Book contents
- Asian American Literature in Transition, 1996–2020
- Asian American Literature in Transition
- Asian American Literature in Transition, 1996–2020
- Copyright page
- Contents
- Illustrations
- Contributors
- Series Preface
- Acknowledgements
- Introduction
- Part I Neoimperialisms, Neoliberalisms, Necropolitics
- Part II Intersections, Intimacies
- Part III Genres, Modalities
- Chapter 9 The Asiatic Modal Imagination
- Chapter 10 Revisualizing Race
- Chapter 11 Contemporary Asian American Women’s Popular Literature and Neoliberal Form
- Chapter 12 This Is Not a Page
- Part IV Movements, Speculations
- Bibliography
- Index
Chapter 9 - The Asiatic Modal Imagination
from Part III - Genres, Modalities
Published online by Cambridge University Press: 27 May 2021
- Asian American Literature in Transition, 1996–2020
- Asian American Literature in Transition
- Asian American Literature in Transition, 1996–2020
- Copyright page
- Contents
- Illustrations
- Contributors
- Series Preface
- Acknowledgements
- Introduction
- Part I Neoimperialisms, Neoliberalisms, Necropolitics
- Part II Intersections, Intimacies
- Part III Genres, Modalities
- Chapter 9 The Asiatic Modal Imagination
- Chapter 10 Revisualizing Race
- Chapter 11 Contemporary Asian American Women’s Popular Literature and Neoliberal Form
- Chapter 12 This Is Not a Page
- Part IV Movements, Speculations
- Bibliography
- Index
Summary
“The Asiatic Modal Imagination” traces the repeated linking of the “Asiatic” with futurity in the Western capitalist imagination. It describes the multiple historical moments where the “Asiatic” is invoked speculatively (from the late nineteenth century to the present) in order to better understand the dual role that Asiatic racialization plays in serving narratives of capital as a driver of universal human history. This racialization occurs via the speculative tropes of a peculiar mixture of genres - world history, political economic tracts, and science fiction. Such discourses and modalities are rampant in the political-economic knowledges produced around the “rise” of China. The chapter unfolds this relationship between Asiatic racialization and future histories of capitalism in the work of Asian American science fiction writers Ted Chiang and Ken Liu. It analyzes these writers for how they interrupt the universalizing narratives of capitalism enabled by speculating on Asia.
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- Asian American Literature in Transition, 1996–2020 , pp. 173 - 199Publisher: Cambridge University PressPrint publication year: 2021
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