Book contents
- The Arts of Imitation in Latin Prose
- The Arts of Imitation in Latin Prose
- Copyright page
- Dedication
- Epigraph
- Frontispiece
- Contents
- Ad lectorem
- Quintilian in Brief, in Brief
- Abbreviations
- Chapter 1 Two Scenes from the Life of an Artist
- Chapter 2 Setting the Stage
- Chapter 3 Brief Encounters
- Chapter 4 Dancing with Dialectic
- Chapter 5 Through the Looking-Glass
- Chapter 6 On Length, in Brief (Ep. 1.20)
- Chapter 7 Letters to Lupercus
- Chapter 8 Studiorum secessus (Ep. 7.9)
- Chapter 9 Docendo discitur
- Chapter 10 Reflections of an Author
- Chapter 11 Quintilian, Pliny, Tacitus
- Chapter 12 Beginnings
- References
- Index locorum
- Index of Greek and Latin Words
- General Index
Chapter 3 - Brief Encounters
Published online by Cambridge University Press: 10 June 2019
- The Arts of Imitation in Latin Prose
- The Arts of Imitation in Latin Prose
- Copyright page
- Dedication
- Epigraph
- Frontispiece
- Contents
- Ad lectorem
- Quintilian in Brief, in Brief
- Abbreviations
- Chapter 1 Two Scenes from the Life of an Artist
- Chapter 2 Setting the Stage
- Chapter 3 Brief Encounters
- Chapter 4 Dancing with Dialectic
- Chapter 5 Through the Looking-Glass
- Chapter 6 On Length, in Brief (Ep. 1.20)
- Chapter 7 Letters to Lupercus
- Chapter 8 Studiorum secessus (Ep. 7.9)
- Chapter 9 Docendo discitur
- Chapter 10 Reflections of an Author
- Chapter 11 Quintilian, Pliny, Tacitus
- Chapter 12 Beginnings
- References
- Index locorum
- Index of Greek and Latin Words
- General Index
Summary
Chapter 3 begins an inductive argument for establishing Quintilian’s presence in the Epistles and establishes a method for reading it. It considers ten brief liaisons in which Pliny culls an epigram, metaphor or other distinctive detail from the Institutio. I argue that these similarities show imitation, not accident, and situate them within an imitative culture where declaimers, poets and prose writers routinely borrowed and improved on each others’ sententiae. These encounters are routinely self-conscious, but not necessarily (I argue) systematic or invested in allusively taking position against Quintilian: their function is also, and importantly, aesthetic. Lexical signatures play a part, but a much more discreet one than usually supposed – suggesting that we might all do well to spend less time with concordances and word searches and more time reading for the idea.
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- The Arts of Imitation in Latin ProsePliny's <I>Epistles</I>/Quintilian in Brief, pp. 69 - 107Publisher: Cambridge University PressPrint publication year: 2019