066.Google Scholar
Kirkup, Mike. ‘“Some Kind of Innocence”: The Beatles Monthly and the Fan Community’. Popular Music History 9, no. 1 (2014): 64–78.Google Scholar
Kitts, Thomas M. Ray Davies: Not Like Everybody Else. London: Routledge, 2008.Google Scholar
Klimke, Martin, and Scharloth, Joachim, eds. 1968 in Europe: A History of Protest and Activism, 1956–1977. Basingstoke: Springer, 2008.Google Scholar
Knifton, Robert. ‘Centre of the Creative Universe: Liverpool and the Avant-Garde’. PhD Thesis, Manchester Metropolitan University, 2007.Google Scholar
Kocot, Monika. ‘The Indian Beatle(s): From “Norwegian Wood” to “The Hare Krishna Mantra”. Indian Influences on the Lyrics and Music of the Beatles’. In Fifty Years with the Beatles: The Impact of the Beatles on Contemporary Culture, edited by Jarniewicz, Jerzy and Kwiatkowska, Alina, 183–97. Łódź: Łódź University Press, 2010.Google Scholar
Kohl, Paul R. ‘A Splendid Time Is Guaranteed for All: The Beatles as Agents of Carnival’. Popular Music & Society 20, no. 4 (1996): 81–8.Google Scholar
Kosc, Grzegorz, Juncker, Clara, Monteith, Sharon and Waldschmidt-Nelson, Britta, eds. The Transatlantic Sixties: Europe and the United States in the Counterculture Decade. Bielefeld: transcript Verlag, 2013.Google Scholar
Krinsky, Charles, ed. The Ashgate Research Companion to Moral Panics. Aldershot: Ashgate, 2013.Google Scholar
Kruse, Robert J. ‘The Beatles as Place Makers: Narrated Landscapes in Liverpool, England’. Journal of Cultural Geography 22, no. 2 (2005): 87–114.Google Scholar
Kruse, Robert J. A Cultural Geography of the Beatles: Representing Landscapes as Musical Texts (Strawberry Fields, Abbey Road, and Penny Lane). New York, NY: E. Mellen Press, 2005.Google Scholar
Kutschke, Beate, and Norton, Barley, eds. Music and Protest in 1968. Cambridge: Cambridge University Press, 2013.Google Scholar
Kwiatkowska, Alina. ‘Roll over, Shakespeare: References to Beatles’ Songs in Contemporary English Texts’. In Fifty Years with the Beatles: The Impact of the Beatles on Contemporary Culture, edited by Jarniewicz, Jerzy and Kwiatkowska, Alina, 269–85. Łódź: Łódź University Press, 2010.Google Scholar
Kynaston, David. Austerity Britain, 1945–51. London: Bloomsbury, 2008.Google Scholar
Kynaston, David. Family Britain, 1951–1957. London: A&C Black, 2009.Google Scholar
Kynaston, David. Modernity Britain: Opening the Box, 1957–59. London: Bloomsbury, 2013.Google Scholar
Kynaston, David. Modernity Britain: A Shake of the Dice, 1959–62. London: Bloomsbury, 2014.Google Scholar
Laing, Dave. One Chord Wonders: Power and Meaning in Punk Rock. Oakland, CA: PM Press, 2015.Google Scholar
Laing, Dave. ‘Scrutiny to Subcultures: Notes on Literary Criticism and Popular Music’, Popular Music 13, no. 2 (1994): 179–90.Google Scholar
Laing, Stuart. Representations of Working-Class Life, 1957–1964. Basingstoke: Macmillan, 1986.Google Scholar
Laite, Julia. ‘A Global History of Prostitution: London’. In Selling Sex in the City: A Global History of Prostitution, 1600s–2000s, edited by Garcia, Magaly Rodriguez, van Voss, Lex Heerma and Meerkerk, Elise van Nederveen, 111–37. Amsterdam: Brill, 2017.Google Scholar
Lambert, Philip. Good Vibrations: Brian Wilson and the Beach Boys in Critical Perspective. Ann Arbor, MI: University of Michigan Press, 2016.Google Scholar
Lambert, Philip. Inside the Music of Brian Wilson: The Songs, Sounds, and Influences of the Beach Boys’ Founding Genius. London: Continuum, 2007.Google Scholar
Langhamer, Claire. ‘Adultery in Post-War England’. History Workshop Journal, no. 62 (2006): 86–115.Google Scholar
Langhamer, Claire. ‘“The Live Dynamic Whole of Feeling and Behavior”: Capital Punishment and the Politics of Emotion, 1945–1957’. Journal of British Studies 51, no. 2 (2012): 416–41.Google Scholar
Laughey, Daniel. Music and Youth Culture. Edinburgh: Edinburgh University Press, 2006.Google Scholar
Lavezzoli, Peter. The Dawn of Indian Music in the West. London: A&C Black, 2006.Google Scholar
Lawrence, Jon. ‘Class, “Affluence” and the Study of Everyday Life in Britain, c. 1930–64’. Cultural and Social History 10, no. 2 (2013): 273–99.Google Scholar
Lawrence, Jon. ‘The British Sense of Class’. Journal of Contemporary History 35, no. 2 (2000): 307–18.Google Scholar
Lawrence, Tim. Love Saves the Day: A History of American Dance Music Culture, 1970–1979. Durham, NC: Duke University Press, 2004.Google Scholar
Lee, B. H. Divorce Law Reform in England. London: Peter Owen, 1974.Google Scholar
Leigh, Spencer. Halfway to Paradise: Britpop, 1955–1962. Folkestone: Finbarr International, 1996.Google Scholar
Leigh, Spencer. The Beatles in Liverpool: From Merseybeat to Stardom. London: Omnibus, 2012.Google Scholar
LeMahieu, D. L. A Culture for Democracy: Mass Communication and the Cultivated Mind in Britain between the Wars. Oxford: Clarendon, 1988.Google Scholar
Lemonnier, Bertrand. L’Angleterre des Beatles: Une histoire culturelle des années soixante. Paris: Editions Kimé, 1998.Google Scholar
Lemonnier, Bertrand. La révolution pop dans l’Angleterre des années soixante. Paris: Le table ronde, 1986.Google Scholar
Lent, Adam. British Social Movements since 1945: Sex, Colour, Peace and Power. Basingstoke: Palgrave Macmillan, 2001.Google Scholar
Leonard, Marion. Gender in the Music Industry: Rock, Discourse and Girl Power. Aldershot: Ashgate, 2007.Google Scholar
Leonard, Marion. ‘The “Lord Mayor of Beatle-Land”: Popular Music, Local Government, and the Promotion of Place in 1960s Liverpool’. Popular Music and Society 36, no. 5 (2013): 597–614.Google Scholar
Levine, Lawrence W. Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, MA: Harvard University Press, 1990.Google Scholar
Levy, Shawn. Ready, Steady, Go! Swinging London and the Invention of Cool. London: Fourth Estate, 2002.Google Scholar
Lewis, Brian. Wolfenden’s Witnesses: Homosexuality in Postwar Britain. Basingstoke: Springer, 2016.Google Scholar
Lewis, Jane E. Women in Britain since 1945: Women, Family, Work and the State in the Post-War Years. Oxford: Blackwell, 1994.Google Scholar
Lewisohn, Mark. The Beatles Live! London: Pavilion, 1986.Google Scholar
Lewisohn, Mark. The Beatles Recording Sessions: The Official Abbey Road Session Notes, 1962–1970. New York, NY: Harmony Books, 1988.Google Scholar
Lewisohn, Mark. The Complete Beatles Chronicles. New York, NY: Harmony Books, 1992.Google Scholar
Lewisohn, Mark. Tune In: The Beatles – All These Years. New York, NY: Crown Archetype, 2013.Google Scholar
