Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-24T18:13:25.451Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  05 February 2021

Oskar Cox Jensen
Affiliation:
University of East Anglia
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

British Library, Add. MS 27825: Francis Place, ‘Collections relating to Manners and Morals’.Google Scholar
British Library, Add. MS 42952: ‘Plays from the Lord Chamberlain’s Office. Vol. LXXXVIII. June–August 1839’.Google Scholar
Cambridge University Library, Madden Collection.Google Scholar
Aberdeen Journal and General Advertiser for the North of Scotland (1797–1876).Google Scholar
Bell’s Life in London, and Sporting Chronicle (1822–86).Google Scholar
Bell’s Life in Sydney, and Sporting Reviewer (1845–60).Google Scholar
Britannic Magazine; or Entertaining Repository of Heroic Adventures (1793–1807).Google Scholar
British Stage and Literary Cabinet (1817–22).Google Scholar
Bury and Norwich Post (1786–1931).Google Scholar
Caledonian Mercury (1720–1859).Google Scholar
Chambers’s Information for the People (1842).Google Scholar
Child’s Companion; or Sunday Scholar’s Reward (1824–44).Google Scholar
Daily News (1846–1912).Google Scholar
Director; a Weekly Literary Journal (1807).Google Scholar
Edinburgh Annual Register (1808–26).Google Scholar
Empire (Sydney, 1850–75).Google Scholar
English Gentleman (1845).Google Scholar
Era (1838–1939).Google Scholar
European Magazine and London Review (1782–1825).Google Scholar
Evening Standard (1859–1905).Google Scholar
Examiner; a Sunday Paper (1808–36).Google Scholar
Fraser’s Magazine (1870–82).Google Scholar
Gentleman’s Magazine (1731–1922).Google Scholar
Household Words: A Weekly Journal (1850–9).Google Scholar
Howitt’s Journal (1847–8).Google Scholar
Hull Packet (1793–1807).Google Scholar
John Bull (1820–92).Google Scholar
Juvenile Companion and Sunday School Hive (1854–71).Google Scholar
La Belle Assemblée; or, Bell’s Court and Fashionable Magazine (1806–32).Google Scholar
Ladies’ Cabinet of Fashion, Music, and Romance (1832–52).Google Scholar
Lady’s Monthly Museum; or, Polite Repository of Amusement and Instruction (1798–1832).Google Scholar
Lady’s Newspaper (1847–63).Google Scholar
Lancaster Gazette and General Advertiser (1803–94).Google Scholar
Leigh Hunt’s London Journal (1834–5).Google Scholar
Liverpool Mercury (1811–1904).Google Scholar
Lloyd’s Weekly London Newspaper (1843–1931).Google Scholar
The London: A First-Class Magazine (1867–8).Google Scholar
London Magazine (1820–9).Google Scholar
Macmillan’s Magazine (1859–1907).Google Scholar
The Mirror of Literature, Amusement, and Instruction (1823–41).Google Scholar
Monthly Magazine; or, British Register (1796–1843).Google Scholar
Monthly Review; or, Literary Journal Enlarged (1749–1844).Google Scholar
Morning Chronicle and London Advertiser (1769–1865).Google Scholar
Morning Post (1772–1937).Google Scholar
Musical Times and Singing Class Circular (1844–1903).Google Scholar
Musical World: A Weekly Record of Musical Science, Literature, and Intelligence (1836–90).Google Scholar
National Magazine (Dublin, 1830–1).Google Scholar
National Review (1855–64).Google Scholar
Notes and Queries (1849–).Google Scholar
Patriot: A Periodical Publication, Intended to Arrest the Progress of Seditious and Blasphemous Opinions, Too Prevalent In the Year 1819 (Manchester, 1819–20).Google Scholar
Penny Satirist (1840–6).Google Scholar
Punch (1841–1992).Google Scholar
Satirist, Or, Monthly Meteor (1808–14).Google Scholar
Scots Magazine (1739–1803).Google Scholar
Scourge, or Literary, Theatrical, and Miscellaneous Magazine (1811–16).Google Scholar
Standard (1827–1920).Google Scholar
Theatre, or, Dramatic and Literary Mirror (1819).Google Scholar
Theatrical Journal (1839–71).Google Scholar
The Times (1788–).Google Scholar
Westminster Review (1841–6).Google Scholar
York Herald and General Advertiser (1813–54).Google Scholar
Bodleian Library, Broadside Ballads Online (Bod.): http://ballads.bodleian.ox.ac.uk.Google Scholar
Eighteenth Century Collections Online: http://find.galegroup.com/ecco.Google Scholar
Folk Music of England, Scotland, Ireland, Wales and America: http://contemplator.com/folk.Google Scholar
House of Commons Parliamentary Papers: http://parlipapers.chadwyck.co.uk/home.do.Google Scholar
The Making of the Modern World: http://find.galegroup.com/mome/.Google Scholar
The Proceedings of the Old Bailey, 1674–1913 (POB): http://oldbaileyonline.org.Google Scholar
Oxford Dictionary of National Biography (ODNB): http://oxforddnb.com/.Google Scholar
Aikin, John, Essays on Song-Writing; With a Collection of Such English Songs as are Most Eminent for Poetical Merit (1810).Google Scholar
Arnold, Samuel J., Little Bess the Ballad Singer, As Sung with the Greatest Applause by Mrs. Crouch, Miss Leak, and Miss Poole (n.d.).Google Scholar
Ashton, John, Modern Street Ballads (1888).Google Scholar
The Ballad Singer, A New Song (c.1800).Google Scholar
Bronson, Bertrand H. (ed.), The Traditional Tunes of the Child Ballads, 4 vols. (Princeton, 1959–72).Google Scholar
Chappell, William (ed.), A Collection of National English Airs, Consisting of Ancient Song, Ballad, & Dance Tunes, 2 vols. (1840).Google Scholar
Chappell, William (ed.), Popular Music of the Olden Time; A Collection of Ancient Songs, Ballads, and Dance Tunes, Illustrative of the National Music of England, 2 vols. (1855–9).Google Scholar
Dibdin, Charles I. M., Mirth and Metre (1807).Google Scholar
Dixon, James H. (ed.), Scottish Traditional Versions of Ancient Ballads (1845).Google Scholar
Dixon, James H. (ed.), Ancient Poems, Ballads, and Songs of the Peasantry of England (1846).Google Scholar
Dixon, James H. (ed.), The Garland of Good-Will, by Thomas Deloney (1851).Google Scholar
Motherwell, William, Minstrelsy; Ancient and Modern, with an Historical Introduction and Notes (Glasgow, 1827).Google Scholar
The Old Dog Tray Songster (c.1860)Google Scholar
Plumptre, James, A Collection of Songs Moral, Sentimental, Instructive, and Amusing (1805, 1806).Google Scholar
Speaight, George (ed.), Bawdy Songs of the Early Music Hall (1975).Google Scholar
Spedding, Patrick and Watts, Paul (general eds.), Bawdy Songbooks of the Romantic Period, 4 vols. (2011).Google Scholar
Spofforth, Reginald, The Twelfth Cake, a Juvenile Amusement Consisting of Little Ballads (1807).Google Scholar
The Universal Songster, or, Museum of Mirth, 3 vols. (1825–6).Google Scholar
Ware, William H., London Now is Out of Town (1811).Google Scholar
Will Whimsical’s Miscellany (Chichester, 1799).Google Scholar
Wilson, Charles, The Myrtle and Vine; Or, Complete Vocal Library, 4 vols. (1800).Google Scholar
Anderson, Robert, The Poetical Works of Robert Anderson, 2 vols. (Carlisle, 1820).Google Scholar
Basset, Josiah, The Life of a Vagrant, or the Testimony of an Outcast to the Value and Truth of the Gospel (3rd edn, 1850).Google Scholar
Bewick, Thomas, A Memoir of Thomas Bewick (Newcastle, 1862).Google Scholar
Brown, William, A Narrative of the Life and Adventures of William Brown (York, 1829).Google Scholar
Burnett, John (ed.), Useful Toil: Autobiographies of Working People from the 1820s to the 1920s (Harmondsworth, 1984).Google Scholar
Burstow, Henry, Reminiscences of Horsham (Horsham, 1911).Google Scholar
Chatterton, Georgiana (ed.), Memorials, Personal and History of Admiral Lord Gambier, G.C.B., 2 vols. (1861).Google Scholar
[Cochrane, Charles ], Journal of a Tour Made by … J. de V., the Spanish Minstrel of 1828–9, through Great Britain and Ireland, a Character Assumed by an English Gentleman (1847).Google Scholar
Dibdin, Charles, The Professional Life of Mr. Dibdin, Written by Himself, 4 vols. (1803).Google Scholar
Dodd, William, A Narrative of the Experience and Sufferings of William Dodd, a Factory Cripple. Written by Himself (2nd edn, 1841).Google Scholar
Gardiner, William, Music and Friends: or, Pleasant Recollections of a Dilettante, 2 vols. (1838).Google Scholar
Heaton, William, The Old Soldier; The Wandering Lover; and other Poems; together with a Sketch of the Author’s Life (1857).Google Scholar
Hindley, Charles (ed.), The Life and Adventures of a Cheap Jack. By One of the Fraternity (1876).Google Scholar
Holcroft, Thomas, Memoirs of the Late Thomas Holcroft, 3 vols. (1816).Google Scholar
Kingsley, Charles, Alton Locke, Tailor and Poet: An Autobiography, 2 vols. (1850).Google Scholar
Knight, Charles, Passages of a Working Life During Half a Century, 3 vols. (1864).Google Scholar
Leatherland, J. A., Essays and Poems, with a brief Autobiographical Memoir (1862).Google Scholar
Lewis, Matthew G., Journal of a Residence Among the Negroes in the West Indies (1845, repr Stroud, 2005).Google Scholar
The Life of Old Jemmy Catnach, Printer (New edn, Penzance, 1965).Google Scholar
Love, David, David Love’s Journey to London, and his Return to Nottingham (Nottingham, c.1814).Google Scholar
Love, David, The Life, Adventures, and Experience, of David Love. Written by Himself (3rd edn, Nottingham, 1823).Google Scholar
Magee, John, Some Account of the Travels of John Magee, Pedlar and Flying Stationer, in North & South Britain, in the Years 1806 and 1808 (Paisley, 1826).Google Scholar
Maguire, Robert (ed.), Scenes from My Life, by a Working Man (1858).Google Scholar
Senelick, Laurence (ed.), Tavern Singing in Early Victorian London: The Diaries of Charles Rice for 1840 and 1850 (1997).Google Scholar
Silliman, Benjamin, A Journal of Travels in England, Holland, and Scotland, and of Two Passages Over the Atlantic, in the Years 1805 and 1806, 2 vols. (2nd edn, Boston, 1812).Google Scholar
Smith, Charles M., The Working Man’s Way in the World (3rd edn, 1857).Google Scholar
Somerville, Alexander, The Autobiography of a Working Man, by ‘One who has Whistled at the Plough’ (1848).Google Scholar
Speaight, George (ed.), Professional & Literary Memoirs of Charles Dibdin the Younger (1956).Google Scholar
Stott, Benjamin, Songs for the Millions and Other Poems (Middleton, 1843).Google Scholar
Taylor, Jane, Memoirs, Correspondence, and Poetical Remains, of Jane Taylor (4th edn, 1841).Google Scholar
Teasdale, Harvey, The Life and Adventures of Harvey Teasdale (7th edn, Sheffield, 1870).Google Scholar
Thale, Mary (ed.), The Autobiography of Francis Place (1771–1854) (Cambridge, 1972).Google Scholar
Thomson, Christopher, The Autobiography of an Artisan (1847).Google Scholar
Vincent, David (ed.), Testaments of Radicalism: Memoirs of Working Class Politicians 1790–1885 (1977).Google Scholar
West, William, Fifty Years’ Recollections of an Old Bookseller (Cork, 1835).Google Scholar
Badcock, John, Real Life in London; or, the Rambles and Adventures of Bob Tallyho, Esq. and his cousin, the Hon. Tom Dashall, through the Metropolis, 2 vols. (1821).Google Scholar
Burrowes, John [John Freckleton], Life in St. George’s Fields, or, the Rambles and Adventures of Disconsolate William, Esq. (1821).Google Scholar
Dickens, Charles, Our Mutual Friend (1864–5, New edn, Harmondsworth, 1971).Google Scholar
Edgeworth, Maria, The Ballad Singer; or, Memoirs of the Bristol Family: A Most Interesting Novel in Four Volumes, 4 vols. (1814).Google Scholar
Egan, Pierce, Life in London, or, The Day and Night Scenes of Jerry Hawthorn, Esq. (2nd edn, c.1870).Google Scholar
Goldsmith, Oliver, The Vicar of Wakefield (1800).Google Scholar
Johnstone, Charles, Chrysal: or, The Adventures of a Guinea., 3 vols. (1760, New edn, c.1797).Google Scholar
Kelly, Isabella, Joscelina: or, the Rewards of Benevolence. A Novel, 2 vols. (2nd edn, 1798).Google Scholar
Lamb, Charles, The Poetical Works of Charles Lamb. A New Edition (1836).Google Scholar
Martineau, Harriet, Illustrations of Political Economy: no. III, Brooke and Brooke Farm: A Tale (3rd edn, 1833).Google Scholar
More, Hannah, The Two Shoemakers. In Six Parts (n.d.).Google Scholar
The Surprising History of a Ballad Singer (Falkirk, 1818).Google Scholar
Wordsworth, William, The Prelude (New York, 1850).Google Scholar
Hoare, Prince, No Song No Supper; A Musical Entertainment, In Two Acts (1830).Google Scholar
Jerrold, Douglas, Black-Ey’d Susan: A Drama, in Three Acts (1829).Google Scholar
Jerrold, Douglas, Sally in Our Alley. A Drama, in Two Acts (1829).Google Scholar
Mayhew, Henry, The Wandering Minstrel. A Farce, in One Act (1834, New edn, New York, n.d.).Google Scholar
Moncrieff, William T., Tom and Jerry; or, Life in London: An Operatic Extravaganza, in Three Acts (2nd edn, 1828).Google Scholar
Moncrieff, William T., Sam Weller or, The Pickwickians: A Drama in Three Acts (1837).Google Scholar
Moncrieff, William T., The Ballad Singer, in Three Acts (1839), in British Library, Add. MS. 42952, ff. 248327.Google Scholar
An Act for Further Improving the Police in and near the Metropolis: (17th August 1839) (1839).Google Scholar
Advice to the Labourer, the Mechanic, and the Parent (c.1800).Google Scholar
‘Aleph’ [Harvey, William], London Scenes and London People (1863).Google Scholar
Allingham, William, ‘Irish Ballad Singers and Irish Street Ballads’, Household Words 94 (1852), repr. Ceol 3 (1967): 216.Google Scholar
Allingham, William (ed.), The Ballad Book: A Selection of the Choicest British Ballads (1864).Google Scholar
An Address to the Public, From the Society for the Suppression of Vice (1804).Google Scholar
Babbage, Charles, A Chapter on Street Nuisances (1864).Google Scholar
Baring-Gould, Sabine, Strange Survivals: Some Chapters in the History of Man (2nd edn, 1894).Google Scholar
Bartell, Edmund, Hints for Picturesque Improvements in Ornamented Cottages, and Their Scenery (1804).Google Scholar
Bass, Michael T., Street Music in the Metropolis. Correspondence and Observations on the Existing Law, and Proposed Amendments (1864).Google Scholar
Bee, John [John Badcock], A Living Picture of London, for 1828 (1828).Google Scholar
Beresford, James, The Miseries of Human Life; or the Groans of Samuel Sensitive, and Timothy Testy, 2 vols. (6th edn, 1807).Google Scholar
Bigland, John, An Historical Display of the Effects of Physical and Moral Causes on the Character and Circumstances of Nations (1816).Google Scholar
Busby, Thomas L., Costume of the Lower Orders of London. Painted and Engraved from Nature (1820).Google Scholar
Carey, George Saville, The Balnea (1799).Google Scholar
Caulfield, James, Blackguardiana: or, A Dictionary of Rogues (c.1793).Google Scholar
The Colonial Policy of Great Britain, Considered with Relation to Her North American Provinces and West India Possessions (1819).Google Scholar
Colquhoun, Patrick, A Treatise on the Police of the Metropolis (6th edn, 1800).Google Scholar
Colquhoun, Patrick, A Treatise on the Functions and Duties of a Constable (1803).Google Scholar
Colquhoun, Patrick, A Treatise on Indigence (1806).Google Scholar
The Dens of London Exposed (1835).Google Scholar
The Encyclopaedia of Anecdote (Dublin, c.1800).Google Scholar
Esquiros, Alphonse, The English at Home, trans. Lascelles Wraxall 2 vols. (1861).Google Scholar
The First Report of the Society Established in London for the Suppression of Mendicity (1819).Google Scholar
Fletcher, Andrew, The Political Works of Andrew Fletcher, Esq. (1737).Google Scholar
Folio, F.’, The Hawkers and Street Dealers of Manchester and the North of England Manufacturing Districts Generally… Being Some Account of their Dealings, Dodgings, & Doings (Manchester, 1858).Google Scholar
Fox, William J., Lectures Addressed Chiefly to the Working Classes, 4 vols. (1846).Google Scholar
Gardiner, William, The Music of Nature (1832, New edn, Boston, 1841).Google Scholar
Greenwood, James, Unsentimental Journeys: or, Byways of the Modern Babylon (1867).Google Scholar
Gregory, George, A Dictionary of Arts and Sciences, 2 vols. (1806–7).CrossRefGoogle Scholar
Hazlitt, William, The Plain Speaker: Opinions on Books, Men, and Things. A New Edition (1870).Google Scholar
Heads of the People: Being Portraits of the English, 2 vols. (1840).Google Scholar
Hindley, Charles, Curiosities of Street Literature (1871).Google Scholar
Hindley, Charles, The Life and Times of James Catnach (Late of Seven Dials), Ballad Monger (1878).Google Scholar
Hindley, Charles, A History of the Cries of London, Ancient and Modern (1881).Google Scholar
Hindley, Charles, The History of the Catnach Press (1887).Google Scholar
Hindley, Charles, The True History of Tom and Jerry (1888).Google Scholar
History of the Westminster and Middlesex Elections; in the Month of November, 1806 (1807).Google Scholar
Hone, William, The Reformists’ Register and Weekly Commentary (1817).Google Scholar
Hone, William, The Every-Day Book; or, the Guide to the Year (1825).Google Scholar
Horne, George, Sixteen Sermons on Various Subjects and Occasions (2nd edn, Oxford, 1795).Google Scholar
Howell, Thomas B. (ed.), Cobbett’s Complete Collection of State Trials, 21 vols. (1809–26).Google Scholar
Jackson, William, Observations on the Present State of Music, in London (Dublin, 1791).Google Scholar
Jerrold, Blanchard, London: A Pilgrimage. Illustrated by Gustave Doré with an Introduction by Peter Ackroyd (2006).Google Scholar
Jerrold, Douglas, The Essays of Douglas Jerrold. Edited by his Grandson Walter Jerrold with Illustrations by H.M. Brock (1903).Google Scholar
Knight, Charles (ed.), London, 6 vols. (1851).Google Scholar
Leighton, John, London Cries & Public Edifices. By Luke Limner Esq. (1847).Google Scholar
Lhotsky, John, Hunger and Revolution. By the Author of ‘Daily Bread.’ (1843).Google Scholar
Mackay, Charles, Memoirs of Extraordinary Popular Delusions, 3 vols. (1841).Google Scholar
Malcolm, James P., Anecdotes of the Manners and Customs of London during the Eighteenth Century, 2 vols. (1810).Google Scholar
Metropolitan Grievances; or, a Serio-Comic Glance at Minor Mischiefs in London and its Vicinity (1812).Google Scholar
Millar, James, The Friendly Society Guide: or, A Series of Letters, Conferences, and Essays on the Formation and Improvement of Benefit or Friendly Societies (Dundee, 1825).Google Scholar
Molleson, Alexander, Miscellanies in Prose and Verse (Glasgow, 1806).Google Scholar
Morley, Henry, Memoirs of Bartholomew Fair (1859, repr. 1973).Google Scholar
The Moving Market: Or, Cries of London. For the Amusement of Good Children. (Glasgow, 1815).Google Scholar
New Police Report for 1817. The Second Report of the Select Committee (1817).Google Scholar
The Observant Pedestrian; Or, Traits of the Heart: In a Solitary Tour from Cærnarvon to London: In Two Volumes, by the Author of The Mystic Cottager, 2 vols. (1795).Google Scholar
Parker, George, Life’s Painter of Variegated Characters in Public and Private Life (1789).Google Scholar
Parker, George, A View of Society and Manners in High and Low Life, 2 vols. (1791).Google Scholar
Plumptre, James, Letters to John Aikin, M.D. on his volume of Vocal Poetry (Cambridge, 1811).Google Scholar
Rag, Jack’ (ed.), Streetology of London; or, the Metropolitan Papers of the Itinerant Club (1837).Google Scholar
