Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-mkpzs Total loading time: 0 Render date: 2024-12-24T17:49:07.128Z Has data issue: false hasContentIssue false

Chapter 7 - Antioch’s Visual Culture and Its Hellenistic Past

from Part I - Beginnings

Published online by Cambridge University Press:  06 June 2024

By
Elizabeth M. Molacek
Edited by
Andrea U. De Giorgi
Andrea U. De Giorgi
Affiliation:
Florida State University
Get access

Summary

Hellenistic Antioch remains poorly known. Yet the later city’s visual repertoire, whether through emblemata, entire tessellated surfaces, or sculpture in the round is a recursive celebration of a shared Hellenistic past.

Keywords

AntiochHellenisticMosaicsSculpture
Type
Chapter
Information
Antioch on the Orontes
History, Society, Ecology, and Visual Culture
 , pp. 89 - 106
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Ajootian, A. 1997. “The only happy couple: Hermaphrodites and gender.” In Naked Truth, ed. Koloski-Ostrow, A., London, 236–254.Google Scholar
Andrade, N. J. 2013. Syrian Identity in the Roman World. Cambridge.CrossRefGoogle Scholar
Ball, W. 2016. Rome in the East: The Transformation of an Empire. 2nd ed. London.CrossRefGoogle Scholar
Balty, J. 1995. Mosaïques antiques du proche-orient. Chronologie, iconographie, interprétation. Paris.CrossRefGoogle Scholar
Becker, L. and Kondoleon, C., eds. 2005. The Arts of Antioch: Art Historical and Scientific Approaches to Roman Mosaics and a Catalogue of the Worcester Art Museum Art Collection. Worcester.Google Scholar
Blázquez, J. M. and Cabrero, J.. 2012. “Antioch mosaics and their mythological and artistic relations with Spanish mosaics.” Journal of Mosaic Research 5: 43–57.Google Scholar
Campbell, S. 1988. The Mosaics of Antioch. Toronto.Google Scholar
De Giorgi, A. U. 2016. Ancient Antioch: From Seleucid Era to the Islamic Conquest. Cambridge.CrossRefGoogle Scholar
De Giorgi, A. U. and Eger, A.. 2021. Antioch: A History. London.CrossRefGoogle Scholar
Dobbins, J. J. 2000. “The houses at Antioch.” In Antioch: The Lost Ancient City, ed. Kondoleon, C., Princeton, 51–62.Google Scholar
Downey, G. 1959. “Libanius’ oration in praise of Antioch.” Proceedings of the American Philosophical Society 103.5: 652–686.Google Scholar
Dunbabin, K. M. D. 1999. Mosaics of the Greek and Roman World. Cambridge.Google Scholar
Ebbinghaus, E. and Molacek, E.. 2018. “Roman drinking horns.” In Animal Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings, ed. Ebbinghaus, S., New Haven, CT, 266–274.Google Scholar
Goldhill, S. ed. 2001. Being Greek under Rome: Cultural Identity, the Second Sophistic, and the Development of Empire. Oxford.CrossRefGoogle Scholar
Gutzwiller, K. and Çelik, Ö.. 2012. “New menander mosaics from Antioch.” American Journal of Archaeology 116: 573–623.CrossRefGoogle Scholar
Hales, S. 2003. “The houses of Antioch: A study of the domestic sphere in the imperial near east.” In Roman Imperialism and Provincial Art, eds. Scott, S. and Webster, J., Cambridge, 171–191.Google Scholar
Hölscher, T. 2004. The Language of Images in Roman Art, trans. A. Snodgrass and A. Künzl-Snodgrass. Cambridge.Google Scholar
Huskinson, J. 2002–2003. “Theatre, performance, and theatricality in some mosaic pavements from Antioch.” Bulletin of the Institute of Classical Studies 46: 131–165.CrossRefGoogle Scholar
Huskinson, J. 2004. “Surveying the scene: Antioch mosaics as a source of historical evidence.” In Culture and Society in Later Roman Antioch, eds. Sandwell, I. and Huskinson, J., Oxford, 134–152.Google Scholar
Huskinson, J. 2005. “Rivers of Roman Antioch.” In Personification in the Greek World: From Antiquity to Byzantium, eds. Stafford, E. and Herrin, J., Aldershot, 247–264.Google Scholar
Kenfield, S. 2014. “History of the Antioch excavations.” In Antioch on the Orontes: Early Explorations in the City of Mosaics, ed. Redford, S., Istanbul, 36–77.Google Scholar
Kondoleon, C. 1995. Domestic and Divine: Roman Mosaics in the House of Dionysos. New York.Google Scholar
Kondoleon, C. ed. 2000a. Antioch: The Lost Ancient City. Princeton.Google Scholar