Lindberg, Ulf. Rock Criticism from the Beginning: Amusers, Bruisers, and Cool-Headed Cruisers. New York, NY: Peter Lang, 2005.Google Scholar
Long, Pat. The History of the NME: High Times and Low Lives at the World’s Most Famous Music Magazine. London: Portico, 2012.Google Scholar
Long, Paul. Only in the Common People: The Aesthetics of Class in Post-War Britain. Newcastle: Cambridge Scholars, 2008.Google Scholar
Longhurst, Brian. Popular Music and Society. 2nd edn. Cambridge: Polity, 2007.Google Scholar
Lovesey, Oliver. ‘“A Cellarful of Boys”: The Swinging Sixties, Autobiography, and the Other Beatle’. Popular Music and Society 38, no. 2 (2015): 160–75.Google Scholar
Lowe, John. The Warden: A Portrait of John Sparrow. London: HarperCollins, 1998.Google Scholar
Lynskey, Dorian. 33 Revolutions Per Minute. London: Faber and Faber, 2011.Google Scholar
Lyons, John F. America in the British Imagination: 1945 to the Present. Basingstoke: Springer, 2013.Google Scholar
Macan, Edward. ‘The Beatles and the Origins of “Britishness” in Rock Music’. In Fifty Years with the Beatles: The Impact of the Beatles on Contemporary Culture, edited by Jarniewicz, Jerzy and Kwiatkowska, Alina, 107–29. Łódź: Łódź University Press, 2010.Google Scholar
Macan, Edward. Rocking the Classics: English Progressive Rock and the Counterculture. Oxford: Oxford University Press, 1997.Google Scholar
MacDonald, Ian. Revolution in the Head: The Beatles’ Records and the Sixties. 3rd edn. London: Pimlico, 2005.Google Scholar
MacFarlane, Thomas. The Beatles’ Abbey Road Medley: Extended Forms in Popular Music. Lanham, MD: Scarecrow Press, 2007.Google Scholar
MacFarlane, Thomas. The Beatles and McLuhan: Understanding the Electric Age. Lanham, MD: Rowman & Littlefield, 2013.Google Scholar
Machin, G. I. T. Churches and Social Issues in Twentieth-Century Britain. Oxford: Clarendon Press, 1998.Google Scholar
Mäkelä, Janne. ‘“The Greatest Story of Pop Music? Challenges of Writing the Beatles’’ History”’. In Beatlestudies 3, edited by Heinonen, Yrjö, 47–55. Jyväskylä: University of Jyväskylä, 2000.Google Scholar
Mäkelä, Janne. John Lennon Imagined: Cultural History of a Rock Star. New York, NY: Peter Lang, 2004.Google Scholar
Malchow, Howard. Special Relations: The Americanization of Britain? Stanford, CA: Stanford University Press, 2011.Google Scholar
Mandler, Peter. The English National Character: The History of an Idea from Edmund Burke to Tony Blair. New Haven, CT: Yale University Press, 2006.Google Scholar
Mandler, Peter. ‘Two Cultures – One – Or Many?’ In The British Isles since 1945, edited by Burk, Kathleen. Oxford: Oxford University Press, 2003.Google Scholar
Mandler, Peter, and Pedersen, Susan, eds. After the Victorians: Private Conscience and Public Duty in Modern Britain. London: Routledge, 2005.Google Scholar
Marcus, Greil. Lipstick Traces: A Secret History of the Twentieth Century. Cambridge, MA: Harvard University Press, 1989.Google Scholar
Marcus, Greil. The Doors. London: Faber, 2012.Google Scholar
Marcus, Steven. The Other Victorians: A Study of Sexuality and Pornography in Mid-Nineteenth-Century England. London: Weidenfeld and Nicholson, 1966.Google Scholar
Marks, Lara. Sexual Chemistry: A History of the Contraceptive Pill. New Haven, CT: Yale University Press, 2001.Google Scholar
Marqusee, Mike. Wicked Messenger: Bob Dylan and the 1960s. New York, NY: Seven Stories Press, 2011.Google Scholar
Marshall, P. David. Celebrity and Power: Fame in Contemporary Culture. Minneapolis, MN: University of Minnesota Press, 1997.Google Scholar
Marshall, P. David. ‘The Celebrity Legacy of the Beatles’. In The Beatles, Popular Music and Society, edited by Inglis, Ian, 163–75. Basingstoke: Springer, 2000.Google Scholar
Martin, Bill. Listening to the Future: The Time of Progressive Rock, 1968–1978. Chicago, IL: Open Court, 2015.Google Scholar
Martin, Chad. ‘Paradise Now: Youth Politics and the British Counterculture, 1958–74’. PhD Thesis, Stanford University, 2003.Google Scholar
Marwick, Arthur. Britain in the Century of Total War. London: Bodley Head, 1968.Google Scholar
Marwick, Arthur. Culture in Britain since 1945. Oxford: Basil Blackwell, 1991.Google Scholar
Marwick, Arthur. The Explosion of British Society, 1914–1970. Basingstoke: Macmillan, 1971.Google Scholar
Marwick, Arthur. The Sixties: Cultural Revolution in Britain, France, Italy, and the United States, c. 1958–c. 1974. Oxford: Oxford University Press, 1998.Google Scholar
Mauch, Matthias, MacCallum, Robert M., Levy, Mark and Leroi, Armand M.. ‘The Evolution of Popular Music: USA 1960–2010’. Royal Society Open Science 2, no. 5 (2015): 7–9.Google Scholar
McDonald, Chris. Rush, Rock Music and the Middle Class: Dreaming in Middletown. Indianapolis, IN: Indiana University Press, 2009.Google Scholar
McGowan, Christopher John. ‘Harmony and Discord within the English “Counter-Culture”, 1965–1975, with Particular Reference to the “Rock Operas” Hair, Godspell, Tommy and Jesus Christ Superstar’. PhD Thesis, Queen Mary, London, 2012.Google Scholar
McGrath, James. ‘Cutting up a Glass Onion: Reading the Beatles’ History and Legacy’. In Fifty Years with the Beatles: The Impact of the Beatles on Contemporary Culture, edited by Jarniewicz, Jerzy and Kwiatkowska, Alina, 303–25. Łódź: Łódź University Press, 2010.Google Scholar
McGrath, James. ‘Ideas of Belonging in the Work of John Lennon and Paul McCartney’. PhD Thesis, Leeds Metropolitan University, 2009.Google Scholar
McGrath, James. ‘John, Paul, George and Richard: The Beatles’ Uses of Literacy’. In Richard Hoggart: Culture and Critique, ed. Bailey, Michael and Eagleton, Mary. London: Critical, Cultural and Communications Press, 2011.Google Scholar
McGrath, James. ‘Reading Post-War Britain in Lennon and McCartney’s Imagined Communities’. In New Perspectives in British Cultural History, edited by Crone, Ros, Gange, David, and Jones, Katie, 244–54. Newcastle: Cambridge Scholars, 2007.Google Scholar
McGrath, James. ‘“Where You Once Belonged”: Class, Race and the Liverpool Roots of Lennon and McCartney’s Songs’. Popular Music History 9, no. 1 (2014): 11–31.Google Scholar
McKay, George. Circular Breathing: The Cultural Politics of Jazz in Britain. Durham, NC: Duke University Press, 2005.Google Scholar
McKay, George. The Pop Festival: History, Music, Media, Culture. New York, NY: Bloomsbury Publishing USA, 2015.Google Scholar
McKinney, Devin. Magic Circles: The Beatles in Dream and History. Cambridge, MA: Harvard University Press, 2003.Google Scholar
McLeod, Hugh. The Religious Crisis of the 1960s. Oxford: Oxford University Press, 2010.Google Scholar