Rede, Lehman T., The Road to the Stage; or, The Performer’s Preceptor (1827).Google Scholar
Religious Tracts, Dispersed by the Society for Promoting Christian Knowledge, 12 vols. (1800).Google Scholar
Report from Committee on the State of Mendicity in the Metropolis, Ordered by the House of Commons to be Printed, 11 July 1815 (1815).Google Scholar
Reynolds, George W. M., The Mysteries of London (1850–6, New edn, Keele, 1996).Google Scholar
Rowlandson, Thomas, Characteristic Sketches of the Lower Orders (c.1820).Google Scholar
Sala, George Augustus, Twice Round the Clock; or the Hours of the Day and Night in London (1861).Google Scholar
Sala, George Augustus, Gaslight and Daylight (New edn, 1872).Google Scholar
Schlesinger, Max, Saunterings in and about London. The English Edition by Otto Wenckstern (1853).Google Scholar
Scholes, Percy A., The Mirror of Music, 1844–1944: A Century of Musical Life in Britain as reflected in the pages of the Music Times, 2 vols. (Oxford, 1947).Google Scholar
Shenstone, William, Essays on Men and Manners (Ludlow, 1800).Google Scholar
Slater, Michael (ed.), Dickens’ Journalism: Sketches by Boz and other Early Papers, 1833–39 (1996).Google Scholar
Smith, Albert R. (ed.), Gavarni in London, Sketches of Life and Character: With Illustrative Essays by Popular Writers (1849).Google Scholar
Smith, Charles M., Curiosities of London Life: or, Phases, Physiological and Social, of the Great Metropolis (1853).Google Scholar
Smith, Charles M., The Little World of London; or, Pictures in Little of London Life (1857).Google Scholar
Smith, John T., Etchings of Remarkable Beggars, Itinerant Traders, and other Persons of Notoriety in London and its Environs (1815).Google Scholar
Smith, John T., Vagabondiana; or, Anecdotes of Mendicant Wanderers through the Streets of London; with Portraits of the Most Remarkable Drawn from the Life (1817).Google Scholar
Smith, John T., The Cries of London: exhibiting several of the Itinerant Traders of Antient and Modern Times (1839).Google Scholar
Smith, John T., A Book for a Rainy Day: or, Recollections of the Events of the Last Sixty-Six Years (1845).Google Scholar
[Stanhope, Philip D.], Chesterfield Travestie: Or, School for Modern Manners (1808).Google Scholar
The Statutes of the Realm, 11 vols. (1810–28).Google Scholar
Strutt, Joseph, Glig Gamena Angel-Deod, or, The Sports and Pastimes of the People of England (1801).Google Scholar
The Swell’s Night Guide: or, a Peep through the Great Metropolis (New edn, 1846).Google Scholar
Taylor, Edward, Three Inaugural Lectures (1838).Google Scholar
Taylor, Jane, City Scenes; or, A Peep into London, for Good Children (1809).Google Scholar
Thelwall, John, The Poetical Recreations of The Champion, and his Literary Correspondents; with a Selection of Essays, Literary & Critical which have appeared in The Champion Newspaper (1822).Google Scholar
Timbs, John, Curiosities of London (New edn, 1867).Google Scholar
Tuer, Alfred W., Old London Street Cries (1885).Google Scholar
‘Unus populi’, A Letter to Mr. Scarlett on the Poor Laws (1822).Google Scholar
Weston, Charles, Remarks on the Poor Laws (Brentford, 1802).Google Scholar
Abbate, Carolyn, Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton, 1991).Google Scholar
Abbate, Carolyn, ‘Music—Drastic or Gnostic?’, Critical Inquiry 30 (2004): 50536.Google Scholar
Anderson, Hugh, Farewell to Judges & Juries: The Broadside Ballad & Convict Transportation to Australia, 1788–1868 (Victoria, 2000).Google Scholar
Andrews, Gavin, Kingsbury, Paul, and Kearns, Robin (eds.), Soundscapes of Wellbeing in Popular Music (Farnham, 2014).Google Scholar
Arata, Stephen, ‘Rhyme, Rhythm, and the Materiality of Poetry: Response’, Victorian Studies 53 (2011): 51826.Google Scholar
Astbury, Raymond, Black Entertainers in Victorian Dublin (Milton Keynes, 2014).Google Scholar
Atkinson, David, The English Traditional Ballad: Theory, Method and Practice (Aldershot, 2002).Google Scholar
Atkinson, David, ‘Folk Songs in Print: Text and Tradition’, Folk Music Journal 8 (2004): 456–83.Google Scholar
Atkinson, David, The Anglo-Scottish Ballad and its Imaginary Contexts (Cambridge, 2014).Google Scholar
Atkinson, David and Roud, Steve (eds.), Street Ballads in Nineteenth-Century Britain, Ireland, and North America: The Interface between Print and Oral Traditions (Farnham, 2014).Google Scholar
Atkinson, David and Roud, Steve (eds.), Street Literature of the Long Nineteenth Century: Producers, Sellers, Consumers (Newcastle, 2017).Google Scholar
Atlas, Allan W., ‘Belasco and Puccini: “Old Dog Tray” and the Zuni Indians’, Musical Quarterly 75 (1991): 362–98.Google Scholar
Attali, Jacques, Noise: The Political Economy of Music (Manchester, 1985).Google Scholar
Baer, Marc, The Rise and Fall of Radical Westminster, 1780–1890 (Basingstoke, 2012).Google Scholar
Bailey, Peter, Popular Culture and Performance in the Victorian City (Cambridge, 1998).Google Scholar
Banfield, Stephen, Sondheim’s Broadway Musicals (Ann Arbor, 1993).Google Scholar
Banfield, Stephen, ‘Review: The American Popular Ballad of the Golden Era: 1924–1950’, Journal of Music Theory 44 (2000): 236–49.Google Scholar
Banfield, Stephen, ‘Once Again: Scholarship and the Musical’, Journal of the Royal Musical Association 138 (2013): 431–41.Google Scholar
Bann, Stephen, Distinguished Images: Prints in the Visual Economy of Nineteenth-Century France (New Haven, 2013).Google Scholar
Barclay, Katie, ‘Composing the Self: Gender, Subjectivity and Scottish Balladry’, Cultural and Social History 7 (2010): 337–53.Google Scholar
Barclay, Katie, ‘Singing, Performance, and Lower-Class Masculinity in the Dublin Magistrates’ Court, 1820–1850’, Journal of Social History 47 (2014): 746–68.Google Scholar
Barclay, Katie, ‘Sounds of Sedition: Music and Emotion in Ireland, 1780–1845’, Cultural History 3 (2014): 5480.Google Scholar
Barker, Hannah, and Vincent, David (eds.), Language, Print and Electoral Politics, 1790–1832: Newcastle-Under-Lyme Broadsides (Woodbridge, 2001).Google Scholar
Barricelli, Jean-Pierre and Gibaldi, Joseph (eds.), Interrelations of Literature (New York, 1982).Google Scholar
Barringer, Tim, Forrester, Gillian, and Martinez-Ruiz, Barbaro (eds.), Art and Emancipation in Jamaica: Isaac Mendes Belisario and His Worlds (New Haven, 2007).Google Scholar
Bartlett, Georgina, ‘From the Stage to the Street: Theatre Music and the Broadside Ballad in London, 1797–1844’ (Oxford University D.Phil. thesis, 2020).Google Scholar
Beaumont, Matthew, Nightwalking: A Nocturnal History of London (2015).Google Scholar
Beedell, Ann V., The Decline of the English Musician, 1788–1888: A Family of English Musicians in Ireland, England, Mauritius and Australia (Oxford, 1992).Google Scholar
Bell, Karl, The Magical Imagination: Magic and Modernity in Urban England, 1780–1914 (Cambridge, 2012).Google Scholar
Ben-Amos, Dan, ‘The Situation Structure of the Non-Humorous English Ballad’, Midwest Folklore 13 (1963): 163–76.Google Scholar
Bender, Daniel, Corpis, Duane J., and Walkowitz, Daniel J., ‘Sound Politics: Critically Listening to the Past’, Radical History Review 121 (2015): 17.Google Scholar
Bennett, Anthony, ‘Broadsides on the Trial of Queen Caroline: A Glimpse at Popular Song in 1820’, Proceedings of the Royal Musical Association 107 (1980–1): 7185.Google Scholar
Bennett, Anthony, ‘Sources of Popular Song in Early Nineteenth-Century Britain: Problems and Methods of Research’, Popular Music 2, Theory and Method (1982): 6989.Google Scholar
Bennett, Anthony, ‘Rivals Unravelled: A Broadside Song and Dance’, Folk Music Journal 6 (1993): 420–45.Google Scholar
Bennett, Tony and Joyce, Patrick (eds.), Material Powers: Cultural Studies, History and the Material Turn (Abingdon, 2010).Google Scholar
Bergson, Henri, Laughter: An Essay on the Meaning of the Comic, trans. Cloudesley Brereton (1911).Google Scholar
Bernhart, Walter, Scher, Steven P., and Wolf, Werner (eds.), Word and Music Studies: Defining the Field (1999).Google Scholar
Bicknell, Jeanette and Fisher, John A. (eds.), Song, Songs, and Singing (Chichester, 2013).Google Scholar
Blackmur, Richard P., Language as Gesture: Essays in Poetry (1954).Google Scholar
Boase-Beier, Jean and Weninger, Robert (eds.), Listening to Sing: Writing and Music (Edinburgh, 2008).Google Scholar
Bohlman, Philip V., ‘Herder’s Nineteenth Century’, Nineteenth-Century Music Review 7 (2010): 321.Google Scholar
Booth, Mark W., The Experience of Songs (New Haven, 1981).Google Scholar
Born, Georgina, ‘Listening, Mediation, Event: Anthropological and Sociological Perspectives’, Journal of the Royal Musical Association 135 (2010): 7989.Google Scholar
Born, Georgina, ‘For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn’, Journal of the Royal Musical Association 135 (2010): 205–43.Google Scholar
Born, Georgina (ed.), Music, Sound and Space: Transformations of Public and Private Experience (Cambridge, 2013).Google Scholar
Boswell, George, ‘Reciprocal Controls Exerted by Ballad Texts and Tunes’, Journal of American Folklore 80 (1967): 169–74.Google Scholar
Bourdieu, Pierre, Distinction: A Social Critique of the Judgement of Taste, trans. Richard Nice (1984).Google Scholar
Bowan, Kate and Pickering, Paul A., ‘“Songs for the Millions”: Chartist Music and Popular Aural Tradition’, Labour History Review 74 (2009): 4463.Google Scholar
Bowan, Kate and Pickering, Paul A., Sounds of Liberty: Music, Radicalism and Reform in the Anglophone World, 1790–1914 (Manchester, 2017).Google Scholar
Boykan, Martin, ‘Reflections on Words and Music’, Musical Quarterly 84 (2000): 123–36.Google Scholar
Braddick, Michael J. and Walter, John (eds.), Negotiating Power in Early Modern Society: Order, Hierarchy and Subordination in Britain and Ireland (Cambridge, 2001).Google Scholar
Brant, Clare and Whyman, Susan E. (eds.), Walking the Streets of Eighteenth-Century London: John Gay’s Trivia (1716) (Oxford, 2007).Google Scholar
Bratton, Jacky S., The Victorian Popular Ballad (1975).Google Scholar
Bratton, Jacky S. (ed.), Music Hall: Performance and Style (Milton Keynes, 1986).Google Scholar
Briggs, Jo, ‘Ballads and Balloon Ascents: Reconnecting the Popular and the Didactic in 1851’, Victorian Studies 55 (2013): 253–66.Google Scholar
Bronson, Bertrand H., The Ballad as Song (Berkeley and Los Angeles, 1969).Google Scholar
Brown, Marshall, The Tooth that Nibbles at the Soul: Essays on Music and Poetry (Seattle, 2010).Google Scholar
Bucciarelli, Melania and Joncus, Berta (eds.), Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm (Woodbridge, 2007).Google Scholar
Buckley, Jenifer, Gender, Pregnancy and Power in Eighteenth-Century Literature: The Maternal Imagination (Basingstoke, 2017).Google Scholar
Burke, Helen M., ‘The Revolutionary Prelude: The Dublin Stage in the Late 1770s and Early 1780s’, Eighteenth-Century Life 22, no. 3 (1998): 718.Google Scholar
Burke, Peter, Popular Culture in Early Modern Europe (3rd edn, Abingdon, 2009, 1st edn, New York, 1978).Google Scholar
Burke, Peter, ‘Postscript’, Italian Studies 71 (2016): 259–63.Google Scholar
Butt, John, ‘Do Musical Works Contain an Implied Listener? Towards a Theory of Musical Listening’, Journal of the Royal Musical Association 135 (2010): 518.Google Scholar
Butterfield, Ardis, ‘Repetition and Variation in the Thirteenth-Century Refrain’, Journal of the Royal Musical Association 116 (1991): 123.Google Scholar
Bywater, Michael, ‘Performing Spaces: Street Music and Public Territory’, Twentieth-Century Music 3 (2007): 97120.Google Scholar
Calhoun, Craig and Sennett, Richard (eds.), Practicing Culture (Abingdon, 2007).Google Scholar
Cannadine, David (ed.), Trafalgar in History: A Battle and its Afterlife (Basingstoke, 2006).Google Scholar
Carnell, Peter W., Ballads in the Charles Harding Firth Collection of the University of Sheffield: A Descriptive Catalogue with Indexes (Sheffield, 1979).Google Scholar
Carnelos, Laura, ‘Street Voices. The Role of Blind Performers in Early Modern Italy’, Italian Studies 71 (2016): 184–96.Google Scholar
Carse, Adam, The Life of Jullien (Cambridge, 1951).Google Scholar
Champion, Matthew S. and Stanyon, Miranda, ‘Musicalising History’, Transactions of the Royal Historical Society 29 (2019): 79104.Google Scholar
Chandler, James and Gilmartin, Kevin (eds.), Romantic Metropolis: The Urban Scene of British Culture, 1780–1840 (Cambridge, 2005).Google Scholar
Chantler, Ashley, Davies, Michael, and Shaw, Philip (eds.), Literature and Authenticity, 1780–1900: Essays in Honour of Vincent Newey (Farnham, 2011).Google Scholar
Chapin, Keith and Kramer, Lawrence (eds.), Musical Meaning and Human Values (New York, 2009).Google Scholar
Charosh, Paul, ‘Studying Nineteenth-Century Popular Song’, American Music 15 (1997): 459–92.Google Scholar
Chrisman-Campbell, Kimberley, Fashion Victims: Dress at the Court of Louis XVI and Marie-Antoinette (New Haven, 2015).Google Scholar
Chua, Daniel, Absolute Music and the Construction of Meaning (Cambridge, 1999).Google Scholar
Clark, Anna, The Struggle for the Breeches: Gender and the Making of the British Working Class (1995).Google Scholar
Clarke, Candace, Misery and Company: Sympathy in Everyday Life (Chicago, 1997).Google Scholar
Clayton, Tim, The English Print, 1688–1802 (New Haven, 1997).Google Scholar
Clemit, Pamela (ed.), The Cambridge Companion to British Literature of the French Revolution in the 1790s (Cambridge, 2011).Google Scholar
Cockayne, Emily, Hubbub: Filth, Noise & Stench in England, 1600–1770 (New Haven, 2007).Google Scholar
Cole, Michael, The Pianoforte in the Classical Era (Oxford, 1998).Google Scholar
Collison, Robert, The Story of Street Literature: Forerunner of the Popular Press (1973).Google Scholar
Cone, Edward T., The Composer’s Voice (Berkeley and Los Angeles, 1974).Google Scholar
Connell, Philip and Leask, Nigel (eds.), Romanticism and Popular Culture in Britain and Ireland (Cambridge, 2009).Google Scholar
Cook, Nicholas, Analysing Musical Multimedia (Oxford, 2000).Google Scholar
Cook, Nicholas, Music, Imagination, and Culture (Oxford, 2002).Google Scholar
Cook, Nicholas, Music, Performance, Meaning: Selected Essays (Aldershot, 2007).Google Scholar
Cook, Nicholas and Everist, Mark (eds.), Rethinking Music (Oxford, 1999).Google Scholar
Corfield, Penelope J., ‘Walking the City Streets: “The Urban Odyssey in Eighteenth-Century England”’, Journal of Urban History 16 (1990): 132–74.Google Scholar
Costa, Marco et al., ‘Interval Distributions, Mode, and Tonal Strength of Melodies as Predictors of Perceived Emotion’, Music Perception 22 (2004): 114.Google Scholar
Oskar, Cox Jensen, ‘The Travels of John Magee: Tracing the Geographies of Britain’s Itinerant Print-Sellers, 1789–1815’, Cultural and Social History 11 (2014): 195216.Google Scholar
Oskar, Cox Jensen, Napoleon and British Song, 1797–1822 (Basingstoke, 2015).Google Scholar
Oskar, Cox Jensen, Kennerley, David, and Newman, Ian (eds.), Charles Dibdin and Late Georgian Culture (Oxford, 2018).Google Scholar
Crawford, Thomas, Society and the Lyric: A Study of the Song Culture of Eighteenth-Century Scotland (Edinburgh, 1979).Google Scholar
Crick, Julia and Walsham, Alexandra (eds.), The Uses of Script and Print, 1300–1700 (Cambridge, 2004).Google Scholar
Crosbie, Barbara, ‘Half-Penny Ballads and the Soundscape of Eighteenth-Century Electioneering’, Publishing History 70 (2011): 932.Google Scholar
Culler, Jonathan, Theory of the Lyric (Harvard, 2015).Google Scholar
Cunningham, Hugh, Leisure in the Industrial Revolution, c.1780–c.1880 (1980).Google Scholar
Cunningham, Hugh and Innes, Joanna (eds.), Charity, Philanthropy and Reform: From the 1690s to 1850 (Basingstoke, 1998).Google Scholar
Francis, Cunningham Woods, ‘A Consideration of the Various Types of Songs Popular in England during the Eighteenth Century’, Proceedings of the Musical Association, 23rd session (1896–7): 3755.Google Scholar
Davey, James, ‘Singing for the Nation: Balladry, Naval Recruitment and the Language of Patriotism in Eighteenth-Century Britain’, The Mariner’s Mirror 103 (2017): 4366.Google Scholar
Davies, James Q. and Lockhart, Ellen (eds.), Sound Knowledge: Music and Science in London, 1789–1851 (Chicago, 2017).Google Scholar
Davies, L. I., ‘Orality, Literacy, Popular Culture: An Eighteenth-Century Case Study’, Oral Tradition 25 (2010): 305–23.Google Scholar
Davies, Stephen, Musical Meaning and Expression (Ithaca, N.Y., 1994).Google Scholar
Davis, Jim, Comic Acting and Portraiture in Late-Georgian and Regency England (Cambridge, 2015).Google Scholar
Davis, Jim and Emeljanow, Victor, Reflecting the Audience: London Theatregoing, 1840–1880 (Hatfield, 2001).Google Scholar
Davis, Michael T., ‘“An Evening of Pleasure Rather than Business”: Songs, Subversion and Radical Sub-Culture in the 1790s’, Journal for the Study of British Cultures 12, no. 2 (2005): 115–26.Google Scholar
Dawes, Kwame, ‘Negotiating the Ship on the Head: Black British Fiction’, Wasafiri 14, no. 29 (1999): 1824.Google Scholar
Degl’Innocenti, Luca and Rospocher, Massimo, ‘Street Singers: An Interdisciplinary Perspective’, Italian Studies 71 (2016): 149–53.Google Scholar
Degl’Innocenti, Luca and Rospocher, Massimo, ‘Street Singers in Renaissance Europe’, Special Issue of Renaissance Studies 33, no. 1 (2019): 1158.Google Scholar
Dennant, Paul, ‘The “barbarous old English jig”: The “Black Joke” in the Eighteenth and Nineteenth Centuries’, Folk Music Journal 10 (2013): 298318.Google Scholar
DeNora, Tia, Music in Everyday Life (Cambridge, 2000).Google Scholar
Dentith, Simon, Parody (2000).Google Scholar
Dickie, Simon, Cruelty and Laughter: Forgotten Comic Literature and the Unsentimental Eighteenth Century (Chicago, 2011).Google Scholar
Dickinson, Harry T., Caricatures and the Constitution, 1760–1832 (Cambridge, 1986).Google Scholar
Dillon, Elizabeth Maddock, New World Drama: The Performative Commons in the Atlantic World, 1649–1849 (Durham and London, 2014).Google Scholar
Dugaw, Dianne, Warrior Women and Popular Balladry, 1650–1850 (Chicago, 1996).Google Scholar
Dyos, H. J. and Wolff, Michael (eds.), The Victorian City: Images and Realities, 2 vols. (1999).Google Scholar
Eccles, Audrey, Vagrancy in Law and Practice under the Old Poor Law (Farnham, 2012).Google Scholar
Egri, Péter, Literature, Painting and Music: An Interdisciplinary Approach to Comparative Literature (Budapest, 1988).Google Scholar
Ehrenreich, Barbara, Dancing in the Streets: A History of Collective Joy (2007).Google Scholar
Elbourne, Roger, ‘A Mirror of Man? Traditional Music as a Reflection of Society’, Journal of American Folklore 89 (1976): 463–8.Google Scholar
Epp, Maureen and Power, Brian E. (eds.), The Sounds and Sights of Performance in Early Music (Farnham, 2009).Google Scholar
Epstein, James, In Practice: Studies in the Language and Culture of Popular Politics in Modern Britain (Stanford, 2003).Google Scholar
Nord, Epstein, Deborah, Walking the Victorian Streets: Women, Representation, and the City (New York, 1995).Google Scholar
