Book contents
- The Art and Archaeology of the Aegean Bronze Age
- The Art and Archaeology of the Aegean Bronze Age
- Copyright page
- Contents
- Figures
- Introduction
- Part I Aegean Neolithic Art
- Chapter 1 Artefacts and Contexts
- Chapter 2 Architectural Beginnings
- Chapter 3 Pottery
- Chapter 4 Figurines and Models
- Chapter 5 Other Arts
- Part II The Art of the Aegean Early Bronze Age
- Part III Aegean Art in the Cretan First Palace Period
- Part IV Aegean Art in the Second Palace Period
- Part V Aegean Art in the Cretan Second Palace Period
- Part VI Aegean Art in the Final Palatial Period of Knossos
- Part VII Aegean Art of the Mainland Mycenaean Palatial Period
- Part VIII Aegean Art at the End of the Bronze Age
- Afterword Aegean Art Through Forgers’ Eyes
- References
- Index
- Plate Section (PDF Only)
- References
Chapter 5 - Other Arts
Ornaments, Seals, and Stone Vases
from Part I - Aegean Neolithic Art
Published online by Cambridge University Press: 19 May 2022
- The Art and Archaeology of the Aegean Bronze Age
- The Art and Archaeology of the Aegean Bronze Age
- Copyright page
- Contents
- Figures
- Introduction
- Part I Aegean Neolithic Art
- Chapter 1 Artefacts and Contexts
- Chapter 2 Architectural Beginnings
- Chapter 3 Pottery
- Chapter 4 Figurines and Models
- Chapter 5 Other Arts
- Part II The Art of the Aegean Early Bronze Age
- Part III Aegean Art in the Cretan First Palace Period
- Part IV Aegean Art in the Second Palace Period
- Part V Aegean Art in the Cretan Second Palace Period
- Part VI Aegean Art in the Final Palatial Period of Knossos
- Part VII Aegean Art of the Mainland Mycenaean Palatial Period
- Part VIII Aegean Art at the End of the Bronze Age
- Afterword Aegean Art Through Forgers’ Eyes
- References
- Index
- Plate Section (PDF Only)
- References
Summary
Ornaments (bracelets, pins, beads) undergo major development in the Neolithic. Aside from clay, stone, and bone, certain imported materials, including shells like Spondylus, and metals such as gold, silver (perhaps coming from Siphnos in the Cyclades), and copper, are used for necklace beads, earrings, or small hammered and polished pendants (Kyparissi-Apostolika 2001; C. Perlès, in Dietz 2018, 331–40).
Metal jewellery appears in the Late Neolithic: a cut-out disc of gold sheet in Volos Museum, topped with a trapezoidal projection pierced with two small holes, forms part of a class of pendants of ring-idol type thought to be highly schematic representations of the human body (AE1, fig. 40; Papathanassopoulos 1996, n° 299). They occur in various other materials (silver, stone, clay, shell) and have a wide distribution in cemeteries from the shores of the Black Sea to central Europe. They are well represented in the cemetery of Varna.
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- The Art and Archaeology of the Aegean Bronze AgeA History, pp. 30 - 32Publisher: Cambridge University PressPrint publication year: 2022