McMillian, John. Beatles vs. Stones. New York, NY: Simon & Schuster, 2013.Google Scholar
McRobbie, Angela. Feminism and Youth Culture. Rev. edn. Basingstoke: Macmillan, 2000.Google Scholar
McRobbie, Angela, and Garber, Jenny. ‘Girls and Subcultures: An Exploration’. In Resistance through Rituals: Youth Subcultures in Post-War Britain, edited by Hall, Stuart and Jefferson, Tony, 209–22. London: Routledge, 2006.Google Scholar
Melechi, Antonio, ed. Psychedelia Britannica: Hallucinogenic Drugs in Britain. London: Turnaround, 1997.Google Scholar
Mellor, David. The Sixties Art Scene in London. London: Phaidon, 1993.Google Scholar
Mellor, David, and Gervereau, Laurent, eds. The Sixties: Britain and France, 1962–1973: The Utopian Years. London: Philip Wilson, 1997.Google Scholar
Miles, Barry. London Calling: A Countercultural History of London since 1945. London: Atlantic, 2011.Google Scholar
Miles, Barry. Paul McCartney: Many Years from Now. London: Secker & Warburg, 1996.Google Scholar
Millard, André. Beatlemania: Technology, Business, and Teen Culture in Cold War America. Baltimore, MD: Johns Hopkins University Press, 2012.Google Scholar
Mills, Richard. ‘Expert Textpert: Ian MacDonald’s Revolution in the Head: The Beatles’ Records and the Sixties (1994)’. In Fifty Years with the Beatles: The Impact of the Beatles on Contemporary Culture, edited by Jarniewicz, Jerzy and Kwiatkowska, Alina, 327–39. Łódź: Łódź University Press, 2010.Google Scholar
Mitchell, Gillian A. M. ‘From “Rock” to “Beat”: Towards a Reappraisal of British Popular Music, 1958–1962’. Popular Music and Society 36, no. 2 (2013): 194–215.Google Scholar
Mitchell, Gillian A. M. ‘Reassessing “the Generation Gap”: Bill Haley’s 1957 Tour of Britain, Inter-Generational Relations and Attitudes to Rock ’n’ Roll in the Late 1950s’. Twentieth Century British History 24, no. 4 (2013): 573–605.Google Scholar
Mold, Alex. ‘The Changing Role of NGOs in Britain: Voluntary Action and Illegal Drugs’. In NGOs in Contemporary Britain: Non-State Actors in Society and Politics since 1945, edited by Crowson, N. J, Hilton, Matthew, and McKay, James, 164–81. Basingstoke: Palgrave Macmillan, 2009.Google Scholar
Mold, Alex. Heroin: The Treatment of Addiction in Twentieth-Century Britain. DeKalb, IL: Northern Illinois University Press, 2008.Google Scholar
Mold, Alex. ‘“The Welfare Branch of the Alternative Society?” The Work of Drug Voluntary Organization Release, 1967–1978’. Twentieth Century British History 17, no. 1 (2005): 50–73.Google Scholar
Moon, Nick. Opinion Polls: History, Theory and Practice. Manchester: Manchester University Press, 1999.Google Scholar
Moore, Allan F. ‘The Act You’ve Known for All These Years: A Re-Encounter with Sgt. Pepper’. In Sgt. Pepper and the Beatles: It Was Forty Years Ago Today, ed. Julien, Olivier. Aldershot: Ashgate, 2007.Google Scholar
Moore, Allan F. The Beatles: Sgt. Pepper’s Lonely Hearts Club Band. Cambridge: Cambridge University Press, 1997.Google Scholar
Moore-Gilbert, Bart, and Seed, John, eds. Cultural Revolution? The Challenge of the Arts in the 1960s. London: Routledge, 1992.Google Scholar
Moran, Joe. ‘Mass-Observation, Market Research, and the Birth of the Focus Group, 1937–1997’. Journal of British Studies 47, no. 4 (2008): 827–51.Google Scholar
Morgan, Kenneth O. Britain since 1945: The People’s Peace. Oxford: Oxford University Press, 2001.Google Scholar
Morgan, Kevin, Cohen, Gidon and Flinn, Andrew. Communists and British Society, 1920–1991. London: Rivers Oram, 2007.Google Scholar
Morra, Irene. Britishness, Popular Music, and National Identity: The Making of Modern Britain. London: Routledge, 2013.Google Scholar
Morris, Jeremy. ‘Secularization and Religious Experience: Arguments in the Historiography of Modern British Religion’. The Historical Journal 55, no. 1 (2012): 195–219.Google Scholar
Morris, Jeremy. ‘The Strange Death of Christian Britain: Another Look at the Secularization Debate’. The Historical Journal 46, no. 4 (2003): 963–76.Google Scholar
Mort, Frank. Capital Affairs: London and the Making of the Permissive Society. New Haven, CT: Yale University Press, 2010.Google Scholar
Mueller, Charles. ‘Were British Subcultures the Beginnings of Multitude?’ In Countercultures and Popular Music, edited by Whiteley, Sheila and Sklower, Jedediah. London: Routledge, 2014.Google Scholar
Muncie, John. ‘The Beatles and the Spectacle of Youth’. In The Beatles, Popular Music and Society, edited by Inglis, Ian, 35–52. Basingstoke: Springer, 2000.Google Scholar
Munroe, Alexandra, ed. YES Yoko Ono. New York, NY: Japan Society, 2003.Google Scholar
Neaverson, Bob. The Beatles Movies. London: Cassell, 1997.Google Scholar
Nehring, Holger. ‘Great Britain’. In 1968 in Europe: A History of Protest and Activism, 1956–1977, edited by Klimke, Martin and Scharloth, Joachim, 125–36. Basingstoke: Springer, 2008.Google Scholar
Nehring, Holger. Politics of Security: British and West German Protest Movements and the Early Cold War, 1945–1970. Oxford: Oxford University Press, 2013.Google Scholar
Nehring, Neil. Flowers in the Dustbin: Culture, Anarchy and Postwar England. Ann Arbor, MI: University of Michigan Press, 1993.Google Scholar
Nelson, Elizabeth. British Counter-Culture 1966–73: A Study of the Underground Press. Basingstoke: Springer, 1989.Google Scholar
Newburn, Tim. Permission and Regulation: Law and Morals in Post-War Britain. London: Routledge, 1992.Google Scholar
Norman, Philip. John Lennon: The Life. London: HarperCollins, 2009.Google Scholar
Norman, Philip. Paul McCartney: The Biography. London: Hachette UK, 2016.Google Scholar
Norman, Philip. Shout! The Beatles in Their Generation. New York, NY: Fireside/Simon and Schuster, 1981.Google Scholar
Norman, Philip. Shout! The True Story of the Beatles. 3rd edn. New York, NY: Fireside/Simon and Schuster, 2005.Google Scholar
Nott, James. Going to the Palais: A Social and Cultural History of Dancing and Dance Halls in Britain, 1918–1960. Oxford: Oxford University Press, 2015.Google Scholar
Nott, James. Music for the People: Popular Music and Dance in Interwar Britain. Oxford: Oxford University Press, 2002.Google Scholar
Offer, Avner. ‘British Manual Workers: From Producers to Consumers, c. 1950–2000’. Contemporary British History 22, no. 4 (2008): 537–71.Google Scholar
Olechnowicz, Andrzej, ed. The Monarchy and the British Nation, 1780 to the Present. Cambridge: Cambridge University Press, 2007.Google Scholar