Etherington, Ben, ‘Sound Gazes?’, Journal of the Royal Musical Association 135 (2010): 3943.Google Scholar
Eva, Phil, ‘Home Sweet Home? The “Culture of Exile” in Mid-Victorian Popular Song’, Popular Music 16 (1997): 131–50.Google Scholar
Everett, Walter, ‘Deep-Level Portrayals of Directed and Misdirected Motions in Nineteenth-Century Lyric Song’, Journal of Music Theory 48 (2004): 2568.Google Scholar
Fahrner, Robert, The Theatre Career of Charles Dibdin the Elder (1745–1814) (New York, 1989).Google Scholar
Fairclough, Mary, The Romantic Crowd: Sympathy, Controversy and Print Culture (Cambridge, 2013).Google Scholar
Fitzgerald, Kelly, ‘Singers as Songmakers: Individual Creativity and Expression Within the Making of Songs’, Béaloideas 77 (2009): 80102.Google Scholar
Fitzgerald, William, ‘Listening, Ancient and Modern’, Journal of the Royal Musical Association 135 (2010): 2537.Google Scholar
Fitzpatrick, Martin et al. (eds.), The Enlightenment World (2004).Google Scholar
Foley, John M., How to Read an Oral Poem (Urbana and Chicago, 2002).Google Scholar
Foucault, Michel, Discipline and Punish, trans. Alan Sheridan (2nd edn, New York, 1995).Google Scholar
Fox, Adam, Oral and Literate Culture in England, 1500–1700 (Oxford, 2000).Google Scholar
Friedman, Albert B., The Ballad Revival: Studies in the Influence of Popular on Sophisticated Poetry (Chicago, 1961).Google Scholar
Friedman, Albert B., ‘The Formulaic Improvisation Theory of Ballad Tradition: A Counterstatement’, Journal of American Folklore 74 (1961): 113–15.Google Scholar
Frith, Simon, Performing Rites: On the Value of Popular Music (Oxford, 1996).Google Scholar
Fulcher, Jane F. (ed.), The Oxford Handbook of the New Cultural History of Music (Oxford, 2011).Google Scholar
Fulford, Tim, ‘Fallen Ladies and Cruel Mothers: Ballad Singers and Ballad Heroines in the Eighteenth Century’, The Eighteenth Century: Theory and Interpretation 47 (2006): 309–30.Google Scholar
Fumerton, Patricia, Unsettled: The Culture of Mobility and the Working Poor in Early Modern England (Chicago, 2006).Google Scholar
Fumerton, Patricia (ed.), Living English Broadside Ballads, 1550–1750: Song, Art, Dance, Culture, Special Issue of Huntington Library Quarterly 79, no. 2 (2016): 163342.Google Scholar
Fumerton, Patricia and Guerrini, Anita (eds.), Ballads and Broadsides in Britain, 1500–1800 (Farnham, 2010).Google Scholar
Gammon, Vic, ‘“Not Appreciated in Worthing?” Class Expression and Popular Song Texts in Mid-Nineteenth-Century Britain’, Popular Music 4, Performers and Audiences (1984): 524.Google Scholar
Gammon, Vic, ‘The Grand Conversation: Napoleon and British Popular Balladry’, RSA Journal 137 (1989): 665–74.Google Scholar
Gammon, Vic, Desire, Drink and Death in English Folk and Vernacular Song, 1600–1900 (Aldershot, 2008).Google Scholar
Gammon, Vic and Gammon, Sheila, ‘The Musical Revolution of the Mid-Nineteenth Century: From “Repeat and Twiddle” to “Precision and Snap”’, in Herbert, Trevor (ed.), The British Brass Band: A Musical and Social History (Oxford, 2000), 122–54.Google Scholar
Ganev, Robin, Songs of Protest, Songs of Love: Popular Ballads in Eighteenth-Century Britain (Manchester, 2009).Google Scholar
Gatrell, Vic A. C., The Hanging Tree: Execution and the English People, 1770–1868 (Oxford, 1994).Google Scholar
Gatrell, Vic A. C., City of Laughter: Sex and Satire in Eighteenth-Century London (2007).Google Scholar
Gaunt, Richard A., ‘Cheering the Member: Gladstone Election Songs at Newark’, Transactions of the Thoroton Society of Nottinghamshire 114 (2010): 159–66.Google Scholar
Ghosh, Anindita, ‘Singing in a New World: Street Songs and Urban Experience in Colonial Calcutta’, History Workshop Journal 76 (2013): 111–36.Google Scholar
Gikandi, Simon, Slavery and the Culture of Taste (Princeton, 2011).Google Scholar
Golby, John M. and Purdue, A. William, The Civilisation of the Crowd: Popular Culture in England, 1750–1900 (1984).Google Scholar
Gouk, Penelope and Hills, Helen (eds.), Representing Emotions: New Connections in the Histories of Art, Music and Medicine (Aldershot, 2005).Google Scholar
Gowing, Laura, Domestic Dangers: Women, Words and Sex in Early Modern London (Oxford, 1996).Google Scholar
Green, Bryan S., ‘Learning from Henry Mayhew: The Role of the Impartial Spectator in Mayhew’s London Labour and the London Poor’, Journal of Contemporary Ethnography 31, no. 2 (2002): 99134.Google Scholar
Gregory, E. David, Victorian Songhunters: The Recovery and Editing of English Vernacular Ballads and Folk Lyrics, 1820–1883 (Lanham, 2006).Google Scholar
Griffin, Emma, ‘Popular Culture in Industrialising England’, Historical Journal 45 (2002): 619–35.Google Scholar
Groom, Nick, The Making of Percy’s Reliques (Oxford, 1999).Google Scholar
Guillorel, Éva, Hopkin, David, and Pooley, William G. (eds.), Rhythms of Revolt: European Traditions and Memories of Social Conflict in Oral Culture (Abingdon, 2018).Google Scholar
Gustar, Andrew, ‘The Life and Times of Black-Ey’d Susan: The Story of an English Ballad’, Folk Music Journal 10 (2014): 432–48.Google Scholar
Hackman, Rowan, Ships of the East India Company (Gravesend, 2001).Google Scholar
Hadfield, Andrew, Dimmock, Matthew, and Shinn, Abigail (eds.), The Ashgate Research Companion to Popular Culture in Early Modern England (Farnham, 2014).Google Scholar
Hahn, Henry G., The Ocean Bards: British Poetry and the War at Sea, 1793–1815 (Frankfurt am Main, 2008).Google Scholar
Hailwood, Mark, Alehouses and Good Fellowship in Early Modern England (Woodbridge, 2014).Google Scholar
Hall, Jason D. (ed.), Meter Matters: Verse Cultures of the Long Nineteenth Century (Athens, Ohio, 2011).Google Scholar
Halpern, Andrea R. et al., ‘Perception of Mode, Rhythm, and Contour in Unfamiliar Melodies: Effects of Age and Experience’, Music Perception 15 (1998): 335–55.Google Scholar
Hambridge, Katherine and Hicks, Jonathan (eds.), The Melodramatic Moment: Music and Theatrical Culture, 1790–1820 (Chicago, 2018).Google Scholar
Harding, James M. and Rosenthal, Cindy (eds.), The Rise of Performance Studies: Rethinking Richard Schechner’s Broad Spectrum (Basingstoke, 2011).Google Scholar
Harker, Dave, Fakesong: The Manufacture of British ‘Folksong’, 1700 to the Present Day (Milton Keynes, 1985).Google Scholar
Harms, Roeland et al., Not Dead Things: The Dissemination of Popular Print in England and Wales, Italy, and the Low Countries, 1500–1820 (Leiden, 2013).Google Scholar
Harriman-Smith, James, ‘Representing the Poor: Charles Lamb and the Vagabondiana’, Studies in Romanticism 54 (2015): 551–68.Google Scholar
Harris, Bob and McKean, Charles, The Scottish Town in the Age of the Enlightenment, 1740–1820 (Edinburgh, 2014).Google Scholar
Harris, Tim (ed.), The Politics of the Excluded, c.1500–1850 (Basingstoke, 2001).Google Scholar
Hawley, Judith, ‘Grub Street in Albion: or, Scriblerian Satire in the Romantic Metropolis’, Romanticism 14, no. 2 (2008): 8193.Google Scholar
Hayward, Sally, ‘“Those Who Cannot Work”’, Prose Studies: History, Theory, Criticism 27 (2005): 5371.Google Scholar
Heller, Benjamin, ‘Leisure and Pleasure in London Society, 1760–1820: An Agent-Centred Approach’ (Oxford University D.Phil. thesis, 2009).Google Scholar
Heller, Benjamin, ‘The “Mene Peuple” and the Polite Spectator: The Individual in the Crowd at Eighteenth-Century London Fairs’, Past & Present 208 (2010): 131–57.Google Scholar
Helsinger, Elizabeth, ‘Listening: Dante Gabriel Rossetti and the Persistence of Song’, Victorian Studies 53 (2009): 409–21.Google Scholar
Henderson, William (ed.), Victorian Street Ballads: A Selection of Popular Ballads sold in the Street in the Nineteenth Century (1937).Google Scholar
Hendy, David, Noise: A Human History of Sound and Listening (2013).Google Scholar
Henke, Robert, ‘Meeting at the Sign of the Queen: The Commedia dell’Arte, Cheap Print, and Piazza Performance’, Italian Studies 71 (2016): 171–83.Google Scholar
Hepburn, James, A Book of Scattered Leaves: Poetry of Poverty in Broadside Ballads of Nineteenth-Century England, 2 vols. (Cranbury, 2000–1).Google Scholar
Heppa, Christopher, ‘Harry Cox and His Friends: Song Transmission in an East Norfolk Singing Community, c.1896–1960’, Folk Music Journal 8 (2005): 569–93.Google Scholar
Herbert, Trevor (ed.), Bands: The Brass Band Movement in the 19th and 20th Centuries (Buckingham, 1991).Google Scholar
Hesmondhalgh, David and Keith, Negus (eds.), Popular Music Studies (2002).Google Scholar
Hewitt, Martin, The Dawn of the Cheap Press in Victorian Britain: The End of the ‘Taxes on Knowledge’, 1849–1869 (2014).Google Scholar
Hewitt, Martin (ed.), The Victorian World (Abingdon, 2012).Google Scholar
Hewitt, Martin and Cowgill, Rachel (eds.), Victorian Soundscapes Revisited (Leeds, 2007).Google Scholar
Highfill, Philip H., Burnim, Kalman A., and Langhans, Edward A., A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers, and other Stage Personnel in London, 1660–1800, 16 vols. (Carbondale, 1973–93).Google Scholar
Hitchcock, David, Vagrancy in English Society and Culture, 1650–1750 (2016).Google Scholar
Hitchcock, Tim, Down and Out in Eighteenth-Century London (2004).Google Scholar
Hitchcock, Tim, ‘Begging on the Streets of Eighteenth-Century London’, Journal of British Studies 44 (2005): 478–98.Google Scholar
Hitchcock, Tim et al. (eds.), Chronicling Poverty: The Voices and Strategies of the English Poor, 1640–1840 (Basingstoke, 1997).Google Scholar
Hitchcock, Tim and Shore, Heather (eds.), The Streets of London: From the Great Fire to the Great Stink (2003).Google Scholar
Hofer-Robinson, Joanna, Dickens and Demolition: Literary Afterlives and Mid-Nineteenth-Century Urban Development (Edinburgh, 2018).Google Scholar
Holger Petersen, Nils et al. (eds.), The Appearances of Medieval Rituals: The Play of Construction and Modification (Turnhout, 2004).Google Scholar
Horgan, Kate, The Politics of Songs in Eighteenth-Century Britain, 1723–1795 (2014).Google Scholar
Horn, David and Tagg, Philip (eds.), Popular Music Perspectives: Papers from The First International Conference On Popular Music Research, Amsterdam, June 1981 (Göteborg and Exeter, 1982).Google Scholar
Howkins, Alun, ‘The Voice of the People: The Social Meaning and Context of Country Song’, Oral History 3 (1975): 5075.Google Scholar
Humpherys, Ann, Travels into the Poor Man’s Country: The Work of Henry Mayhew (Athens, Georgia, 1977).Google Scholar
Hunt, Arnold, The Art of Hearing: English Preachers and Their Audience, 1590–1640 (Cambridge, 2010).Google Scholar
Hunter, David, ‘Music Copyright in Britain to 1800’, Music and Letters 67 (1986): 269–82.Google Scholar
Hutchins, Sean et al., ‘The Vocal Generosity Effect: How Bad Can Your Singing Be?’, Music Perception 30 (2012): 147–59.Google Scholar
Innes, Joanna, Inferior Politics: Social Problems and Social Policies in Eighteenth-Century Britain (Oxford, 2009).Google Scholar
Irving, David R. M., ‘“For whom the bell tolls”: Listening and its Implications’, Journal of the Royal Musical Association 135 (2010): 1924.Google Scholar
Jackson, Jeffrey H. and Pelkey, Stanley C. (eds.), Music and History: Bridging the Disciplines (Mississippi, 2005).Google Scholar
Jackson-Houlston, Caroline M., Ballads, Songs and Snatches: The Appropriation of Folk Song and Popular Culture in British Nineteenth-century Realist Prose (Aldershot, 1999).Google Scholar
James, Louis, ‘Taking Melodrama Seriously: Theatre, and Nineteenth-Century Studies’, History Workshop 3 (1977): 151–8.Google Scholar
Johnson, James H., Listening in Paris: A Cultural History (Berkeley and Los Angeles, 1995).Google Scholar
Jones, Colin, The Smile Revolution in Eighteenth Century Paris (Oxford, 2014).Google Scholar
Jones, Peter T. A., ‘Redressing Reform Narratives: Victorian London’s Street Markets and the Informal Supply Lines of Urban Modernity’, London Journal 41 (2016): 6081.Google Scholar
Joyce, Patrick, Visions of the People: Industrial England and the Question of Class, 1848–1914 (Cambridge, 1991).Google Scholar
Joyce, Patrick, Democratic Subjects: The Self and the Social in Nineteenth-Century England (Cambridge, 1994).Google Scholar
Joyce, Patrick, ‘What is the Social in Social History?’, Past & Present 205 (2009): 175210.Google Scholar
Kaiser, Matthew, The World in Play: Portraits of a Victorian Concept (Stanford, 2012).Google Scholar
Karlin, Daniel, The Figure of the Singer (Oxford, 2013).Google Scholar
Kassler, Michael (ed.), The Music Trade in Georgian England (Farnham, 2011).Google Scholar
Kelley, Robin D. G., ‘Notes on Deconstructing “The Folk”’, American Historical Review 97 (1992): 1400–8.Google Scholar
Kennaway, James, Bad Vibrations: The History of the Idea of Music as a Cause of Disease (Farnham, 2012).Google Scholar
Kennaway, James (ed.), Music and the Nerves, 1700–1900 (Basingstoke, 2014).Google Scholar
Kennerley, David, ‘Debating Female Musical Professionalism and Artistry in the British Press, c.1820–1850’, Historical Journal 58 (2015): 9871008.Google Scholar
Kennerley, David, Sounding Feminine: Women’s Voices in British Musical Culture, 1780–1850 (New York and Oxford, 2020).Google Scholar
Kirk, John, Noble, Andrew, and Brown, Michael (eds.), United Islands? The Languages of Resistance (2012).Google Scholar
Kirk, John, Noble, Andrew, and Brown, Michael (eds.), Cultures of Radicalism in Britain and Ireland (2013).Google Scholar
Korczynski, Marek, Pickering, Michael, and Robertson, Emma, Rhythms of Labour: Music at Work in Britain (Cambridge, 2013).Google Scholar
Koven, Seth, Slumming: Sexual and Social Politics in Victorian London (Princeton, 2006).Google Scholar
Kramer, Lawrence, Music as Cultural Practice, 1800–1900 (Berkeley and Los Angeles, 1990).Google Scholar
Kramer, Lawrence, Critical Musicology and the Responsibility of Response: Selected Essays (Aldershot, 2006).Google Scholar
Kramer, Lawrence, Interpreting Music (Berkeley and Los Angeles, 2011).Google Scholar
Laitinen, Riitta and Cohen, Thomas V. (eds.), Cultural History of Early Modern European Streets (Leiden, 2009).Google Scholar
Lamb, Jonathan, The Evolution of Sympathy in the Long Eighteenth Century (2009).Google Scholar
Lavery, Brian, The Ship of the Line, 2 vols. (2003).Google Scholar
Lee, Edward, Music of the People: A Study of Popular Music in Great Britain (1970).Google Scholar
Leppert, Richard, The Sight of Sound: Music, Representation, and the History of the Body (Berkeley and Los Angeles, 1993).Google Scholar
Leppert, Richard and McClary, Susan (eds.), Music and Society: The Politics of Composition, Performance and Reception (Cambridge, 1987).Google Scholar
Lightwood, James T., Charles Dickens and Music (1912).Google Scholar
List, George, ‘An Ideal Marriage of Ballad Text and Tune’, Midwest Folklore 7 (1957): 95112.Google Scholar
Lloyd, Albert L., Folk Song in England (1969).Google Scholar
Lomax, Alan, ‘Folk Song Style: Notes on a Systematic Approach to the Study of Folk Song’, Journal of the International Folk Music Council 8 (1956): 4850.Google Scholar
Lomax, Alan, ‘Song Structure and Social Structure’, Ethnology 1 (1962): 425–51.Google Scholar
Lomax, Alan, ‘The Good and the Beautiful in Folksong’, Journal of American Folklore 80 (1967): 213–35.Google Scholar
Lomax, Alan, Folk Song Style and Culture (Washington, 1968).Google Scholar
Lomax, Alan et al., ‘A Stylistic Analysis of Speaking’, Language in Society 6 (1977): 1547.Google Scholar
Long, Eleanor R., ‘Ballad Singers, Ballad Makers, and Ballad Etiology’, Western Folklore 32 (1973): 225–36.Google Scholar
Longmore, Paul K., Telethons: Spectacle, Disability, and the Business of Charity (Oxford, 2016).Google Scholar
Mackerness, Eric D., A Social History of English Music (1964).Google Scholar
Maidment, Brian, Dusty Bob: A Cultural History of Dustmen, 1780–1870 (Manchester, 2007).Google Scholar
Maidment, Brian, Comedy, Caricature and The Social Order, 1820–50 (Manchester, 2013).Google Scholar
Makdisi, Saree, Making England Western: Occidentalism, Race, and Imperial Culture (Chicago, 2014).Google Scholar
Malcolmson, Robert W., Popular Recreations in English Society, 1700–1850 (Cambridge, 1973).Google Scholar
Margulis, Elizabeth H., ‘A Model of Melodic Expectation’, Music Perception 22 (2005): 663714.Google Scholar
Margulis, Elizabeth H., On Repeat: How Music Plays the Mind (Oxford, 2014).Google Scholar
Marsh, Christopher, Music and Society in Early Modern England (Cambridge, 2010).Google Scholar
Marsh, Christopher, ‘“The Blazing Torch”: New Light on English Balladry as a Multi-Media Matrix’, The Seventeenth Century 30 (2015): 95116.Google Scholar
Marsh, Christopher, ‘Best-Selling Ballads and their Pictures in Seventeenth-Century England’, Past & Present 233 (2016): 5399.Google Scholar
Marshall, Nancy R., City of Gold and Mud: Painting Victorian London (New Haven, 2012).Google Scholar
Mason, Laura, Singing the French Revolution: Popular Culture and Politics, 1787–1799 (New York, 1996).Google Scholar
McCalman, Ian, Radical Underworld: Prophets, Revolutionaries and Pornographers in London, 1795–1840 (Cambridge, 1988).Google Scholar
McClary, Susan, Feminine Endings: Music, Gender, and Sexuality (Minneapolis, 2002).Google Scholar
McClary, Susan, Reading Music: Selected Essays (Aldershot, 2007).Google Scholar
McColley, Diane K., Poetry and Music in Seventeenth-Century England (Cambridge, 1997).Google Scholar
McConachie, Bruce, Engaging Audiences: A Cognitive Approach to Spectating in the Theatre (Basingstoke, 2008).Google Scholar
McDowell, Paula, ‘“The Manufacture and Lingua-facture of Ballad-Making”: Broadside Ballads in Long Eighteenth-Century Ballad Discourse’, The Eighteenth Century: Theory and Interpretation 47, nos. 2–3 (2006): 151–78.Google Scholar
McGill, Josephine, ‘Old Ballad Burthens’, Musical Quarterly 4 (1918): 293306.Google Scholar
McGill, Meredith L., ‘What Is a Ballad? Reading for Genre, Format, and Medium’, Nineteenth-Century Literature 71 (2016): 156–75.Google Scholar
McKean, Thomas A. (ed.), The Flowering Thorn: International Ballad Studies (Logan, Utah, 2003).Google Scholar
McLane, Maureen N., Balladeering, Minstrelsy, and the Making of British Romantic Poetry (Cambridge, 2008).Google Scholar
McShane, Angela, ‘Drink, Song and Politics in Early Modern England’, Popular Music 35 (2016): 166–90.Google Scholar
Mellers, Wilfrid, Harmonious Meeting: A Study of the Relationship between English Music, Poetry and Theatre, c.1600–1900 (1965, repr. 2008).Google Scholar
Menzer, Paul, Anecdotal Shakespeare: A New Performance History (2015).Google Scholar
Merkin, Ros (ed.), Popular Theatres? Papers from the Popular Theatre Conference (Liverpool, 1994).Google Scholar
Merriam, Alan P., The Anthropology of Music (Evanston, Ill., 1964).Google Scholar
Meyer, Leonard B., Emotion and Meaning in Music (Chicago, 1956).Google Scholar
Middleton, Richard, Voicing the Popular: On the Subjects of Popular Music (New York, 2006).Google Scholar
