Book contents
- Stravinsky and the Russian Period
- General Editor Arnold Whittall
- Stravinsky and the Russian Period:
- Copyright page
- Dedication
- Contents
- Acknowledgments
- Introduction
- 1 Meter and metrical displacement in Stravinsky
- 2 The octatonic scale
- 3 A brief survey
- 4 Meter, motive, and alignment in Les Noces: Stravinsky’s block and layered structures
- 5 Melody and harmony in Les Noces
- 6 Meter, text, and alignment in Renard (1916): Stravinsky’s “rejoicing discovery”
- 7 Allegro! Renard reconsidered
- 8 Melodic repeat structures in the music of Stravinsky, Debussy, and Rimsky-Korsakov: another look at the Symphonies of Wind Instruments (1920)
- 9 Issues of performance practice and aesthetic belief
- 10 Stravinsky and his critics
- Selected Bibliography
- Index
Index
Published online by Cambridge University Press: 05 July 2014
Book contents
- Stravinsky and the Russian Period
- General Editor Arnold Whittall
- Stravinsky and the Russian Period:
- Copyright page
- Dedication
- Contents
- Acknowledgments
- Introduction
- 1 Meter and metrical displacement in Stravinsky
- 2 The octatonic scale
- 3 A brief survey
- 4 Meter, motive, and alignment in Les Noces: Stravinsky’s block and layered structures
- 5 Melody and harmony in Les Noces
- 6 Meter, text, and alignment in Renard (1916): Stravinsky’s “rejoicing discovery”
- 7 Allegro! Renard reconsidered
- 8 Melodic repeat structures in the music of Stravinsky, Debussy, and Rimsky-Korsakov: another look at the Symphonies of Wind Instruments (1920)
- 9 Issues of performance practice and aesthetic belief
- 10 Stravinsky and his critics
- Selected Bibliography
- Index
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- Stravinsky and the Russian PeriodSound and Legacy of a Musical Idiom, pp. 313 - 324Publisher: Cambridge University PressPrint publication year: 2012