Book contents
- Tom Stoppard in Context
- Frontispiece
- Tom Stoppard in Context
- Copyright page
- Contents
- Notes on Contributors
- Chronology
- Abbreviations
- Introduction
- Part I Origins
- Part II Influences
- Part III Ideas
- Part IV Aesthetics
- Chapter 15 Art and Aesthetics
- Chapter 16 Classicism and Romanticism
- Chapter 17 Modernism and the Avant-Garde
- Chapter 18 Music
- Part V Politics
- Part VI Page, Stage, and Screen
- Further Reading
- Index
Chapter 17 - Modernism and the Avant-Garde
from Part IV - Aesthetics
Published online by Cambridge University Press: 09 June 2021
- Tom Stoppard in Context
- Frontispiece
- Tom Stoppard in Context
- Copyright page
- Contents
- Notes on Contributors
- Chronology
- Abbreviations
- Introduction
- Part I Origins
- Part II Influences
- Part III Ideas
- Part IV Aesthetics
- Chapter 15 Art and Aesthetics
- Chapter 16 Classicism and Romanticism
- Chapter 17 Modernism and the Avant-Garde
- Chapter 18 Music
- Part V Politics
- Part VI Page, Stage, and Screen
- Further Reading
- Index
Summary
Stoppard engages with the legacy of the historical avant-garde throughout his writing; literary history energises and informs his theatre. It is modernism, though, that paves the way for Stoppard’s view of the artist as one who reorganises material into meaning. In Travesties, Stoppard uses Joyce to reaffirm the modernist tenet that authorial labour produces texts worth attending, events worth staging, and fictions that revise fictions.
- Type
- Chapter
- Information
- Tom Stoppard in Context , pp. 139 - 146Publisher: Cambridge University PressPrint publication year: 2021