Oliver, Paul. Hinduism and the 1960s: The Rise of a Counter-Culture. London: Bloomsbury, 2014.Google Scholar
Olsson, Ulf. Listening for the Secret: The Grateful Dead and the Politics of Improvisation. Berkeley, CA: University of California Press, 2017.Google Scholar
Ortolano, Guy. The Two Cultures Controversy: Science, Literature and Cultural Politics in Postwar Britain. Cambridge: Cambridge University Press, 2011.Google Scholar
Osgerby, Bill. ‘“Seized By Change, Liberated By Affluence”: Youth Consumption and Cultural Change in Postwar Britain’. In Twentieth-Century Mass Society in Britain and the Netherlands, edited by Moore, Bob and van Nierop, Henk, 175–88. Oxford: Berg, 2006.Google Scholar
Osteen, Mark, ed. The Beatles through a Glass Onion: Reconsidering the White Album. Ann Arbor, MI: University of Michigan Press, 2019.Google Scholar
Palacios, Julian. Syd Barrett and Pink Floyd: Dark Globe. London: Plexus Publishing, 2015.Google Scholar
Pattie, David. Rock Music in Performance. Basingstoke: Springer, 2007.Google Scholar
Pattison, Robert. The Triumph of Vulgarity: Rock Music in the Mirror of Romanticism. New York, NY: Oxford University Press, 1987.Google Scholar
Paul, Kathleen. Whitewashing Britain: Race and Citizenship in the Postwar Era. Ithaca, NY: Cornell University Press, 1997.Google Scholar
Peel, Ian. The Unknown Paul McCartney: McCartney and the Avant-Garde. London: Reynolds and Hearn, 2002.Google Scholar
Perks, Rob. ‘The Century Speaks: A Millennium Oral History Project’. In Aural History: Essays on Recorded Sound, edited by Linehan, Andy, 27–40. London: British Library, 2001.Google Scholar
Petigny, Alan. The Permissive Society: America, 1941–1965. Cambridge: Cambridge University Press, 2009.Google Scholar
Phillips, Paul T. Contesting the Moral High Ground: Popular Moralists in Mid-Twentieth-Century Britain. Toronto: McGill-Queen’s University Press, 2013.Google Scholar
Philo, Simon. British Invasion: The Crosscurrents of Musical Influence. Lanham, MD: Rowman & Littlefield, 2014.Google Scholar
Pimlott, Ben. Harold Wilson. London: HarperCollins, 1992.Google Scholar
Plant, Sadie. The Most Radical Gesture: The Situationist International in a Postmodern Age. London: Routledge, 2002.Google Scholar
Platoff, John. ‘John Lennon, “Revolution”, and the Politics of Musical Reception’. The Journal of Musicology 22, no. 2 (2005): 241–67.Google Scholar
Poiger, Uta G. Jazz, Rock, and Rebels: Cold War Politics and American Culture in a Divided Germany. Berkeley, CA: University of California Press, 2000.Google Scholar
Pomies-Marechal, Sylvie, and Leggett, Matthew. ‘The Abortion Act 1967: A Fundamental Change?’ In Preserving the Sixties: Britain and the ‘Decade of Protest’, edited by Harris, Trevor and Castro, Monia O’Brien, 51–72. Basingstoke: Palgrave Macmillan, 2014.Google Scholar
Powell, Neil. ‘An Aquarian Talent’. In Roy Fuller: A Tribute, edited by Tolley, A. Trevor, 53–8. Toronto, ON: McGill-Queen’s Press, 1993.Google Scholar
Powers, Devon. Writing the Record: The Village Voice and the Birth of Rock Criticism. Amherst, MA: University of Massachusetts Press, 2013.Google Scholar
Pritchard, David, and Lysaght, Alan, eds. The Beatles: An Oral History. London: Hyperion, 1998.Google Scholar
Pyron, Darden Asbury. ‘The Days of the Understated Suit’. 2000. University of Chicago Press. www.press.uchicago.edu/Misc/Chicago/686671.html.Google Scholar
Quantick, David. Revolution: The Making of the Beatles’ White Album. New York, NY: A Capella Books, 2002.Google Scholar
Rabey, David I., and Huijser, Henk. Howard Barker: Politics and Desire – An Expository Study of His Drama and Poetry, 1969–87. Basingstoke: Springer, 1989.Google Scholar
Ramsay, Laura Monica. ‘The Church of England, Homosexual Law Reform, and the Shaping of the Permissive Society, 1957–1979’. Journal of British Studies 57, no. 1 (2018): 108–37.Google Scholar
Randall, Annie J. Dusty! Queen of the Postmods. New York, NY: Oxford University Press, 2008.Google Scholar
Reck, David. ‘Beatles Orientalis: Influences from Asia in a Popular Song Tradition’. Asian Music 16, no. 1 (1985): 83–149.Google Scholar
Reck, David. ‘The Inner Light: George Harrison’s Indian Songs’. In Fifty Years with the Beatles: The Impact of the Beatles on Contemporary Culture, edited by Jarniewicz, Jerzy and Kwiatkowska, Alina, 167–81. Łódź: Łódź University Press, 2010.Google Scholar
Reck, David. ‘The Beatles and Indian Music’. In Sgt. Pepper and The Beatles: It Was Forty Years Ago Today, edited by Julien, Olivier, 63–74. Aldershot: Ashgate, 2007.Google Scholar
Reddington, Helen. The Lost Women of Rock Music: Female Musicians of the Punk Era. Aldershot: Ashgate, 2007.Google Scholar
Reeve, Andru J. Turn Me On, Dead Man: The Beatles and the Paul Is Dead Hoax. Bloomington, IN: AuthorHouse, 2004.Google Scholar
Regev, Eyal. ‘Lennon and Jesus: Secularization and the Transformation of Religion’. Studies in Religion 41, no. 4 (2012): 534–63.Google Scholar
Regev, Motti. ‘Producing Artistic Value: The Case of Rock Music’. The Sociological Quarterly 35, no. 1 (1994): 85–102.Google Scholar
Reid, Charles. Malcolm Sargent: A Biography. New York, NY: Taplinger, 1970.Google Scholar
Reising, Russell, ed. Every Sound There Is: The Beatles’ Revolver and the Transformation of Rock and Roll. Aldershot: Ashgate, 2002.Google Scholar
Reiter, Roland. The Beatles on Film: Analysis of Movies, Documentaries, Spoofs and Cartoons. Bielefeld: Transcript Verlag, 2008.Google Scholar
Reynolds, Simon. Rip It Up and Start Again: Postpunk 1978–1984. London: Faber and Faber, 2009.Google Scholar
Reynolds, Simon, and Press, Joy. The Sex Revolts: Gender, Rebellion, and Rock ’n’ Roll. Cambridge, MA: Harvard University Press, 1996.Google Scholar
Rhodes, Lisa. Electric Ladyland: Women and Rock Culture. Philadelphia, PA: University of Pennsylvania Press, 2005.Google Scholar
Richards, Jeffrey, and Sheridan, Dorothy. Mass-Observation at the Movies. London: Routledge & Kegan Paul, 1987.Google Scholar
Righart, Hans. ‘Moderate Versions of the “Global Sixties”: A Comparison of Great Britain and the Netherlands’. Journal of Area Studies 6, no. 13 (1998): 82–96.Google Scholar
Robbins, Keith. ‘Contextualizing a “New Reformation”: John A. T. Robinson and the Church of England in the Early Sixties’. Kirchliche Zeitgeschichte 23, no. 2 (2010): 428–46.Google Scholar
Roberts, Andy. Albion Dreaming: A Popular History of LSD in Britain. London: Marshall Cavendish, 2008.Google Scholar
