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Book contents
- Art, Knowledge, and Papal Politics in Medieval Rome
- Art, Knowledge, and Papal Politics in Medieval Rome
- Copyright page
- Dedication
- Contents
- Acknowledgments
- Introduction
- One The Santi Quattro Coronati Frescoes in Context
- Two Art, Learning, and Reflective Viewing
- Three Emblems of Time and Political Power
- Four Allegory, History, and Political Eschatology
- Five Visual and Material Entanglement in the Anagni Crypt
- Six Conclusion
- Appendix Inscriptions Appearing in the Aula Gotica Frescoes
- Bibliography
- Index
Three - Emblems of Time and Political Power
The Labors of the Months at Santi Quattro Coronati
Published online by Cambridge University Press: 30 January 2025
- Art, Knowledge, and Papal Politics in Medieval Rome
- Art, Knowledge, and Papal Politics in Medieval Rome
- Copyright page
- Dedication
- Contents
- Acknowledgments
- Introduction
- One The Santi Quattro Coronati Frescoes in Context
- Two Art, Learning, and Reflective Viewing
- Three Emblems of Time and Political Power
- Four Allegory, History, and Political Eschatology
- Five Visual and Material Entanglement in the Anagni Crypt
- Six Conclusion
- Appendix Inscriptions Appearing in the Aula Gotica Frescoes
- Bibliography
- Index
Summary
One of the most important documents for dating Santi Quattro Coronati’s extensive ensemble of mural decorations is the marble slab embedded in the south wall of the Sylvester Chapel (Figure 3.1). The neatly chiseled inscription records Stefano Conti’s patronage, and lists the numerous relics contained in the oratory’s altar. It also reveals a great deal about how time was measured in papal Rome during the thirteenth century:
This chapel was dedicated in praise of almighty God and in honor of the blessed Sylvester, pope and confessor, by Rainaldus, Bishop of Ostia, who embraced the prayers of Stefano, cardinal priest of Santa Maria in Trastevere, who commissioned the construction of the chapel and residence. In the name of God, Amen. The year of our Lord 1246, indiction IV, on the Friday before Palm Sunday, in the fourth year of the pontificate of Innocent IV.
- Type
- Chapter
- Information
- Art, Knowledge, and Papal Politics in Medieval RomeInterpreting the Aula Gotica Fresco Cycle at Santi Quattro Coronati, pp. 127 - 187Publisher: Cambridge University PressPrint publication year: 2025