Book contents
- The Arts of Imitation in Latin Prose
- The Arts of Imitation in Latin Prose
- Copyright page
- Dedication
- Epigraph
- Frontispiece
- Contents
- Ad lectorem
- Quintilian in Brief, in Brief
- Abbreviations
- Chapter 1 Two Scenes from the Life of an Artist
- Chapter 2 Setting the Stage
- Chapter 3 Brief Encounters
- Chapter 4 Dancing with Dialectic
- Chapter 5 Through the Looking-Glass
- Chapter 6 On Length, in Brief (Ep. 1.20)
- Chapter 7 Letters to Lupercus
- Chapter 8 Studiorum secessus (Ep. 7.9)
- Chapter 9 Docendo discitur
- Chapter 10 Reflections of an Author
- Chapter 11 Quintilian, Pliny, Tacitus
- Chapter 12 Beginnings
- References
- Index locorum
- Index of Greek and Latin Words
- General Index
Chapter 5 - Through the Looking-Glass
Published online by Cambridge University Press: 10 June 2019
- The Arts of Imitation in Latin Prose
- The Arts of Imitation in Latin Prose
- Copyright page
- Dedication
- Epigraph
- Frontispiece
- Contents
- Ad lectorem
- Quintilian in Brief, in Brief
- Abbreviations
- Chapter 1 Two Scenes from the Life of an Artist
- Chapter 2 Setting the Stage
- Chapter 3 Brief Encounters
- Chapter 4 Dancing with Dialectic
- Chapter 5 Through the Looking-Glass
- Chapter 6 On Length, in Brief (Ep. 1.20)
- Chapter 7 Letters to Lupercus
- Chapter 8 Studiorum secessus (Ep. 7.9)
- Chapter 9 Docendo discitur
- Chapter 10 Reflections of an Author
- Chapter 11 Quintilian, Pliny, Tacitus
- Chapter 12 Beginnings
- References
- Index locorum
- Index of Greek and Latin Words
- General Index
Summary
Chapter 5 addresses four more substantial liaisons, all involving ‘window imitation’. Epistles 5.8 (on writing history) works closely with Institutio 10.1, and reaches through it to Thucydides’ preface. Epistles 3.13 (on the style of the Panegyricus) combines Quintilian’s attack on ‘naturalists’ (Institutio 2.11–12) with his remarks on style (Institutio 8.3) and his own point of reference in Cicero’s De oratore. Epistles 4.7 attacks Regulus as immoral orator with help from Institutio 12.5 and its model passage in De oratore. Finally and most curiously, Epistles 2.14 (attacking degenerate advocates and audiences) combines Quintilian on ‘sing-song’ performance (Institutio 11.3) with other passages from the Institutio and Cicero’s Orator in an abstruse display of wit.
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- The Arts of Imitation in Latin ProsePliny's <I>Epistles</I>/Quintilian in Brief, pp. 134 - 191Publisher: Cambridge University PressPrint publication year: 2019