Robinson, Lucy, Gough-Yates, Anna, Lincoln, Sian, Osgerby, Bill, Street, John, Webb, Peter and Worley, Matthew. ‘Introduction: Making a Difference by Making a Noise’. In Youth Culture and Social Change: Making a Difference by Making a Noise, 1–13. Basingstoke: Springer, 2017.Google Scholar
Robinson, Stephen. The Remarkable Lives of Bill Deedes. London: Little, Brown, 2008.Google Scholar
Roessner, Jeffrey. ‘We All Want to Change the World: Postmodern Politics and the Beatles’ White Album’. In Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four, edited by Womack, Kenneth and Davis, Todd, 147–58. Binghamton, NY: SUNY Press, 2006.Google Scholar
Rohr, Nicolette. ‘Yeah Yeah Yeah: The Sixties Screamscape of Beatlemania’. Journal of Popular Music Studies 29, no. 2 (2017): 1–13.Google Scholar
Roodhouse, Mark. Black Market Britain: 1939–1955. Oxford: Oxford University Press, 2013.Google Scholar
Roodhouse, Mark. ‘“Fish-and-Chip Intelligence”: Henry Durant and the British Institute of Public Opinion, 1936–63’. Twentieth Century British History 24, no. 2 (2013): 224–48.Google Scholar
Roodhouse, Mark. ‘Lady Chatterley and the Monk: Anglican Radicals and the Lady Chatterley Trial of 1960’. The Journal of Ecclesiastical History 59, no. 3 (2008): 475–500.Google Scholar
Roos, Michael E. ‘The Walrus and the Deacon: John Lennon’s Debt to Lewis Carroll’. Journal of Popular Culture 18, no. 1 (1984): 19–29.Google Scholar
Rorabaugh, W. J. American Hippies. Cambridge: Cambridge University Press, 2015.Google Scholar
Rose, Jonathan. The Intellectual Life of the British Working Classes. New Haven, CT: Yale University Press, 2010.Google Scholar
Rosemont, Franklin, and Radcliffe, Charles, eds. Dancin’ in the Streets! Anarchists, IWWs, Surrealists, Situationists & Provos in the 1960s as Recorded in the Pages of The Rebel Worker & Heatwave. Chicago, IL: Charles H. Kerr, 2005.Google Scholar
Rosen, Andrew. The Transformation of British Life, 1950–2000: A Social History. Manchester: Manchester University Press, 2003.Google Scholar
Ross, Andrew. No Respect: Intellectuals and Popular Culture. London: Routledge, 2016.Google Scholar
Rule, John. ‘Time, Affluence and Private Leisure: The British Working Class in the 1950s and 1960s’. Labour History Review 66, no. 2 (2001): 223–42.Google Scholar
Russell, Dave. Looking North: Northern England and the National Imagination. Manchester: Manchester University Press, 2004.Google Scholar
Rycroft, Simon. Swinging City: A Cultural Geography of London 1950–1974. London: Routledge, 2016.Google Scholar
Samuel, Raphael. Theatres of Memory, Volume II. Island Stories: Unravelling Britain. London: Verso, 1998.Google Scholar
Sandbrook, Dominic. ‘Against the Permissive Society: The Backlash of the Late 1960s’. In Ultimate Adventures with Britannia: Personalities, Politics and Culture in Britain, edited by Louis, William Roger, 55–71. London: I. B. Tauris, 2010.Google Scholar
Sandbrook, Dominic. Never Had It So Good: A History of Britain from Suez to the Beatles. London: Little, Brown, 2005.Google Scholar
Sandbrook, Dominic. The Great British Dream Factory: The Strange History of Our National Imagination. Harmondsworth: Penguin, 2015.Google Scholar
Sandbrook, Dominic. Seasons in the Sun: The Battle for Britain, 1974–1979. Harmondsworth: Penguin, 2012.Google Scholar
Sandbrook, Dominic. State of Emergency: The Way We Were – Britain, 1970–1974. Harmondsworth: Penguin, 2011.Google Scholar
Sandbrook, Dominic. White Heat: A History of Britain in the Swinging Sixties. London: Little, Brown, 2006.Google Scholar
Sandercombe, William Fraser. The Beatles: The Press Reports, 1961–1970. Burlington, ON: Collectors Guide Pub., 2007.Google Scholar
Sanguinetti, Gianfranco, Barker, John, Scribner, Charity and Wise, Tom. Red Army Faction, Red Brigades, Angry Brigade: The Spectacle of Terror in Post War Europe. ebook: Bread and Circuses, 2015.Google Scholar
Sauceda, James. The Literary Lennon. Ann Arbor, MI: Pierian Press, 1984.Google Scholar
Savage, Jon. 1966: The Year the Decade Exploded. London: Faber and Faber, 2015.Google Scholar
Savage, Jon. England’s Dreaming: Sex Pistols and Punk Rock. London: Faber and Faber, 1991.Google Scholar
Savage, Mike. Identities and Social Change in Britain since 1940. Oxford: Oxford University Press, 2010.Google Scholar
Schaffer, Gavin. The Vision of a Nation: Making Multiculturalism on British Television, 1960–80. Basingstoke: Palgrave Macmillan, 2014.Google Scholar
Schickel, Richard. Intimate Strangers: The Culture of Celebrity in America. Chicago, IL: Ivan R. Dee, 2000.Google Scholar
Schneider, Matthew. ‘Getting Better: The Beatles and the Angry Young Men’. In New Critical Perspectives on the Beatles: Things We Said Today, edited by Womack, Kenneth and Kapurch, Katie, 13–30. Basingstoke: Springer, 2016.Google Scholar
Schneider, Matthew. The Long and Winding Road from Blake to the Beatles. Basingstoke: Palgrave Macmillan, 2008.Google Scholar
Schofield, Camilla. Enoch Powell and the Making of Postcolonial Britain. Cambridge: Cambridge University Press, 2015.Google Scholar
Schwartz, Roberta Freund. How Britain Got the Blues: The Transmission and Reception of American Blues Style in the United Kingdom. London: Routledge, 2016.Google Scholar
Seago, Alex. Burning the Box of Beautiful Things: The Development of a Postmodern Sensibility. Oxford: Oxford University Press, 1995.Google Scholar
Seal, Lizzie. Capital Punishment in Twentieth-Century Britain: Audience, Justice, Memory. London: Routledge, 2014.Google Scholar
Shank, Barry. ‘Abstraction and Embodiment: Yoko Ono and the Weaving of Global Musical Networks’. Journal of Popular Music Studies 18, no. 3 (2006): 282–300.Google Scholar
Sheffield, Rob. Dreaming the Beatles: The Love Story of One Band and the Whole World. London: HarperCollins, 2017.Google Scholar
Shumway, David R. Rock Star: The Making of Musical Icons from Elvis to Springsteen. Baltimore, MD: Johns Hopkins University Press, 2014.Google Scholar
Simon, Brian. Education and the Social Order: 1940–1990. London: Lawrence & Wishart, 2000.Google Scholar
Simonelli, David. ‘BBC Rock Music Programming on Radio and Television and the Progressive Rock Audience, 1967–1973’. Popular Music History 2, no. 1 (2007): 95–112.Google Scholar
Simonelli, David. Working Class Heroes: Rock Music and British Society in the 1960s and 1970s. Lanham, MD: Lexington Books, 2013.Google Scholar
Singleton, Rosalind Watkiss. ‘“(Today I Met) The Boy I’m Gonna Marry”: Romantic Expectations of Teenage Girls in the 1960s West Midlands’. In Youth Culture and Social Change, edited by Gildart, Keith, Gough-Yates, Anna and Lincoln, Sian, 119–46. Basingstoke: Palgrave Macmillan, 2017.Google Scholar