Millar, Branford P., ‘Eighteenth-Century Views of the Ballad’, Western Folklore 9 (1950): 124–35.Google Scholar
Moore, Allan F. (ed.), Analysing Popular Music (Cambridge, 2003).Google Scholar
Morgentaler, Goldie, ‘Dickens and the Scattered Identity of Silas Wegg’, Dickens Quarterly 22, no. 2 (2005): 92100.Google Scholar
Motherway, Susan H., The Globalisation of Irish Traditional Song Performance (Aldershot, 2013).Google Scholar
Mullen, John, The Show Must Go On! Popular Song in Britain During the First World War (Farnham, 2015).Google Scholar
Myers, Robin and Harris, Michael (eds.), Spreading the Word: The Distribution Networks of Print, 1550–1850 (Winchester, 1990).Google Scholar
Navickas, Katrina, Protest and the Politics of Space and Place, 1789–1848 (Manchester, 2017).Google Scholar
Nead, Lynda, Victorian Babylon: People, Streets and Images in Nineteenth-Century London (New Haven, 2000).Google Scholar
Neilands, Colin, ‘Irish Broadside Ballads: Performers and Performances’, Folk Music Journal 6 (1991): 209–22.Google Scholar
Negus, Keith, Popular Music in Theory: An Introduction (Cambridge, 1996).Google Scholar
Negus, Keith, ‘Narrative, Interpretation, and the Popular Song’, Musical Quarterly 95 (2012): 368–95.Google Scholar
New Lights upon Old Tunes. “The Arethusa”’, Musical Times and Singing Class Circular 35 (1894): 666–8.Google Scholar
Newman, Ian, ‘Edmund Burke in the Tavern’, European Romantic Review 24 (2013): 125–48.Google Scholar
Newman, Ian, ‘Moderation in the Lyrical Ballads: Wordsworth and the Ballad Debates of the 1790s’, Studies in Romanticism 55 (2016): 185210.Google Scholar
Newman, Ian, The Romantic Tavern: Literature and Conviviality in the Age of Revolution (Cambridge, 2019).Google Scholar
Newman, Ian and Russell, Gillian, ‘Metropolitan Songs and Songsters: Ephemerality in the World City’, Studies in Romanticism 58 (2019): 429–49.Google Scholar
Newman, Steve, Ballad Collection, Lyric, and the Canon: The Call of the Popular from the Restoration to the New Criticism (Philadelphia, 2007).Google Scholar
Nicholls, David, ‘Narrative Theory as an Analytical Tool in the Study of Popular Music Texts’, Music and Letters 88 (2007): 297315.Google Scholar
Nicholson, Eirwen E. C., ‘English Political Prints and Pictorial Argument c.1640–c.1832: A Study in Historiography and Methodology’ (University of Edinburgh PhD thesis, 1994).Google Scholar
Nicholson, Eirwen E. C., ‘Consumers and Spectators: The Public of the Political Print in Eighteenth-Century England’, History 81 (1996): 521.Google Scholar
Ó Madagáin, Breandán, ‘Functions of Irish Song in the Nineteenth Century’, Béaloideas 53 (1985): 130216.Google Scholar
O’Byrne, Alison, ‘The Art of Walking in London: Representing Pedestrianism in the Early Nineteenth Century’, Romanticism 14, no. 2 (2008): 94107.Google Scholar
O’Connell, Sheila, The Popular Print in England, 1550–1850 (1999).Google Scholar
O’Gorman, Frank, ‘Coventry Election Broadsides, 1780’, Yale University Library Gazette 67 (1993): 161–9.Google Scholar
Obelkevich, James, ‘In Search of the Listener’, Journal of the Royal Music Association 114 (1989): 102–8.Google Scholar
Ogborn, Miles, Spaces of Modernity: London’s Geographies, 1680–1780 (New York, 1998).Google Scholar
Palmer, Roy, A Touch on the Times: Songs of Social Change, 1770–1914 (Harmondsworth, 1974).Google Scholar
Palmer, Roy, The Sound of History: Songs and Social Comment (Oxford, 1988).Google Scholar
Palmer, Roy, ‘“Veritable Dunghills”: Professor Child and the Broadside’, Folk Music Journal 7 (1996): 155–66.Google Scholar
Parker, Roger and Rutherford, Susan (eds.), London Voices 1820–1840: Vocal Performers, Practices, Histories (Chicago, 2019).Google Scholar
Pawley, Alisun and Müllensiefen, Daniel, ‘The Science of Singing Along: A Quantitative Field Study on Sing-Along Behaviour in the North of England’, Music Perception 30 (2012): 129–46.Google Scholar
Pearce, Marcus T. and Wiggins, Geraint A., ‘Expectations in Melody: The Influence of Context and Learning’, Music Perception 23 (2006): 377405.Google Scholar
Pearsall, Ronald, Victorian Popular Music (Newton Abbot, 1973).Google Scholar
Peddie, Ian (ed.), The Resisting Muse: Popular Music and Social Protest (Aldershot, 2006).Google Scholar
Pedersen, Susan, ‘Hannah More Meets Simple Simon: Tracts, Chapbooks, and Popular Culture in Late Eighteenth-Century England’, Journal of British Studies 25 (1986): 84113.Google Scholar
Phelan, Peggy, Unmarked: The Politics of Performance (1993).Google Scholar
Philp, Mark (ed.), Resisting Napoleon: The British Response to the Threat of Invasion, 1797–1815 (Aldershot, 2006).Google Scholar
Picker, John M., ‘The Soundproof Study: Victorian Professionals, Work Space, and Urban Noise’, Victorian Studies 42 (2000): 427–53.Google Scholar
Picker, John M., Victorian Soundscapes (Oxford, 2003).Google Scholar
Pickering, Mike, ‘The Study of Vernacular Song in England’, Jahrbuch für Volksliedforschung 33 (1988): 95104.Google Scholar
Pickering, Mike, ‘John Bull in Blackface’, Popular Music 16 (1997): 181201.Google Scholar
Pickering, Mike and Green, Tony (eds.), Everyday Culture: Popular Song and the Vernacular Milieu (Milton Keynes, 1987).Google Scholar
Pike, Lionel, Pills to Purge Melancholy: The Evolution of the English Ballett (Aldershot, 2004).Google Scholar
Platz, Friedrich and Kopiez, Reinhard, ‘When the Eye Listens: A Meta-Analysis of How Audio-Visual Presentation Enhances the Appreciation of Music Performance’, Music Perception 30 (2012): 7183.Google Scholar
Porter, Gerald, The English Occupational Song (Umeå, 1992).Google Scholar
Porter, Gerald, ‘Cobblers All: Occupation as Identity and Cultural Message’, Folk Music Journal 7 (1995): 4361.Google Scholar
Porter, Gerald, ‘The English Ballad Singer and Hidden History’, Studia Musicologica 49 (2008): 127–42.Google Scholar
Potter, Caroline (ed.), Erik Satie: Music, Art and Literature (Farnham, 2013).Google Scholar
Potter, John (ed.), The Cambridge Companion to Singing (Cambridge, 2000).Google Scholar
Potter, Tiffany (ed.), Women, Popular Culture, and the Eighteenth Century (Toronto, 2012).Google Scholar
Poulopoulos, Panagiotis, ‘The Guittar in the British Isles, 1750–1810’ (University of Edinburgh PhD thesis, 2011).Google Scholar
Preston, Cathy L. and Preston, Michael J. (eds.), The Other Print Tradition: Essays on Chapbooks, Broadsides, and Related Ephemera (New York, 1995).Google Scholar
Prineppi, Georgina, ‘Sailors in British Broadside Ballads, 1800–1850’ (University of Miama MMus thesis, 2015).Google Scholar
Rainey, David W. and Larsen, Janet D., ‘The Effect of Familiar Melodies on Initial Learning and Long-term Memory for Unconnected Text’, Music Perception 20 (2002): 173–86.Google Scholar
Reed, Peter P., ‘“There Was No Resisting John Canoe”: Circum-Atlantic Transracial Performance’, Theatre History Studies 27 (2007): 6585.Google Scholar
Reed, Peter P., Rogue Performances: Staging the Underclasses in Early American Theatre Culture (New York, 2009).Google Scholar
Refini, Eugenio, ‘Reappraising the Charlatan in Early Modern Italy: The Case of Iacopo Coppa’, Italian Studies 71 (2016): 197211.Google Scholar
Renwick, Roger deVeer and Rieuwerts, Sigrid (eds.), Ballad Mediations: Folksongs Recovered, Represented, and Reimagined (Trier, 2006).Google Scholar
Roach, Joseph, Cities of the Dead: Circum-Atlantic Performance (New York, 1996).Google Scholar
Rohr, Deborah, The Careers of British Musicians, 1750–1850: A Profession of Artisans (Cambridge, 2001).Google Scholar
Rolison, Jonathan J. and Edworthy, Judy, ‘The Role of Formal Structure in Liking for Popular Music’, Music Perception 29 (2012): 269–84.Google Scholar
Rothenberg, Molly A., ‘Articulating Social Agency in Our Mutual Friend: Problems with Performances, Practices, and Political Efficacy’, ELH 71 (2004): 719–50.Google Scholar
Rouse, Andrew C., ‘The Forgotten Professional Popular Singer in England’, Studia Musicologica Academiae Scientiarum Hungaricae 40 (1999): 145–58.Google Scholar
Rouse, Andrew C., The Remunerated Vernacular Singer: From Medieval England to the Post-War Revival (Frankfurt am Main, 2005).Google Scholar
Rudy, Seth, ‘Stage Presence: Performance and Theatricality in Dickens’s Our Mutual Friend’, Dickens Studies Annual: Essays on Victorian Fiction 37 (2006): 6580.Google Scholar
Russell, Dave, ‘The “Social History” of Popular Music: A Label without a Cause?’, Popular Music 12 (1993): 139–54.Google Scholar
Ryan, Marie-Laure (ed.), Narrative across Media: The Languages of Storytelling (2004).Google Scholar
Sack, Jessica S., ‘Street Music and Musicians: The Physical and Aural Nature of Performance’ (Oxford University M.Phil. thesis, 1998).Google Scholar
Salman, Jeroen, Pedlars and the Popular Press: Itinerant Distribution Networks in England and the Netherlands, 1600–1850 (Leiden, 2014).Google Scholar
Salzberg, Rosa, Ephemeral City: Cheap Print and Urban Culture in Renaissance Venice (Manchester, 2014).Google Scholar
Salzberg, Rosa, ‘“Poverty Makes Me Invisible”: Street Singers and Hard Times in Italian Renaissance Cities’, Italian Studies 71 (2016): 212–24.Google Scholar
Sanders, Mike, ‘“God is Our Guide! Our Cause is Just!” The National Chartist Hymn Book and Victorian Hymnody’, Victorian Studies 54 (2012): 679705.Google Scholar
Schechner, Richard, Performance Studies: An Introduction (2002).Google Scholar
Schmuckler, Mark A., ‘Melodic Contour Similarity Using Folk Melodies’, Music Perception 28 (2010): 169–94.Google Scholar
Schulkind, Matthew D. et al., ‘Musical Features that Facilitate Melody Identification: How do you know it’s “your” song when they finally play it?’, Music Perception 21 (2003): 217–49.Google Scholar
Scott, Derek B., The Singing Bourgeois: Songs of the Victorian Drawing Room and Parlour (2nd edn, Aldershot, 2001).Google Scholar
Scott, Derek B., Sounds of the Metropolis: The Nineteenth-Century Popular Music Revolution in London, New York, Paris, and Vienna (Oxford, 2008).Google Scholar
Seed, David, ‘Touring the Metropolis: The Shifting Subjects of Dickens’ London Sketches’, The Yearbook of English Studies 34, Nineteenth-Century Travel Writing (2004): 155–70.Google Scholar
Sennett, Richard, Flesh and Stone: The Body and the City in Western Civilisation (New York, 1994).Google Scholar
Sennett, Richard, Together: The Rituals, Pleasures and Politics of Cooperation (New Haven, 2012).Google Scholar
Shannon, Mary L., Dickens, Reynolds, and Mayhew on Wellington Street (Farnham, 2015).Google Scholar
Shannon, Mary L., ‘The Multiple Lives of Billy Waters: Dangerous Theatricality and Networked Illustrations in Nineteenth-Century Popular Culture’, Nineteenth Century Theatre and Film 46 (2019): 161–89.Google Scholar
Shapiro, Anne D. (ed.), Music and Context: Essays for John M. Ward (Harvard, 1985).Google Scholar
Shepard, Leslie, The Broadside Ballad: A Study in Origin and Meaning (1962).Google Scholar
Shepard, Leslie, John Pitts, Ballad Printer of Seven Dials, London, 1765–1844 (1969).Google Scholar
Shepard, Leslie, The History of Street Literature (Newton Abbot, 1973).Google Scholar
Shepherd, Janet, ‘The Relationship Between Music, Text and Performance in English Popular Theatre, 1790–1840’ (University of London PhD thesis, 1991).Google Scholar
Shepherd, John, Music as Social Text (Cambridge, 1991).Google Scholar
Shesgreen, Sean, Images of the Outcast: The Urban Poor in the Cries of London (Manchester, 2002).Google Scholar
Shields, Hugh, Oliver Goldsmith and Popular Song (Dublin, 1985).Google Scholar
Shoemaker, Robert, The London Mob: Violence and Disorder in Eighteenth-Century England (2004).Google Scholar
Simpson, Harold, A Century of Ballads, 1810–1910, Their Composers and Singers (1910).Google Scholar
Simpson, Paul, ‘Street Performance and the City: Public Space, Sociality, and Intervening in the Everyday’, Space and Culture 14 (2011): 415–30.Google Scholar
Simpson, Paul, ‘Apprehending Everyday Rhythms: Rhythmanalysis, Time-Lapse Photography, and the Space-Times of Street Performance’, Cultural Geographies 19 (2012): 423–45.Google Scholar
Simpson, Paul, ‘Sonic Affects and the Production of Space: “Music by handle” and the Politics of Street Music in Victorian London’, Cultural Geographies 24 (2017): 89109.Google Scholar
Small, Christopher, Musicking: The Meanings of Performance and Listening (Hanover, N.H., 1998).Google Scholar
Smith, Bruce R., The Acoustic World of Early Modern England (Chicago, 1999).Google Scholar
Smith, Simon, Musical Response in the Early Modern Playhouse, 1603–1625 (Cambridge, 2017).Google Scholar
Snowman, Daniel, The Gilded Stage: A Social History of Opera (2009).Google Scholar
Sorce Keller, Marcello, ‘Why is Music So Ideological, and Why Do Totalitarian States Take It So Seriously? A Personal View from History and the Social Sciences’, Journal of Musicological Research 26, nos. 2–3 (2007): 91122.Google Scholar
Southern, Eileen, The Music of Black Americans: A History (3rd edn, New York, 1997).Google Scholar
Speaight, George, Juvenile Drama: The History of the English Toy Theatre (1946).Google Scholar
Spiers, Edward M., Radical General: Sir George de Lacy Evans, 1787–1870 (Manchester, 1983).Google Scholar
St Clair, William, The Reading Nation in the Romantic Period (Cambridge, 2004).Google Scholar
Stedman Jones, Gareth, Languages of Class: Studies in English Working Class History, 1832–1982 (Cambridge, 1983).Google Scholar
Stedman Jones, Gareth, Outcast London: A Study in the Relationship between Classes in Victorian Society (2nd edn, Harmondsworth, 1984).Google Scholar
Steedman, Carolyn, ‘Cries Unheard, Sights Unseen: Writing the Eighteenth-Century Metropolis’, Representations 118 (2012): 2871.Google Scholar
Steedman, Carolyn, ‘Mayhew: On Reading, About Writing’, Journal of Victorian Culture 19 (2014): 550–61.Google Scholar
Stein, Mark, Black British Literature: Novels of Transformation (Columbus, Ohio, 2004).Google Scholar
Steinberg, Michael P., Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music (Princeton, 2004).Google Scholar
Stoddard Holmes, Martha, Fictions of Affliction: Physical Disability in Victorian Culture (Ann Arbor, 2004).Google Scholar
Storch, Robert D. (ed.), Popular Culture and Custom in Nineteenth-Century England (1982).Google Scholar
Storey, John, Cultural Theory and Popular Culture: An Introduction (5th edn, Harlow, 2009).Google Scholar
Street, John, Rebel Rock: The Politics of Popular Music (Oxford, 1986).Google Scholar
Taithe, Bertrand, The Essential Mayhew: Representing and Communicating the Poor (1996).Google Scholar
Taruskin, Richard, The Danger of Music and Other Anti-Utopian Essays (Berkeley and Los Angeles, 2009).Google Scholar
Thompson, E. P., Customs in Common (1991).Google Scholar
Tilly, Charles, Contentious Performances (Cambridge, 2008).Google Scholar
Tomlinson, Gary, Metaphysical Song: An Essay on Opera (Princeton, 1999).Google Scholar
Tomlinson, Gary, Music and Historical Critique: Selected Essays (Aldershot, 2007).Google Scholar
Trittschuh, Travis, ‘The Ballad-Seller and His Kind’, Journal of American Folklore 73 (1960): 5456.Google Scholar
Valladares, Susan, ‘Afro-Creole Revelry and Rebellion on the British Stage: Jonkanoo in Obi; or, Three-Fingered Jack (1800)’, Review of English Studies, New Series (2018): 121.Google Scholar
van der Poel, Dieuwke, Grijp, Louis Peter, and van Anrooij, Wim (eds.), Identity, Intertextuality, and Performance in Early Modern Song Culture (Leiden, 2016).Google Scholar
van Dijck, José, ‘Record and Hold: Popular Music between Personal and Collective Memory’, Critical Studies in Media Communication 23 (2006): 357–74.Google Scholar
Veeser, Harold A. (ed.), The New Historicism (New York, 1989).Google Scholar
Vernon, David, Politics and the People: A Study in English Political Culture c.1815–1867 (Cambridge, 1993).Google Scholar
Vicinus, Martha, The Industrial Muse: A Study of Nineteenth Century British Working-Class Literature (1974).Google Scholar
Vicinus, Martha, Broadsides of the Industrial North (Newcastle, 1975).Google Scholar
Vincent, David, Bread, Knowledge and Freedom: A Study of Nineteenth-Century Working Class Autobiography (1981).Google Scholar
Ward, John M., ‘Apropos “The British Broadside Ballad and Its Music”’, Journal of the American Musicological Society 20 (1967): 2886.Google Scholar
Watson, Ian, Song and Democratic Culture in Britain: An Approach to Popular Culture in Social Movements (Beckenham, 1983).Google Scholar
Watt, Paul, Scott, Derek B., and Spedding, Patrick (eds.), Cheap Print and Popular Song in the Nineteenth Century: A Cultural History of the Songster (Cambridge, 2017).Google Scholar
Weber, William, Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna between 1830 and 1848 (2nd edn, Aldershot, 2004).Google Scholar
Weber, William, The Great Transformation of Musical Taste: Concert Programming from Haydn to Brahms (Cambridge, 2008).Google Scholar
Weliver, Phyllis (ed.), The Figure of Music in Nineteenth-Century British Poetry (Aldershot, 2005).Google Scholar
Welu, James A. and Biesboer, Pieter (eds.), Judith Leyster: A Dutch Master and Her World (Yale, 1993).Google Scholar
Weygand, Zina, The Blind in French Society from the Middle Ages to the Century of Louis Braille (Stanford, 2009).Google Scholar
Whipday, Emma, Shakespeare’s Domestic Tragedies: Violence in the Early Modern Home (Cambridge, 2019).Google Scholar
Williams, Abigail, The Social Life of Books: Reading Together in the Eighteenth-Century Home (Yale, 2017).Google Scholar
Wilson, Blake, ‘The Cantastorie/Canterino/Cantimbanco as Musician’, Italian Studies 71 (2016): 154–70.Google Scholar
Wilson, James C. and Lewiecki-Wilson, Cynthia (eds.), Embodied Rhetorics: Disability in Language and Culture (Carbondale and Edwardsville, 2001).Google Scholar
Wilson, Kathleen, The Island Race: Englishness, Empire and Gender in the Eighteenth Century (2003).Google Scholar
Wilson, Kathleen (ed.), A New Imperial History: Culture, Identity, and Modernity in Britain and the Empire, 1660–1840 (Cambridge, 2004).Google Scholar
Winfield, Rif, British Warships in the Age of Sail 1793–1817 (Barnsley, 2008).Google Scholar
Winn, James A., Unsuspected Eloquence: A History of the Relations between Poetry and Music (New Haven and London, 1981).Google Scholar
Winter, James, London’s Teeming Streets, 1830–1914 (1993).Google Scholar
Wood, Gillen D’Arcy, Romanticism and Music Culture in Britain, 1770–1840 (Cambridge, 2010).Google Scholar
Yeo, Eileen and Yeo, Stephen (eds.), Popular Culture and Class Conflict, 1590–1914: Explorations in the History of Labour and Leisure (Brighton, 1981).Google Scholar
Zucchi, John E., The Little Slaves of the Harp: Italian Child Street Musicians in Nineteenth-Century Paris, London, and New York (Quebec, 1992).Google Scholar
Zuckerkandl, Victor, Man the Musician (Princeton, 1976).Google Scholar

Secondary Sources

Aberdeen Journal and General Advertiser for the North of Scotland (1797–1876).Google Scholar
