Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-tf8b9 Total loading time: 0 Render date: 2024-12-01T00:15:52.007Z Has data issue: false hasContentIssue false

Select Bibliography

Published online by Cambridge University Press:  30 November 2023

Arnold Whittall
Affiliation:
Emeritus, King's College London
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Select Bibliography

Adorno, Theodor W. Night Music: Essays on Music, 1920–1962. Edited by Tiedemann, Rolf. Translated by Wieland Hoban. Calcutta: Seagull Books, 2009.Google Scholar
Adorno, Theodor W. Philosophy of New Music. Translated by Robert Hullot-Kentor. Minneapolis: University of Minnesota Press, 2006.Google Scholar
Albright, Daniel. Untwisting the Serpent: Modernism in Music, Literature, and Other Arts. Chicago: University of Chicago Press, 2000.Google Scholar
Arndt, Matthew. The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg. London: Routledge, 2018.Google Scholar
Auner, Joseph. A Schoenberg Reader: Documents of a Life. New Haven, CT: Yale University Press, 2003.CrossRefGoogle Scholar
Benjamin, William E.Abstract Polyphonies: The Music of Schoenberg’s Nietzschean Moment’. In Political and Religious Ideas in the Works of Arnold Schoenberg. Edited by Cross, Charlotte M. and Berman, Russell A.. New York: Garland, 2000, 139.Google Scholar
Berg, Alban and Schoenberg, Arnold. The Berg–Schoenberg Correspondence: Selected Letters. Edited by Brand, Juliane, Hailey, Christopher and Harris, Donald. Basingstoke: Macmillan, 1987.Google Scholar
Boss, Jack. Schoenberg’s Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function. Cambridge: Cambridge University Press, 2019.CrossRefGoogle Scholar
Boss, Jack. Schoenberg’s Twelve-Tone Method: Symmetry and the Musical Idea. Cambridge: Cambridge University Press, 2014.CrossRefGoogle Scholar
Boulez, Pierre. Orientations: Collected Writings. Edited by Nattiez, Jean-Jacques. Translated by Martin Cooper. London: Faber & Faber, 1986.Google Scholar
Boulez, Pierre. Stocktakings from an Apprenticeship. Translated by Stephen Walsh. Oxford: Clarendon Press, 1991.Google Scholar
Brinkmann, Reinhold and Wolff, Christoph, eds. Music of My Future: The Schoenberg Quartets and Trio. Cambridge, MA: Harvard University Press, 2000.Google Scholar
Brodsky, Seth. From 1989: Or European Music and the Modernist Unconscious. Berkeley: University of California Press, 2017.Google Scholar
Brown, Julie. Schoenberg and Redemption. Cambridge: Cambridge University Press, 2014.CrossRefGoogle Scholar
Bujić, Bojan. Arnold Schoenberg. New York: Phaidon, 2011.Google Scholar
Bujić, Bojan. Arnold Schoenberg and Egon Wellesz: A Fraught Relationship. London: Plumbago Books, 2020.Google Scholar
Cherlin, Michael. ‘Pierrot Lunaire as Lunar Nexus’. Music Analysis 11/2 (2012): 176215.CrossRefGoogle Scholar
Cooke, Deryck. Guide to Mahler’s Symphonies. London: BBC, 1960.Google Scholar
Cross, Charlotte M. and Berman, Russell A., eds. Political and Religious Ideas in the Works of Arnold Schoenberg. New York: Routledge, 2000.Google Scholar
Dahlhaus, Carl. Schoenberg and the New Music. Translated by Derrick Puffett and Alfred Clayton. Cambridge: Cambridge University Press, 1989.Google Scholar
Dromey, Christopher. The Pierrot Ensembles: Chronicle and Catalogue, 1912–2012. London: Plumbago Books, 2012.Google Scholar
Fitch, Lois. Brian Ferneyhough. Bristol: Intellect, 2013.Google Scholar