Smith, Charles. ‘The Evolution of the Gay Male Public Sphere in England and Wales 1967–c. 1983’. PhD thesis, Loughborough University, 2015.Google Scholar
Smith, Evan, and Worley, Matthew, eds. Against the Grain: The British Far Left from 1956. Oxford: Oxford University Press, 2014.Google Scholar
Smith, Helen. Masculinity, Class and Same-Sex Desire in Industrial England, 1895–1957. Basingstoke: Springer, 2015.Google Scholar
Sneeringer, Julia. ‘Meeting the Beatles: What Beatlemania Can Tell Us about West Germany in the 1960s’. The Sixties 6, no. 2 (2013): 172–98.Google Scholar
Sounes, Howard. Fab: An Intimate Life of Paul McCartney. London: Harper, 2011.Google Scholar
Stanley, Liz. Sex Surveyed, 1949–1994: From Mass-Observation’s ‘Little Kinsey’ to the National Survey and the Hite Reports. London: Routledge, 1995.Google Scholar
Stark, Steven D. Meet the Beatles: A Cultural History of the Band That Shook Youth, Gender, and the World. London: HarperCollins, 2005.Google Scholar
Starr, Michael Seth. Ringo: With a Little Help. Milwaukee, WI: Backbeat Books, 2016.Google Scholar
Stephens, Julie. Anti-Disciplinary Protest: Sixties Radicalism and Postmodernism. Cambridge: Cambridge University Press, 1998.Google Scholar
Stevens, Carolyn S. The Beatles in Japan. London: Routledge, 2017.Google Scholar
Stevenson, Nick. David Bowie: Fame, Sound and Vision. Cambridge: Polity Press, 2006.Google Scholar
Stinson, John J. ‘Anthony Burgess: Novelist on the Margin’. Journal of Popular Culture 7, no. 1 (1973): 136–51.Google Scholar
Stras, Laurie, ed. She’s so Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music. Aldershot: Ashgate, 2010.Google Scholar
Stratton, Jon. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Aldershot: Ashgate, 2014.Google Scholar
Stratton, Jon, and Zuberi, Nabeel, eds. Black Popular Music in Britain since 1945. London: Routledge, 2016.Google Scholar
Street, John. Rebel Rock: The Politics of Popular Music. Oxford: Blackwell, 1986.Google Scholar
Street, John, and Cloonan, Martin. ‘Politics and Popular Music: From Policing to Packaging’. Parliamentary Affairs 50, no. 2 (1997): 223–35.Google Scholar
Subcultures Network. Fight Back: Punk, Politics and Resistance. Oxford: Oxford University Press, 2017.Google Scholar
Sullivan, Henry W. The Beatles with Lacan: Rock ’n’ Roll as Requiem for the Modern Age. New York, NY: Peter Lang, 1995.Google Scholar
Sullivan, Mark. ‘“More Popular than Jesus”: The Beatles and the Religious Far Right’. Popular Music 6, no. 3 (1987): 313–26.Google Scholar
Sulpy, Doug, and Schweighardt, Ray. Get Back: The Beatles’ Let It Be Disaster. London: Helter Skelter, 2003.Google Scholar
Suri, Jeremi. ‘The Rise and Fall of an International Counterculture, 1960–1975’. The American Historical Review 114, no. 1 (2009): 45–68.Google Scholar
Sutcliffe, Pauline. The Beatles’ Shadow: Stuart Sutcliffe & His Lonely Hearts Club. London: Pan Macmillan, 2016.Google Scholar
Sutcliffe-Braithwaite, Florence. Class, Politics, and the Decline of Deference in England, 1968–2000. Oxford: Oxford University Press, 2018.Google Scholar
Sutherland, John. Offensive Literature: Decensorship in Britain, 1960–1982. London: Junction Books, 1982.Google Scholar
Sweers, Britta. Electric Folk: The Changing Face of English Traditional Music. New York, NY: Oxford University Press, 2005.Google Scholar
Swiss, Thomas. ‘That’s Me in the Spotlight: Rock Autobiographies’. Popular Music 24, no. 2 (2005): 287–94.Google Scholar
Szreter, Simon, and Fisher, Kate. Sex before the Sexual Revolution: Intimate Life in England 1918–1963. Cambridge: Cambridge University Press, 2010.Google Scholar
Taylor, Andrew J. ‘“The Record of the 1950s Is Irrelevant”: The Conservative Party, Electoral Strategy and Opinion Research, 1945–64’. Contemporary British History 17, no. 1 (2003): 81–110.Google Scholar
Taylor, J. D. ‘The Party’s Over? The Angry Brigade, the Counterculture, and the British New Left, 1967–1972’. The Historical Journal 58, no. 3 (2015): 877–900.Google Scholar
Tebbutt, Melanie. ‘From “Marriage Bureau” to “Points of View”: Changing Patterns of Advice in Teenage Magazines’. In People, Places and Identities: Themes in British Social and Cultural History, 1700s–1980s, edited by Kidd, Alan and Tebbutt, Melanie, 180–201. Manchester: Manchester University Press, 2017.Google Scholar
Tebbutt, Melanie. Making Youth: A History of Youth in Modern Britain. Basingstoke: Palgrave Macmillan, 2016.Google Scholar
Tessler, Holly. ‘Beatles for Sale: The Role and Significance of Storytelling in the Commercialisation and Cultural Branding of the Beatles since 1970’. PhD Thesis, University of Liverpool, 2009.Google Scholar
Tessler, Holly. ‘Let It Be? Exploring the Beatles Grey Market, 1970–1995’. Popular Music History 9, no. 1 (2014): 48–63.Google Scholar
Tessler, Holly. ‘The Role and Significance of Storytelling in the Creation of the “Post-Sixties” Beatles, 1970–1980’. Popular Music History 5, no. 2 (2010): 169–89.Google Scholar
Thane, Pat. Unequal Britain: Equalities in Britain since 1945. London: A&C Black, 2010.Google Scholar
Thane, Pat, and Evans, Tanya. Sinners? Scroungers? Saints? Unmarried Motherhood in Twentieth-Century England. Oxford: Oxford University Press, 2012.Google Scholar
Thomas, Nick. ‘“To-Night’s Big Talking Point Is Still That Book”: Popular Responses to the Lady Chatterley Trial’. Cultural and Social History 10, no. 4 (2013): 619–34.Google Scholar
Thomlinson, Natalie. Race, Ethnicity and the Women’s Movement in England, 1968–1993. Basingstoke: Springer, 2016.Google Scholar
Thompson, Ben. Ban This Filth! Letters from the Mary Whitehouse Archive. London: Faber and Faber, 2012.Google Scholar
Thompson, Gordon. ‘“A Day in the Life”: The Beatles and the BBC, May 1967’. In The Oxford Handbook of Music Censorship, edited by Hall, Patricia, 535–55. Oxford: Oxford University Press, 2017.Google Scholar
Thompson, Gordon. Please Please Me: Sixties British Pop, Inside Out. New York, NY: Oxford University Press, 2008.Google Scholar
Thompson, Kenneth. Moral Panics. London: Routledge, 2005.Google Scholar
Thompson, Willie, and Collins, Marcus. ‘The Revolutionary Left and the Permissive Society’. In The Permissive Society and Its Enemies: Sixties British Culture, edited by Collins, Marcus, 155–68. London: Rivers Oram, 2007.Google Scholar
Thomson, Graeme. George Harrison: Behind the Locked Door. London: Omnibus Press, 2013.Google Scholar
Thomson, Mathew. Lost Freedom: The Landscape of the Child and the British Post-War Settlement. Oxford: Oxford University Press, 2013.Google Scholar