Bell’s Life in London, and Sporting Chronicle (1822–86).Google Scholar
Bell’s Life in Sydney, and Sporting Reviewer (1845–60).Google Scholar
Britannic Magazine; or Entertaining Repository of Heroic Adventures (1793–1807).Google Scholar
British Stage and Literary Cabinet (1817–22).Google Scholar
Bury and Norwich Post (1786–1931).Google Scholar
Caledonian Mercury (1720–1859).Google Scholar
Chambers’s Information for the People (1842).Google Scholar
Child’s Companion; or Sunday Scholar’s Reward (1824–44).Google Scholar
Daily News (1846–1912).Google Scholar
Director; a Weekly Literary Journal (1807).Google Scholar
Edinburgh Annual Register (1808–26).Google Scholar
Empire (Sydney, 1850–75).Google Scholar
English Gentleman (1845).Google Scholar
Era (1838–1939).Google Scholar
European Magazine and London Review (1782–1825).Google Scholar
Evening Standard (1859–1905).Google Scholar
Examiner; a Sunday Paper (1808–36).Google Scholar
Fraser’s Magazine (1870–82).Google Scholar
Gentleman’s Magazine (1731–1922).Google Scholar
Household Words: A Weekly Journal (1850–9).Google Scholar
Howitt’s Journal (1847–8).Google Scholar
Hull Packet (1793–1807).Google Scholar
John Bull (1820–92).Google Scholar
Juvenile Companion and Sunday School Hive (1854–71).Google Scholar
La Belle Assemblée; or, Bell’s Court and Fashionable Magazine (1806–32).Google Scholar
Ladies’ Cabinet of Fashion, Music, and Romance (1832–52).Google Scholar
Lady’s Monthly Museum; or, Polite Repository of Amusement and Instruction (1798–1832).Google Scholar
Lady’s Newspaper (1847–63).Google Scholar
Lancaster Gazette and General Advertiser (1803–94).Google Scholar
Leigh Hunt’s London Journal (1834–5).Google Scholar
Liverpool Mercury (1811–1904).Google Scholar
Lloyd’s Weekly London Newspaper (1843–1931).Google Scholar
The London: A First-Class Magazine (1867–8).Google Scholar
London Magazine (1820–9).Google Scholar
Macmillan’s Magazine (1859–1907).Google Scholar
The Mirror of Literature, Amusement, and Instruction (1823–41).Google Scholar
Monthly Magazine; or, British Register (1796–1843).Google Scholar
Monthly Review; or, Literary Journal Enlarged (1749–1844).Google Scholar
Morning Chronicle and London Advertiser (1769–1865).Google Scholar
Morning Post (1772–1937).Google Scholar
Musical Times and Singing Class Circular (1844–1903).Google Scholar
Musical World: A Weekly Record of Musical Science, Literature, and Intelligence (1836–90).Google Scholar
National Magazine (Dublin, 1830–1).Google Scholar
National Review (1855–64).Google Scholar
Notes and Queries (1849–).Google Scholar
Patriot: A Periodical Publication, Intended to Arrest the Progress of Seditious and Blasphemous Opinions, Too Prevalent In the Year 1819 (Manchester, 1819–20).Google Scholar
Penny Satirist (1840–6).Google Scholar
Punch (1841–1992).Google Scholar
Satirist, Or, Monthly Meteor (1808–14).Google Scholar
Scots Magazine (1739–1803).Google Scholar
Scourge, or Literary, Theatrical, and Miscellaneous Magazine (1811–16).Google Scholar
Standard (1827–1920).Google Scholar
Theatre, or, Dramatic and Literary Mirror (1819).Google Scholar
Theatrical Journal (1839–71).Google Scholar
The Times (1788–).Google Scholar
Westminster Review (1841–6).Google Scholar
York Herald and General Advertiser (1813–54).Google Scholar
Bodleian Library, Broadside Ballads Online (Bod.): http://ballads.bodleian.ox.ac.uk.Google Scholar
Eighteenth Century Collections Online: http://find.galegroup.com/ecco.Google Scholar
Folk Music of England, Scotland, Ireland, Wales and America: http://contemplator.com/folk.Google Scholar
House of Commons Parliamentary Papers: http://parlipapers.chadwyck.co.uk/home.do.Google Scholar
The Making of the Modern World: http://find.galegroup.com/mome/.Google Scholar
The Proceedings of the Old Bailey, 1674–1913 (POB): http://oldbaileyonline.org.Google Scholar
Oxford Dictionary of National Biography (ODNB): http://oxforddnb.com/.Google Scholar
Aikin, John, Essays on Song-Writing; With a Collection of Such English Songs as are Most Eminent for Poetical Merit (1810).Google Scholar
Arnold, Samuel J., Little Bess the Ballad Singer, As Sung with the Greatest Applause by Mrs. Crouch, Miss Leak, and Miss Poole (n.d.).Google Scholar
Ashton, John, Modern Street Ballads (1888).Google Scholar
The Ballad Singer, A New Song (c.1800).Google Scholar
Bronson, Bertrand H. (ed.), The Traditional Tunes of the Child Ballads, 4 vols. (Princeton, 1959–72).Google Scholar
Chappell, William (ed.), A Collection of National English Airs, Consisting of Ancient Song, Ballad, & Dance Tunes, 2 vols. (1840).Google Scholar
Chappell, William (ed.), Popular Music of the Olden Time; A Collection of Ancient Songs, Ballads, and Dance Tunes, Illustrative of the National Music of England, 2 vols. (1855–9).Google Scholar
Dibdin, Charles I. M., Mirth and Metre (1807).Google Scholar
Dixon, James H. (ed.), Scottish Traditional Versions of Ancient Ballads (1845).Google Scholar
Dixon, James H. (ed.), Ancient Poems, Ballads, and Songs of the Peasantry of England (1846).Google Scholar
Dixon, James H. (ed.), The Garland of Good-Will, by Thomas Deloney (1851).Google Scholar
Motherwell, William, Minstrelsy; Ancient and Modern, with an Historical Introduction and Notes (Glasgow, 1827).Google Scholar
The Old Dog Tray Songster (c.1860)Google Scholar
Plumptre, James, A Collection of Songs Moral, Sentimental, Instructive, and Amusing (1805, 1806).Google Scholar
Speaight, George (ed.), Bawdy Songs of the Early Music Hall (1975).Google Scholar
Spedding, Patrick and Watts, Paul (general eds.), Bawdy Songbooks of the Romantic Period, 4 vols. (2011).Google Scholar
Spofforth, Reginald, The Twelfth Cake, a Juvenile Amusement Consisting of Little Ballads (1807).Google Scholar
The Universal Songster, or, Museum of Mirth, 3 vols. (1825–6).Google Scholar
Ware, William H., London Now is Out of Town (1811).Google Scholar
Will Whimsical’s Miscellany (Chichester, 1799).Google Scholar
Wilson, Charles, The Myrtle and Vine; Or, Complete Vocal Library, 4 vols. (1800).Google Scholar
Anderson, Robert, The Poetical Works of Robert Anderson, 2 vols. (Carlisle, 1820).Google Scholar
Basset, Josiah, The Life of a Vagrant, or the Testimony of an Outcast to the Value and Truth of the Gospel (3rd edn, 1850).Google Scholar
Bewick, Thomas, A Memoir of Thomas Bewick (Newcastle, 1862).Google Scholar
Brown, William, A Narrative of the Life and Adventures of William Brown (York, 1829).Google Scholar
Burnett, John (ed.), Useful Toil: Autobiographies of Working People from the 1820s to the 1920s (Harmondsworth, 1984).Google Scholar
Burstow, Henry, Reminiscences of Horsham (Horsham, 1911).Google Scholar
Chatterton, Georgiana (ed.), Memorials, Personal and History of Admiral Lord Gambier, G.C.B., 2 vols. (1861).Google Scholar
[Cochrane, Charles ], Journal of a Tour Made by … J. de V., the Spanish Minstrel of 1828–9, through Great Britain and Ireland, a Character Assumed by an English Gentleman (1847).Google Scholar
Dibdin, Charles, The Professional Life of Mr. Dibdin, Written by Himself, 4 vols. (1803).Google Scholar
Dodd, William, A Narrative of the Experience and Sufferings of William Dodd, a Factory Cripple. Written by Himself (2nd edn, 1841).Google Scholar
Gardiner, William, Music and Friends: or, Pleasant Recollections of a Dilettante, 2 vols. (1838).Google Scholar
Heaton, William, The Old Soldier; The Wandering Lover; and other Poems; together with a Sketch of the Author’s Life (1857).Google Scholar
Hindley, Charles (ed.), The Life and Adventures of a Cheap Jack. By One of the Fraternity (1876).Google Scholar
Holcroft, Thomas, Memoirs of the Late Thomas Holcroft, 3 vols. (1816).Google Scholar
Kingsley, Charles, Alton Locke, Tailor and Poet: An Autobiography, 2 vols. (1850).Google Scholar
Knight, Charles, Passages of a Working Life During Half a Century, 3 vols. (1864).Google Scholar
Leatherland, J. A., Essays and Poems, with a brief Autobiographical Memoir (1862).Google Scholar
Lewis, Matthew G., Journal of a Residence Among the Negroes in the West Indies (1845, repr Stroud, 2005).Google Scholar
The Life of Old Jemmy Catnach, Printer (New edn, Penzance, 1965).Google Scholar
Love, David, David Love’s Journey to London, and his Return to Nottingham (Nottingham, c.1814).Google Scholar
Love, David, The Life, Adventures, and Experience, of David Love. Written by Himself (3rd edn, Nottingham, 1823).Google Scholar
Magee, John, Some Account of the Travels of John Magee, Pedlar and Flying Stationer, in North & South Britain, in the Years 1806 and 1808 (Paisley, 1826).Google Scholar
Maguire, Robert (ed.), Scenes from My Life, by a Working Man (1858).Google Scholar
Senelick, Laurence (ed.), Tavern Singing in Early Victorian London: The Diaries of Charles Rice for 1840 and 1850 (1997).Google Scholar
Silliman, Benjamin, A Journal of Travels in England, Holland, and Scotland, and of Two Passages Over the Atlantic, in the Years 1805 and 1806, 2 vols. (2nd edn, Boston, 1812).Google Scholar
Smith, Charles M., The Working Man’s Way in the World (3rd edn, 1857).Google Scholar
Somerville, Alexander, The Autobiography of a Working Man, by ‘One who has Whistled at the Plough’ (1848).Google Scholar
Speaight, George (ed.), Professional & Literary Memoirs of Charles Dibdin the Younger (1956).Google Scholar
Stott, Benjamin, Songs for the Millions and Other Poems (Middleton, 1843).Google Scholar
Taylor, Jane, Memoirs, Correspondence, and Poetical Remains, of Jane Taylor (4th edn, 1841).Google Scholar
Teasdale, Harvey, The Life and Adventures of Harvey Teasdale (7th edn, Sheffield, 1870).Google Scholar
Thale, Mary (ed.), The Autobiography of Francis Place (1771–1854) (Cambridge, 1972).Google Scholar
Thomson, Christopher, The Autobiography of an Artisan (1847).Google Scholar
Vincent, David (ed.), Testaments of Radicalism: Memoirs of Working Class Politicians 1790–1885 (1977).Google Scholar
West, William, Fifty Years’ Recollections of an Old Bookseller (Cork, 1835).Google Scholar
Badcock, John, Real Life in London; or, the Rambles and Adventures of Bob Tallyho, Esq. and his cousin, the Hon. Tom Dashall, through the Metropolis, 2 vols. (1821).Google Scholar
Burrowes, John [John Freckleton], Life in St. George’s Fields, or, the Rambles and Adventures of Disconsolate William, Esq. (1821).Google Scholar
Dickens, Charles, Our Mutual Friend (1864–5, New edn, Harmondsworth, 1971).Google Scholar
Edgeworth, Maria, The Ballad Singer; or, Memoirs of the Bristol Family: A Most Interesting Novel in Four Volumes, 4 vols. (1814).Google Scholar
Egan, Pierce, Life in London, or, The Day and Night Scenes of Jerry Hawthorn, Esq. (2nd edn, c.1870).Google Scholar
Goldsmith, Oliver, The Vicar of Wakefield (1800).Google Scholar
Johnstone, Charles, Chrysal: or, The Adventures of a Guinea., 3 vols. (1760, New edn, c.1797).Google Scholar
Kelly, Isabella, Joscelina: or, the Rewards of Benevolence. A Novel, 2 vols. (2nd edn, 1798).Google Scholar
Lamb, Charles, The Poetical Works of Charles Lamb. A New Edition (1836).Google Scholar
Martineau, Harriet, Illustrations of Political Economy: no. III, Brooke and Brooke Farm: A Tale (3rd edn, 1833).Google Scholar
More, Hannah, The Two Shoemakers. In Six Parts (n.d.).Google Scholar
The Surprising History of a Ballad Singer (Falkirk, 1818).Google Scholar
Wordsworth, William, The Prelude (New York, 1850).Google Scholar
Hoare, Prince, No Song No Supper; A Musical Entertainment, In Two Acts (1830).Google Scholar
Jerrold, Douglas, Black-Ey’d Susan: A Drama, in Three Acts (1829).Google Scholar
Jerrold, Douglas, Sally in Our Alley. A Drama, in Two Acts (1829).Google Scholar
Mayhew, Henry, The Wandering Minstrel. A Farce, in One Act (1834, New edn, New York, n.d.).Google Scholar
Moncrieff, William T., Tom and Jerry; or, Life in London: An Operatic Extravaganza, in Three Acts (2nd edn, 1828).Google Scholar
Moncrieff, William T., Sam Weller or, The Pickwickians: A Drama in Three Acts (1837).Google Scholar
Moncrieff, William T., The Ballad Singer, in Three Acts (1839), in British Library, Add. MS. 42952, ff. 248327.Google Scholar
An Act for Further Improving the Police in and near the Metropolis: (17th August 1839) (1839).Google Scholar
Advice to the Labourer, the Mechanic, and the Parent (c.1800).Google Scholar
‘Aleph’ [Harvey, William], London Scenes and London People (1863).Google Scholar
Allingham, William, ‘Irish Ballad Singers and Irish Street Ballads’, Household Words 94 (1852), repr. Ceol 3 (1967): 216.Google Scholar
Allingham, William (ed.), The Ballad Book: A Selection of the Choicest British Ballads (1864).Google Scholar
An Address to the Public, From the Society for the Suppression of Vice (1804).Google Scholar
Babbage, Charles, A Chapter on Street Nuisances (1864).Google Scholar
Baring-Gould, Sabine, Strange Survivals: Some Chapters in the History of Man (2nd edn, 1894).Google Scholar
Bartell, Edmund, Hints for Picturesque Improvements in Ornamented Cottages, and Their Scenery (1804).Google Scholar
Bass, Michael T., Street Music in the Metropolis. Correspondence and Observations on the Existing Law, and Proposed Amendments (1864).Google Scholar
Bee, John [John Badcock], A Living Picture of London, for 1828 (1828).Google Scholar
Beresford, James, The Miseries of Human Life; or the Groans of Samuel Sensitive, and Timothy Testy, 2 vols. (6th edn, 1807).Google Scholar
Bigland, John, An Historical Display of the Effects of Physical and Moral Causes on the Character and Circumstances of Nations (1816).Google Scholar
Busby, Thomas L., Costume of the Lower Orders of London. Painted and Engraved from Nature (1820).Google Scholar
Carey, George Saville, The Balnea (1799).Google Scholar
Caulfield, James, Blackguardiana: or, A Dictionary of Rogues (c.1793).Google Scholar
The Colonial Policy of Great Britain, Considered with Relation to Her North American Provinces and West India Possessions (1819).Google Scholar
Colquhoun, Patrick, A Treatise on the Police of the Metropolis (6th edn, 1800).Google Scholar
Colquhoun, Patrick, A Treatise on the Functions and Duties of a Constable (1803).Google Scholar
Colquhoun, Patrick, A Treatise on Indigence (1806).Google Scholar
The Dens of London Exposed (1835).Google Scholar
The Encyclopaedia of Anecdote (Dublin, c.1800).Google Scholar
Esquiros, Alphonse, The English at Home, trans. Lascelles Wraxall 2 vols. (1861).Google Scholar
The First Report of the Society Established in London for the Suppression of Mendicity (1819).Google Scholar
Fletcher, Andrew, The Political Works of Andrew Fletcher, Esq. (1737).Google Scholar
Folio, F.’, The Hawkers and Street Dealers of Manchester and the North of England Manufacturing Districts Generally… Being Some Account of their Dealings, Dodgings, & Doings (Manchester, 1858).Google Scholar
Fox, William J., Lectures Addressed Chiefly to the Working Classes, 4 vols. (1846).Google Scholar
Gardiner, William, The Music of Nature (1832, New edn, Boston, 1841).Google Scholar
Greenwood, James, Unsentimental Journeys: or, Byways of the Modern Babylon (1867).Google Scholar
Gregory, George, A Dictionary of Arts and Sciences, 2 vols. (1806–7).CrossRefGoogle Scholar
Hazlitt, William, The Plain Speaker: Opinions on Books, Men, and Things. A New Edition (1870).Google Scholar
Heads of the People: Being Portraits of the English, 2 vols. (1840).Google Scholar
Hindley, Charles, Curiosities of Street Literature (1871).Google Scholar
Hindley, Charles, The Life and Times of James Catnach (Late of Seven Dials), Ballad Monger (1878).Google Scholar
Hindley, Charles, A History of the Cries of London, Ancient and Modern (1881).Google Scholar
Hindley, Charles, The History of the Catnach Press (1887).Google Scholar
Hindley, Charles, The True History of Tom and Jerry (1888).Google Scholar
History of the Westminster and Middlesex Elections; in the Month of November, 1806 (1807).Google Scholar
Hone, William, The Reformists’ Register and Weekly Commentary (1817).Google Scholar
Hone, William, The Every-Day Book; or, the Guide to the Year (1825).Google Scholar
Horne, George, Sixteen Sermons on Various Subjects and Occasions (2nd edn, Oxford, 1795).Google Scholar
Howell, Thomas B. (ed.), Cobbett’s Complete Collection of State Trials, 21 vols. (1809–26).Google Scholar
Jackson, William, Observations on the Present State of Music, in London (Dublin, 1791).Google Scholar
Jerrold, Blanchard, London: A Pilgrimage. Illustrated by Gustave Doré with an Introduction by Peter Ackroyd (2006).Google Scholar
Jerrold, Douglas, The Essays of Douglas Jerrold. Edited by his Grandson Walter Jerrold with Illustrations by H.M. Brock (1903).Google Scholar
Knight, Charles (ed.), London, 6 vols. (1851).Google Scholar
Leighton, John, London Cries & Public Edifices. By Luke Limner Esq. (1847).Google Scholar
Lhotsky, John, Hunger and Revolution. By the Author of ‘Daily Bread.’ (1843).Google Scholar
Mackay, Charles, Memoirs of Extraordinary Popular Delusions, 3 vols. (1841).Google Scholar
Malcolm, James P., Anecdotes of the Manners and Customs of London during the Eighteenth Century, 2 vols. (1810).Google Scholar
Metropolitan Grievances; or, a Serio-Comic Glance at Minor Mischiefs in London and its Vicinity (1812).Google Scholar
Millar, James, The Friendly Society Guide: or, A Series of Letters, Conferences, and Essays on the Formation and Improvement of Benefit or Friendly Societies (Dundee, 1825).Google Scholar
Molleson, Alexander, Miscellanies in Prose and Verse (Glasgow, 1806).Google Scholar
Morley, Henry, Memoirs of Bartholomew Fair (1859, repr. 1973).Google Scholar
The Moving Market: Or, Cries of London. For the Amusement of Good Children. (Glasgow, 1815).Google Scholar
New Police Report for 1817. The Second Report of the Select Committee (1817).Google Scholar
The Observant Pedestrian; Or, Traits of the Heart: In a Solitary Tour from Cærnarvon to London: In Two Volumes, by the Author of The Mystic Cottager, 2 vols. (1795).Google Scholar
Parker, George, Life’s Painter of Variegated Characters in Public and Private Life (1789).Google Scholar
Parker, George, A View of Society and Manners in High and Low Life, 2 vols. (1791).Google Scholar
Plumptre, James, Letters to John Aikin, M.D. on his volume of Vocal Poetry (Cambridge, 1811).Google Scholar
Rag, Jack’ (ed.), Streetology of London; or, the Metropolitan Papers of the Itinerant Club (1837).Google Scholar
Rede, Lehman T., The Road to the Stage; or, The Performer’s Preceptor (1827).Google Scholar
Religious Tracts, Dispersed by the Society for Promoting Christian Knowledge, 12 vols. (1800).Google Scholar
Report from Committee on the State of Mendicity in the Metropolis, Ordered by the House of Commons to be Printed, 11 July 1815 (1815).Google Scholar
Reynolds, George W. M., The Mysteries of London (1850–6, New edn, Keele, 1996).Google Scholar
Rowlandson, Thomas, Characteristic Sketches of the Lower Orders (c.1820).Google Scholar
Sala, George Augustus, Twice Round the Clock; or the Hours of the Day and Night in London (1861).Google Scholar
