Vases and Sarcophagi
from Part VII - Aegean Art of the Mainland Mycenaean Palatial Period
Published online by Cambridge University Press: 19 May 2022
The many variations in vase shape and decorative syntax mean that several phases can be distinguished (IIIA2, IIIB1, IIIB2), at least in mainland Greece. The prolific output of workshops during this period brings about the development of ever more pronounced stylisation and abstraction. Still, it is not the case that this evolution is quite as linear as has been assumed, and the relative degeneration at the end of this period is likely less to do with a weakening of artistic sensibilities and more the disruption of pottery production after the serious destructions of 1250 bc.
Furumark’s (1941) study on Mycenaean pottery in general, and on this period in particular, remains pivotal, even though at the time of its publication the number of known vases was limited and their contexts not always tightly dated.
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