Kondoleon, C. 2000b. “Mosaics of Antioch.” In Antioch: The Lost Ancient City, ed. Kondoleon, C., Princeton, 63–78.Google Scholar
Kondoleon, C. 2000c. “The City of Antioch: An introduction.” in Antioch: The Ancient City, ed. Kondoleon, C., Princeton, 3–12.Google Scholar
Levi, D. 1947. Antioch Mosaic Pavements. Rome.Google Scholar
Matheson, S. 1980. Ancient Greek Glass in the Yale University Art Gallery. New Haven.Google Scholar
McAlee, R. 2007. The Coins of Roman Antioch. Suppl. 1. Lancaster.Google Scholar
Metcalf, W. 2000 “The mint of Antioch.” In Antioch: The Lost Ancient City, ed. Kondoleon, C., Princeton, 105–111.Google Scholar
Meyer, M. 2006. Die Personifikation der Stadt Antiochia. Ein neues Bild für eine neue Gottheit. Berlin.Google Scholar
Molacek, E. M. and Rogers, D. K.. 2021. “The mosaics of the House of the Boat of Psyches: Reexamining identity in Antioch.” In A Quaint and Curious Volume: Essays in Honor of John J. Dobbins, eds. Rogers, D. and Weiss, C., Oxford, 166–194.Google Scholar
Newby, Z. 2007. “Landscapes and identity in the mosaics of Antioch.” In Travel, Geography, and Culture in Ancient Greece, Egypt, and the Near East, eds. Adams, C. and Roy, J., Oxford, 185–205.Google Scholar
Noreña, C. F. 2016. “Heritage and homogeneity in the coinage of early Roman Antioch.” In Beyond Boundaries. Connecting Visual Cultures in the Provinces of Ancient Rome, eds. Alcock, S., Egri, M., and Frakes, J. F. D., Los Angeles, 294–306.Google Scholar
Ostrowski, J. 1991. Personifications of Rivers in Greek and Roman Art. Krakow.Google Scholar
Pamir, H. 2017. “An underworld cult monument in Antioch.” In Overturning Certainties in Near Eastern Archaeology, A Festschrift in Honor of K. A. Yener, eds. Maner, Ç., Horowitz, M. T., and Gilbert, A. S., Leiden, 543–559.Google Scholar
Retzleff, A. 2007. “The Dresden type satyr–hermaphrodite goup in Roman theaters.” American Journal of Archaeology 111: 459–472.CrossRefGoogle Scholar
Revell, L. 2009. Roman Imperialism and Local Identities. Cambridge.Google Scholar
Revell, L. 2016. Ways of Being Roman: Discourses of Identity in the Roman West. Oxford.CrossRefGoogle Scholar
Robinson, B. A. 2012. “Mount Helikon and the Valley of the Muses: The production of a sacred space.” Journal of Roman Archaeology 25: 227–258.CrossRefGoogle Scholar
Saliou, C. 2007. “Statues d’Antioche de Syrie dans la ‘Chronographie’ de Malalas.” In Recherches sur la “Chronique” de Jean Malalas, eds. Agusta-Boularot, S., Beaucamp, J., Bernardi, A. M., and Caire, E., Paris, 2: 69–96.Google Scholar
Smith, T. J. 2011. “From Antioch to Oklahoma: The Cilicia Mosaic rediscovered.” Mosaic 38: 9–16.Google Scholar
Stahl, A. 2017. “New archaeology from old coins: Antioch re-examined.” In European Archaeology as Anthropology: Essays in Memory of Bernard Wailes, eds. Bogucki, P. and Crabtree, P., Philadelphia, 225–244.Google Scholar
Stafford, E. 2000. Worshipping Virtues: Personifications and the Divine in Ancient Greece. Swansea.CrossRefGoogle Scholar
Stillwell, R., ed. 1938. Antioch on the Orontes II. The Excavation. 1933–1936. Princeton.Google Scholar
Stillwell, R., ed. 1941. Antioch on the Orontes III. The Excavations. 1937–1939. Princeton.Google Scholar
Stillwell, R., 1961. “Houses of Antioch.” Dumbarton Oaks Papers 15: 45–57.CrossRefGoogle Scholar
Vermeule, C. 2000. “The sculptures of Roman Syria.” In Antioch: The Lost Ancient City, ed. Kondoleon, C., Princeton, 91–102.Google Scholar
Versluys, M. J. 2015. “Roman visual material culture as globalising Koine.” In Globalisation and the Roman World: History, Connectivity and Material Culture, eds. Pitts, M. and Versluys, M. J., Cambridge, 141–174.Google Scholar
Versluys, M. J. 2017. Visual Style and Constructing Identity in the Hellenistic World. Nemrud Da and Commagene under Antiochos I. Cambridge.Google Scholar
Waage, S. M. 1986. “A note on the Dumbarton Oaks ‘Tethys Mosaic’.” Dumbarton Oaks Papers 40: 119–128.Google Scholar
Wallace-Hadrill, A. 2015. “What makes a Roman house a ‘Roman house’?” In Public and Private in the Roman House and Society, eds. Tuori, K. and Nissin, L., Portsmouth, 177–186.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×