Sala, George Augustus, Gaslight and Daylight (New edn, 1872).Google Scholar
Schlesinger, Max, Saunterings in and about London. The English Edition by Otto Wenckstern (1853).Google Scholar
Scholes, Percy A., The Mirror of Music, 1844–1944: A Century of Musical Life in Britain as reflected in the pages of the Music Times, 2 vols. (Oxford, 1947).Google Scholar
Shenstone, William, Essays on Men and Manners (Ludlow, 1800).Google Scholar
Slater, Michael (ed.), Dickens’ Journalism: Sketches by Boz and other Early Papers, 1833–39 (1996).Google Scholar
Smith, Albert R. (ed.), Gavarni in London, Sketches of Life and Character: With Illustrative Essays by Popular Writers (1849).Google Scholar
Smith, Charles M., Curiosities of London Life: or, Phases, Physiological and Social, of the Great Metropolis (1853).Google Scholar
Smith, Charles M., The Little World of London; or, Pictures in Little of London Life (1857).Google Scholar
Smith, John T., Etchings of Remarkable Beggars, Itinerant Traders, and other Persons of Notoriety in London and its Environs (1815).Google Scholar
Smith, John T., Vagabondiana; or, Anecdotes of Mendicant Wanderers through the Streets of London; with Portraits of the Most Remarkable Drawn from the Life (1817).Google Scholar
Smith, John T., The Cries of London: exhibiting several of the Itinerant Traders of Antient and Modern Times (1839).Google Scholar
Smith, John T., A Book for a Rainy Day: or, Recollections of the Events of the Last Sixty-Six Years (1845).Google Scholar
[Stanhope, Philip D.], Chesterfield Travestie: Or, School for Modern Manners (1808).Google Scholar
The Statutes of the Realm, 11 vols. (1810–28).Google Scholar
Strutt, Joseph, Glig Gamena Angel-Deod, or, The Sports and Pastimes of the People of England (1801).Google Scholar
The Swell’s Night Guide: or, a Peep through the Great Metropolis (New edn, 1846).Google Scholar
Taylor, Edward, Three Inaugural Lectures (1838).Google Scholar
Taylor, Jane, City Scenes; or, A Peep into London, for Good Children (1809).Google Scholar
Thelwall, John, The Poetical Recreations of The Champion, and his Literary Correspondents; with a Selection of Essays, Literary & Critical which have appeared in The Champion Newspaper (1822).Google Scholar
Timbs, John, Curiosities of London (New edn, 1867).Google Scholar
Tuer, Alfred W., Old London Street Cries (1885).Google Scholar
‘Unus populi’, A Letter to Mr. Scarlett on the Poor Laws (1822).Google Scholar
Weston, Charles, Remarks on the Poor Laws (Brentford, 1802).Google Scholar
Abbate, Carolyn, Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (Princeton, 1991).Google Scholar
Abbate, Carolyn, ‘Music—Drastic or Gnostic?’, Critical Inquiry 30 (2004): 50536.Google Scholar
Anderson, Hugh, Farewell to Judges & Juries: The Broadside Ballad & Convict Transportation to Australia, 1788–1868 (Victoria, 2000).Google Scholar
Andrews, Gavin, Kingsbury, Paul, and Kearns, Robin (eds.), Soundscapes of Wellbeing in Popular Music (Farnham, 2014).Google Scholar
Arata, Stephen, ‘Rhyme, Rhythm, and the Materiality of Poetry: Response’, Victorian Studies 53 (2011): 51826.Google Scholar
Astbury, Raymond, Black Entertainers in Victorian Dublin (Milton Keynes, 2014).Google Scholar
Atkinson, David, The English Traditional Ballad: Theory, Method and Practice (Aldershot, 2002).Google Scholar
Atkinson, David, ‘Folk Songs in Print: Text and Tradition’, Folk Music Journal 8 (2004): 456–83.Google Scholar
Atkinson, David, The Anglo-Scottish Ballad and its Imaginary Contexts (Cambridge, 2014).Google Scholar
Atkinson, David and Roud, Steve (eds.), Street Ballads in Nineteenth-Century Britain, Ireland, and North America: The Interface between Print and Oral Traditions (Farnham, 2014).Google Scholar
Atkinson, David and Roud, Steve (eds.), Street Literature of the Long Nineteenth Century: Producers, Sellers, Consumers (Newcastle, 2017).Google Scholar
Atlas, Allan W., ‘Belasco and Puccini: “Old Dog Tray” and the Zuni Indians’, Musical Quarterly 75 (1991): 362–98.Google Scholar
Attali, Jacques, Noise: The Political Economy of Music (Manchester, 1985).Google Scholar
Baer, Marc, The Rise and Fall of Radical Westminster, 1780–1890 (Basingstoke, 2012).Google Scholar
Bailey, Peter, Popular Culture and Performance in the Victorian City (Cambridge, 1998).Google Scholar
Banfield, Stephen, Sondheim’s Broadway Musicals (Ann Arbor, 1993).Google Scholar
Banfield, Stephen, ‘Review: The American Popular Ballad of the Golden Era: 1924–1950’, Journal of Music Theory 44 (2000): 236–49.Google Scholar
Banfield, Stephen, ‘Once Again: Scholarship and the Musical’, Journal of the Royal Musical Association 138 (2013): 431–41.Google Scholar
Bann, Stephen, Distinguished Images: Prints in the Visual Economy of Nineteenth-Century France (New Haven, 2013).Google Scholar
Barclay, Katie, ‘Composing the Self: Gender, Subjectivity and Scottish Balladry’, Cultural and Social History 7 (2010): 337–53.Google Scholar
Barclay, Katie, ‘Singing, Performance, and Lower-Class Masculinity in the Dublin Magistrates’ Court, 1820–1850’, Journal of Social History 47 (2014): 746–68.Google Scholar
Barclay, Katie, ‘Sounds of Sedition: Music and Emotion in Ireland, 1780–1845’, Cultural History 3 (2014): 5480.Google Scholar
Barker, Hannah, and Vincent, David (eds.), Language, Print and Electoral Politics, 1790–1832: Newcastle-Under-Lyme Broadsides (Woodbridge, 2001).Google Scholar
Barricelli, Jean-Pierre and Gibaldi, Joseph (eds.), Interrelations of Literature (New York, 1982).Google Scholar
Barringer, Tim, Forrester, Gillian, and Martinez-Ruiz, Barbaro (eds.), Art and Emancipation in Jamaica: Isaac Mendes Belisario and His Worlds (New Haven, 2007).Google Scholar
Bartlett, Georgina, ‘From the Stage to the Street: Theatre Music and the Broadside Ballad in London, 1797–1844’ (Oxford University D.Phil. thesis, 2020).Google Scholar
Beaumont, Matthew, Nightwalking: A Nocturnal History of London (2015).Google Scholar
Beedell, Ann V., The Decline of the English Musician, 1788–1888: A Family of English Musicians in Ireland, England, Mauritius and Australia (Oxford, 1992).Google Scholar
Bell, Karl, The Magical Imagination: Magic and Modernity in Urban England, 1780–1914 (Cambridge, 2012).Google Scholar
Ben-Amos, Dan, ‘The Situation Structure of the Non-Humorous English Ballad’, Midwest Folklore 13 (1963): 163–76.Google Scholar
Bender, Daniel, Corpis, Duane J., and Walkowitz, Daniel J., ‘Sound Politics: Critically Listening to the Past’, Radical History Review 121 (2015): 17.Google Scholar
Bennett, Anthony, ‘Broadsides on the Trial of Queen Caroline: A Glimpse at Popular Song in 1820’, Proceedings of the Royal Musical Association 107 (1980–1): 7185.Google Scholar
Bennett, Anthony, ‘Sources of Popular Song in Early Nineteenth-Century Britain: Problems and Methods of Research’, Popular Music 2, Theory and Method (1982): 6989.Google Scholar
Bennett, Anthony, ‘Rivals Unravelled: A Broadside Song and Dance’, Folk Music Journal 6 (1993): 420–45.Google Scholar
Bennett, Tony and Joyce, Patrick (eds.), Material Powers: Cultural Studies, History and the Material Turn (Abingdon, 2010).Google Scholar
Bergson, Henri, Laughter: An Essay on the Meaning of the Comic, trans. Cloudesley Brereton (1911).Google Scholar
Bernhart, Walter, Scher, Steven P., and Wolf, Werner (eds.), Word and Music Studies: Defining the Field (1999).Google Scholar
Bicknell, Jeanette and Fisher, John A. (eds.), Song, Songs, and Singing (Chichester, 2013).Google Scholar
Blackmur, Richard P., Language as Gesture: Essays in Poetry (1954).Google Scholar
Boase-Beier, Jean and Weninger, Robert (eds.), Listening to Sing: Writing and Music (Edinburgh, 2008).Google Scholar
Bohlman, Philip V., ‘Herder’s Nineteenth Century’, Nineteenth-Century Music Review 7 (2010): 321.Google Scholar
Booth, Mark W., The Experience of Songs (New Haven, 1981).Google Scholar
Born, Georgina, ‘Listening, Mediation, Event: Anthropological and Sociological Perspectives’, Journal of the Royal Musical Association 135 (2010): 7989.Google Scholar
Born, Georgina, ‘For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn’, Journal of the Royal Musical Association 135 (2010): 205–43.Google Scholar
Born, Georgina (ed.), Music, Sound and Space: Transformations of Public and Private Experience (Cambridge, 2013).Google Scholar
Boswell, George, ‘Reciprocal Controls Exerted by Ballad Texts and Tunes’, Journal of American Folklore 80 (1967): 169–74.Google Scholar
Bourdieu, Pierre, Distinction: A Social Critique of the Judgement of Taste, trans. Richard Nice (1984).Google Scholar
Bowan, Kate and Pickering, Paul A., ‘“Songs for the Millions”: Chartist Music and Popular Aural Tradition’, Labour History Review 74 (2009): 4463.Google Scholar
Bowan, Kate and Pickering, Paul A., Sounds of Liberty: Music, Radicalism and Reform in the Anglophone World, 1790–1914 (Manchester, 2017).Google Scholar
Boykan, Martin, ‘Reflections on Words and Music’, Musical Quarterly 84 (2000): 123–36.Google Scholar
Braddick, Michael J. and Walter, John (eds.), Negotiating Power in Early Modern Society: Order, Hierarchy and Subordination in Britain and Ireland (Cambridge, 2001).Google Scholar
Brant, Clare and Whyman, Susan E. (eds.), Walking the Streets of Eighteenth-Century London: John Gay’s Trivia (1716) (Oxford, 2007).Google Scholar
Bratton, Jacky S., The Victorian Popular Ballad (1975).Google Scholar
Bratton, Jacky S. (ed.), Music Hall: Performance and Style (Milton Keynes, 1986).Google Scholar
Briggs, Jo, ‘Ballads and Balloon Ascents: Reconnecting the Popular and the Didactic in 1851’, Victorian Studies 55 (2013): 253–66.Google Scholar
Bronson, Bertrand H., The Ballad as Song (Berkeley and Los Angeles, 1969).Google Scholar
Brown, Marshall, The Tooth that Nibbles at the Soul: Essays on Music and Poetry (Seattle, 2010).Google Scholar
Bucciarelli, Melania and Joncus, Berta (eds.), Music as Social and Cultural Practice: Essays in Honour of Reinhard Strohm (Woodbridge, 2007).Google Scholar
Buckley, Jenifer, Gender, Pregnancy and Power in Eighteenth-Century Literature: The Maternal Imagination (Basingstoke, 2017).Google Scholar
Burke, Helen M., ‘The Revolutionary Prelude: The Dublin Stage in the Late 1770s and Early 1780s’, Eighteenth-Century Life 22, no. 3 (1998): 718.Google Scholar
Burke, Peter, Popular Culture in Early Modern Europe (3rd edn, Abingdon, 2009, 1st edn, New York, 1978).Google Scholar
Burke, Peter, ‘Postscript’, Italian Studies 71 (2016): 259–63.Google Scholar
Butt, John, ‘Do Musical Works Contain an Implied Listener? Towards a Theory of Musical Listening’, Journal of the Royal Musical Association 135 (2010): 518.Google Scholar
Butterfield, Ardis, ‘Repetition and Variation in the Thirteenth-Century Refrain’, Journal of the Royal Musical Association 116 (1991): 123.Google Scholar
Bywater, Michael, ‘Performing Spaces: Street Music and Public Territory’, Twentieth-Century Music 3 (2007): 97120.Google Scholar
Calhoun, Craig and Sennett, Richard (eds.), Practicing Culture (Abingdon, 2007).Google Scholar
Cannadine, David (ed.), Trafalgar in History: A Battle and its Afterlife (Basingstoke, 2006).Google Scholar
Carnell, Peter W., Ballads in the Charles Harding Firth Collection of the University of Sheffield: A Descriptive Catalogue with Indexes (Sheffield, 1979).Google Scholar
Carnelos, Laura, ‘Street Voices. The Role of Blind Performers in Early Modern Italy’, Italian Studies 71 (2016): 184–96.Google Scholar
Carse, Adam, The Life of Jullien (Cambridge, 1951).Google Scholar
Champion, Matthew S. and Stanyon, Miranda, ‘Musicalising History’, Transactions of the Royal Historical Society 29 (2019): 79104.Google Scholar
Chandler, James and Gilmartin, Kevin (eds.), Romantic Metropolis: The Urban Scene of British Culture, 1780–1840 (Cambridge, 2005).Google Scholar
Chantler, Ashley, Davies, Michael, and Shaw, Philip (eds.), Literature and Authenticity, 1780–1900: Essays in Honour of Vincent Newey (Farnham, 2011).Google Scholar
Chapin, Keith and Kramer, Lawrence (eds.), Musical Meaning and Human Values (New York, 2009).Google Scholar
Charosh, Paul, ‘Studying Nineteenth-Century Popular Song’, American Music 15 (1997): 459–92.Google Scholar
Chrisman-Campbell, Kimberley, Fashion Victims: Dress at the Court of Louis XVI and Marie-Antoinette (New Haven, 2015).Google Scholar
Chua, Daniel, Absolute Music and the Construction of Meaning (Cambridge, 1999).Google Scholar
Clark, Anna, The Struggle for the Breeches: Gender and the Making of the British Working Class (1995).Google Scholar
Clarke, Candace, Misery and Company: Sympathy in Everyday Life (Chicago, 1997).Google Scholar
Clayton, Tim, The English Print, 1688–1802 (New Haven, 1997).Google Scholar
Clemit, Pamela (ed.), The Cambridge Companion to British Literature of the French Revolution in the 1790s (Cambridge, 2011).Google Scholar
Cockayne, Emily, Hubbub: Filth, Noise & Stench in England, 1600–1770 (New Haven, 2007).Google Scholar
Cole, Michael, The Pianoforte in the Classical Era (Oxford, 1998).Google Scholar
Collison, Robert, The Story of Street Literature: Forerunner of the Popular Press (1973).Google Scholar
Cone, Edward T., The Composer’s Voice (Berkeley and Los Angeles, 1974).Google Scholar
Connell, Philip and Leask, Nigel (eds.), Romanticism and Popular Culture in Britain and Ireland (Cambridge, 2009).Google Scholar
Cook, Nicholas, Analysing Musical Multimedia (Oxford, 2000).Google Scholar
Cook, Nicholas, Music, Imagination, and Culture (Oxford, 2002).Google Scholar
Cook, Nicholas, Music, Performance, Meaning: Selected Essays (Aldershot, 2007).Google Scholar
Cook, Nicholas and Everist, Mark (eds.), Rethinking Music (Oxford, 1999).Google Scholar
Corfield, Penelope J., ‘Walking the City Streets: “The Urban Odyssey in Eighteenth-Century England”’, Journal of Urban History 16 (1990): 132–74.Google Scholar
Costa, Marco et al., ‘Interval Distributions, Mode, and Tonal Strength of Melodies as Predictors of Perceived Emotion’, Music Perception 22 (2004): 114.Google Scholar
Oskar, Cox Jensen, ‘The Travels of John Magee: Tracing the Geographies of Britain’s Itinerant Print-Sellers, 1789–1815’, Cultural and Social History 11 (2014): 195216.Google Scholar
Oskar, Cox Jensen, Napoleon and British Song, 1797–1822 (Basingstoke, 2015).Google Scholar
Oskar, Cox Jensen, Kennerley, David, and Newman, Ian (eds.), Charles Dibdin and Late Georgian Culture (Oxford, 2018).Google Scholar
Crawford, Thomas, Society and the Lyric: A Study of the Song Culture of Eighteenth-Century Scotland (Edinburgh, 1979).Google Scholar
Crick, Julia and Walsham, Alexandra (eds.), The Uses of Script and Print, 1300–1700 (Cambridge, 2004).Google Scholar
Crosbie, Barbara, ‘Half-Penny Ballads and the Soundscape of Eighteenth-Century Electioneering’, Publishing History 70 (2011): 932.Google Scholar
Culler, Jonathan, Theory of the Lyric (Harvard, 2015).Google Scholar
Cunningham, Hugh, Leisure in the Industrial Revolution, c.1780–c.1880 (1980).Google Scholar
Cunningham, Hugh and Innes, Joanna (eds.), Charity, Philanthropy and Reform: From the 1690s to 1850 (Basingstoke, 1998).Google Scholar
Francis, Cunningham Woods, ‘A Consideration of the Various Types of Songs Popular in England during the Eighteenth Century’, Proceedings of the Musical Association, 23rd session (1896–7): 3755.Google Scholar
Davey, James, ‘Singing for the Nation: Balladry, Naval Recruitment and the Language of Patriotism in Eighteenth-Century Britain’, The Mariner’s Mirror 103 (2017): 4366.Google Scholar
Davies, James Q. and Lockhart, Ellen (eds.), Sound Knowledge: Music and Science in London, 1789–1851 (Chicago, 2017).Google Scholar
Davies, L. I., ‘Orality, Literacy, Popular Culture: An Eighteenth-Century Case Study’, Oral Tradition 25 (2010): 305–23.Google Scholar
Davies, Stephen, Musical Meaning and Expression (Ithaca, N.Y., 1994).Google Scholar
Davis, Jim, Comic Acting and Portraiture in Late-Georgian and Regency England (Cambridge, 2015).Google Scholar
Davis, Jim and Emeljanow, Victor, Reflecting the Audience: London Theatregoing, 1840–1880 (Hatfield, 2001).Google Scholar
Davis, Michael T., ‘“An Evening of Pleasure Rather than Business”: Songs, Subversion and Radical Sub-Culture in the 1790s’, Journal for the Study of British Cultures 12, no. 2 (2005): 115–26.Google Scholar
Dawes, Kwame, ‘Negotiating the Ship on the Head: Black British Fiction’, Wasafiri 14, no. 29 (1999): 1824.Google Scholar
Degl’Innocenti, Luca and Rospocher, Massimo, ‘Street Singers: An Interdisciplinary Perspective’, Italian Studies 71 (2016): 149–53.Google Scholar
Degl’Innocenti, Luca and Rospocher, Massimo, ‘Street Singers in Renaissance Europe’, Special Issue of Renaissance Studies 33, no. 1 (2019): 1158.Google Scholar
Dennant, Paul, ‘The “barbarous old English jig”: The “Black Joke” in the Eighteenth and Nineteenth Centuries’, Folk Music Journal 10 (2013): 298318.Google Scholar
DeNora, Tia, Music in Everyday Life (Cambridge, 2000).Google Scholar
Dentith, Simon, Parody (2000).Google Scholar
Dickie, Simon, Cruelty and Laughter: Forgotten Comic Literature and the Unsentimental Eighteenth Century (Chicago, 2011).Google Scholar
Dickinson, Harry T., Caricatures and the Constitution, 1760–1832 (Cambridge, 1986).Google Scholar
Dillon, Elizabeth Maddock, New World Drama: The Performative Commons in the Atlantic World, 1649–1849 (Durham and London, 2014).Google Scholar
Dugaw, Dianne, Warrior Women and Popular Balladry, 1650–1850 (Chicago, 1996).Google Scholar
Dyos, H. J. and Wolff, Michael (eds.), The Victorian City: Images and Realities, 2 vols. (1999).Google Scholar
Eccles, Audrey, Vagrancy in Law and Practice under the Old Poor Law (Farnham, 2012).Google Scholar
Egri, Péter, Literature, Painting and Music: An Interdisciplinary Approach to Comparative Literature (Budapest, 1988).Google Scholar
Ehrenreich, Barbara, Dancing in the Streets: A History of Collective Joy (2007).Google Scholar
Elbourne, Roger, ‘A Mirror of Man? Traditional Music as a Reflection of Society’, Journal of American Folklore 89 (1976): 463–8.Google Scholar
Epp, Maureen and Power, Brian E. (eds.), The Sounds and Sights of Performance in Early Music (Farnham, 2009).Google Scholar
Epstein, James, In Practice: Studies in the Language and Culture of Popular Politics in Modern Britain (Stanford, 2003).Google Scholar
Nord, Epstein, Deborah, Walking the Victorian Streets: Women, Representation, and the City (New York, 1995).Google Scholar
Etherington, Ben, ‘Sound Gazes?’, Journal of the Royal Musical Association 135 (2010): 3943.Google Scholar
Eva, Phil, ‘Home Sweet Home? The “Culture of Exile” in Mid-Victorian Popular Song’, Popular Music 16 (1997): 131–50.Google Scholar
Everett, Walter, ‘Deep-Level Portrayals of Directed and Misdirected Motions in Nineteenth-Century Lyric Song’, Journal of Music Theory 48 (2004): 2568.Google Scholar
Fahrner, Robert, The Theatre Career of Charles Dibdin the Elder (1745–1814) (New York, 1989).Google Scholar
Fairclough, Mary, The Romantic Crowd: Sympathy, Controversy and Print Culture (Cambridge, 2013).Google Scholar