Forte, Allen. The Structure of Atonal Music. New Haven, CT: Yale University Press, 1973.Google Scholar
Frisch, Walter, ed. Schoenberg and His World. Princeton, NJ: Princeton University Press, 1999.Google Scholar
Frisch, Walter. The Early Works of Arnold Schoenberg: 1891–1908. Berkeley: University of California Press, 1993.CrossRefGoogle Scholar
Gilloch, Graeme. Walter Benjamin: Critical Constellations. Cambridge: Polity Press, 2002.Google Scholar
Goehr, Alexander. Finding the Key: Selected Writings. Edited by Puffett, Derrick. London: Faber & Faber, 1988.Google Scholar
Goehr, Walter and Goehr, Alexander. European Music in the Twentieth Century. Revised ed. Edited by Hartog, Howard. Harmondsworth: Pelican Books, 1961.Google Scholar
Hailey, Christopher. ‘Musical Expressionism: The Search for Autonomy’. In Expressionism Reassessed. Edited by Behr, Shulamith, Fanning, David and Jarman, Douglas. Manchester: Manchester University Press, 1993. 103–11.Google Scholar
Haimo, Ethan. Schoenberg’s Serial Odyssey: The Evolution of His Twelve-Tone Method, 1914–18. Cambridge: Cambridge University Press, 2006.Google Scholar
Haimo, Ethan. Schoenberg’s Transformation of Musical Language. Cambridge: Cambridge University Press, 2006.Google Scholar
Harrison, Daniel. Pieces of Tradition: An Analysis of Contemporary Tonal Music. New York: Oxford University Press, 2016.Google Scholar
Karnes, Kevin C. A Kingdom Not of This World: Wagner, the Arts, and Utopian Visions in Fin-de- Siècle Vienna. New York: Oxford University Press, 2013.CrossRefGoogle Scholar
Markowitz, Mark D. Alexander Zemlinsky: A Lyric Symphony. Woodbridge: The Boydell Press, 2010.Google Scholar
Móricz, Klára. Jewish Identities: Nationalism, Racism, and Utopianism in Twentieth-Century Music. Berkeley: University of California Press, 2008.CrossRefGoogle Scholar
Neff, Severine. ‘Translation and Commentary’. In Arnold Schoenberg, The Second String Quartet in F sharp minor, Opus 10. Edited by Neff, Severine. New York: Norton, 2006. 189–93.Google Scholar
Neighbour, O. W.Arnold Schoenberg’. In The New Grove Dictionary of Music and Musicians. Edited by Sadie, Stanley and Tyrrell, John, 2nd ed., vol. 22. London: Macmillan, 2001. 589.Google Scholar
Ogdon, Will. ‘How Tonality Functions in Schoenberg’s Opus 11, No. 1’. Journal of the Arnold Schoenberg Institute 5/1 (1981): 168–81.Google Scholar
Puffett, Kathryn and Schingnitz, Barbara. Three Men of Letters: Arnold Schönberg, Alban Berg and Anton Webern, 1906–21. Vienna: Hollitzer Wischenschaftsverlag, 2020.Google Scholar
Samson, Jim. Music in Transition. London: Dent, 1977.Google Scholar
Shawn, Allen. Arnold Schoenberg’s Journey. Cambridge, MA: Harvard University Press, 2002.Google Scholar
Schoenberg, Arnold. Arnold Schoenberg Letters. Edited by Stein, Erwin. London: Faber & Faber, 1974.Google Scholar
Schoenberg, Arnold. ‘Private Program for the First String Quartet (1904)’. In Schoenberg’s Program Notes and Musical Analyses. Edited by Jenkins, J. Daniel. New York: Oxford University Press, 2016. 151–3.Google Scholar
Schoenberg, Arnold. Structural Functions of Harmony, 2nd ed. Edited by Stein, Leonard. New York: Norton, 1969.Google Scholar
Schoenberg, Arnold. Style and Idea: Selected Writings. Edited by Stein, Leonard. Translated by Leo Black. London: Faber & Faber, 1975.Google Scholar
