Book contents
- Apocalypse in American Literature and Culture
- Cambridge Themes in American Literature and Culture
- Apocalypse in American Literature and Culture
- Copyright page
- Contents
- Figures
- Contributors
- Introduction The United States of Apocalypse
- Part I America as Apocalypse
- Part II American Apocalypse in (and out of) History
- Part III Varieties of Apocalyptic Experience
- Chapter 17 New History for a New Earth
- Chapter 18 W. E. B. Du Bois’s Apocalyptic Ambivalence
- Chapter 19 The Empty Cities of Urban Apocalypse
- Chapter 20 The Planetary Futures of Eco-Apocalypse
- Chapter 21 The Last Laughs of Doomsday Humor
- Chapter 22 The Catastrophic Endgames of Young Adult Literature
- Chapter 23 Apocalyptic Trauma and the Politics of Mourning a World
- Chapter 24 Posthuman Postapocalypse
- Further Reading
- Index
Chapter 24 - Posthuman Postapocalypse
from Part III - Varieties of Apocalyptic Experience
Published online by Cambridge University Press: 03 December 2020
- Apocalypse in American Literature and Culture
- Cambridge Themes in American Literature and Culture
- Apocalypse in American Literature and Culture
- Copyright page
- Contents
- Figures
- Contributors
- Introduction The United States of Apocalypse
- Part I America as Apocalypse
- Part II American Apocalypse in (and out of) History
- Part III Varieties of Apocalyptic Experience
- Chapter 17 New History for a New Earth
- Chapter 18 W. E. B. Du Bois’s Apocalyptic Ambivalence
- Chapter 19 The Empty Cities of Urban Apocalypse
- Chapter 20 The Planetary Futures of Eco-Apocalypse
- Chapter 21 The Last Laughs of Doomsday Humor
- Chapter 22 The Catastrophic Endgames of Young Adult Literature
- Chapter 23 Apocalyptic Trauma and the Politics of Mourning a World
- Chapter 24 Posthuman Postapocalypse
- Further Reading
- Index
Summary
What remains in life’s wake? Postapocalyptic literature long has imagined the end as a kind of beginning; someone or something always survives Armageddon, if only for a time. This is the postapocalyptic condition of possibility, enabling the genre’s cathected tropes of loss and redemption, regression and advance. Even when the survivors are not recognizably human—are androids, aliens, or nonhuman animals—“life” goes on. Engaging with a range of American fiction and nonfiction (from Ray Bradbury to Octavia Butler to Ray Kurzweil), this essay argues that what unites the posthuman and the postapocalyptic is, first, a shared, vitalistic investment in what might be called “life after death” and, second, a refusal or inability to narrate a final, lasting extinction. In H. P. Lovecraft’s radical take on Darwinian evolution, however, we can see the prospect of a posthuman sublime that never reconstitutes the autonomous subject. The chapter concludes with a brief meditation on the implications—metaphysical, biopolitical, and critical—of this self-alienation.
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- Apocalypse in American Literature and Culture , pp. 317 - 327Publisher: Cambridge University PressPrint publication year: 2020