Fitzgerald, Kelly, ‘Singers as Songmakers: Individual Creativity and Expression Within the Making of Songs’, Béaloideas 77 (2009): 80102.Google Scholar
Fitzgerald, William, ‘Listening, Ancient and Modern’, Journal of the Royal Musical Association 135 (2010): 2537.Google Scholar
Fitzpatrick, Martin et al. (eds.), The Enlightenment World (2004).Google Scholar
Foley, John M., How to Read an Oral Poem (Urbana and Chicago, 2002).Google Scholar
Foucault, Michel, Discipline and Punish, trans. Alan Sheridan (2nd edn, New York, 1995).Google Scholar
Fox, Adam, Oral and Literate Culture in England, 1500–1700 (Oxford, 2000).Google Scholar
Friedman, Albert B., The Ballad Revival: Studies in the Influence of Popular on Sophisticated Poetry (Chicago, 1961).Google Scholar
Friedman, Albert B., ‘The Formulaic Improvisation Theory of Ballad Tradition: A Counterstatement’, Journal of American Folklore 74 (1961): 113–15.Google Scholar
Frith, Simon, Performing Rites: On the Value of Popular Music (Oxford, 1996).Google Scholar
Fulcher, Jane F. (ed.), The Oxford Handbook of the New Cultural History of Music (Oxford, 2011).Google Scholar
Fulford, Tim, ‘Fallen Ladies and Cruel Mothers: Ballad Singers and Ballad Heroines in the Eighteenth Century’, The Eighteenth Century: Theory and Interpretation 47 (2006): 309–30.Google Scholar
Fumerton, Patricia, Unsettled: The Culture of Mobility and the Working Poor in Early Modern England (Chicago, 2006).Google Scholar
Fumerton, Patricia (ed.), Living English Broadside Ballads, 1550–1750: Song, Art, Dance, Culture, Special Issue of Huntington Library Quarterly 79, no. 2 (2016): 163342.Google Scholar
Fumerton, Patricia and Guerrini, Anita (eds.), Ballads and Broadsides in Britain, 1500–1800 (Farnham, 2010).Google Scholar
Gammon, Vic, ‘“Not Appreciated in Worthing?” Class Expression and Popular Song Texts in Mid-Nineteenth-Century Britain’, Popular Music 4, Performers and Audiences (1984): 524.Google Scholar
Gammon, Vic, ‘The Grand Conversation: Napoleon and British Popular Balladry’, RSA Journal 137 (1989): 665–74.Google Scholar
Gammon, Vic, Desire, Drink and Death in English Folk and Vernacular Song, 1600–1900 (Aldershot, 2008).Google Scholar
Gammon, Vic and Gammon, Sheila, ‘The Musical Revolution of the Mid-Nineteenth Century: From “Repeat and Twiddle” to “Precision and Snap”’, in Herbert, Trevor (ed.), The British Brass Band: A Musical and Social History (Oxford, 2000), 122–54.Google Scholar
Ganev, Robin, Songs of Protest, Songs of Love: Popular Ballads in Eighteenth-Century Britain (Manchester, 2009).Google Scholar
Gatrell, Vic A. C., The Hanging Tree: Execution and the English People, 1770–1868 (Oxford, 1994).Google Scholar
Gatrell, Vic A. C., City of Laughter: Sex and Satire in Eighteenth-Century London (2007).Google Scholar
Gaunt, Richard A., ‘Cheering the Member: Gladstone Election Songs at Newark’, Transactions of the Thoroton Society of Nottinghamshire 114 (2010): 159–66.Google Scholar
Ghosh, Anindita, ‘Singing in a New World: Street Songs and Urban Experience in Colonial Calcutta’, History Workshop Journal 76 (2013): 111–36.Google Scholar
Gikandi, Simon, Slavery and the Culture of Taste (Princeton, 2011).Google Scholar
Golby, John M. and Purdue, A. William, The Civilisation of the Crowd: Popular Culture in England, 1750–1900 (1984).Google Scholar
Gouk, Penelope and Hills, Helen (eds.), Representing Emotions: New Connections in the Histories of Art, Music and Medicine (Aldershot, 2005).Google Scholar
Gowing, Laura, Domestic Dangers: Women, Words and Sex in Early Modern London (Oxford, 1996).Google Scholar
Green, Bryan S., ‘Learning from Henry Mayhew: The Role of the Impartial Spectator in Mayhew’s London Labour and the London Poor’, Journal of Contemporary Ethnography 31, no. 2 (2002): 99134.Google Scholar
Gregory, E. David, Victorian Songhunters: The Recovery and Editing of English Vernacular Ballads and Folk Lyrics, 1820–1883 (Lanham, 2006).Google Scholar
Griffin, Emma, ‘Popular Culture in Industrialising England’, Historical Journal 45 (2002): 619–35.Google Scholar
Groom, Nick, The Making of Percy’s Reliques (Oxford, 1999).Google Scholar
Guillorel, Éva, Hopkin, David, and Pooley, William G. (eds.), Rhythms of Revolt: European Traditions and Memories of Social Conflict in Oral Culture (Abingdon, 2018).Google Scholar
Gustar, Andrew, ‘The Life and Times of Black-Ey’d Susan: The Story of an English Ballad’, Folk Music Journal 10 (2014): 432–48.Google Scholar
Hackman, Rowan, Ships of the East India Company (Gravesend, 2001).Google Scholar
Hadfield, Andrew, Dimmock, Matthew, and Shinn, Abigail (eds.), The Ashgate Research Companion to Popular Culture in Early Modern England (Farnham, 2014).Google Scholar
Hahn, Henry G., The Ocean Bards: British Poetry and the War at Sea, 1793–1815 (Frankfurt am Main, 2008).Google Scholar
Hailwood, Mark, Alehouses and Good Fellowship in Early Modern England (Woodbridge, 2014).Google Scholar
Hall, Jason D. (ed.), Meter Matters: Verse Cultures of the Long Nineteenth Century (Athens, Ohio, 2011).Google Scholar
Halpern, Andrea R. et al., ‘Perception of Mode, Rhythm, and Contour in Unfamiliar Melodies: Effects of Age and Experience’, Music Perception 15 (1998): 335–55.Google Scholar
Hambridge, Katherine and Hicks, Jonathan (eds.), The Melodramatic Moment: Music and Theatrical Culture, 1790–1820 (Chicago, 2018).Google Scholar
Harding, James M. and Rosenthal, Cindy (eds.), The Rise of Performance Studies: Rethinking Richard Schechner’s Broad Spectrum (Basingstoke, 2011).Google Scholar
Harker, Dave, Fakesong: The Manufacture of British ‘Folksong’, 1700 to the Present Day (Milton Keynes, 1985).Google Scholar
Harms, Roeland et al., Not Dead Things: The Dissemination of Popular Print in England and Wales, Italy, and the Low Countries, 1500–1820 (Leiden, 2013).Google Scholar
Harriman-Smith, James, ‘Representing the Poor: Charles Lamb and the Vagabondiana’, Studies in Romanticism 54 (2015): 551–68.Google Scholar
Harris, Bob and McKean, Charles, The Scottish Town in the Age of the Enlightenment, 1740–1820 (Edinburgh, 2014).Google Scholar
Harris, Tim (ed.), The Politics of the Excluded, c.1500–1850 (Basingstoke, 2001).Google Scholar
Hawley, Judith, ‘Grub Street in Albion: or, Scriblerian Satire in the Romantic Metropolis’, Romanticism 14, no. 2 (2008): 8193.Google Scholar
Hayward, Sally, ‘“Those Who Cannot Work”’, Prose Studies: History, Theory, Criticism 27 (2005): 5371.Google Scholar
Heller, Benjamin, ‘Leisure and Pleasure in London Society, 1760–1820: An Agent-Centred Approach’ (Oxford University D.Phil. thesis, 2009).Google Scholar
Heller, Benjamin, ‘The “Mene Peuple” and the Polite Spectator: The Individual in the Crowd at Eighteenth-Century London Fairs’, Past & Present 208 (2010): 131–57.Google Scholar
Helsinger, Elizabeth, ‘Listening: Dante Gabriel Rossetti and the Persistence of Song’, Victorian Studies 53 (2009): 409–21.Google Scholar
Henderson, William (ed.), Victorian Street Ballads: A Selection of Popular Ballads sold in the Street in the Nineteenth Century (1937).Google Scholar
Hendy, David, Noise: A Human History of Sound and Listening (2013).Google Scholar
Henke, Robert, ‘Meeting at the Sign of the Queen: The Commedia dell’Arte, Cheap Print, and Piazza Performance’, Italian Studies 71 (2016): 171–83.Google Scholar
Hepburn, James, A Book of Scattered Leaves: Poetry of Poverty in Broadside Ballads of Nineteenth-Century England, 2 vols. (Cranbury, 2000–1).Google Scholar
Heppa, Christopher, ‘Harry Cox and His Friends: Song Transmission in an East Norfolk Singing Community, c.1896–1960’, Folk Music Journal 8 (2005): 569–93.Google Scholar
Herbert, Trevor (ed.), Bands: The Brass Band Movement in the 19th and 20th Centuries (Buckingham, 1991).Google Scholar
Hesmondhalgh, David and Keith, Negus (eds.), Popular Music Studies (2002).Google Scholar
Hewitt, Martin, The Dawn of the Cheap Press in Victorian Britain: The End of the ‘Taxes on Knowledge’, 1849–1869 (2014).Google Scholar
Hewitt, Martin (ed.), The Victorian World (Abingdon, 2012).Google Scholar
Hewitt, Martin and Cowgill, Rachel (eds.), Victorian Soundscapes Revisited (Leeds, 2007).Google Scholar
Highfill, Philip H., Burnim, Kalman A., and Langhans, Edward A., A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers, and other Stage Personnel in London, 1660–1800, 16 vols. (Carbondale, 1973–93).Google Scholar
Hitchcock, David, Vagrancy in English Society and Culture, 1650–1750 (2016).Google Scholar
Hitchcock, Tim, Down and Out in Eighteenth-Century London (2004).Google Scholar
Hitchcock, Tim, ‘Begging on the Streets of Eighteenth-Century London’, Journal of British Studies 44 (2005): 478–98.Google Scholar
Hitchcock, Tim et al. (eds.), Chronicling Poverty: The Voices and Strategies of the English Poor, 1640–1840 (Basingstoke, 1997).Google Scholar
Hitchcock, Tim and Shore, Heather (eds.), The Streets of London: From the Great Fire to the Great Stink (2003).Google Scholar
Hofer-Robinson, Joanna, Dickens and Demolition: Literary Afterlives and Mid-Nineteenth-Century Urban Development (Edinburgh, 2018).Google Scholar
Holger Petersen, Nils et al. (eds.), The Appearances of Medieval Rituals: The Play of Construction and Modification (Turnhout, 2004).Google Scholar
Horgan, Kate, The Politics of Songs in Eighteenth-Century Britain, 1723–1795 (2014).Google Scholar
Horn, David and Tagg, Philip (eds.), Popular Music Perspectives: Papers from The First International Conference On Popular Music Research, Amsterdam, June 1981 (Göteborg and Exeter, 1982).Google Scholar
Howkins, Alun, ‘The Voice of the People: The Social Meaning and Context of Country Song’, Oral History 3 (1975): 5075.Google Scholar
Humpherys, Ann, Travels into the Poor Man’s Country: The Work of Henry Mayhew (Athens, Georgia, 1977).Google Scholar
Hunt, Arnold, The Art of Hearing: English Preachers and Their Audience, 1590–1640 (Cambridge, 2010).Google Scholar
Hunter, David, ‘Music Copyright in Britain to 1800’, Music and Letters 67 (1986): 269–82.Google Scholar
Hutchins, Sean et al., ‘The Vocal Generosity Effect: How Bad Can Your Singing Be?’, Music Perception 30 (2012): 147–59.Google Scholar
Innes, Joanna, Inferior Politics: Social Problems and Social Policies in Eighteenth-Century Britain (Oxford, 2009).Google Scholar
Irving, David R. M., ‘“For whom the bell tolls”: Listening and its Implications’, Journal of the Royal Musical Association 135 (2010): 1924.Google Scholar
Jackson, Jeffrey H. and Pelkey, Stanley C. (eds.), Music and History: Bridging the Disciplines (Mississippi, 2005).Google Scholar
Jackson-Houlston, Caroline M., Ballads, Songs and Snatches: The Appropriation of Folk Song and Popular Culture in British Nineteenth-century Realist Prose (Aldershot, 1999).Google Scholar
James, Louis, ‘Taking Melodrama Seriously: Theatre, and Nineteenth-Century Studies’, History Workshop 3 (1977): 151–8.Google Scholar
Johnson, James H., Listening in Paris: A Cultural History (Berkeley and Los Angeles, 1995).Google Scholar
Jones, Colin, The Smile Revolution in Eighteenth Century Paris (Oxford, 2014).Google Scholar
Jones, Peter T. A., ‘Redressing Reform Narratives: Victorian London’s Street Markets and the Informal Supply Lines of Urban Modernity’, London Journal 41 (2016): 6081.Google Scholar
Joyce, Patrick, Visions of the People: Industrial England and the Question of Class, 1848–1914 (Cambridge, 1991).Google Scholar
Joyce, Patrick, Democratic Subjects: The Self and the Social in Nineteenth-Century England (Cambridge, 1994).Google Scholar
Joyce, Patrick, ‘What is the Social in Social History?’, Past & Present 205 (2009): 175210.Google Scholar
Kaiser, Matthew, The World in Play: Portraits of a Victorian Concept (Stanford, 2012).Google Scholar
Karlin, Daniel, The Figure of the Singer (Oxford, 2013).Google Scholar
Kassler, Michael (ed.), The Music Trade in Georgian England (Farnham, 2011).Google Scholar
Kelley, Robin D. G., ‘Notes on Deconstructing “The Folk”’, American Historical Review 97 (1992): 1400–8.Google Scholar
Kennaway, James, Bad Vibrations: The History of the Idea of Music as a Cause of Disease (Farnham, 2012).Google Scholar
Kennaway, James (ed.), Music and the Nerves, 1700–1900 (Basingstoke, 2014).Google Scholar
Kennerley, David, ‘Debating Female Musical Professionalism and Artistry in the British Press, c.1820–1850’, Historical Journal 58 (2015): 9871008.Google Scholar
Kennerley, David, Sounding Feminine: Women’s Voices in British Musical Culture, 1780–1850 (New York and Oxford, 2020).Google Scholar
Kirk, John, Noble, Andrew, and Brown, Michael (eds.), United Islands? The Languages of Resistance (2012).Google Scholar
Kirk, John, Noble, Andrew, and Brown, Michael (eds.), Cultures of Radicalism in Britain and Ireland (2013).Google Scholar
Korczynski, Marek, Pickering, Michael, and Robertson, Emma, Rhythms of Labour: Music at Work in Britain (Cambridge, 2013).Google Scholar
Koven, Seth, Slumming: Sexual and Social Politics in Victorian London (Princeton, 2006).Google Scholar
Kramer, Lawrence, Music as Cultural Practice, 1800–1900 (Berkeley and Los Angeles, 1990).Google Scholar
Kramer, Lawrence, Critical Musicology and the Responsibility of Response: Selected Essays (Aldershot, 2006).Google Scholar
Kramer, Lawrence, Interpreting Music (Berkeley and Los Angeles, 2011).Google Scholar
Laitinen, Riitta and Cohen, Thomas V. (eds.), Cultural History of Early Modern European Streets (Leiden, 2009).Google Scholar
Lamb, Jonathan, The Evolution of Sympathy in the Long Eighteenth Century (2009).Google Scholar
Lavery, Brian, The Ship of the Line, 2 vols. (2003).Google Scholar
Lee, Edward, Music of the People: A Study of Popular Music in Great Britain (1970).Google Scholar
Leppert, Richard, The Sight of Sound: Music, Representation, and the History of the Body (Berkeley and Los Angeles, 1993).Google Scholar
Leppert, Richard and McClary, Susan (eds.), Music and Society: The Politics of Composition, Performance and Reception (Cambridge, 1987).Google Scholar
Lightwood, James T., Charles Dickens and Music (1912).Google Scholar
List, George, ‘An Ideal Marriage of Ballad Text and Tune’, Midwest Folklore 7 (1957): 95112.Google Scholar
Lloyd, Albert L., Folk Song in England (1969).Google Scholar
Lomax, Alan, ‘Folk Song Style: Notes on a Systematic Approach to the Study of Folk Song’, Journal of the International Folk Music Council 8 (1956): 4850.Google Scholar
Lomax, Alan, ‘Song Structure and Social Structure’, Ethnology 1 (1962): 425–51.Google Scholar
Lomax, Alan, ‘The Good and the Beautiful in Folksong’, Journal of American Folklore 80 (1967): 213–35.Google Scholar
Lomax, Alan, Folk Song Style and Culture (Washington, 1968).Google Scholar
Lomax, Alan et al., ‘A Stylistic Analysis of Speaking’, Language in Society 6 (1977): 1547.Google Scholar
Long, Eleanor R., ‘Ballad Singers, Ballad Makers, and Ballad Etiology’, Western Folklore 32 (1973): 225–36.Google Scholar
Longmore, Paul K., Telethons: Spectacle, Disability, and the Business of Charity (Oxford, 2016).Google Scholar
Mackerness, Eric D., A Social History of English Music (1964).Google Scholar
Maidment, Brian, Dusty Bob: A Cultural History of Dustmen, 1780–1870 (Manchester, 2007).Google Scholar
Maidment, Brian, Comedy, Caricature and The Social Order, 1820–50 (Manchester, 2013).Google Scholar
Makdisi, Saree, Making England Western: Occidentalism, Race, and Imperial Culture (Chicago, 2014).Google Scholar
Malcolmson, Robert W., Popular Recreations in English Society, 1700–1850 (Cambridge, 1973).Google Scholar
Margulis, Elizabeth H., ‘A Model of Melodic Expectation’, Music Perception 22 (2005): 663714.Google Scholar
Margulis, Elizabeth H., On Repeat: How Music Plays the Mind (Oxford, 2014).Google Scholar
Marsh, Christopher, Music and Society in Early Modern England (Cambridge, 2010).Google Scholar
Marsh, Christopher, ‘“The Blazing Torch”: New Light on English Balladry as a Multi-Media Matrix’, The Seventeenth Century 30 (2015): 95116.Google Scholar
Marsh, Christopher, ‘Best-Selling Ballads and their Pictures in Seventeenth-Century England’, Past & Present 233 (2016): 5399.Google Scholar
Marshall, Nancy R., City of Gold and Mud: Painting Victorian London (New Haven, 2012).Google Scholar
Mason, Laura, Singing the French Revolution: Popular Culture and Politics, 1787–1799 (New York, 1996).Google Scholar
McCalman, Ian, Radical Underworld: Prophets, Revolutionaries and Pornographers in London, 1795–1840 (Cambridge, 1988).Google Scholar
McClary, Susan, Feminine Endings: Music, Gender, and Sexuality (Minneapolis, 2002).Google Scholar
McClary, Susan, Reading Music: Selected Essays (Aldershot, 2007).Google Scholar
McColley, Diane K., Poetry and Music in Seventeenth-Century England (Cambridge, 1997).Google Scholar
McConachie, Bruce, Engaging Audiences: A Cognitive Approach to Spectating in the Theatre (Basingstoke, 2008).Google Scholar
McDowell, Paula, ‘“The Manufacture and Lingua-facture of Ballad-Making”: Broadside Ballads in Long Eighteenth-Century Ballad Discourse’, The Eighteenth Century: Theory and Interpretation 47, nos. 2–3 (2006): 151–78.Google Scholar
McGill, Josephine, ‘Old Ballad Burthens’, Musical Quarterly 4 (1918): 293306.Google Scholar
McGill, Meredith L., ‘What Is a Ballad? Reading for Genre, Format, and Medium’, Nineteenth-Century Literature 71 (2016): 156–75.Google Scholar
McKean, Thomas A. (ed.), The Flowering Thorn: International Ballad Studies (Logan, Utah, 2003).Google Scholar
McLane, Maureen N., Balladeering, Minstrelsy, and the Making of British Romantic Poetry (Cambridge, 2008).Google Scholar
McShane, Angela, ‘Drink, Song and Politics in Early Modern England’, Popular Music 35 (2016): 166–90.Google Scholar
Mellers, Wilfrid, Harmonious Meeting: A Study of the Relationship between English Music, Poetry and Theatre, c.1600–1900 (1965, repr. 2008).Google Scholar
Menzer, Paul, Anecdotal Shakespeare: A New Performance History (2015).Google Scholar
Merkin, Ros (ed.), Popular Theatres? Papers from the Popular Theatre Conference (Liverpool, 1994).Google Scholar
Merriam, Alan P., The Anthropology of Music (Evanston, Ill., 1964).Google Scholar
Meyer, Leonard B., Emotion and Meaning in Music (Chicago, 1956).Google Scholar
Middleton, Richard, Voicing the Popular: On the Subjects of Popular Music (New York, 2006).Google Scholar
Millar, Branford P., ‘Eighteenth-Century Views of the Ballad’, Western Folklore 9 (1950): 124–35.Google Scholar
Moore, Allan F. (ed.), Analysing Popular Music (Cambridge, 2003).Google Scholar
Morgentaler, Goldie, ‘Dickens and the Scattered Identity of Silas Wegg’, Dickens Quarterly 22, no. 2 (2005): 92100.Google Scholar
Motherway, Susan H., The Globalisation of Irish Traditional Song Performance (Aldershot, 2013).Google Scholar
Mullen, John, The Show Must Go On! Popular Song in Britain During the First World War (Farnham, 2015).Google Scholar
Myers, Robin and Harris, Michael (eds.), Spreading the Word: The Distribution Networks of Print, 1550–1850 (Winchester, 1990).Google Scholar
