Book contents
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- PART I “LECTURES ON ARCHITECTURE AND PAINTING” (1854)
- PART II REVIEWS, LETTERS, AND PAMPHLETS ON ART (1844–1854)
- 1 REVIEW OF LORD LINDSAY'S “HISTORY OF CHRISTIAN ART” (1847)
- 2 REVIEW OF EASTLAKE'S “HISTORY OF OIL-PAINTING” (1848):–
- 3 SAMUEL PROUT (1849)
- 4 LETTERS ON THE PRE-RAPHAELITE ARTISTS (1851, 1854)
- 5 PRE-RAPHAELITISM (PAMPHLET, 1851)
- 6 LETTERS ON THE NATIONAL GALLERY (1847, 1852)
- 7 THE OPENING OF THE CRYSTAL PALACE, CONSIDERED IN SOME OF ITS RELATIONS TO THE PROSPECTS OF ART (PAMPHLET, 1854)
- APPENDIX TO PART II
- PART III “NOTES ON THE CONSTRUCTION OF SHEEPFOLDS” (1851)
- APPENDIX TO PART III
- PART IV LETTERS ON POLITICS (1852)
- Plate section
1 - REVIEW OF LORD LINDSAY'S “HISTORY OF CHRISTIAN ART” (1847)
Published online by Cambridge University Press: 05 November 2011
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- PART I “LECTURES ON ARCHITECTURE AND PAINTING” (1854)
- PART II REVIEWS, LETTERS, AND PAMPHLETS ON ART (1844–1854)
- 1 REVIEW OF LORD LINDSAY'S “HISTORY OF CHRISTIAN ART” (1847)
- 2 REVIEW OF EASTLAKE'S “HISTORY OF OIL-PAINTING” (1848):–
- 3 SAMUEL PROUT (1849)
- 4 LETTERS ON THE PRE-RAPHAELITE ARTISTS (1851, 1854)
- 5 PRE-RAPHAELITISM (PAMPHLET, 1851)
- 6 LETTERS ON THE NATIONAL GALLERY (1847, 1852)
- 7 THE OPENING OF THE CRYSTAL PALACE, CONSIDERED IN SOME OF ITS RELATIONS TO THE PROSPECTS OF ART (PAMPHLET, 1854)
- APPENDIX TO PART II
- PART III “NOTES ON THE CONSTRUCTION OF SHEEPFOLDS” (1851)
- APPENDIX TO PART III
- PART IV LETTERS ON POLITICS (1852)
- Plate section
Summary
“THE HISTORY OF CHRISTIAN ART”
Progression by Antagonism: a Theory, involving Considerations touching the Present Position, Duties, and Destiny of Great Britain. By Lord Lindsay. London, 1846.
Sketches of the History of Christian Art. By Lord Lindsay. 3 vols. 8vo. London, 1847.
1. There is, perhaps, no phenomenon connected with the history of the first half of the nineteenth century, which will become a subject of more curious investigation in after ages, than the coincident development of the Critical faculty, and extinction of the Arts of Design. Our mechanical energies, vast though they be, are not singular nor characteristic; such, and so great, have before been manifested—and it may perhaps be recorded of us with wonder rather than respect, that we pierced mountains and excavated valleys, only to emulate the activity of the gnat and the swiftness of the swallow. Our discoveries in science, however accelerated or comprehensive, are but the necessary development of the more wonderful Teachings into vacancy of past centuries; and they who struck the piles of the bridge of Chaos will arrest the eyes of Futurity rather than we builders of its towers and gates—theirs the authority of Light, ours but the ordering of courses to the Sun and Moon.
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- The Works of John Ruskin , pp. 167 - 248Publisher: Cambridge University PressPrint publication year: 2010First published in: 1903