Thornton, Sarah. Club Cultures: Music, Media and Subcultural Capital. Boston, MA: John Wiley & Sons, 2013.Google Scholar
Thurschwell, Pamela, ed. Quadrophenia and Mod(ern) Culture. Basingstoke: Springer, 2017.Google Scholar
Tickner, Lisa. Hornsey 1968: The Art School Revolution. London: Frances Lincoln, 2008.Google Scholar
Tinker, Chris. ‘Mixed Masculinities in 1960s British and French Youth Magazines’. The Journal of Popular Culture 47, no. 1 (2014): 84–108.Google Scholar
Tinker, Chris. ‘Shaping 1960s Youth in Britain and France: Fabulous and Salut Les Copains’. International Journal of Cultural Studies 14, no. 6 (2011): 641–57.Google Scholar
Todd, Selina. The People: The Rise and Fall of the Working Class, 1910–2010. London: John Murray, 2015.Google Scholar
Todd, Selina, and Young, Hilary. ‘From Baby-Boomers to “Beanstalkers”: Making the Modern Teenager in Postwar Britain’. Cultural and Social History 9, no. 3 (2012): 451–67.Google Scholar
Tranmer, Jeremy. ‘The Radical Left and Popular Music in the 1960s’. In Preserving the Sixties: Britain and the ‘Decade of Protest’, edited by Harris, Trevor and Castro, Monia O’Brien, 90–104. Basingstoke: Palgrave Macmillan, 2014.Google Scholar
Tranmer, Jeremy. ‘“Within You Without You”: les Beatles et la gauche britannique’. Volume! 12, no. 2 (2016): 7585.Google Scholar
Turner, Alwyn W. Crisis? What Crisis? Britain in the 1970s. London: Aurum, 2013.Google Scholar
Turner, Steve. Beatles ’66: The Revolutionary Year. London: HarperCollins, 2016.Google Scholar
Turner, Steve. Cliff Richard: The Biography. Oxford: Lion Books, 2008.Google Scholar
Turner, Steve. The Gospel According to the Beatles. London: Westminster John Knox, 2006.Google Scholar
Twitchell, Neville. The Politics of the Rope: The Campaign to Abolish Capital Punishment in Britain 1955–1969. Bury St. Edmunds: Arena, 2012.Google Scholar
Vague, Tom. Anarchy in the UK: The Angry Brigade. Edinburgh: AK Press, 1997.Google Scholar
Valdez, Stephen. ‘It’s All Too Much: The Beatles’ Formal, Sonic, and Lyrical Contributions to the Change from Rock ’n’ Roll to Rock’. In Fifty Years with the Beatles: The Impact of the Beatles on Contemporary Culture, edited by Jarniewicz, Jerzy and Kwiatkowska, Alina, 149–66. Łódź: Łódź University Press, 2010.Google Scholar
Varon, Jeremy, Foley, Michael S. and McMillian, John. ‘Time Is an Ocean: The Past and Future of the Sixties’. The Sixties 1, no. 1 (2008): 1–7.Google Scholar
Vyner, Harriet. Groovy Bob: The Life and Times of Robert Fraser. London: Heni Publishing, 2016.Google Scholar
Wald, Elijah. How the Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music. Oxford: Oxford University Press, 2009.Google Scholar
Wald, Gayle. ‘Just a Girl? Rock Music, Feminism, and the Cultural Construction of Female Youth’. Signs: Journal of Women in Culture and Society 23, no. 3 (1998): 585–610.Google Scholar
Wall, Tim. Studying Popular Music Culture. Los Angeles, CA: Sage, 2013.Google Scholar
Walser, Robert. Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Middletown, CT: Wesleyan University Press, 2014.Google Scholar
Ward, Brian. ‘“The ‘C’ Is for Christ”: Arthur Unger, Datebook Magazine and the Beatles’. Popular Music and Society 35, no. 4 (2012): 541–60.Google Scholar
Ward, Brian. Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations. Berkeley, CA: University of California Press, 1998.Google Scholar
Ward, Paul. Britishness since 1870. London: Routledge, 2004.Google Scholar
Wark, McKenzie. The Beach beneath the Street: The Everyday Life and Glorious Times of the Situationist International. London: Verso Books, 2015.Google Scholar
Warner, Simon. Text and Drugs and Rock ’n’ Roll: The Beats and Rock Culture. London: A&C Black, 2013.Google Scholar
Warwick, Jacqueline. Girl Groups, Girl Culture: Popular Music and Identity in the 1960s. London: Routledge, 2007.Google Scholar
Waters, Chris. ‘The Homosexual as a Social Being in Britain, 1945–1968’. In British Queer History: New Approaches and Perspectives, edited by Lewis, Brian, 188–218. Manchester: Manchester University Press, 2013.Google Scholar
Watson, Jonathan Paul. ‘“Beats Apart”: A Comparative History of Youth Culture and Popular Music in Liverpool and Newcastle upon Tyne, 1956–1965’. PhD Thesis, Northumbria University, 2010.Google Scholar
Webb, Clive. ‘Special Relationships: Mixed-Race Couples in Post-War Britain and the United States’. Women’s History Review 26, no. 1 (2017): 110–29.Google Scholar
Weber, Erin Torkelson. The Beatles and the Historians: An Analysis of Writings about the Fab Four. Jefferson, NC: McFarland, 2016.Google Scholar
Webster, Peter, and Jones, Ian. ‘Anglican “Establishment” Reactions to “Pop” Church Music in England c. 1956–1991’. In Elite and Popular Religion: Papers Read at the 2004 Summer Meeting and the 2005 Winter Meeting of the Ecclesiastical History Society, edited by Cooper, Kate and Gregory, Jeremy, 429–41. Woodbridge: Boydell Press, 2006.Google Scholar
Webster, Wendy. Imagining Home: Gender, Race and National Identity, 1945–1964. London: Routledge, 2005.Google Scholar
Webster, Wendy. ‘The Empire Comes Home: Commonwealth Migration to Britain’. In Britain’s Experience of Empire in the Twentieth Century, edited by Thompson, Andrew, 122–60. Oxford: Oxford University Press, 2012.Google Scholar
Weeks, Jeffrey. Sex, Politics and Society: The Regulation of Sexuality since 1800. Rev. edn. Harlow: Longman, 1989.Google Scholar
Weeks, Jeffrey. The World We Have Won: The Remaking of Erotic and Intimate Life. London: Routledge, 2007.Google Scholar
Weight, Richard. Mod: A Very British Style. London: Bodley Head, 2013.Google Scholar
Weight, Richard. Patriots: National Identity in Britain, 1940–2000. London: Macmillan, 2002.Google Scholar
Weinstein, Deena. Heavy Metal: The Music and Its Culture. London: Hachette UK, 2009.Google Scholar
Weisethaunet, Hans, and Lindberg, Ulf. ‘Authenticity Revisited: The Rock Critic and the Changing Real’. Popular Music and Society 33, no. 4 (2010): 465–85.Google Scholar
Welch, Rosanne. Why the Monkees Matter: Teenagers, Television and American Pop Culture. Jefferson, NC: McFarland, 2016.Google Scholar
Werner, Craig Hansen. A Change Is Gonna Come: Music, Race and the Soul of America. Ann Arbor, MI: University of Michigan Press, 2006.Google Scholar
Whipple, Amy. ‘Revisiting the “Rivers of Blood” Controversy: Letters to Enoch Powell’. Journal of British Studies 48, no. 3 (2009): 717–35.Google Scholar