Schoenberg, Arnold. The Musical Idea and the Logic, Technique, and Art of Its Presentation. Edited and translated by Carpenter, Patricia and Neff, Severine. New York: Columbia University Press, 1995.Google Scholar
Schoenberg, Arnold. Theory of Harmony. Translated by Roy E. Carter. London: Faber & Faber, 1978.Google Scholar
Schoenberg, Randol, ed. The Doctor Faustus Dossier. Berkeley: University of California Press, 2018.CrossRefGoogle Scholar
Simms, Bryan R. The Atonal Music of Arnold Schoenberg, 1908–1923. New York: Oxford University Press, 2000.Google Scholar
Simms, Bryan R.Whose Idea Was Erwartung?’. In Constructive Dissonance: Arnold Schoenberg and the Transformation of Twentieth-Century Culture. Edited by Brand, Juliane and Hailey, Christopher. Berkeley: University of California Press, 1997. 100–8.Google Scholar
Straus, Joseph N. Introduction to Post-Tonal Theory. Englefield Cliffs, NJ: Prentice-Hall, 1990.Google Scholar
Stuckenschmidt, H. H. Arnold Schoenberg: His Life, World and Work. Translated by Humphrey Searle. London: John Calder, 1977.Google Scholar
Vande Mortele, Steven. ‘Murder, Trauma, and the Half-Diminished Seventh Chord in Schoenberg’s “Song of the Wood Dove”’. Music Theory Spectrum 39/1 (2017): 6682.CrossRefGoogle Scholar
Vilain, Robert. ‘Schoenberg and German Poetry’. In Schoenberg and Words: The Modernist Years. Edited by Cross, Charlotte M. and Berman, Russell A.. New York: Garland Publishing, 2000. 130.Google Scholar
Watkins, Glenn. Proof Through the Night: Music and the Great War. Berkeley: University of California Press, 2003.CrossRefGoogle Scholar
Whittall, Arnold. ‘Metaphysical Materials: Schoenberg in Our Time’. Music Analysis 35/3 (2015): 383406.Google Scholar
Whittall, Arnold. The Cambridge Introduction to Serialism. Cambridge: Cambridge University Press, 2008.Google Scholar
Whittall, Arnold. ‘Über die Anwendung der Musik auf das Drama’. In The Cambridge Wagner Encyclopedia. Edited by Vazonyi, Nicholas. Cambridge: Cambridge University Press, 2013. 603–4.Google Scholar
Williams, Alastair. New Music and the Claims of Modernity. Aldershot: Ashgate, 1997.Google Scholar
Wright, James K. Schoenberg, Wittgenstein, and the Vienna Circle. Bern: Peter Lang, 2007.Google Scholar
Wright, James K. and Gillmor, Alan M., eds. Schoenberg’s Chamber Music, Schoenberg’s World. New York: Pendragon Press, 2009.Google Scholar
Youmans, Charles. Richard Strauss’s Orchestral Music and the German Intellectual Tradition: The Philosophical Roots of Musical Modernism. Bloomington: Indiana University Press, 2005.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Select Bibliography
  • Arnold Whittall, Emeritus, King's College London
  • Book: Schoenberg: ‘Night Music' – <i>Verklärte Nacht and Erwartung</i>
  • Online publication: 30 November 2023
  • Chapter DOI: https://doi.org/10.1017/9781009082549.006
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Select Bibliography
  • Arnold Whittall, Emeritus, King's College London
  • Book: Schoenberg: ‘Night Music' – <i>Verklärte Nacht and Erwartung</i>
  • Online publication: 30 November 2023
  • Chapter DOI: https://doi.org/10.1017/9781009082549.006
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Select Bibliography
  • Arnold Whittall, Emeritus, King's College London
  • Book: Schoenberg: ‘Night Music' – <i>Verklärte Nacht and Erwartung</i>
  • Online publication: 30 November 2023
  • Chapter DOI: https://doi.org/10.1017/9781009082549.006
Available formats
×