Navickas, Katrina, Protest and the Politics of Space and Place, 1789–1848 (Manchester, 2017).Google Scholar
Nead, Lynda, Victorian Babylon: People, Streets and Images in Nineteenth-Century London (New Haven, 2000).Google Scholar
Neilands, Colin, ‘Irish Broadside Ballads: Performers and Performances’, Folk Music Journal 6 (1991): 209–22.Google Scholar
Negus, Keith, Popular Music in Theory: An Introduction (Cambridge, 1996).Google Scholar
Negus, Keith, ‘Narrative, Interpretation, and the Popular Song’, Musical Quarterly 95 (2012): 368–95.Google Scholar
New Lights upon Old Tunes. “The Arethusa”’, Musical Times and Singing Class Circular 35 (1894): 666–8.Google Scholar
Newman, Ian, ‘Edmund Burke in the Tavern’, European Romantic Review 24 (2013): 125–48.Google Scholar
Newman, Ian, ‘Moderation in the Lyrical Ballads: Wordsworth and the Ballad Debates of the 1790s’, Studies in Romanticism 55 (2016): 185210.Google Scholar
Newman, Ian, The Romantic Tavern: Literature and Conviviality in the Age of Revolution (Cambridge, 2019).Google Scholar
Newman, Ian and Russell, Gillian, ‘Metropolitan Songs and Songsters: Ephemerality in the World City’, Studies in Romanticism 58 (2019): 429–49.Google Scholar
Newman, Steve, Ballad Collection, Lyric, and the Canon: The Call of the Popular from the Restoration to the New Criticism (Philadelphia, 2007).Google Scholar
Nicholls, David, ‘Narrative Theory as an Analytical Tool in the Study of Popular Music Texts’, Music and Letters 88 (2007): 297315.Google Scholar
Nicholson, Eirwen E. C., ‘English Political Prints and Pictorial Argument c.1640–c.1832: A Study in Historiography and Methodology’ (University of Edinburgh PhD thesis, 1994).Google Scholar
Nicholson, Eirwen E. C., ‘Consumers and Spectators: The Public of the Political Print in Eighteenth-Century England’, History 81 (1996): 521.Google Scholar
Ó Madagáin, Breandán, ‘Functions of Irish Song in the Nineteenth Century’, Béaloideas 53 (1985): 130216.Google Scholar
O’Byrne, Alison, ‘The Art of Walking in London: Representing Pedestrianism in the Early Nineteenth Century’, Romanticism 14, no. 2 (2008): 94107.Google Scholar
O’Connell, Sheila, The Popular Print in England, 1550–1850 (1999).Google Scholar
O’Gorman, Frank, ‘Coventry Election Broadsides, 1780’, Yale University Library Gazette 67 (1993): 161–9.Google Scholar
Obelkevich, James, ‘In Search of the Listener’, Journal of the Royal Music Association 114 (1989): 102–8.Google Scholar
Ogborn, Miles, Spaces of Modernity: London’s Geographies, 1680–1780 (New York, 1998).Google Scholar
Palmer, Roy, A Touch on the Times: Songs of Social Change, 1770–1914 (Harmondsworth, 1974).Google Scholar
Palmer, Roy, The Sound of History: Songs and Social Comment (Oxford, 1988).Google Scholar
Palmer, Roy, ‘“Veritable Dunghills”: Professor Child and the Broadside’, Folk Music Journal 7 (1996): 155–66.Google Scholar
Parker, Roger and Rutherford, Susan (eds.), London Voices 1820–1840: Vocal Performers, Practices, Histories (Chicago, 2019).Google Scholar
Pawley, Alisun and Müllensiefen, Daniel, ‘The Science of Singing Along: A Quantitative Field Study on Sing-Along Behaviour in the North of England’, Music Perception 30 (2012): 129–46.Google Scholar
Pearce, Marcus T. and Wiggins, Geraint A., ‘Expectations in Melody: The Influence of Context and Learning’, Music Perception 23 (2006): 377405.Google Scholar
Pearsall, Ronald, Victorian Popular Music (Newton Abbot, 1973).Google Scholar
Peddie, Ian (ed.), The Resisting Muse: Popular Music and Social Protest (Aldershot, 2006).Google Scholar
Pedersen, Susan, ‘Hannah More Meets Simple Simon: Tracts, Chapbooks, and Popular Culture in Late Eighteenth-Century England’, Journal of British Studies 25 (1986): 84113.Google Scholar
Phelan, Peggy, Unmarked: The Politics of Performance (1993).Google Scholar
Philp, Mark (ed.), Resisting Napoleon: The British Response to the Threat of Invasion, 1797–1815 (Aldershot, 2006).Google Scholar
Picker, John M., ‘The Soundproof Study: Victorian Professionals, Work Space, and Urban Noise’, Victorian Studies 42 (2000): 427–53.Google Scholar
Picker, John M., Victorian Soundscapes (Oxford, 2003).Google Scholar
Pickering, Mike, ‘The Study of Vernacular Song in England’, Jahrbuch für Volksliedforschung 33 (1988): 95104.Google Scholar
Pickering, Mike, ‘John Bull in Blackface’, Popular Music 16 (1997): 181201.Google Scholar
Pickering, Mike and Green, Tony (eds.), Everyday Culture: Popular Song and the Vernacular Milieu (Milton Keynes, 1987).Google Scholar
Pike, Lionel, Pills to Purge Melancholy: The Evolution of the English Ballett (Aldershot, 2004).Google Scholar
Platz, Friedrich and Kopiez, Reinhard, ‘When the Eye Listens: A Meta-Analysis of How Audio-Visual Presentation Enhances the Appreciation of Music Performance’, Music Perception 30 (2012): 7183.Google Scholar
Porter, Gerald, The English Occupational Song (Umeå, 1992).Google Scholar
Porter, Gerald, ‘Cobblers All: Occupation as Identity and Cultural Message’, Folk Music Journal 7 (1995): 4361.Google Scholar
Porter, Gerald, ‘The English Ballad Singer and Hidden History’, Studia Musicologica 49 (2008): 127–42.Google Scholar
Potter, Caroline (ed.), Erik Satie: Music, Art and Literature (Farnham, 2013).Google Scholar
Potter, John (ed.), The Cambridge Companion to Singing (Cambridge, 2000).Google Scholar
Potter, Tiffany (ed.), Women, Popular Culture, and the Eighteenth Century (Toronto, 2012).Google Scholar
Poulopoulos, Panagiotis, ‘The Guittar in the British Isles, 1750–1810’ (University of Edinburgh PhD thesis, 2011).Google Scholar
Preston, Cathy L. and Preston, Michael J. (eds.), The Other Print Tradition: Essays on Chapbooks, Broadsides, and Related Ephemera (New York, 1995).Google Scholar
Prineppi, Georgina, ‘Sailors in British Broadside Ballads, 1800–1850’ (University of Miama MMus thesis, 2015).Google Scholar
Rainey, David W. and Larsen, Janet D., ‘The Effect of Familiar Melodies on Initial Learning and Long-term Memory for Unconnected Text’, Music Perception 20 (2002): 173–86.Google Scholar
Reed, Peter P., ‘“There Was No Resisting John Canoe”: Circum-Atlantic Transracial Performance’, Theatre History Studies 27 (2007): 6585.Google Scholar
Reed, Peter P., Rogue Performances: Staging the Underclasses in Early American Theatre Culture (New York, 2009).Google Scholar
Refini, Eugenio, ‘Reappraising the Charlatan in Early Modern Italy: The Case of Iacopo Coppa’, Italian Studies 71 (2016): 197211.Google Scholar
Renwick, Roger deVeer and Rieuwerts, Sigrid (eds.), Ballad Mediations: Folksongs Recovered, Represented, and Reimagined (Trier, 2006).Google Scholar
Roach, Joseph, Cities of the Dead: Circum-Atlantic Performance (New York, 1996).Google Scholar
Rohr, Deborah, The Careers of British Musicians, 1750–1850: A Profession of Artisans (Cambridge, 2001).Google Scholar
Rolison, Jonathan J. and Edworthy, Judy, ‘The Role of Formal Structure in Liking for Popular Music’, Music Perception 29 (2012): 269–84.Google Scholar
Rothenberg, Molly A., ‘Articulating Social Agency in Our Mutual Friend: Problems with Performances, Practices, and Political Efficacy’, ELH 71 (2004): 719–50.Google Scholar
Rouse, Andrew C., ‘The Forgotten Professional Popular Singer in England’, Studia Musicologica Academiae Scientiarum Hungaricae 40 (1999): 145–58.Google Scholar
Rouse, Andrew C., The Remunerated Vernacular Singer: From Medieval England to the Post-War Revival (Frankfurt am Main, 2005).Google Scholar
Rudy, Seth, ‘Stage Presence: Performance and Theatricality in Dickens’s Our Mutual Friend’, Dickens Studies Annual: Essays on Victorian Fiction 37 (2006): 6580.Google Scholar
Russell, Dave, ‘The “Social History” of Popular Music: A Label without a Cause?’, Popular Music 12 (1993): 139–54.Google Scholar
Ryan, Marie-Laure (ed.), Narrative across Media: The Languages of Storytelling (2004).Google Scholar
Sack, Jessica S., ‘Street Music and Musicians: The Physical and Aural Nature of Performance’ (Oxford University M.Phil. thesis, 1998).Google Scholar
Salman, Jeroen, Pedlars and the Popular Press: Itinerant Distribution Networks in England and the Netherlands, 1600–1850 (Leiden, 2014).Google Scholar
Salzberg, Rosa, Ephemeral City: Cheap Print and Urban Culture in Renaissance Venice (Manchester, 2014).Google Scholar
Salzberg, Rosa, ‘“Poverty Makes Me Invisible”: Street Singers and Hard Times in Italian Renaissance Cities’, Italian Studies 71 (2016): 212–24.Google Scholar
Sanders, Mike, ‘“God is Our Guide! Our Cause is Just!” The National Chartist Hymn Book and Victorian Hymnody’, Victorian Studies 54 (2012): 679705.Google Scholar
Schechner, Richard, Performance Studies: An Introduction (2002).Google Scholar
Schmuckler, Mark A., ‘Melodic Contour Similarity Using Folk Melodies’, Music Perception 28 (2010): 169–94.Google Scholar
Schulkind, Matthew D. et al., ‘Musical Features that Facilitate Melody Identification: How do you know it’s “your” song when they finally play it?’, Music Perception 21 (2003): 217–49.Google Scholar
Scott, Derek B., The Singing Bourgeois: Songs of the Victorian Drawing Room and Parlour (2nd edn, Aldershot, 2001).Google Scholar
Scott, Derek B., Sounds of the Metropolis: The Nineteenth-Century Popular Music Revolution in London, New York, Paris, and Vienna (Oxford, 2008).Google Scholar
Seed, David, ‘Touring the Metropolis: The Shifting Subjects of Dickens’ London Sketches’, The Yearbook of English Studies 34, Nineteenth-Century Travel Writing (2004): 155–70.Google Scholar
Sennett, Richard, Flesh and Stone: The Body and the City in Western Civilisation (New York, 1994).Google Scholar
Sennett, Richard, Together: The Rituals, Pleasures and Politics of Cooperation (New Haven, 2012).Google Scholar
Shannon, Mary L., Dickens, Reynolds, and Mayhew on Wellington Street (Farnham, 2015).Google Scholar
Shannon, Mary L., ‘The Multiple Lives of Billy Waters: Dangerous Theatricality and Networked Illustrations in Nineteenth-Century Popular Culture’, Nineteenth Century Theatre and Film 46 (2019): 161–89.Google Scholar
Shapiro, Anne D. (ed.), Music and Context: Essays for John M. Ward (Harvard, 1985).Google Scholar
Shepard, Leslie, The Broadside Ballad: A Study in Origin and Meaning (1962).Google Scholar
Shepard, Leslie, John Pitts, Ballad Printer of Seven Dials, London, 1765–1844 (1969).Google Scholar
Shepard, Leslie, The History of Street Literature (Newton Abbot, 1973).Google Scholar
Shepherd, Janet, ‘The Relationship Between Music, Text and Performance in English Popular Theatre, 1790–1840’ (University of London PhD thesis, 1991).Google Scholar
Shepherd, John, Music as Social Text (Cambridge, 1991).Google Scholar
Shesgreen, Sean, Images of the Outcast: The Urban Poor in the Cries of London (Manchester, 2002).Google Scholar
Shields, Hugh, Oliver Goldsmith and Popular Song (Dublin, 1985).Google Scholar
Shoemaker, Robert, The London Mob: Violence and Disorder in Eighteenth-Century England (2004).Google Scholar
Simpson, Harold, A Century of Ballads, 1810–1910, Their Composers and Singers (1910).Google Scholar
Simpson, Paul, ‘Street Performance and the City: Public Space, Sociality, and Intervening in the Everyday’, Space and Culture 14 (2011): 415–30.Google Scholar
Simpson, Paul, ‘Apprehending Everyday Rhythms: Rhythmanalysis, Time-Lapse Photography, and the Space-Times of Street Performance’, Cultural Geographies 19 (2012): 423–45.Google Scholar
Simpson, Paul, ‘Sonic Affects and the Production of Space: “Music by handle” and the Politics of Street Music in Victorian London’, Cultural Geographies 24 (2017): 89109.Google Scholar
Small, Christopher, Musicking: The Meanings of Performance and Listening (Hanover, N.H., 1998).Google Scholar
Smith, Bruce R., The Acoustic World of Early Modern England (Chicago, 1999).Google Scholar
Smith, Simon, Musical Response in the Early Modern Playhouse, 1603–1625 (Cambridge, 2017).Google Scholar
Snowman, Daniel, The Gilded Stage: A Social History of Opera (2009).Google Scholar
Sorce Keller, Marcello, ‘Why is Music So Ideological, and Why Do Totalitarian States Take It So Seriously? A Personal View from History and the Social Sciences’, Journal of Musicological Research 26, nos. 2–3 (2007): 91122.Google Scholar
Southern, Eileen, The Music of Black Americans: A History (3rd edn, New York, 1997).Google Scholar
Speaight, George, Juvenile Drama: The History of the English Toy Theatre (1946).Google Scholar
Spiers, Edward M., Radical General: Sir George de Lacy Evans, 1787–1870 (Manchester, 1983).Google Scholar
St Clair, William, The Reading Nation in the Romantic Period (Cambridge, 2004).Google Scholar
Stedman Jones, Gareth, Languages of Class: Studies in English Working Class History, 1832–1982 (Cambridge, 1983).Google Scholar
Stedman Jones, Gareth, Outcast London: A Study in the Relationship between Classes in Victorian Society (2nd edn, Harmondsworth, 1984).Google Scholar
Steedman, Carolyn, ‘Cries Unheard, Sights Unseen: Writing the Eighteenth-Century Metropolis’, Representations 118 (2012): 2871.Google Scholar
Steedman, Carolyn, ‘Mayhew: On Reading, About Writing’, Journal of Victorian Culture 19 (2014): 550–61.Google Scholar
Stein, Mark, Black British Literature: Novels of Transformation (Columbus, Ohio, 2004).Google Scholar
Steinberg, Michael P., Listening to Reason: Culture, Subjectivity, and Nineteenth-Century Music (Princeton, 2004).Google Scholar
Stoddard Holmes, Martha, Fictions of Affliction: Physical Disability in Victorian Culture (Ann Arbor, 2004).Google Scholar
Storch, Robert D. (ed.), Popular Culture and Custom in Nineteenth-Century England (1982).Google Scholar
Storey, John, Cultural Theory and Popular Culture: An Introduction (5th edn, Harlow, 2009).Google Scholar
Street, John, Rebel Rock: The Politics of Popular Music (Oxford, 1986).Google Scholar
Taithe, Bertrand, The Essential Mayhew: Representing and Communicating the Poor (1996).Google Scholar
Taruskin, Richard, The Danger of Music and Other Anti-Utopian Essays (Berkeley and Los Angeles, 2009).Google Scholar
Thompson, E. P., Customs in Common (1991).Google Scholar
Tilly, Charles, Contentious Performances (Cambridge, 2008).Google Scholar
Tomlinson, Gary, Metaphysical Song: An Essay on Opera (Princeton, 1999).Google Scholar
Tomlinson, Gary, Music and Historical Critique: Selected Essays (Aldershot, 2007).Google Scholar
Trittschuh, Travis, ‘The Ballad-Seller and His Kind’, Journal of American Folklore 73 (1960): 5456.Google Scholar
Valladares, Susan, ‘Afro-Creole Revelry and Rebellion on the British Stage: Jonkanoo in Obi; or, Three-Fingered Jack (1800)’, Review of English Studies, New Series (2018): 121.Google Scholar
van der Poel, Dieuwke, Grijp, Louis Peter, and van Anrooij, Wim (eds.), Identity, Intertextuality, and Performance in Early Modern Song Culture (Leiden, 2016).Google Scholar
van Dijck, José, ‘Record and Hold: Popular Music between Personal and Collective Memory’, Critical Studies in Media Communication 23 (2006): 357–74.Google Scholar
Veeser, Harold A. (ed.), The New Historicism (New York, 1989).Google Scholar
Vernon, David, Politics and the People: A Study in English Political Culture c.1815–1867 (Cambridge, 1993).Google Scholar
Vicinus, Martha, The Industrial Muse: A Study of Nineteenth Century British Working-Class Literature (1974).Google Scholar
Vicinus, Martha, Broadsides of the Industrial North (Newcastle, 1975).Google Scholar
Vincent, David, Bread, Knowledge and Freedom: A Study of Nineteenth-Century Working Class Autobiography (1981).Google Scholar
Ward, John M., ‘Apropos “The British Broadside Ballad and Its Music”’, Journal of the American Musicological Society 20 (1967): 2886.Google Scholar
Watson, Ian, Song and Democratic Culture in Britain: An Approach to Popular Culture in Social Movements (Beckenham, 1983).Google Scholar
Watt, Paul, Scott, Derek B., and Spedding, Patrick (eds.), Cheap Print and Popular Song in the Nineteenth Century: A Cultural History of the Songster (Cambridge, 2017).Google Scholar
Weber, William, Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna between 1830 and 1848 (2nd edn, Aldershot, 2004).Google Scholar
Weber, William, The Great Transformation of Musical Taste: Concert Programming from Haydn to Brahms (Cambridge, 2008).Google Scholar
Weliver, Phyllis (ed.), The Figure of Music in Nineteenth-Century British Poetry (Aldershot, 2005).Google Scholar
Welu, James A. and Biesboer, Pieter (eds.), Judith Leyster: A Dutch Master and Her World (Yale, 1993).Google Scholar
Weygand, Zina, The Blind in French Society from the Middle Ages to the Century of Louis Braille (Stanford, 2009).Google Scholar
Whipday, Emma, Shakespeare’s Domestic Tragedies: Violence in the Early Modern Home (Cambridge, 2019).Google Scholar
Williams, Abigail, The Social Life of Books: Reading Together in the Eighteenth-Century Home (Yale, 2017).Google Scholar
Wilson, Blake, ‘The Cantastorie/Canterino/Cantimbanco as Musician’, Italian Studies 71 (2016): 154–70.Google Scholar
Wilson, James C. and Lewiecki-Wilson, Cynthia (eds.), Embodied Rhetorics: Disability in Language and Culture (Carbondale and Edwardsville, 2001).Google Scholar
Wilson, Kathleen, The Island Race: Englishness, Empire and Gender in the Eighteenth Century (2003).Google Scholar
Wilson, Kathleen (ed.), A New Imperial History: Culture, Identity, and Modernity in Britain and the Empire, 1660–1840 (Cambridge, 2004).Google Scholar
Winfield, Rif, British Warships in the Age of Sail 1793–1817 (Barnsley, 2008).Google Scholar
Winn, James A., Unsuspected Eloquence: A History of the Relations between Poetry and Music (New Haven and London, 1981).Google Scholar
Winter, James, London’s Teeming Streets, 1830–1914 (1993).Google Scholar
Wood, Gillen D’Arcy, Romanticism and Music Culture in Britain, 1770–1840 (Cambridge, 2010).Google Scholar
Yeo, Eileen and Yeo, Stephen (eds.), Popular Culture and Class Conflict, 1590–1914: Explorations in the History of Labour and Leisure (Brighton, 1981).Google Scholar
Zucchi, John E., The Little Slaves of the Harp: Italian Child Street Musicians in Nineteenth-Century Paris, London, and New York (Quebec, 1992).Google Scholar
Zuckerkandl, Victor, Man the Musician (Princeton, 1976).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Oskar Cox Jensen, University of East Anglia
  • Book: The Ballad-Singer in Georgian and Victorian London
  • Online publication: 05 February 2021
  • Chapter DOI: https://doi.org/10.1017/9781108908108.011
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Oskar Cox Jensen, University of East Anglia
  • Book: The Ballad-Singer in Georgian and Victorian London
  • Online publication: 05 February 2021
  • Chapter DOI: https://doi.org/10.1017/9781108908108.011
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Oskar Cox Jensen, University of East Anglia
  • Book: The Ballad-Singer in Georgian and Victorian London
  • Online publication: 05 February 2021
  • Chapter DOI: https://doi.org/10.1017/9781108908108.011
Available formats
×