Whipple, Amy C. ‘Speaking for Whom? The 1971 Festival of Light and the Search for the “Silent Majority”’. Contemporary British History 24, no. 3 (2010): 319–39.Google Scholar
White, G. D. ‘Digging for Apples: Reappraising the Influence of Situationist Theory on Theatre Practice in the English Counterculture’. Theatre Survey 42, no. 2 (2001): 177–90.Google Scholar
Whiteley, Gillian. ‘Sewing the “Subversive Thread of Imagination”: Jeff Nuttall, Bomb Culture and the Radical Potential of Affect’. The Sixties 4, no. 2 (2011): 109–33.Google Scholar
Whiteley, Sheila. ‘No Fixed Agenda: The Position of the Beatles within Popular / Rock Music’. In Beatlestudies 3, edited by Heinonen, Yrjö, 3–13. Jyväskylä: University of Jyväskylä, 2000.Google Scholar
Whiteley, Sheila, ed. Sexing the Groove: Popular Music and Gender. London: Routledge, 1997.Google Scholar
Whiteley, Sheila. The Space between the Notes: Rock and the Counter-Culture. London: Routledge, 1992.Google Scholar
Whiteley, Sheila. Women and Popular Music: Sexuality, Identity and Subjectivity. London: Routledge, 2013.Google Scholar
Whiteley, Sheila, and Sklower, Jedediah, eds. Countercultures and Popular Music. London: Routledge, 2014.Google Scholar
Whitley, Ed. ‘The Postmodern White Album’. In The Beatles, Popular Music and Society: A Thousand Voices, edited by Inglis, Ian, 105–25. New York, NY: St. Martin’s Press, 2000.Google Scholar
Wicke, Peter. Rock Music: Culture, Aesthetics and Sociology. Cambridge: Cambridge University Press, 1990.Google Scholar
Wiener, Jon. Come Together: John Lennon in His Time. 2nd edn. London: Faber, 2000.Google Scholar
Wiener, Jon. Gimme Some Truth: The John Lennon FBI Files. Berkeley, CA: University of California Press, 2000.Google Scholar
Wiener, Jon. ‘Pop and the Avant-Garde: The Case of John and Yoko’. Popular Music and Society 22, no. 1 (1998): 1–16.Google Scholar
Wilkins, Charlotte, and Inglis, Ian. ‘Fashioning the Fab Four: The Visual Identities of the Beatles’. Fashion, Style & Popular Culture 2, no. 2 (2015): 207–21.Google Scholar
Wilkinson, David. Post-Punk, Politics and Pleasure in Britain. Basingstoke: Springer, 2016.Google Scholar
Williams, Kevin. Read All about It! A History of the British Newspaper. London: Routledge, 2010.Google Scholar
Willett, John. Art in a City. Liverpool: Bluecoat Society of Arts/Methuen, 1967.Google Scholar
Willis, Paul E. Profane Culture. Princeton, NJ: Princeton University Press, 2014.Google Scholar
Wilson, A. N. Our Times. London: Hutchinson, 2008.Google Scholar
Wilson, Elizabeth. Only Halfway to Paradise: Women in Postwar Britain 1945–1968. London: Tavistock, 1980.Google Scholar
Winsworth, Ben. ‘Psychic Liberation in Sgt. Pepper’s Lonely Hearts Club Band’. In Preserving the Sixties: Britain and the ‘Decade of Protest’, edited by Harris, Trevor and Castro, Monia O’Brien, 160–72. Basingstoke: Palgrave Macmillan, 2014.Google Scholar
Wiseman-Trowse, Nathan. Performing Class in British Popular Music. Basingstoke: Palgrave Macmillan, 2008.Google Scholar
Wolf, Christof, Joye, Dominique, Smith, Tom W. and Fu, Yang-chih, eds. The SAGE Handbook of Survey Methodology. Los Angeles, CA: Sage, 2016.Google Scholar
Womack, Kenneth. ‘Authorship and the Beatles’. College Literature 34, no. 3 (2007): 161–82.Google Scholar
Womack, Kenneth. Long and Winding Roads: The Evolving Artistry of the Beatles. New York, NY: Continuum, 2007.Google Scholar
Womack, Kenneth. Maximum Volume: The Life of Beatles Producer George Martin – the Early Years 1926–1966. Chicago, IL: Chicago Review Press, 2017.Google Scholar
Womack, Kenneth. Solid State: The Story of Abbey Road and the End of the Beatles. Ithaca, NY: Cornell University Press, 2019.Google Scholar
Womack, Kenneth. Sound Pictures: The Life of Beatles Producer George Martin – the Later Years 1966–2016. Chicago, IL: Chicago Review Press, 2018.Google Scholar
Womack, Kenneth, ed. The Beatles Encyclopedia: Everything Fab Four. Santa Barbara, CA: ABC-CLIO, 2016.Google Scholar
Womack, Kenneth, ed. The Cambridge Companion to the Beatles. Cambridge: Cambridge University Press, 2009.Google Scholar
Womack, Kenneth, and Cox, Kathryn B., eds. The Beatles, Sgt. Pepper, and the Summer of Love. Lanham, MD: Lexington Books, 2017.Google Scholar
Womack, Kenneth, and Davis, Todd F.. ‘Mythology, Remythology, and Demythology: The Beatles on Film’. In Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four, edited by Womack, Kenneth and Davis, Todd F., 97–109. Binghamton, NY: SUNY Press, 2006.Google Scholar
Womack, Kenneth, and Davis, Todd, eds. Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four. Binghamton, NY: SUNY Press, 2006.Google Scholar
Woodhead, Leslie. How the Beatles Rocked the Kremlin. London: Bloomsbury, 2013.Google Scholar
Worcester, Robert M. British Public Opinion: A Guide to the History and Methodology of Political Opinion Polling. Oxford: Blackwell, 1991.Google Scholar
Worcester, Robert M. World Political Opinion and Social Surveys: Series One – British Opinion Polls. Reading: Research Publications, 1990.Google Scholar
Worley, Matthew. ‘Marx–Lenin–Rotten–Strummer: British Marxism and Youth Culture in the 1970s’. Contemporary British History 30, no. 4 (2016): 505–21.Google Scholar
Worley, Matthew. No Future: Punk, Politics and British Youth Culture, 1976–1984. Cambridge: Cambridge University Press, 2017.Google Scholar
Yates, Nigel. Love Now, Pay Later? Sex and Religion in the Fifties and Sixties. London: SPCK, 2011.Google Scholar
Young, Jock. The Drugtakers: The Social Meaning of Drug Use. London: MacGibbon and Kee, 1971.Google Scholar
Zimmerman, Nadya. Counterculture Kaleidoscope: Musical and Cultural Perspectives on Late Sixties San Francisco. Ann Arbor, MI: University of Michigan Press, 2008.Google Scholar
Zweiniger-Bargielowska, Ina, ed. Women in Twentieth-Century Britain. Harlow: Longman, 2001.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Marcus Collins, Loughborough University
  • Book: The Beatles and Sixties Britain
  • Online publication: 11 March 2020
  • Chapter DOI: https://doi.org/10.1017/9781108769426.010
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Marcus Collins, Loughborough University
  • Book: The Beatles and Sixties Britain
  • Online publication: 11 March 2020
  • Chapter DOI: https://doi.org/10.1017/9781108769426.010
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Marcus Collins, Loughborough University
  • Book: The Beatles and Sixties Britain
  • Online publication: 11 March 2020
  • Chapter DOI: https://doi.org/10.1017/9781108769426.010
Available formats
×