Book contents
- American Song and Struggle from Columbus to World War II
- American Song and Struggle from Columbus to World War II
- Copyright page
- Praise for American Song and Struggle
- Dedication
- Contents
- Figures
- Preface
- Acknowledgments
- Introduction
- Chapter 1 Broken Spears and Songs of Sorrow
- Chapter 2 Good Newes from Virginia
- Chapter 3 A Capital Chop
- Chapter 4 If I Had but a Small Loaf of Bread
- Chapter 5 Where Today Are the Pequot?
- Chapter 6 There Is a Fountain Filled with Blood
- Chapter 7 A Tragedy That Beggared the Greek
- Chapter 8 Muscle, Blood, and Steel
- Chapter 9 Rule Anglo-Saxia
- Chapter 10 The Hand That Feeds You
- Chapter 11 We Are Many
- Chapter 12 100% American
- Chapter 13 We’re Up Against It Now
- Chapter 14 The Panic Is On
- Chapter 15 To Thee We Sing
- Conclusion
- Notes and Sources
- Song Index
- General Index
Chapter 3 - A Capital Chop
Published online by Cambridge University Press: 30 July 2022
- American Song and Struggle from Columbus to World War II
- American Song and Struggle from Columbus to World War II
- Copyright page
- Praise for American Song and Struggle
- Dedication
- Contents
- Figures
- Preface
- Acknowledgments
- Introduction
- Chapter 1 Broken Spears and Songs of Sorrow
- Chapter 2 Good Newes from Virginia
- Chapter 3 A Capital Chop
- Chapter 4 If I Had but a Small Loaf of Bread
- Chapter 5 Where Today Are the Pequot?
- Chapter 6 There Is a Fountain Filled with Blood
- Chapter 7 A Tragedy That Beggared the Greek
- Chapter 8 Muscle, Blood, and Steel
- Chapter 9 Rule Anglo-Saxia
- Chapter 10 The Hand That Feeds You
- Chapter 11 We Are Many
- Chapter 12 100% American
- Chapter 13 We’re Up Against It Now
- Chapter 14 The Panic Is On
- Chapter 15 To Thee We Sing
- Conclusion
- Notes and Sources
- Song Index
- General Index
Summary
As resistance to British legislation grows in the American colonies, song intensifies as a political force. Amidst continued white perplexity over the meanings of African music, Occramer Marycoo – also known as Newport Gardner – inaugurates Black American formal composition with his “Promise Anthem” of 1764, a resounding condemnation of slavery. Meanwhile, the Stamp Act, Tea Act, and other British “Intolerable Acts” produce more than riots and organizations like the Sons of Liberty: they produce a store of protest song fronted by the likes of John Dickinson, Benjamin Franklin, and the balladeers of the “Boston Massacre.” Loyalist songwriters fight their own losing battles through balladry, and the defeated British troops depart with the strains of “Yankee Doodle” ringing in their ears. The War of Independence may be over; but the songs of class war, women's rights, abolition, and Indigenous lament continue to infiltrate the soundscape of the newborn USA.
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- American Song and Struggle from Columbus to World War 2A Cultural History, pp. 41 - 60Publisher: Cambridge University PressPrint publication year: 2022